Mass in D major, Op.86 (Dvořák, Antonín)

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Performances

Recordings

5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director)
Publisher Info. Michael Stenov
Copyright
Misc. Notes Live recording from the Karmelitenkirche Linz 2018
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Naxos

Synthesized/MIDI

Gloria

For Brass quartet (Székelyhidi)
Publisher Info. Vilmos Székelyhidi
Performers Synthesized MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

Orchestral arrangement, B.175

Publisher. Info. Manuscript, 1893.
Reprinted New York: E.F. Kalmus, n.d.(ca.1950). No.1495
Copyright
Misc. Notes Reproduced from professional copyist's manuscript
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Publisher. Info. Manuscript, 1893.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2596.
Copyright
Misc. Notes Full Score is 10x13 scan, possibly Novello copyist on the manuscript.
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Editor Klaus Döge (1951–2011)
Publisher. Info. Stuttgart: Carus, 1987. Plate CV 40.653/01.
Copyright
Misc. Notes
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor Denis Mason
Publisher. Info. Denis Mason, 2005.
Copyright
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Parts

10 more: Bassoon 1/2 • Horn 1/2, 3 • Trumpet 1/2 • Trombone 1/2, 3 • Timpani • Organ • Violins I • Violins II • Violas • Cellos/Basses

Publisher. Info. London: Novello, n.d.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2596.
Copyright
Misc. Notes Parts are 10x13 scan.
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12 more: Bassoon 1/2 • Horn 1/2, 3 (D) • Trumpet 1/2 (D) • Trombone 1/2 (Alto Clef) • Trombone 1/2(Tenor Clef) • Bass Trombone • Timpani • Organ • Violins I • Violins II • Violas • Cellos/Basses

Editor Denis Mason
Publisher. Info. Denis Mason, 2005.
Copyright
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Vocal Scores

Original version, B.153

5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei

Editor Denis Mason
Publisher. Info. Choral Public Domain Library, 2005
Copyright
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Editor Jarmil Burghauser (1921–1997)
Antonín Čubr (1904–1988)
Publisher. Info. Prague: Editio Supraphon, 1970. Plate H 4952.
Copyright
Misc. Notes
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
The only annotations included here are the purely factual list of source differences.
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Orchestral arrangement, B.175

Arranger Berthold Tours (1838–1897), piano reduction
Publisher. Info. London: Novello, Ewer & Co, 1893. Plate 8181.
Copyright
Misc. Notes Lots of adds, etc. at end.
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Arrangements and Transcriptions

Gloria

For Brass Quartet (Székelyhidi)

8 more: Trumpet 1 (B♭) • Trumpet 1 (C) • Trumpet 2 (B♭) • Trumpet 2 (C) • Trombone • Tenor horn (B♭) (for Trombone) • Tuba • Engraving files (Sibelius)

Editor Vilmos Székelyhidi
Publisher. Info. Vilmos Székelyhidi
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Free Recordings

Orchestral arrangement, B.175
Eva Hornyáková, Janina Baechle (sopranos), Benjamin Hulett (tenor), Andrew Schroeder (bass)
19 September 2014, TivoliVredenburg, Utrecht. (Via Radio Avrotros Netherlands.)

General Information

Work Title Mass
Alternative. Title Mše ; Messe
Name Translations Messe D-Dur; Mass in D major; ミサ曲 ニ長調; Misses, B. 153, re major; Misa en re mayor; [2 more...]미사 D장조; Messe en ré majeur
Name Aliases ミサ曲 ニ長調 (ドヴォルザーク); messe de Lužany; Lužany Mass
Authorities WorldCat; Wikipedia; VIAF: 316757407; LCCN: nr97015776; BNF: 139417949
Composer Dvořák, Antonín
Opus/Catalogue NumberOp./Cat. No. Op.86 ; B.153 (original), B.175 (orchestra)
I-Catalogue NumberI-Cat. No. IAD 39
Key D major
Movements/SectionsMov'ts/Sec's 6 sections
Original version, B.153.
  1. Kyrie. Andante con moto (D major, 116 bars)
  2. Gloria. Allegro vivace (D major, 192 bars)
  3. Credo. Allegro ma non troppo (B major, 446 bars)
  4. Sanctus. Allegro maestoso (D major, 99 bars)
  5. Benedictus. Lento (G major, 112 bars)
  6. Agnus Dei. Andante (B minor, 68 bars)
Orchestral arrangement, B.175.
  1. Kyrie. Andante con moto (D major, 118 bars)
  2. Gloria. Allegro vivo (D major, 192 bars)
  3. Credo. Allegro moderato (B major, 448 bars)
  4. Sanctus. Allegro maestoso (D major, 99 bars)
  5. Benedictus. Lento (G major, 112 bars)
  6. Agnus Dei. Andante (B minor, 68 bars)
Year/Date of CompositionY/D of Comp. 1887 (B.153), 1892 (B.175)
First Performance. 1887-09-11 in Lužany, Hlávka chapel (B.153) [more...]
Zdenka Hlávková (soprano)
Anna Dvořáková (alto)
Rudolf Huml? (tenor)
Otakar Schwenda? (bass)
Hlahol of Plzeň (chorus)
Josef Klička (organ)
Antonín Dvořák (conductor)

1893-03-11 in London, Crystal Palace (B.175) [more...]
Clara Smnell (soprano)
Marian McKenzie (alto)
Edwin Houghton (tenor)
Andrew Black (bass)
Crystal Palace Choir (chorus), Orchestra, August Manns (conductor)
First Publication. 1893 - London: Novello (B.175)
1963 - Saarbrücken: R. Carl Verlag (B.153)
Librettist Biblical Text
Language Latin
Dedication Josef Hlávka (1831–1908)
Average DurationAvg. Duration 40 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation 4 voices (SATB), chorus (SATB), organ
InstrDetail Orchestral arrangement, B.175 [more...]
Solo voices (soprano, alto, tenor, bass)
Mixed Chorus (SATB)
Orchestra
2 oboes, 2 bassoons
3 horns, 2 trumpets, 3 trombones, timpani, organ, strings
External Links antonin-dvorak.cz
Wikipedia article
All Music Guide
Extra Information Composition History:
  • Composed March 26 to June 17, 1887 for solo voices, chorus and organ (= B.153 / Op.86a)
  • Arranged March 24 to June 15, 1892 for solo voices, chorus and orchestra by Dvořák (= B.175)