Historical Publication Info
Typical Octavo Edition cover (1887)
Octavo Edition best seller: Prout's Messiah (1902-1960)
Typical instrumental work cover (1904)
History
The company's origins date to 1811 when Vincent Novello published A Collection of Sacred Music as performed at the Royal Portuguese Chapel. The publishing enterprise was under way in earnest when Novello and his son Alfred (1810-1896) opened a shop in London's Soho district in 1829. Alfred soon realized the value of making standard works available in inexpensive editions, which in turn enabled the rapid growth of chorus and singing societies throughout England. The firm expanded rapidly with the publication of popular choral collections such as Novello's Choral Handbook, a collection of music printed in separate parts. and Singing for the Million. (by Joseph Mainzer, 1801-1851 pub 1841). By 1836, Novello was able to issue an octavo vocal score for Mendelssohn's oratorio St. Paul at a price so low that competing publishers could not believe this was possible.
In 1844, Novello launched the periodicals The Musical Times and the Singing Class Circular, which included at least one new choral work in octavo format. These proved so popular that the octavo format was soon established the one most often used for choral music and vocal scores - a practice which continues to the present day. By 1847, Novello established their own printing facilities. Using an improved version of moveable type for musical notation, the choral series known as "Novello's Octavo Editions" was established. Along with thousands of choral works, vocal scores for Handel's operas and oratorios were issued, plus new choral works from Mendelssohn and other contemporary composers.
Absorbed firms include Coventry & Hollier (1849-1851), Ewer (1867), Elkin & Co. (1960), Goodwin & Tabb and W. Paxton & Co. (1971). Bought out by Music Sales, Ltd. in 1990s and merged with Chester and Hansen. In 2018 Music Sales sold its printed musc division to Hal Leonard of the US. “Printed music has played a special role in the long history of Music Sales, but our direction of travel has been very clear in recent years as we continue the expansion of our portfolio of copyrights in all styles and genres across the world.” Hal Leonard now claims to be the world's biggest music publisher.
Editions
- Purcell Society publications (1878-
Series
Imprints, Agencies, Addresses
Imprints
- Vincent Novello (1811-1866)
- J. Alfred Novello (1829-November 1861)
- [Novello's] Sacred Music Warehouse (1834-1856)
- Novello & Co. (November 1861-1867)
- Novello, Ewer & Co. (1867-1897)
- Novello & Co., Ltd. (1898-
Addresses
- 67 Frith Street, Soho (1829-1834)
- 69 Dean Street (1834-1867)
- 24 Poultry (May 1845-July 1856)
- 389 Broadway, New York (August 1852-1859)
- 35 Poultry (November 1861-June 1876)
- Clinton Hall, Astor Place, New York (1859)
- 1 Berners Street (December 1867-end of 1906)
- Novello, Ewer & Co., 1, Berners St. W. and 80 & 81, Queen St. E.C.
Plate Numbers
Novello's plate numbers are in the following format: ####. Dates in italics are estimated.
Plate |
Composer |
Work |
Year
|
000239 |
Mendelssohn |
Symphony No.5, Op.107 (Mvts. 3 & 4 arr. for organ by W.T. Best) |
|
000243 |
Macfarren |
Violin Sonata No.1 (sc&pt) |
1870
|
003533 |
Lemmens |
4 Pieces for the Organ |
1875
|
003909 |
Zimmermann |
Spring Melody, Op.10 |
1869
|
003924 |
Zimmermann |
Crocus Gathering |
1868
|
003983 |
Zimmermann |
Gavotte, Op.14 |
1868
|
004909 |
Zimmermann |
Gavotte, Op.20 |
1873
|
005420 |
Gadsby |
Alcestis (vocal score) |
1876
|
005489 |
Stanford |
God is Our Hope and Strength, Op.8 (vocal score) |
1877
|
005712 |
Zimmermann |
Suite, Op.22 |
1878
|
006010 |
Abt |
The Wishing Stone (vocal score) |
1880
|
006180 |
King |
Night, Op.22 |
1884
|
006252 |
Read |
Caractacus (vocal score) |
1882
|
006370 |
Gounod |
Wedding March No.1 |
1880
|
006592 |
Gounod |
La rédemption (Arr. organ solo) |
1882
|
006637 |
King |
Among the Pines, Op.36 (full score) |
1883
|
006671 |
Zimmermann |
Bourrée, Op.24 |
1883
|
006715 |
Spohr |
Mass in C minor, Op.54 |
1870
|
006894 |
Dvořák |
The Heirs of the White Mountain, Op.30 |
1885
|
007178 |
Gounod |
Mors et vita (Arr. organ solo) |
1885
|
007255 |
Gadsby |
The Forest of Arden (full score) |
1886
|
007319 |
Stanford |
Piano Quintet, Op.25 |
1887
|
007420 |
Bendl |
12 Zigeunermelodien (Second Series) |
1887
|
007540 |
Bendl |
12 Zigeunermelodien (First Series) |
1887
|
007545 |
Henselt |
Impromptu No.4, Op.37 |
1888
|
007719 |
Rheinberger |
Original Compositions for the Organ |
1890
|
007846 |
Stanford |
Piano Trio No.1, Op.35 |
|
008004 |
Mackenzie |
A Jubilee Ode, Op.36 (vocal score) |
1887
|
008005 |
Cowen |
Ruth (vocal score) |
1887
|
008057 |
Stanford |
The Voyage of Maeldune, Op.34 (vocal score) |
1889
|
008119 |
Wood |
Ode to the West Wind, Op.3 (vocal score) |
1890
|
008138 |
Stanford |
Eden, Op.40 (vocal score) |
1891
|
008141 |
Parker |
The Kobolds, Op.21 (vocal score) |
1891
|
008160 |
Parry |
The Lotos-Eaters |
1892
|
008180 |
Cowen |
Summer on the River |
1893
|
008181 |
Dvořák |
Mass in D major, Op.86 (vocal score) |
1893
|
008183 |
Stanford |
East to West, Op.52 (vocal score) |
1893
|
008207 |
Parry |
King Saul |
1894
|
008258 |
Somervell |
Ode to the Sea (vocal score) |
1897
|
008306 |
Elgar |
The Dream of Gerontius, Op.38 (vocal score) |
1900
|
009110 |
Armes |
St. Barnabas |
1881
|
009179 |
Dvořák |
Symphony No.8, Op.88 |
1892
|
009275 |
Dvořák |
Requiem, Op.89 (full score) |
1892
|
009333 |
German |
Henry VIII |
1892
|
009708 |
Henschel |
Te Deum laudamus, Op.52 (vocal score) |
1893
|
010081 |
Wareing |
The Wreck of the Hesperus (vocal score) |
1895
|
010200 |
Speer |
The Jackdaw of Rheims, Op.8 (vocal score) |
1896
|
010560 |
Coleridge-Taylor |
4 Characteristic Waltzes, Op.22 |
1903
|
010661 |
German |
Much Ado about Nothing |
1898
|
010810 |
Pitt |
Hohenlinden, Op.5 (vocal score) |
1899
|
010815 |
Elgar |
Variations on an Original Theme ('Enigma'), Op.36 |
1899
|
010982 |
Davies |
Violin Sonata No.2, Op.7 (sc&pt) |
1900
|
011442 |
Davies |
The Temple, Op.14 (vocal score) |
1902
|
011514 |
Parry |
Lady Radnor's Suite (full score) |
1902
|
011571-74 |
Coleridge-Taylor |
4 Novelletten for String Orchestra, Op.52 |
1903
|
012046 |
Elgar |
The Dream of Gerontius, Op.38 |
1905
|
012130 |
Elgar |
Introduction and Allegro, Op.47 |
1905
|
012338 |
Hollins |
Allegretto Grazioso |
1906
|
012356 |
Parry |
Suite in D major |
1907
|
012364 |
Parry |
Overture to an Unwritten Tragedy |
1906
|
012608 |
Bellairs |
Epic Ode |
1907
|
012667 |
Elgar |
The Wand Of Youth, Suite No.1, Op.1a |
1907
|
012728 |
Elgar |
The Wand Of Youth, Suite No.2, Op.1b |
1908
|
013350 |
Karg-Elert |
Chaconne and Fugue Trilogy, Op.73 (Lemare ed.) |
1910
|
013468 |
Elgar |
Romance, Op.62 (score) |
1912
|
013598 |
Elgar |
Symphony No.2, Op.63 (pno solo red by Karg-Elert) |
1912
|
013678 |
Bantock |
Fifine at the Fair (fs) |
1912
|
013868 |
Kühmstedt |
Fantasia Eroica, Op.29 |
1913
|
014566 |
Elgar |
String Quartet, Op.83 (score) |
1919
|
014635 |
Elgar |
Cello Concerto, Op.85 (cello/piano reduction) |
1920
|
014737 |
Elgar |
Cello Concerto, Op.85 (full score) |
1921
|
014748 |
Dupré |
Vêpres du commun des fêtes de la Sainte-Vierge, Op.18 |
1920
|
014946 |
Karg-Elert |
Homage to Händel, Op.75b |
1922
|
014962 |
Karg-Elert |
7 Pastels from the Lake of Constance, Op.96 |
1923
|
014991 |
Holst |
The Perfect Fool, Op.39 (ballet music) |
1923
|
016644 |
Medtner |
Sonata-Idyll, Op.56 (f.e.) |
1938
|
016790 |
Medtner |
Violin Sonata No.3, Op.57 |
1940
|
016985 |
Moeran |
Symphony in G minor (score) |
1942
|
017175 |
Moeran |
Sinfonietta (score) |
1947
|
017702 |
Moeran |
Violin Concerto (score) |
1950
|
018978 |
Frankel |
Piano Quartet, Op.26 |
1962
|
121253 |
Sallinen |
Cello Sonata, Op.86 (sc&pt) |
2005
|
954646 |
Sallinen |
Piano Quintet No.1, Op.85 (sc&pts) |
2005
|
956087 |
Sallinen |
Symphony No.8, Op.81 (sc.) |
2003
|
Very recent issues have different kinds of plates (some of which may be edition signifiers instead). Taking Sallinen works for example, his 4th symphony Op.49 has plate(?) 89 0110 07 , ©1981; his piano trio Op.96 (©2010) has plate(?) NOV 081411; the works listed above, e.g. the 8th symphony, have plates similar to NOV956087.
Catalogs
Sources Consulted
- The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie.
- New York and London: Macmillan Publications, 1980.
- The Macmillan Encyclopedia of Music and Musicians in One Volume, compiled and edited by Albert E. Wier
- New York: The Macmillan Company, 1938
- Humphries, Charles and William C. Smith. Music Publishing in the British Isles from Beginning Until the Middle of the Nineteenth Century. Oxford: Basil Blackwell, 1970.
Authority control
- VIAF (Novello & Co.)
- VIAF (Novello, Ewer & Co.)
Links