Schwanengesang, D.957 (Schubert, Franz)

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Performances

Recordings

Complete

Publisher Info. Boston: Isabella Stewart Gardner Museum
Performers Randall Scarlata (baritone), Benjamin Hochman (piano)
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Misc. Notes Order of the songs in this performance is not the traditional, but all 14 are present.
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Ständchen (No.4)

Publisher Info. Boston: Isabella Stewart Gardner Museum
Performers Mark Padmore (voice), Jonathan Biss (piano)
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Naxos

Accompaniments

Ständchen (No.4)

Performer Pages Héctor Valls (Piano)
Publisher Info. Héctor Valls
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Synthesized/MIDI

Ständchen (No.4)

For Violin, Double Bass and Piano (Vincent IV)

Performer Pages Teo Vincent IV (Piano, Keyboards, Guitar, Voice, Percussion, Synthesizer, Freeboards, Computer)
Publisher Info. Vincent Trio Scores
Teo Vincent IV
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For Guitar (Ferranti)
Publisher Info. Renzo Gherlone
Performers Synthesized MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Guitar (Nachbaur)
Publisher Info. Fred Nachbaur
Performers Synthesized MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

Complete

Original Version (High Voice)
Publisher. Info. Holograph manuscript, 1828.
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Misc. Notes The Morgan Library & Museum, New York City (US-NYpm): Cary 63
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Editor First edition
Language German
Publisher. Info. Vienna: Tobias Haslinger, n.d.[1829]. Plates T.H. 5370 (5371-84).
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Editor Neue Ausgabe
Language German / French
Publisher. Info. Wien: Tobias Haslinger, n.d.[1842]. Plate T.H. 8701-8714.
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Misc. Notes Royal College of Music Library, London (GB-Lcm): D1294/6 and D1294/7
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Editor Heinrich Sattler (1811-1891)
Publisher. Info. Franz Schubert's sämmtliche Compositionen, Vol.5 No.101
Wolfenbüttel: L. Holle, n.d. Plate 773.
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Misc. Notes This file is part of the Submission Project.
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Editor Eusebius Mandyczewski (1857-1929)
Publisher. Info. Schubert's Werke, Serie XX, Band 9. 1827-28 b.z. 'Schwanengasang', No.554-567 (pp.134–85)
Leipzig: Breitkopf & Härtel, 1895. Plate F.S. 920-933.
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Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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Editor Max Friedlaender (1852-1934)
Publisher. Info. Leipzig: C.F. Peters, No.20a, n.d.(ca.1897). Plate 9023.
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Version for Medium Voice
Editor Max Friedlaender (1852-1934)
Publisher. Info. Gesänge für eine Singstimme mit Klavierbegleitung
Band I - Ausgabe für mittlere Stimme
Leipzig: C.F. Peters, n.d. Plate 8846.
Reprinted Revised edition, 1928 (preface).
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Misc. Notes For information on transpositions and keys in the Peters edition, see this guide
Scanned at 600dpi monochrome, cleaned rudimentarily.
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Version for Medium-Low Voice
Editor Max Friedlaender (1852-1934)
Publisher. Info. Gesänge für eine Singstimme mit Klavierbegleitung, Bd.1 (pp.130-80)
Leipzig: C.F. Peters, No.20c, n.d. Plate 9434.
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Misc. Notes For information on transpositions and keys in the Peters edition, see this guide.
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Version for Low Voice
Editor Max Friedlaender (1852-1934)
Publisher. Info. Gesänge für eine Singstimme mit Klavierbegleitung,
Band I. Ausgabe für tiefen Alt (oder Bass)
Leipzig: C.F. Peters, No.20d, 1908. Plate 9350.
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Misc. Notes 400 dpi. For information on transpositions and keys in the Peters edition, see this guide.
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Ständchen (No.4)

Editor Walther Dürr (1932-2018)
Publisher. Info. Neue Schubert-Ausgabe, Serie IV, Band 14b: Lieder 14 [NSA IV/14b] (pp.290-94)
Kassel: Bärenreiter-Verlag, 1988. Plate BA 5527.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Arrangements and Transcriptions

Complete

For Viola and Piano (Liszt-Drillon)
Arranger Jacques Drillon
after Franz Liszt (1811-1886)
Publisher. Info. Jacques Drillon
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Misc. Notes After the piano solo arrangement by Liszt.
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For Piano 4 hands (Ulrich)
Arranger Hugo Ulrich (1827-1872)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 4866.
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For Piano (Horn)
Arranger August Horn (1825-1893)
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1880). Plate 6874.
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For Piano (Liszt)

12 more: Das Fischermädchen (S.560/2) • Aufenthalt (S.560/3) • Am Meer (S.560/4) • Abschied (S.560/5) • In der Ferne (S.560/6) • Ständchen (S.560/7) • Ihr Bild (S.560/8), Frühlingssehnsucht (S.560/9) • Liebesbotschaft (S.560/10) • Der Atlas (S.560/11) • Der Doppelgänger (S.560/12) • Die Taubenpost (S.560/13) • Kriegers Ahnung (S.560/14)

Arranger Franz Liszt (1811-1886)
Editor First edition
Publisher. Info. Vienna: Tobias Haslinger, n.d.[1840]. Plate T.H. 7764.
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Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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13 more: Das Fischermädchen (S.560/2) • Aufenthalt (S.560/3) • Am Meer (S.560/4) • Abschied (S.560/5) • In der Ferne (S.560/6) • Ständchen (S.560/7) • Ihr Bild (S.560/9) • Frühlingssehnsucht (S.560/9) • Liebesbotschaft (S.560/10) • Der Atlas (S.560/11) • Der Doppelgänger (S.560/12) • Die Taubenpost (S.560/13) • Kriegers Ahnung (S.560/14)

Arranger Franz Liszt (1811-1886)
Editor First edition (reprint)
Publisher. Info. Vienna: Tobias Haslinger, n.d.[1840]. Plate T.H. 7764.
Reprinted Mineola: Dover Publications, 1996.
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Arranger Franz Liszt (1811-1886)
Editor Imre Mező (b. 1932)
Imre Sulyok (1912-2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 2, Band 21
Budapest: Editio Musica, 1995. Plate Z.13 358.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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For Piano (Wittmann)
Arranger Robert Wittmann
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 6874.
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Selections

For Voice and Guitar (Mertz)
For Violin and Piano (Sitt)
For Piano and Harmonium (Lickl)
Arranger Carl Georg Lickl (1801-1877)
Publisher. Info. Vienna: Tobias Haslinger, n.d.(ca.1844). Plate T.H. 9149.
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Misc. Notes 600 dpi monochrome. Not cleaned.
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For Piano (Liszt)

5 more: Aufenthalt (S.560/3) (filter) • Ständchen (S.560/7) (scan) • Ständchen (S.560/7) (filter) • Liebesbotschaft (S.560/10) (scan) • Liebesbotschaft (S.560/10) (filter)

Arranger Franz Liszt (1811-1886)
Editor Emil von Sauer (1862-1942)
Publisher. Info. Klavierwerke, Band 9 (pp.80-105)
Leipzig: Edition Peters, No.3602a, n.d.[1918]. Plate 9885.
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Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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Liebesbotschaft (No.1)

For Piano (Godowsky)
Arranger Leopold Godowsky (1870-1938)
Publisher. Info. Moscow: Muzyka, 1970. Plate 6544.
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Ständchen (No.4)

For Orchestra (Mottl)

10 more: Flute 1, 2 • English Horn • Clarinet 1, 2 (B♭) • Horn 1, 2 (F) • Harp • Violins I • Violins II • Violas • Cellos • Basses

Arranger Felix Mottl (1856-1911)
Publisher. Info. Leipzig: Breitkopf und Härtel, 1897.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A3018.
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For Strings (Choe)

5 more: Violins I • Violins II • Violas • Cellos • Basses

Arranger Joshua Choe
Publisher. Info. Joshua Choe, 2020.
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Misc. Notes YouTube recording
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For Recorder Orchestra (Kemp)
Arranger David Edward Kemp
Publisher. Info. David Edward Kemp
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Misc. Notes recorder orchestra=2 soprano, 3 alto, 3 tenor, 2 bass, 2 great bass, 1 contrabass, 1 sub-great bass, 1 sub-contrabass
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For 4 Accordions and Bass Accordion (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2020.
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For Voice, 2 Violins, Viola and Cello (Fine)
Arranger Elaine Fine
Publisher. Info. Elaine Fine
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For 3 Accordions and Bass Accordion (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2020.
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For 2 Violins, Viola and Cello (Fine)
Arranger Elaine Fine
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For 2 Violins and Piano (Saenger)
Arranger Gustav Saenger (1865-1935)
Publisher. Info. New York: Carl Fischer, 1899. Plate 5302.
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Misc. Notes 900 dpi
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For Violin, Double Bass and Piano (Vincent IV)
Arranger Teo Vincent IV
Publisher. Info. Vincent Trio Scores
Teo Vincent IV
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For Piano 6 Hands (Liba)
Arranger Carl Liba
Editor William Scharfenberg (1819-1895)
Publisher. Info. New York: G. Schirmer, 1900. Plate 15331.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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For 2 Flutes and Piano (Rice)
Arranger Al Rice (b. 1955)
Publisher. Info. Al Rice, 2017.
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For 2 Accordions (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2020.
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Misc. Notes one accordion using only right hand, the other one using both hands
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For Flute and Piano (Gariboldi)
Arranger Giuseppe Gariboldi (1833-1905)
Publisher. Info. Milan: Ricordi, n.d. Plate 85651.
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Misc. Notes This item is from the Collezione "Daini Bixio".
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For Voice and Guitar (Coste)
Arranger Napoléon Coste (1805-1883)
Language French
Translator Edouard Bélanger (1804–1878), French text
Publisher. Info. Paris: Costallat & Cie., No.3113, n.d. Plate 17560.
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Misc. Notes Mr. Bélanger is assumed to be Edouard Bélanger.
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For Voice and Guitar (Mertz)
Arranger Johann Kaspar Mertz (1806-1856)
Publisher. Info. Vienna: Carl Haslinger, n.d. Plate 10261.
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Arranger Johann Kaspar Mertz (1806-1856)
Editor Stefan Apke (b. 1963)
Publisher. Info. Vlotho: Stefan Apke, 2020.
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For Voice and Guitar (Tackmann)
Arranger Richard Tackmann (died in World War I)
Editor Walther Werckmeister (1873-1934)
Publisher. Info. Deutsches Lautenlied
Berlin: A. Köster, n.d.(ca.1914).
Reprinted Revised edition - (1925).
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For Clarinet and Piano
Arranger Unknown
Publisher. Info. Boston: Harry Bettoney, 1904. Plate 33.
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For Horn and Piano (Vuillermoz)
Arranger Louis-Edouard Vuillermoz (1869-1939)
Publisher. Info. Paris: Alphonse Leduc, 1934. Plate A. L. 18 722.
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Misc. Notes Ständchen (No.4)
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For Trumpet and Piano
Publisher. Info. New York: Carl Fischer, 1893. Plate 3568.
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For Violin and Piano (Marteau)
For Violin and Piano (Wichtl)
Arranger Georg Wichtl (1805-1877)
Publisher. Info. Breslau: Julius Hainauer, n.d.[1869]. Plate J. 774 H.
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For Violin and Piano (Zoeller)
Arranger Carli Zoeller (1840-1889)
Publisher. Info. London: Standard English Edition, n.d. Plate S.E.E. 382.
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For Violin and Piano (Reményi)
Arranger Eduard Reményi (1828-1898)
Publisher. Info. Paris: Heugel & Fils, n.d. Plate H 6170 (2).
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Misc. Notes From the uploader's library
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For Violin and Piano (Elman)
Arranger Mischa Elman (1891-1967)
Publisher. Info. New York: Schirmer, 1910. Plate 21994c.
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For Violin and Piano (Hauser)
Arranger Miska Hauser (1822-1887)
Publisher. Info. Leipzig: C.F.W. Siegel, n.d. Plate 3403.
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For Violin and Piano (Seybold)
Arranger Arthur Seybold (1868-1948)
Publisher. Info. Die Wundergeige, Heft II
Leipzig: Anton J. Benjamin, 1928.
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For Violin (or Mandolin) and Piano (Lazora)
Arranger Eugen Lazora (fl. 1903-04)
Publisher. Info. [Chicago]: National Music Co., 1903. Plate 1558.
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For Violin (or Viola) and Piano (Wolff)
Arranger C.G. Wolff
Publisher. Info. Braunschweig: Litolff, n.d. Plate 10813.
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For Viola and Guitar (Hoogewerf)
Arranger Wim Hoogewerf (b. 1956)
Publisher. Info. Wim Hoogewerf, 2023.
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For Cello and Piano (Bockmühl)
See: 3 Sérénades, Op.6 (No.1)
For Cello and Piano (Goltermann)
Arranger Georg Goltermann (1824-1898)
Publisher. Info. Leipzig: Bosworth & Co., No.236, 1899. Plate 861, 4311.
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For Cello and Piano (Lindner)
See: 6 Morceaux de Salon for Cello, Op.18 (No.1)
For Cello and Piano (Vogel and Guérout)
Arranger Charles Vogel (1808-1892)
Henri Guérout (1822-1913)
Publisher. Info. Braunschweig: Henry Litolff's Verlag, n.d. Plate 10122.B.
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For Cello and Piano
Arranger Unknown
Publisher. Info. New York: Carl Fischer, No.S. 4252, 1889. Plate 2220-7.
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For Piano 4 hands (Behr)
Arranger Franz Behr (1837-1898)
Publisher. Info. Offenbach: Johann André, n.d. Plate 13555.
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For Guitar (Biagi)
Arranger Manlio Biagi (1896-1942)
Publisher. Info. Milan: A. Monzino & Garlandini, n.d. Plate 56 C.
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For Guitar (Ferranti)
Arranger Marco Aurelio Zani de Ferranti (1800-1878)
Publisher. Info. New York: Philip Ernst & Son, 1846. Plate 26_4.
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Arranger Marco Aurelio Zani de Ferranti (1800-1878)
Editor Renzo Gherlone
Publisher. Info. Renzo Gherlone
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arranger Marco Aurelio Zani de Ferranti (1800-1878)
Editor Stefan Apke (b. 1963)
Publisher. Info. Vlotho: Stefan Apke, 1996/2020.
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For Guitar (Janon)
Arranger Charles de Janon (1834-1911)
Publisher. Info. Musical Gems Arranged as Solos for the Guitar, Book 3 (No.8)
New York: Wm. A. Pond & Co., 1887. Plate F.B. 6830.
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For Guitar (Mertz)
Arranger Johann Kaspar Mertz (1806-1856)
Editor Stefan Apke (b. 1963)
Publisher. Info. Vlotho: Stefan Apke, 1996/2020.
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For Guitar (Nachbaur)
Arranger Fred Nachbaur
Publisher. Info. Fred Nachbaur
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Misc. Notes Werner Icking in Memoriam
These file(s) are part of the Werner Icking Music Collection.
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For Harp (Alberti)
Arranger D. Alberti (fl. 1914)
Publisher. Info. New York: Carl Fischer, 1914. Plate C. 17508.
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Misc. Notes From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org). From Pratt Harp Collection.
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For Harp (Oberthür)
Arranger Charles Oberthür (1819-1895)
Publisher. Info. Gems of German Song, No.4
London: Wessel & Co., n.d. Plate W. & Co. No.7280.
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Misc. Notes From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org).
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For Organ (Lemare)
Arranger Edwin Henry Lemare (1865-1934)
Publisher. Info. London: Alfred Lengnick, 1892. Plate A.L: 105.
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Arranger Edwin Henry Lemare (1865-1934)
Publisher. Info. Alex'Not
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For Piano (Heller)
Arranger Stephen Heller (1813-1888)
Publisher. Info. New York: The Schubert Piano Co., n.d.
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For Piano (Liszt)
Arranger Franz Liszt (1811-1886)
Publisher. Info. Études mélodiques pour Piano d'après Schubert
Milan: Jean Ricordi, n.d.[1850?]. Plate C 10665 C.
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Arranger Franz Liszt (1811-1886)
Publisher. Info. Philadelphia: F.A. North, n.d.(1872-90).
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Misc. Notes This file is part of the Gaylord Library Mirroring Project.
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Arranger Franz Liszt (1811-1886)
Publisher. Info. Moscow: P. Jurgenson, 1879. Plate 3294.
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Arranger Franz Liszt (1811-1886)
Publisher. Info. St. Louis: Art Publication Society, 1912.
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Aufenthalt (No.5)

For Male Chorus and Piano (Vellucci)
Arranger Paul Vellucci (fl. 1950)
Language English
Translator Richard D. Row (1899–?), English text
Publisher. Info. Row Octavo Series, No.514
Boston: R.D. Row Music Co., 1950. Plate R.D.R. 514-7.
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Misc. Notes This file is part of the Indianapolis Maennerchor Archive.
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For Violin and Piano (Jansa)
Arranger Leopold Jansa (1795-1875)
Publisher. Info. Vienna: Tobias Haslinger, n.d.(ca.1843). Plate T.H. 8909.
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Am Meer (No.12)

For Theatre Orchestra (Loth)
Arranger Louis Leslie Loth (1888-1974)
Publisher. Info. New York: Broadcast Music Inc., 1941.
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Misc. Notes
In the USA this work is most likely in the public domain because no renewal was found after a thorough search of the Catalog of Copyright Entries and it was ineligible for "restoration" under GATT/TRIPS.
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For 2 Violins (Bielfeld)
Arranger August Bielfeld (1847-1924)
Publisher. Info. Bremen: A.E. Fischer, n.d. Plate 2836.
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Misc. Notes from: Aug. Bielfeld, "Praktische Violinschule", Op.139
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For Violin and Piano (Jansa)
Arranger Leopold Jansa (1795-1875)
Publisher. Info. Berlin: Schlesinger (Lienau), n.d. Plate S. 8039.
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For Violin and Piano (Wilhelmj)
Arranger August Wilhelmj (1845-1908)
Publisher. Info. Mainz: Schott, n.d. Plate 23598.2.
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For Viola and Piano (Sitt)
Arranger Hans Sitt (1850-1922)
Publisher. Info. Sammlung Klassischer und Moderner Stücke, Vol.2 (No.2)
Leipzig: Steingräber, n.d.(1919). Plate 2067.
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For Cello and Piano (Klengel and Reinecke)
Arranger Julius Klengel (1859-1933)
Carl Reinecke (1824-1910)
Engraver Leipzig: C.G. Röder.
Publisher. Info. Lyrica (No.16)
Leipzig: Gebrüder Reinecke, n.d. Plate G.130 R.
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For Cello and Piano (Piatti)
Arranger Alfredo Carlo Piatti (1822-1901)
Publisher. Info. London: J. & W. Chester, Ltd., 1920. Plate J.W.C. 912.
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For Cello (Bucholz)
Arranger T. Bucholz
Publisher. Info. T. Bucholz
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For Piano (Godowsky)

PDF scanned by Unknown
Dhruvapunde (2024/6/6)

Arranger Leopold Godowsky (1870-1938)
Publisher. Info. New York: G. Schirmer, 1937. Plate 37395 c.
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Die Taubenpost (No.14)

For Cello or Violin and Piano (Jansa)
Arranger Leopold Jansa (1795-1875)
Publisher. Info. Vienna: Tobias Haslinger, n.d.(ca.1843). Plate T.H. 8909.
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Misc. Notes From the Nitschmann collection
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Braille Scores

Original Version (High Voice)

BRF typeset by editor
Feduol (2025/1/1)

Editor Hu Haipeng (b. 1984)
Publisher. Info. Hu Haipeng, 2024.
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General Information

Work Title 13 Lieder nach Gedichten von Rellstab und Heine, Schwanengesang
Alternative. Title 13 Songs after Poems by Rellstab and Heine, Swan Song
Name Translations Kriegers Ahnung
Authorities WorldCat; VIAF: 184162194; BNF: 14007175k
Composer Schubert, Franz
Opus/Catalogue NumberOp./Cat. No. D.957
I-Catalogue NumberI-Cat. No. IFS 657
Movements/SectionsMov'ts/Sec's 13 (14) songs:
1. Liebesbotschaft
2. Kriegers Ahnung
3. Frühlingssehnsucht
4. Ständchen
5. Aufenthalt
6. In der Ferne
7. Abschied
8. Der Atlas
9. Ihr Bild
10. Das Fischermädchen
11. Die Stadt
12. Am Meer
13. Der Doppelgänger
14. Die Taubenpost [*]
Text Incipit see below
  1. Rauschendes Bächlein, so silbern und hell
  2. In tiefer Ruh liegt um mich her der Waffenbrüder Kreis
  3. Säuselnde Lüfte wehend so mild
  4. Leise flehen meine Lieder durch die Nacht zu dir
  5. Rauschender Strom, brausender Wald
  6. Wehe dem Fliehenden Welt hinaus ziehenden!
  7. Ade! du muntre, du fröhliche Stadt, ade!
  8. Ich unglückselger Atlas!
  9. Ich stand in dunkeln Träumen und starrt’ ihr Bildnis an
  10. Du schönes Fischermädchen, treibe den Kahn ans Land
  11. Am fernen Horizonte erscheint, wie ein Nebelbild
  12. Das Meer erglänzte weit hinaus im letzen Abendscheine
  13. Still ist die Nacht, es ruhen die Gassen
  14. Ich hab eine Brieftaub in meinem Sold
Year/Date of CompositionY/D of Comp. 1828 (August-October)
First Publication. 1829 - Vienna: Tobias Haslinger, Plate 5370.
Librettist see below
Nos.1-7: Ludwig Rellstab (1799–1860)
Nos.8-13: Heinrich Heine (1797–1856)
No.14: Johann Gabriel Seidl (1804–1875)
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano
External Links Wikipedia article
The Lied, Art Song, and Choral Texts Archive
Die Taubenpost
Extra Information Guide to editions published by Edition Peters
[*] Die Taubenpost (No.14) was not intended by Schubert to be included in the song-cycle, even though it appears in the same manuscript and was first published as part of the cycle. As mentioned in the revised edition of the Deutsch Catalogue, the manuscript of the song was in fact written on different paper and bounded together with the original 13 by Tobias Haslinger in 1829, at the time of the first edition. With the revised edition of Deutsch, in 1978, the work was assigned a separate Deutsch number (D.965a), to further clarify that it does not belong to the cycle. Because this correction is rather recent, all editions of the song previous to its publication in the Neue Schubert-Ausgabe, in 1988, still show it as being part of the cycle. As such, singers performing or recording the cycle should strongly consider whether to include the song or not, given that it clearly was not Schubert's intent.

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