Novello's Music Primers

typical cover

Contents

History

This British series, also known as Novello's Music Primers and Educational Series, started in 1877. There was a wide range of topics: instrumental and vocal music, music theory and composition. No. 60 was issued in 1900.

Arrangers and Editors

Publishers

Template

Contents

  • 1. The Pianoforte Pauer E
  • 2. Rudiments of Music W. H. Cummings
  • 3. The organ John Stainer edited by John E. West.
  • 4. Harmony Hall
  • 5. Singing Randegger, Alberto
  • 6. Speech in Song
  • 7. Musical Forms
  • 8. Harmony John Stainer
  • 9. Counterpoint (Bridge, Frederick)
  • 10. Fugue (Higgs, James)
  • 11. The Scientific Basis of Music
  • 12. Double Counterpoint
  • 16. The Violin (Tours, Berthold).
  • 17. The Viola (Tours, Berthold)
  • 18. Tonic Sol-Fa (Curwen, John)
  • 19. The Lancashire Sol-Fa (Greenwood, James)
  • 20. Composition Stainer, John
  • 21.
  • 22. The Violoncello (Swert, Jules de)
  • 23. Two part exercises (Greenwood, James)
  • 24. Double scales Franklin Taylor.
  • 25. Musical expression
  • 26. 70 Solfeggi (Marshall, Florence)
  • 27. Organ accompaniment
  • 28. The Cornet (Brett, Harry)
  • 29. Musical Dictation 1
  • 30. Musical Dictation 2
  • 31. Modulation
  • 32.The double bass. White, A.C.
  • 33. Extemporisation. [Piano].
  • 34. Analysis of Form
  • 35. 500 Fugue Subjects and Answers (Marchant, Arthur W.)
  • 36. Hand Gymnastics
  • 37. Musical Ornamentation (Dannreuther, Edward)
  • 38. Transposition : keyboard and orchestral John Warriner.
  • 39.
  • 40.
  • 41.
  • 42. Summary of the History and Development of Medieval and Modern European Music C. Hubert H. Parry
  • 43. Rudiments in rhyme Bridge, John Frederick
  • 44.
  • 45.
  • 46.
  • 47. Organ Pedal Technique (Horner, Burnham W.)
  • 48.
  • 49.
  • 50. Choral society vocalisation : instructions and exercises in voice-training to be used at ordinary rehearsals / by J. Stainer
  • 52. A description and history of the pianoforte and the older keyboard stringed instruments Hipkins, Alfred James
  • 54. Sonata form / by W.H. Hadow
  • 56. Bach's Forty-eight preludes and fugues Iliffe, Frederick
  • 61 The viola Berthold Tours ed Gibson
  • 63. Breathing for voice production / by H.H. Hulbert.
  • 71. Voice culture for children Bates, James
  • 81. Diatonic modal Counterpoint Dunstan, Ralph
  • 82. Music in its Relation to the Intellect and the Emotions (Stainer, John)
  • 91. System in musical notation Button, H. Elliot
  • 95. Beethoven's Pianoforte Sonatas Lowe, C. Egerton
  • 96. Ornamentation in the works of Frederick Chopin Dunn, John Petri
  • 98. Elements of musical appreciation Foxell, William James
  • 102. The instruments of the orchestra. Borland, John E.
  • 111. A commentary on book I of the Forty-eight preludes and fugues (Das wohltemperirte Klavier) of Johann Sebastian Bach / by Stewart Macpherson.
  • 116. Playing the piano: a book for beginners. 2 bks.
  • 140. Musicianship for singers Judd, Percy
  • Plain-Song (Helmore, Thomas)
  • Key to a manual of harmony for schools / by Francis Edward Gladstone.
  • A primer of pedal scales & arpeggios for the organ : with an appendix including some exercises for acquiring greater facility in pedalling / by Herbert F. Ellingford.
  • The organ : a study of its principles and practice. Part I / by Herbert F. Ellingford.
  • Twelve Trios ... Edited and arranged for the organ, with pedal obbligato, by Arthur W. Marchant. / [By Albrechtsberger, Johann Georg 1736-1809.]
  • The organ / edited by John E.West.
  • The double-bass / edited and revised in accordance with modern practice by F.A. Echlin
  • Twenty-four Studies in Sight-singing and Interpretation for mixed voices ... being Supplement No. 1 to A Handbook for Choralists. / [By Grace, Harvey 1874-1944.]
  • A primer of pedal scales & arpeggios for the organ : with an appendix including some exercises for acquiring greater facility in pedalling / by Herbert F. Ellingford.
  • A collection of two-part solfeggi in the principal major keys : designed for the practice of choristers and vocal classes generally / selected from Durante, Handel, Leo, Scarlatti, Steffani, Nares, Webbe, etc., by James Higgs.
  • Key to a manual of harmony for schools / by Francis Edward Gladstone.
  • The exercises in the "Choral society vocalisation" primer by J. Stainer. Adapted and arranged for the use of choirs and classes of female voices by A.W. Marchant.


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