Contents |
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The table below gives the following information for works by Franz Liszt (where applicable):
S. | LW | Title | Forces | Key | Date | Genre | Notes | |
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1–350 | — |
Original Works |
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1 | Opera |
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1 | O | 1Don Sanche (Le château de l'amour) | vv ch orch | 1824–25 | Stage | opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished | ||
2–66 | — | Sacred Choral Works |
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2 | I | 4Die Legende von der Heiligen Elisabeth | sop alt 3bar 2bass ch org orch | 1857–62 | Vocal | extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a | ||
3 | I | 7Christus | sop alt ten bar bass ch org orch | 1866–72 | Vocal | Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664 | ||
4/1 | I | 8aCantico di San Francesco | bar pf org/harm (+ mch) | F major | 1862 | Vocal | 1st version of S.4/2; Alleluja arr. for org (+ tbn) as S.677 | |
4/2 | I | 8bCantico del sol di Francesco d'Assisi | bar mch org orch | F major | 1879–82 | Vocal | 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665 | |
5/1 | I | 1aSainte Cécile (Die heilige Cäcilia) | mez orch (?) | 1845 | Vocal | 1st version of S.5/2 ; lost | ||
5/2 | I | 1b Sainte Cécile (Die heilige Cäcilia) (Legende) |
mez orch (+ ch) | 1874 | Vocal | 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch) as S.5/2a | ||
5/2a | I | 1b Sainte Cécile (Die heilige Cäcilia) (Legende) |
mez hp/pf/harm (+ ch) | 1874 | Vocal | arr. of S.5/2 | ||
6 | L15 | Die Glocken des Strassburger Münsters | 2vv ch org orch | 1874–75 | Vocal | oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?] | ||
7 | I10 | Cantantibus organis (Antiphona in festo Santa Caeciliae) | alt ch orch | G major–G minor | 1879 | Vocal | ||
7a | I10 | Cantantibus organis (Antiphona in festo Santa Caeciliae) | alt ch harm | G major–G minor | 1879 | Vocal | ||
8/1 | J | 5aMissa quattuor vocum ad aequales | mch org | 1846–47 | Vocal | 1st version of S.8/2 | ||
8/2 | J | 5bMissa quattuor vocum ad aequales (Szekszárd Mass) | mch org | 1869 | Vocal | 2nd version of S.8/1; themes used in S.264 | ||
9 | I | 2Missa Solennis (Graner Mass) | sop alt ten bass ch orch | 1857–58 | Vocal | extract ('Poco adagio') arr. for pf as S.747 [?] | ||
10 | J18 | Missa choralis | ch org | 1859–65 | Vocal | |||
11 | I | 9Ungarische Krönungsmesse (Hungarian Coronation Mass) | 4vv ch orch | 1866–69 | Vocal | Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362 | ||
12 | J22 | Requiem (Messe des morts) | 4vv mch org (+ br perc) | 1867–71 | Vocal | includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45 | ||
13/1 | I | 3aPsalm 13 (Herr, wie lange willst du meiner so gar vergessen) | 4vv ch orch | 1855–56 | Vocal | 1st version of S.13/2 | ||
13/2 | I | 3bPsalm 13 (Herr, wie lange willst du meiner so gar vergessen) | ten ch orch | 1859–63 | Vocal | 2nd version of S.13/1; arr. for ten ch org as S.132/2a | ||
13/2a | I | 3bPsalm 13 (Herr, wie lange willst du meiner so gar vergessen) | ten ch org | 1866 | Vocal | arr. of S.13/2 | ||
14/1 | I | 5aPsalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | mch orch (+ org) | 1860 | Vocal | 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a (note that Coeli enarrant is Psalm 19 NIV?) | ||
14/1a | I | 5aPsalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | mch ww br | 1860 | Vocal | arr. of S.14/1; 1st version of S.14/2a | ||
14/2 | I | 5bPsalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | mch org | 1870 | Vocal | 2nd version of S.14/1; arr. for mch ww br as S.14/2a | ||
14/2a | I | 5bPsalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | mch ww br | 1870 | Vocal | arr. of S.14/2; 2nd version of S.14/1a | ||
15/1a | J10a | Psalm 23 (Mein Gott, der ist mein Hirt) | sop/ten mch hp/(pf org)/harm | 1859–61? | Vocal | 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis | ||
15/1b | K | 1Psalm 23 (Mein Gott, der ist mein Hirt) | sop/ten hp/(pf org)/harm | 1859–62 | Vocal | 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis | ||
15/2a | J10b | Psalm 23 (Mein Gott, der ist mein Hirt) | sop/ten mch hp/pf | 1859–62 | Vocal | 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis | ||
15/2b | I | 1bPsalm 23 (Mein Gott, der ist mein Hirt) | sop/ten hp/pf | 1859–62 | Vocal | 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis | ||
15bis | S53 | Psalm 23 (Mein Gott, der ist mein Hirt) | ch orch | 1862 | Vocal | 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost | ||
15a/1 | J | 6Psalm 116 (Laudate Dominum) | mch pf | 1869–74 | Vocal | arr. of S.11/6 | ||
15a/2 | J | 6Psalm 116 (Laudate Dominum) | ch pf | 1869–74 | Vocal | arr. of S.11/6 | ||
16/1 | K | 6Psalm 129 (De profundis) | bar mch org | 1880–81 | Vocal | originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4 | ||
16/2 | J45 | Psalm 129 (De profundis) | alt pf/org | 1883 | Vocal | 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4 | ||
17/1 | K | 2Psalm 137 (An den Wassern zu Babylon) | alt vn hp/pf org/harm | 1859 | Vocal | 1st version of S.17/2, S.17/3 | ||
17/2 | J11 | Psalm 137 (An den Wassern zu Babylon) | sop fch hp/pf org/harm vn | 1859–62 | Vocal | 2nd version of S.17/1, S.17/3 | ||
17/3 | S54 | Psalm 137 (An den Wassern zu Babylon) | ch orch | 1862 | Vocal | 3rd version of S.17/2, S.17/3; lost | ||
18 | J | 4Choruses with French texts (5): | ch | 1846? | Vocal | |||
18/1 | J | 4/5
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ch | 1846? | Vocal | incomplete | ||
18/2 | J | 4/1
|
ch | 1846? | Vocal | |||
18/3 | J | 4/2
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ch | 1846? | Vocal | |||
18/4 | J | 4/3
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ch | A major | 1846? | Vocal | possibly same as S.762 | |
18/5 | J | 4/4
|
ch | 1846? | Vocal | based on an Auverge folksong | ||
19/1 | J | 2/1Hymne de l'enfant á son réveil (O père qu'adore mon père) | fch pf/harm (+ hp) | 1840–44? | Vocal | based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost | ||
19/2 | J | 2/2Hymne de l'enfant á son réveil (O père qu'adore mon père) | ch pf/harm | 1860–62? | Vocal | 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian | ||
19/3 | J | 2/3Hymne de l'enfant á son réveil (O père qu'adore mon père) | ch pf/harm | 1865 | Vocal | 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian | ||
19/4 | J | 2/4Hymne de l'enfant à son réveil (O père qu'adore mon père) | fch pf/harm (+ hp) | 1874 | Vocal | 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian | ||
20/1 | J | 1/1Ave Maria I | ch (+ org) | B♭ major | 1842 | Vocal | 1st version of S.20/2; arr. for org as S.667b/1 | |
20/2 | J | 1/2Ave Maria I | ch org | A major | 1852 | Vocal | 2nd version of S.20/1; arr. for org as S.667b/2 | |
21/1 | J | 3/1Pater noster I | mch | 1846 | Vocal | based on S.172a/6; 1st version of S.21/2; sometimes "Pater noster II" in older listings | ||
21/2 | J | 3/2Pater noster I | mch | 1852 | Vocal | 2nd version of S.21/1 | ||
22 | J52 | Pater noster IV | ch org | C major | 1850? | Vocal | ||
23 | J | 8Domine salvum fac regem (Psalm 20) | ten mch org | 1853 | Vocal | |||
24 | J | 7Te Deum I | mch org | 1853? | Vocal | sometimes "Te Deum II" in older listings | ||
25 | J | 9Die Seligkeiten (Les béatitudes) | bar ch (+ org) | 1859 | Vocal | rev. as S.3/6 | ||
26 | M33 | Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau'n und bestellen das edelste Feld) | mch (+ org) | 1858 | Vocal | |||
27 | J12 | Te Deum II | mch org (+ br perc) | 1867 | Vocal | sometimes "Te Deum I" in older listings | ||
28 | J13 | An den heiligen Franziskus von Paula (Gebet) | 2ten 2bass mch org/harm (+3 tbn timp) | 1860–74? | Vocal | based on S.175/2 | ||
29 | J14 | Pater noster II (Das Vater unser) | ch org | A♭ major | 1860 | Vocal | rev. as S.3/7 | |
30 | J20 | Responsorien und Antiphonen (Répons et Antiennes) | ch (+ org) | 1860 | Vocal | |||
31/1 | J15a/1 | Christus ist geboren I (Weihnachtslied I) | ch org | 1863 | Vocal | 1st version of S.31/2 | ||
31/2 | J15a/2 | Christus ist geboren I (Weihnachtslied I) | mch org | 1863 | Vocal | 2nd version of S.31/1 | ||
32/1 | J15b/1 | Christus ist geboren II (Weihnachtslied II) | ch org/harm | 1863 | Vocal | 1st version of S.32/2, S.32/3; arr. for pf as S.502 | ||
32/2 | J15b/2 | Christus ist geboren II (Weihnachtslied II) | mch (+ org) | 1863 | Vocal | 2nd version of S.32/1, S.32/3 | ||
32/3 | J15c | Christus ist geboren II (Weihnachtslied II) | fch | 1863 | Vocal | 3rd version of S.32/1, S.32/2 | ||
33 | J16 | Slavimo slavno, Slaveni! | mch org | 1863–66 | Vocal | arr. for pf as S.503, for org as S.668 | ||
34/1 | J19/1 | Ave maris stella | ch org | G major | 1865–66 | Vocal | 1st version of S.34/2 | |
34/2 | J19/2 | Ave maris stella | mch org | B♭ major | 1868 | Vocal | 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b | |
35/1 | J17a | Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) | mch | 1865 | Vocal | 1st version of S.35/2 | ||
35/2 | J17b | Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) | fch/cch pf | 1865 | Vocal | 2nd version of S.35/1 | ||
36 | J21 | Dall' alma Roma | 2vv (+ org) | 1867–68 | Vocal | based on S.261 | ||
37 | J23 | Mihi autem adhaerere (Offertoire de la messe du patriarche séraphique San François) | mch org | 1868 | Vocal | |||
38 | J24 | Ave Maria II | ch org | D major | 1869 | Vocal | arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2 | |
39/1 | J25a | Inno a Maria Vergine | ch hp org | 1869 | Vocal | 1st version of S.39/2 | ||
39/2 | J25b | Inno a Maria Vergine | ch hp pf4h org/ham | 1869 | Vocal | 2nd version of S.39/1 | ||
40 | J28 | O salutaris hostia I | fch org | 1869 | Vocal | |||
41/1 | J26/1 | Pater noster III | ch pf/org | F major | 1869 | Vocal | 1st version of S.41/2 | |
41/2 | J26/2 | Pater noster III | mch pf/org/harm | B♭ major | 1869 | Vocal | 2nd version of S.41/1 | |
42/1 | J27/1 | Tantum ergo | fch org | 1869 | Vocal | 1st version of S.42/2 | ||
42/2 | J27/2 | Tantum ergo | mch org | 1869 | Vocal | 2nd version of S.42/3 | ||
43 | J29 | O salutaris hostia II | ch (+ org) | E major | 1870 | Vocal | ||
44 | J31 | Ave verum corpus | ch (+ org) | 1871 | Vocal | |||
45 | J30 | Libera me | mch org | 1871 | Vocal | arr. of S.12/6 | ||
46/1 | J32/1 | Anima Christi sanctifica me | mch org | 1874 | Vocal | 1st version of S.46/1 | ||
46/2 | J32/2 | Anima Christi sanctifica me | mch org | 1874 | Vocal | 2nd version of S.46/2 | ||
47 | J41 | Sankt Christoph (Legend) | fch pf harm (+ hp) | 1881 | Vocal | unpublished | ||
48 | I | 6Der Herr bewahret die Seelen seiner Heiligen | ch br timp org | 1860–75? | Vocal | |||
49 | J42 | O heilige Nacht (Weihnachtslied) | ten fch org/harm | 1881 | Vocal | based on S.186/2 | ||
49a | — | Adeste fidelis | fch | Vocal | incomplete | |||
50 | A286b | Alte deutsche geistliche Weisen | ch kbd | 1878–79 | Vocal | probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a | ||
50/ 1 | A286b/8 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/3a, for ch org as S.669a/1 | ||
50/ 2 | A286b/4 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51 | ||
50/ 3 | A286b/3 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/5, for v org as S.669a/3 | ||
50/ 4 | A286b/5 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/6, for v org as S.669a/4 | ||
50/ 5 | A286b/6 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/7, for v pf/org as S.669a/5 | ||
50/ 6 | A286b/1 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/10, for v org as S.669a/6 | ||
50/ 7 | A286b/7 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/11, for v org as S.669a/7 | ||
50/ 8 | A286b/9 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/9 | ||
50/ 9 | A286b/10 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/1 | ||
50/10 | A286b/2 |
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ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/8 | ||
50/11 | A286b/12 |
|
ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/4 | ||
50/12 | A286b/11 |
|
ch kbd | 1878–79 | Vocal | arr. for pf as S.504b/2 | ||
51 | J34 | Meine Seel' erhebt den Herrn! (Gott sei uns gnädig und barmherzig) (Der Kirchensegen) | ch org | 1878 | Vocal | arr. of S.50/2 | ||
52 | J35 | Septem sacramenta | mez bar ch org/harm | 1878–84 | Vocal | |||
53 | J33 | Via Crucis (Les 14 stations de la croix) | vv ch pf/org/harm | 1876–79 | Vocal | arr. for org as S.669b, for pf4h as S.583, for pf as S.504 | ||
54 | J36 | O Roma nobilis | ch org | 1878–79 | Vocal | based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b | ||
55 | J38 | Ossa arida | ch org4h | 1879 | Vocal | |||
56 | J37 | Rosario | ch org/harm (+ bar) | 1879 | Vocal | |||
56/1 | J37/1 |
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ch org/harm | 1879 | Vocal | arr. for org/harm as S.670/1 | ||
56/2 | J37/2 |
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ch org/harm | 1879 | Vocal | arr. for org/harm as S.670/2 | ||
56/3 | J37/3 |
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ch org/harm | 1879 | Vocal | arr. for org/harm as S.670/3 | ||
56/4 | J37/4 |
|
bar/mch org/harm | 1879 | Vocal | |||
57 | J46 | In domum Domini ibimus | ch br perc org | 1884 | Vocal | arr. for pf as S.505, for org as S.671 | ||
58 | J40 | O sacrum convivium | alt fch org/harm | 1880–85 | Vocal | arr. for org/harm as S.674a | ||
59 | J39 | Pro Papa | ch org | 1880 | Vocal | |||
59/1 | J39/1 |
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mch org | 1880 | Vocal | |||
59/2 | J39/2 |
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ch org | 1880 | Vocal | |||
60 | J44 | Ave Maria III (Sposalizio) | alt fch org/harm | 1883 | Vocal | based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g | ||
61 | J43 | Nun danket alle Gott | ch/mch 2tpt 3tbn timp org | 1883 | Vocal | arr. for org as S.674c | ||
62 | J47 | Mariengarten | ch org (+ alt ten) | 1884? | Vocal | |||
63 | J48 | Qui seminant in lacrimis | ch org | 1883 | Vocal | |||
64 | J49 | Pax vobiscum! | mch (+ org) | 1885 | Vocal | |||
65 | J50 | Qui Mariam absolvisti | bar ch org/harm | 1885 | Vocal | |||
66 | J51 | Salve Regina | ch | 1885 | Vocal | |||
67–94 | — | Secular Choral Works |
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67 | L | 1 Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (Was versammelt hier die Menge) (Beethoven Cantata No.1) |
6vv orch | 1845 | Vocal | arr. for pf4h as S.584; extracts arr. for pf in S.507 | ||
68 | L12 | Zur Säcularfeier Beethovens (Beethoven Cantata No.2) |
4vv ch orch | 1869–70 | Vocal | |||
69/1 | L | 8/1Chöre zu Herders Entfesseltem Prometheus | sop alt 2ten 2bass ch orch | 1850 | Vocal | 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99 | ||
69/2 | L | 8/2Chöre zu Herders Entfesseltem Prometheus | sop alt 2ten 2bass 2ch orch | 1855–59 | Vocal | 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585 | ||
69/3 | L | 8/3Chöre zu Herders Entfesseltem Prometheus | sop alt 2ten 2bass 2ch orch | 1877? | Vocal | 3rd version of S.69/1, S.69/2 | ||
70/1 | L | 9/1An die Künstler | 4vv mch ww br | 1853 | Vocal | instrumentation by Joachim Raff;1st version of S.70/2, S.70/3 | ||
70/2 | L | 9/2An die Künstler | 4vv mch orch | 1853–54 | Vocal | 2nd version of S.70/1, S.70/3 | ||
70/3 | L | 9/3An die Künstler | 4vv mch org orch | 1856–57 | Vocal | 3rd version of S.70/1, S.70/2; themes used in S.114 | ||
71a | L11/1 | Gaudeamus igitur (Humoreske) | orch | 1869–70 | Orchestral | 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586 | ||
71b | L11/2 | Gaudeamus igitur (Humoreske) | mch orch | 1869–70 | Vocal | 2nd version of S.71a, S.71c | ||
71c | L11/3 | Gaudeamus igitur (Humoreske) | ch orch | 1869–70 | Vocal | 3rd version of S.71a, S.71b | ||
72 | M | 1aVierstimmige Männergesänge (4): | mch pf | 1841–42 | Vocal | |||
72/1a | M | 2/1
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mch pf | 1841 | Vocal | 1st version | ||
72/1b | M | 2/2
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mch pf | 1884 | Vocal | 2nd version | ||
72/2 | M | 3
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mch | 1841–42 | Vocal | |||
72/3 | M | 4
|
mch | B♭ major | 1841–42 | Vocal | for alternative setting see S.72/4 | |
72/4 | M | 5
|
mch | C major | 1841–42 | Vocal | for alternative setting see S.72/3 | |
73 | M19 | Es war einmal ein König (Flohlied) | bar/bass mch pf | 1844–45 | Vocal | |||
74/1 | M | 1Das deutsche Vaterland I (Was ist das deutsche Vaterland?) | 4vv mch pf | D major | 1841 | Vocal | 1st version of S.74/2 | |
74/2 | M27 | Das deutsche Vaterland II (Was ist das deutsche Vaterland?) | mch | C major | 1848 | Vocal | 2nd version of S.74/1 | |
75/1 | M12/1 | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) | mch | 1842 | Vocal | No.3 of Vierstimmige Männergesänge; 1st version of S.75/2, S.75/3 | ||
75/2 | M12/2 | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) | mch | 1849 | Vocal | 2nd version of S.75/1, S.75/3 | ||
75/3 | M12/3 | Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) | mch 2hn | 1856 | Vocal | 3rd version of S.75/1, S.75/2 | ||
76 | M11 | Das düstre Meer umrauscht mich | mch pf | 1842 | Vocal | No.2 of Vierstimmige Männergesänge | ||
76a | M15 | Heil! Unsrer Glocke heil | mch pf | 1843 | Vocal | |||
77 | M26 | Die lustige Legion | mch (+ pf) | 1846? | Vocal | |||
78 | M17/1 | Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!) | mch pf | 1843–44 | Vocal | No.1 of Sechs Männerchöre | ||
79/1 | M14/2 | Titan (Auf des Athos blauen Felsenspitzen) | bar mch pf | 1842–47 | Vocal | 2nd version of S.700j; arr. for bar mch orch as S.79/2 | ||
79/2 | L | 4Titan (Auf des Athos blauen Felsenspitzen) | bar mch orch | 1848 | Vocal | arr. of S.79/1 | ||
80a | M20 | Les quatre éléments | mch pf/pf4h | 1844–45 | Vocal | arr. for mch orch by Liszt and August Conradi as S.80b | ||
80a/1 | M20/1 |
|
mch pf | 1844–45 | Vocal | arr. for mch orch by Liszt and August Conradi as S.80b/1 | ||
80a/2 | M20/2 |
|
mch pf4h | 1844 | Vocal | arr. for mch orch by Liszt and August Conradi as S.80b/2 | ||
80a/3 | M20/3 |
|
mch pf | 1845 | Vocal | arr. for mch orch by Liszt and August Conradi as S.80b/3 | ||
80a/4 | M20/4 |
|
mch pf | 1845? | Vocal | arr. for mch orch by Liszt and August Conradi as S.80b/4 | ||
80b | L | 2Les quatre éléments | mch orch | 1844–48 | Vocal | arr. of S.80a by Liszt and August Conradi; sketches for overture rev. as S.97 | ||
80b/1 | L | 2/1
|
mch orch | 1844–48 | Vocal | arr. of S.80a/1 by Liszt and August Conradi | ||
80b/2 | L | 2/2
|
mch orch | 1844–48 | Vocal | arr. of S.80a/2 by Liszt and August Conradi | ||
80b/3 | L | 2/3
|
mch orch | 1845–48 | Vocal | arr. of S.80a/3 by Liszt and August Conradi | ||
80b/4 | L | 2/4
|
mch orch | 1845–48 | Vocal | arr. of S.80a/4 by Liszt and August Conradi | ||
81/1 | M21 | Le forgeron (Le fer est dur, frappons, frappons) | 2vv mch pf | 1845 | Vocal | arr. for 2vv mch orch by Liszt and August Conradi as S.81/2 | ||
81/2 | L | 3Le forgeron (Le fer est dur, frappons, frappons) | 2vv mch orch | 1845–48 | Vocal | arr. of S.81/1 by Liszt and August Conradi | ||
81a | M25 | A patakhoz (A patakcsa) | mch | 1846 | Vocal | |||
82 | M16 | Arbeiterchor (Herbei, herbei, den Spath' und Schaufel ziert) | bar mch pf | 1843–48? | Vocal | arr. for pf as S.510; arr. for pf4h as S.587 | ||
83a | L | 5Ungaria-Kantate (Aus Osten aus der Sonne Tor) | vv mch pf | 1842–48? | Vocal | arr. for vv mch orch by Liszt and August Conradi as S.83b | ||
83b | L | 5Ungaria-Kantate (Aus Osten aus der Sonne Tor) | vv mch orch | 1848 | Vocal | arr. of S.83a by Liszt and August Conradi | ||
84/1 | M28/1 | Licht, mehr Licht | mch 3tbn tba | 1849 | Vocal | 1st version of S.84/2 | ||
84/2 | M28/2 | Licht, mehr Licht | mch 2tpt 3tbn | 1856 | Vocal | 2nd version of S.84/1 | ||
85/1 | M29/1 | Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) | mch pf | 1849 | Vocal | 1st version of S.85/2, S.85/3 | ||
85/2 | M29/2 | Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) | fch hp pf/harm | 1849 | Vocal | 2nd version of S.85/1, S.85/3 | ||
85/3 | L | 7Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) | ch hp/pf | 1849 | Vocal | 3rd version of S.85/1, S.85/2 | ||
86a | M30 | Festchor zur Enthüllung des Herder-Denkmals in Weimar | mch pf | 1850 | Vocal | arr. for mch br as S.86b | ||
86b | M30 | Festchor zur Enthüllung des Herder-Denkmals in Weimar | mch br | 1850 | Vocal | arr. of S.86a | ||
87/1a | L10a | Weimars Volkslied (Von der Wartburg) | mch ww br perc | E major | 1857 | Vocal | arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b | |
87/1b | M32a | Weimars Volkslied (Von der Wartburg) | mch pf | E major | 1857, rev. 1875? | Vocal | arr. of S.87/1a | |
87/1bis | L10a | Weimars Volkslied (Von der Wartburg) | mch ww br perc | E major | 1875? | Vocal | 2nd version of S.87/1a | |
87/2 | M32b | Weimars Volkslied (Von der Wartburg) | mch (+ pf) | F major | 1857? | Vocal | arr. of S.313 | |
87/3a | M32c/1 | Weimars Volkslied (Von der Wartburg) | mch | E major | 1860? | Vocal | arr. of S.313; 1st version of S.87/3b | |
87/3b | M32c/2 | Weimars Volkslied (Von der Wartburg) | mch | E major | 1875? | Vocal | 2nd version of S.87/3a; not published | |
87/4 | M32d | Weimars Volkslied (Von der Wartburg) | mch org | E major | 1875 | Vocal | arr. of S.313 | |
87/5 | M32e | Weimars Volkslied (Von der Wartburg) | mch (+ pf) | E major | 1875 | Vocal | byarr. of S.313 [by Bernhard Sulze ?] | |
87/6 | M32f | Weimars Volkslied (Von der Wartburg) | uch | E major | 1875? | Vocal | arr. of S.313 | |
87/7 | M32g | Weimars Volkslied (Von der Wartburg) | cch | F major | 1875? | Vocal | arr. of S.313 | |
87/8a | L10b/1 | Weimars Volkslied (Von der Wartburg) | uch br | C major | 1857? | Vocal | arr. of S.313; arr. for uch pf as S.87/8b | |
87/8b | L10b/2 | Weimars Volkslied (Von der Wartburg) | uch pf | C major | 1857? | Vocal | arr. of S.87/8a | |
88 | M34b | Mit klingendem Spiel I (Morgenlied) | fch | 1859 | Vocal | alternative text to S.89 | ||
89 | M34a | Mit klingendem Spiel II (Morgenlied) | cch | 1859 | Vocal | alternative text to S.88 | ||
90/ 1a | M31/1 | Vereins-Lied ("Frisch auf, zu neuem Leben") | mch | 1855 | Vocal | 1st version of S.90/1b, S.90/1c | ||
90/ 1b | M31/2 | Vereins-Lied (Frisch auf, zu neuem Leben) | mch | 1857 | Vocal | 2nd version of S.90/1a, S.90/1c | ||
90/ 1c | M31/3 | Vereins-Lied (Frisch auf, zu neuem Leben) | mch | 1860 | Vocal | No.1 of Für Männergesang; 3rd version of S.90/1a, S.90/1b | ||
90/ 2a | M | 7/1Ständchen (Hüttelein, still und klein) | ten mch | A major | 1841–43? | Vocal | 1st version of S.90/2b, S.90/2c | |
90/ 2b | M | 7/2Ständchen (Hüttelein, still und klein) | ten mch | A major | 1845–49? | Vocal | No.6 of Sechs Männerchöre; 2nd version of S.90/2a, S.90/2c | |
90/ 2c | M | 7/3Ständchen (Hüttelein, still und klein) | ten mch | G major | 1857–60 | Vocal | No.2 of Für Männergesang; 3rd version of S.90/2a, S.90/2b | |
90/ 3a | M10/1 | Wir sind nicht Mumien | mch pf | 1842 | Vocal | No.1 of Vierstimmige Männergesänge; 1st version of S.90/3b | ||
90/ 3b | M10/2 | Wir sind nicht Mumien | mch pf | 1860–61 | Vocal | No.3 of Für Männergesang; 2nd version of S.90/3a | ||
90/ 4a | M22/1 | Vor der Schlacht (Es rufet Gott uns mahnend) | mch pf | 1845 | Vocal | 1st version of S.90/4b; arr. for pf as S.511/1 | ||
90/ 4b | M22/2 | Vor der Schlacht (Es rufet Gott uns mahnend) | mch | 1860 | Vocal | No.4 of Für Männergesang; 2nd version of S.90/4a | ||
90/ 5a | M23/1 | Nicht gezagt | mch pf | A♭ major | 1845 | Vocal | 1st version of S.90/5b; arr. for pf as S.511/2 | |
90/ 5b | M23/2 | Nicht gezagt | mch | G major | 1860 | Vocal | No.5 of Für Männergesang; 2nd version of S.90/5a | |
90/ 6a | M24/1 | Es rufet Got | mch pf | 1845 | Vocal | 1st version of S.90/6b; arr. for pf as S.511/3 | ||
90/ 6b | M24/2 | Es rufet Got | mch | 1860 | Vocal | No.6 of Für Männergesang; 2nd version of S.90/6a | ||
90/ 7a | M18/1 | Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen) | mch (+tpt timp) | 1844 | Vocal | No.5 of Sechs Männerchöre; 1st version of S.90/7b | ||
90/ 7b | M18/2 | Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen) | mch (+tpt timp) | 1860–61 | Vocal | No.7 of Für Männergesang; 2nd version of S.90/7a | ||
90/ 8a | M | 9/1Die alten Sagen kunden | mch pf | B♭ major | 1841–45? | Vocal | No.2 of Sechs Männerchöre; 1st version of S.90/8b | |
90/ 8b | M | 9/2Die alten Sagen kunden | 4vv mch | A minor | 1860–61 | Vocal | No.8 of Für Männergesang; 2nd version of S.90/8a | |
90/ 9a | M | 8/1Saatengrün | mch pf/(hp?) | 1843? | Vocal | No.3 of Sechs Männerchöre; 1st version of S.90/9b | ||
90/ 9b | M | 8/2Saatengrün | mch | A major | 1860–61 | Vocal | No.9 of Für Männergesang; 2nd version of S.90/9a | |
90/10a | M | 6/1Der Gang um Mitternacht (Ich schreite mit dem Geist) | mch | 1841–43? | Vocal | No.4 of Sechs Männerchöre; 1st version of S.90/10b | ||
90/10b | M | 6/2Der Gang um Mitternacht (Ich schreite mit dem Geist) | ten mch | 1860 | Vocal | No.10 of Für Männergesang; 2nd version of S.90/10a | ||
90/11a | M35/1 | Festlied zu Schillers Jubelfeier 10 November 1859 | bar mch | 1859 | Vocal | 1st version of S.90/11b | ||
90/11b | M35/2 | Festlied zu Schillers Jubelfeier 10 November 1859 | bar mch | 1860 | Vocal | No.11 of Für Männergesang; 2nd version of S.90/11a | ||
90/12a | M13/1 | Gottes ist der Orient | mch | B major | 1842 | Vocal | No.4 of Vierstimmige Männergesänge; 1st version of S.90/12b | |
90/12b | M13/2 | Gottes ist der Orient | mch | A major | 1860–61 | Vocal | No.12 of Für Männergesang; 2nd version of S.90/12a | |
91/1 | M36/1 | Das Lied der Begeisterung (A lelkesedés dala) | mch | 1871 | Vocal | 1st version of S.91/2; German and Hungarian text | ||
91/2 | M36/2 | Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut) | mch org | 1874 | Vocal | 2nd version of S.91/1; German text nly | ||
92 | — | Carl August weilt mit uns (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar) | fch br timp | 1875 | Vocal | fanfare arr. for pf as S.542b | ||
93/1 | L17a | Magyar király-dal (Ungarisches Königslied) | mch | 1883 | Vocal | arr. of S.340 | ||
93/2 | L17b | Magyar király-dal (Ungarisches Königslied) | ch | 1883 | Vocal | arr. of S.340 | ||
93/3 | L17c | Magyar király-dal (Ungarisches Königslied) | mch pf | 1883 | Vocal | arr. of S.340 | ||
93/4 | L17d | Magyar király-dal (Ungarisches Königslied) | ch pf | 1883 | Vocal | arr. of S.340 | ||
93/5 | L17e | Magyar király-dal (Ungarisches Königslied) | mch orch | 1883 | Vocal | arr. of S.340 | ||
93/6 | L17f | Magyar király-dal (Ungarisches Königslied) | ch orch | 1883 | Vocal | arr. of S.340 | ||
93/7 | L17g | Magyar király-dal (Ungarisches Königslied) | cch | 1883 | Vocal | arr. of S.340 | ||
94 | M38 | Gruss (Glück auf) | mch | 1885 | Vocal | |||
95–119 | — | Orchestral Works |
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95–107 | — | Symphonic Poems |
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95 | G | 1 Ce qu'on entend sur la montagne (Symphonic Poem No.1) |
orch | 1848–49, rev. 1850, 1854 | Orchestral | arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a | ||
96 | G | 2 Tasso: Lamento e Trionfo (Symphonic Poem No.2) |
orch | 1849, rev. 1850–51, 1854 | Orchestral | arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3 | ||
97 | G | 3 Les préludes (Symphonic Poem No.3) |
orch | 1850–55 | Orchestral | based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a | ||
98 | G | 9 Orpheus (Symphonic Poem No.4) |
orch | 1853–54 | Orchestral | arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d | ||
99 | G | 6 Prometheus (Symphonic Poem No.5) |
orch | 1855 | Orchestral | based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639 | ||
100 | G | 7 Mazeppa (Symphonic Poem No.6) |
orch | 1851–54 | Orchestral | partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640 | ||
101 | G10 | Festklänge (Symphonic Poem No.7) |
orch | 1853, rev. 1861 | Orchestral | arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641 | ||
102 | G | 4 Héroïde funèbre (Symphonic Poem No.8) |
orch | 1854–56 | Orchestral | based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642 | ||
103 | G13 | Hungaria (Symphonic Poem No.9) |
orch | 1854 | Orchestral | arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643 | ||
104 | G22 | Hamlet (Symphonic Poem No.10) |
orch | 1858 | Orchestral | arr. for pf4h as S.597, for 2pf as S.644 | ||
105 | G17 | Hunnenschlacht (Symphonic Poem No.11) |
orch | 1855–57 | Orchestral | arr. for pf4h as S.596b, for 2pf as S.645 | ||
106 | G15 | Die Ideale (Symphonic Poem No.12) |
orch | 1856–57 | Orchestral | arr. for pf4h as S.596c, for 2pf as S.646 | ||
107 | G38 | Von der Wiege bis zum Grabe (From the Cradle to the Grave) (Symphonic Poem No.13) |
orch | 1881–82 | Orchestral | arr. for pf as S.512, for pf4h as S.598; see also S.133 | ||
108–119 | — | Other Orchestral Works |
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108 | G12 | Faust Symphony (Eine Faust-Symphonie) | orch (+ ten mch) | 1854, 1857–61, 1880 | Orchestral | arr. for 2pf as S.647; 2nd movement arr. for pf as S.513 | ||
109 | G14 | Dante Symphony (Eine Symphonie zu Dantes Divina Commedia) | orch | 1855–56 | Orchestral | themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f | ||
110 | G16 | Episoden aus Lenau's Faust (2): | orch | 1856–61? | Orchestral | |||
110/1 | G16/1 |
|
orch | 1856–61? | Orchestral | arr. for pf4h as S.599/1; for pf as S.513a | ||
110/2 | G16/2 |
|
orch | 1856–61? | Orchestral | arr. of S.514 | ||
111 | G37 | Mephisto Waltz No.2 (Zweiter Mephisto-Walzer) | orch | 1880–81 | Orchestral | arr. of S.515 | ||
112 | G25 | Odes funèbres (3): | orch | 1860–66 | Orchestral | |||
112/1 | G25/1 | orch (+ mch) | 1860 | Orchestral | arr. for pf as S.516; for pf4h as S.601; for org as S.268/2 | |||
112/2 | G25/2 | orch | 1860–64 | Orchestral | arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a | |||
112/3 | G25/3 | orch | 1866 | Orchestral | epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?) | |||
113/1 | G28/1 | Boze coś Polskę | orch | 1863 | Orchestral | based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1 | ||
113/2 | G28/2 | Salve Polonia (Interludium aus dem Oratorium St. Stanislaus) | orch | 1884 | Orchestral | interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2 | ||
113a | G27 | Légendes (2): | orch | 1863 | Orchestral | arr. of S.175 | ||
113a/1 | G27/1 |
|
orch | 1863 | Orchestral | arr. of S.175/1 | ||
113a/2 | G27/2 |
|
orch | 1863 | Orchestral | arr. of S.175/2 | ||
114 | G20 | Künstlerfestzug zur Schillerfeier 1859 | orch | 1857–59 | Orchestral | uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605 | ||
115 | G | 5Festmarsch zur Goethe-Jubiläumfeier | orch | 1857 | Orchestral | based on S.227; arr. for pf as S.522; arr. for pf4h as S.606 | ||
116 | G23 | Festmarsch nach Motiven von E.H.z.S.-C.-G. | orch | 1858–59 | Orchestral | based on themes from the opera Diana von Solang by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607 | ||
117 | G29 | Rákóczi-Marsch | orch | 1863–67 | Orchestral | based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a | ||
118 | G33 | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 | orch | 1870 | Orchestral | arr. for pf as S.523; arr. for pf4h as S.609 | ||
120–126a | — | Piano and Orchestra |
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119 | G35 | Ungarischer Sturmmarsch (Hungarian Battle March) | orch | 1875 | Orchestral | based on S.232; arr. for pf as S.524, for pf4h as S.610 | ||
120 | H | 2Grande fantaisie symphonique (über Themen aus Hector Berlioz' Lélio) | pf orch | 1834 | Orchestral | based on themes from Lélio, ou le retour à la vie, H 55, by Hector Berlioz; not orchestrated by Liszt | ||
121 | H | 1Malédiction | pf str | E minor | 1833 | Orchestral | ||
121a | H | 3De Profundis (Psaume instrumentale) | pf orch | 1834–35 | Orchestral | formerly S.691; unfinished | ||
122 | H | 9Fantasie über Motive aus Beethovens Ruinen von Athen | pf orch | 1852 | Orchestral | based on S.388b, using themes from Die Ruinen von Athen, Op.113, by Ludwig van Beethoven; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388 | ||
123 | H12 | Fantasie über ungarische Volksmelodien | pf orch | 1846–52 | Orchestral | based on S.244/14 | ||
124 | H | 4Piano Concerto No.1 | pf orch | E♭ major | 1835–56 | Orchestral | arr. for 2pf as S.650 | |
125 | H | 6Piano Concerto No.2 | pf orch | A major | 1849–61 | Orchestral | based on S.524a; arr. for 2pf as S.651 | |
125a | Q | 6Piano Concerto | [No.3]pf orch | E♭ major | 1835–39 | Orchestral | unfinished; performing version realized by Jay Rosenblatt | |
126/1 | H | 8Totentanz | pf orch | 1847–53 | Orchestral | 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection) | ||
126/2 | H | 8Totentanz | pf orch | 1859–64? | Orchestral | 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652 | ||
126a* | W14 | Concerto in the Hungarian Style | pf orch | Orchestral | not by Liszt (see Hungarian Gypsy Melodies by Sophie Menter) | |||
126b–135 | — | Chamber Music, etc. |
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126b | D | 1Waltzes (2): | vn pf | 1823–25? | Chamber | |||
126b/1 | D | 1/1
|
vn pf | A major | 1823–25? | Chamber | ||
126b/2 | D | 1/2
|
vn pf | A major | 1823–25? | Chamber | based on a theme from the ballet Die Amazonen by Robert von Gallenberg; arr. for pf as S.126b | |
127 | D | 3Duo (Sonata) ["sur des thèmes polonais"] | vn pf | C♯ minor | 1835 | Chamber | based on No.2 of the Mazurkas, Op.6, by Frederic Chopin | |
128 | D | 4Grand duo concertant (sur la romance de M. Lafont, "Le marin") | vn pf | 1849? | Chamber | |||
129 | D12 | Epithalam (zu Eduard Reményis Vermählungsfeier) | vn pf | 1872 | Chamber | arr. for pf as S.526; arr. for pf4h as S.611 [?] | ||
130a | D13a | Elegy No.1 | hp vc pf harm | 1874 | Chamber | arr. of S.196; see also S.130b, S.130c, S.612 | ||
130b | D13b | Elegy No.1 | vc pf | 1874 | Chamber | arr. of S.196; see also S.130a, S.130c, S.612 | ||
130c | D13c | Elegy No.1 | vn pf (+ harm) | 1874 | Chamber | arr. of S.196; see also S.130a, S.130b, S.612 | ||
131 | D14 | Elegy No.2 | vc pf | 1877–78 | Chamber | arr. of S.197; see also S.131bis | ||
131bis | D14 | Elegy No.2 | vn pf | 1877–78 | Chamber | arr. of S.197; see also S.131 | ||
132a | D16a | Romance oubliée | va pf | 1880 | Chamber | arr. of S.527; see also S.132b, S.132c | ||
132b | D16b | Romance oubliée | vn pf | 1880 | Chamber | arr. of S.527; see also S.132a, S.132c | ||
132c | D16c | Romance oubliée | vc pf | 1880 | Chamber | arr. of S.527; see also S.132a, S.132b | ||
133 | S61 | Die Wiege (The Cradle) | 4vn | 1881? | Chamber | arr. from the 1st movement of S.107; unpublished (in private collection) | ||
134 | D19/2 | La lugubre gondola (Die Trauer-Gondel) | vc pf | 1882–83 | Chamber | arr. of S.200/1 | ||
134bis | D19/1 | La lugubre gondola (Die Trauer-Gondel) | vn pf | 1885 | Chamber | arr. of S.200/2 | ||
135 | D20 | Am Grabe Richard Wagners | 2vn va vc (+ hp) | 1883 | Chamber | using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267 | ||
136–268a | — | Piano Solo |
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136–146 | — | Studies |
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136 | A | 8Étude en douze exercices: | pf | 1826 | Keyboard | published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137 | ||
136/ | 1A | 8/ 1
|
pf | C major | 1826 | Keyboard | rev. as S.137/1 | |
136/ | 2A | 8/ 2
|
pf | A minor | 1826 | Keyboard | rev. as S.137/2 | |
136/ | 3A | 8/ 3
|
pf | F major | 1826 | Keyboard | rev. as S.137/3 | |
136/ | 4A | 8/ 4
|
pf | D minor | 1826 | Keyboard | rev. as S.137/4 | |
136/ | 5A | 8/ 5
|
pf | B♭ major | 1826 | Keyboard | rev. as S.137/5 | |
136/ | 6A | 8/ 6
|
pf | G minor | 1826 | Keyboard | rev. as S.137/6 | |
136/ | 7A | 8/ 7
|
pf | E♭ major | 1826 | Keyboard | rev. as S.137/11 | |
136/ | 8A | 8/ 8
|
pf | C minor | 1826 | Keyboard | rev. as S.137/8 | |
136/ | 9A | 8/ 9
|
pf | A♭ major | 1826 | Keyboard | rev. as S.137/9 | |
136/10 | A | 8/10
|
pf | F minor | 1826 | Keyboard | rev. as S.137/10 | |
136/11 | A | 8/11
|
pf | D♭ major | 1826 | Keyboard | Revoked and replaced by a new piece in S.137 and S.139 | |
136/12 | A | 8/12
|
pf | B♭ minor | 1826 | Keyboard | rev. as S.137/12 | |
136a | A | 8/13Preludio (Allegro maestoso) | pf | F♯ major | 1826? | Keyboard | intended for 2nd series of 48 pieces (with S.136) | |
137 | A | 39Grandes études: | pf | 1837 | Keyboard | based on S.136; rev. as S.139 | ||
137/ | 1A | 39/ 1
|
pf | C major | 1837 | Keyboard | based on S.136/1; rev. as S.139/1 | |
137/ | 2A | 39/ 2
|
pf | A minor | 1837 | Keyboard | based on S.136/2; rev. as S.139/2 | |
137/ | 3A | 39/ 3
|
pf | F major | 1837 | Keyboard | based on S.136/3; rev. as S.139/3 | |
137/ | 4A | 39/ 4
|
pf | D minor | 1837 | Keyboard | based on S.136/4; rev. as S.138, S.139/4 | |
137/ | 5A | 39/ 5
|
pf | B♭ major | 1837 | Keyboard | based on S.136/5; rev. as S.139/5 | |
137/ | 6A | 39/ 6
|
pf | G minor | 1837 | Keyboard | based on S.136/6; rev. as S.139/6 | |
137/ | 7A | 39/ 7
|
pf | E♭ major | 1837 | Keyboard | new piece, rev. as S.139/7 | |
137/ | 8A | 39/ 8
|
pf | C minor | 1837 | Keyboard | based on S.136/8; rev. as S.139/8 | |
137/ | 9A | 39/ 9
|
pf | A♭ major | 1837 | Keyboard | based on S.136/9; rev. as S.139/9 | |
137/10 | A | 39/10
|
pf | F minor | 1837 | Keyboard | based on S.136/10; rev. as S.139/10 | |
137/11 | A | 39/11
|
pf | D♭ major | 1837 | Keyboard | based on S.136/7; rev. as S.139/11 | |
137/12 | A | 39/12
|
pf | B♭ minor | 1837 | Keyboard | based on S.136/12; rev. as S.139/12 | |
138 | A172/ | 4Mazeppa | pf | D minor | 1840 | Keyboard | based on S.137/4; rev. as S.139/4 | |
139 | A172 | Études d'exécution transcendante (12 Transcendental Etudes): | pf | 1851 | Keyboard | based on S.137 | ||
139/ | 1A172/ | 1
|
pf | C major | 1851 | Keyboard | based on S.137/1 | |
139/ | 2A172/ | 2
|
pf | A minor | 1851 | Keyboard | based on S.137/2 | |
139/ | 3A172/ | 3
|
pf | F major | 1851 | Keyboard | based on S.137/3 | |
139/ | 4A172/ | 4
|
pf | D minor | 1851 | Keyboard | based on S.137/4, S.138 | |
139/ | 5A172/ | 5
|
pf | B♭ major | 1851 | Keyboard | based on S.137/5 | |
139/ | 6A172/ | 6
|
pf | G minor | 1851 | Keyboard | based on S.137/6 | |
139/ | 7A172/ | 7
|
pf | E♭ major | 1851 | Keyboard | based on S.137/7 | |
139/ | 8A172/ | 8
|
pf | C minor | 1851 | Keyboard | based on S.137/8 | |
139/ | 9A172/ | 9
|
pf | A♭ major | 1851 | Keyboard | based on S.137/9 | |
139/10 | A172/10 |
|
pf | F minor | 1851 | Keyboard | based on S.137/10 | |
139/11 | A172/11 |
|
pf | D♭ major | 1851 | Keyboard | based on S.137/11; themes re-used in S.166o | |
139/12 | A172/12 |
|
pf | B minor | 1851 | Keyboard | based on S.137/12 | |
140 | A | 52Études d'exécution transcendante d'après Paganini: | pf | 1838 | Keyboard | based on themes from 24 Caprices for Solo Violin, Op.1, and Violin Concerto No.2, Op.7, by Niccolò Paganini; 1st version of S.141 | ||
140/1 | A | 52/1
|
pf | G minor | 1838 | Keyboard | 1st version of S.140/1a, S.141/1 | |
140/1a | A | 52/1
|
pf | G minor | 1838 | Keyboard | 2nd version of S.140, S.141/1 (incorporating No.2 of 6 Concert Etudes after Paganini Caprices, Op.10, by Robert Schumann | |
140/2 | A | 52/2
|
pf | E♭ major | 1838 | Keyboard | 1st version of S.141/2 | |
140/3 | A | 52/3
|
pf | A♭ minor | 1838 | Keyboard | 1st version of S.141/3 | |
140/4a | A | 52/4a
|
pf | E major | 1838 | Keyboard | 1st version of S.140/4b, S.141/4 | |
140/4b | A | 52/4b
|
pf | E major | 1838 | Keyboard | 2nd version of S.140/4a, S.141/4 | |
140/5 | A | 52/5
|
pf | E major | 1838 | Keyboard | 1st version of S.140/5a, S.141/5 | |
140/5a | A | 52/5
|
pf | E major | 1838 | Keyboard | 2nd version of S.140/5, S.141/5 | |
140/6 | A | 52/6
|
pf | A minor | 1838 | Keyboard | 1st version of S.141/6 | |
141 | A173 | Grandes études de Paganini: | pf | 1851 | Keyboard | based on themes from 24 Caprices for Solo Violin, Op.1, and Violin Concerto No.2, Op.7, by Niccolò Paganini; 2nd version of S.140 | ||
141/1 | A173/1 |
|
pf | G minor | 1851 | Keyboard | 2nd version of S.140/1, S.140/1a | |
141/2 | A173/2 |
|
pf | E♭ major | 1851 | Keyboard | 2nd version of S.140/2 | |
141/3 | A173/3 |
|
pf | G♯ minor | 1851 | Keyboard | 2nd version of S.140/3 | |
141/4 | A173/4 |
|
pf | E major | 1851 | Keyboard | 3rd version of S.140/4a, S.140/4b | |
141/5 | A173/5 |
|
pf | E major | 1851 | Keyboard | 3rd version of S.140/5, S.140/5a | |
141/6 | A173/6 |
|
pf | A minor | 1851 | Keyboard | 2nd version of S.140/6 | |
141/6bis | — | Album-Leaf, 'Introduction to the Grande Étude de Paganini No.6' ("Introduction to the Grande Étude de Paganini No 6") | pf | 1884 | Keyboard | |||
142 | A | 63aMorceau de salon (Étude de perfectionnement) | pf | 1840 | Keyboard | 1st version of S.143 | ||
143 | A | 63bAb irato (Étude de perfectionnement) | pf | 1852 | Keyboard | 2nd version of S.142 | ||
144 | A118 | Études de concert (3): | pf | 1845–49 | Keyboard | |||
144/1 | A118/1 |
|
pf | A♭ major | 1845–49 | Keyboard | ||
144/2 | A118/2 |
|
pf | F minor | 1845–49 | Keyboard | ||
144/3 | A118/3 |
|
pf | D♭ major | 1845–49 | Keyboard | ||
144/3bis | A118/3 |
|
pf | D♭ major | 1848? | Keyboard | ||
145 | A218 | Konzertetüden (Concert-Studies) (2): | pf | 1862 | Keyboard | |||
145/1 | A218/1 |
|
pf | A♭ major | 1862 | Keyboard | ||
145/2 | A218/2 |
|
pf | A major–C♯ minor | 1862 | Keyboard | ||
146 | A242 | Technische Studien (Technical Studies) | pf | 1868–73 | Keyboard | 68 studies in 3 books | ||
147–254 | — | Various Original Works |
||||||
147 | A | 1Variation on a Waltz by Diabelli (Variation über einen Walzer von Diabelli) | pf | C major | 1822 | Keyboard | contribution to the album Vaterländische Künstlerverein by Anton Diabelli | |
147a* | — | Variationen über Romanze aus Joseph von Méhul | pf | Keyboard | spurious; see Variationen über eine Romanze von Méhul, Op.23, by Franz Xaver Wolfgang Mozart); see S.997 | |||
148 | A | 3Variations (8) | pf | A♭ major | 1824 | Keyboard | published as Op.1 | |
149 | A | 4Variations brillantes sur un thème de Rossini (7) | pf | 1824 | Keyboard | published as Op.2 | ||
150 | A | 5Impromptu brillant sur des thèmes de Rossini et Spontini | pf | 1824 | Keyboard | published as Op.3; using themes from Armida and La donna del lago by Gioacchino Rossini, and Fernand Cortez and Olimpie by Gaspare Spontini | ||
151 | A | 6Allegro di bravura | pf | E♭ minor | 1824–25 | Keyboard | published as Op.4/1; arr. for orch as S.700a(?) | |
151a | — | Adagio non troppo | pf | 1824? | Keyboard | |||
152 | A | 7Rondo di bravura | pf | E minor | 1824–25 | Keyboard | published as Op.4/2 | |
152a | — | Klavierstück | pf | A♭ major | 1824–27? | Keyboard | ||
153 | A | 9Scherzo (Allegro molto quasi presto) | pf | G minor | 1827 | Keyboard | ||
153a | — | Marche funèbre | pf | 1827 | Keyboard | |||
153b | Q | 3Grand solo caractèristique d'apropos une chansonette de Panseron | pf | 1830–32 | Keyboard | formerly S.754a; unpublished (in private collection) | ||
154 | A | 18Harmonies poétiques et religieuses I | pf | 1833–34 | Keyboard | 1st version of S.172a/8, S.173/4 | ||
155 | A | 19Apparitions | pf | 1834 | Keyboard | |||
155/1 | A | 19/1
|
pf | F♯ major | 1834 | Keyboard | ||
155/2 | A | 19/2
|
pf | A minor | 1834 | Keyboard | ||
155/3 | A | 19/3
|
pf | 1834 | Keyboard | based on No.33 of 36 Originaltänze, D.365, by Franz Schubert | ||
155a | A | 27a3 Airs suisses | pf | 1835–36 | Keyboard | published as Op.10; 1st version of S.156/17–19, S.156a | ||
155a/1 | A | 27a/1
|
pf | 1835–36 | Keyboard | 1st version of S.156/17, S.156a/1 | ||
155a/2 | A | 27a/2
|
pf | 1835–36 | Keyboard | 1st version of S.156/18, S.156a/2 | ||
155a/3 | A | 27a/3
|
pf | 1835–36 | Keyboard | 1st version of S.156/19, S.156a/3 | ||
156 | A | 40a Album d'un voyageur I. Impressions et Poésies |
pf | 1837–38 | Keyboard | |||
156/ | 1A | 40a/1
|
pf | C major | 1837–38 | Keyboard | ||
156/ | 2A | 40a/2a
|
pf | A♭ major | 1837–38 | Keyboard | 1st version of S.160/2 | |
156/ | 3A | 40a/2b
|
pf | A♭ major | 1837–38 | Keyboard | 1st version of S.160/4, S.160/4bis | |
156/ | 4A | 40a/3
|
pf | B major | 1837–38 | Keyboard | 1st version of S.160/9 | |
156/ | 5A | 40a/4
|
pf | E minor | 1837–38 | Keyboard | 1st version of S.160/6 | |
156/ | 6A | 40a/5
|
pf | C major | 1837–38 | Keyboard | 1st version of S.160/1 | |
156/ | 7A | 40a/6
|
pf | F major | 1837–38 | Keyboard | ||
A | 40b Album d'un voyageur II. Fleurs mélodiques des Alpes |
pf | C major | 1837–38 | Keyboard | |||
156/ | 8A | 40b/1
|
pf | C major | 1837–38 | Keyboard | ||
156/ | 9A | 40b/2
|
pf | E minor–G major | 1837–38 | Keyboard | ||
156/10 | A | 40b/3
|
pf | G major | 1837–38 | Keyboard | 1st version of S.160/3 | |
156/11 | A | 40b/4
|
pf | G major | 1837–38 | Keyboard | ||
156/12 | A | 40b/5
|
pf | G minor | 1837–38 | Keyboard | ||
156/13 | A | 40b/6
|
pf | E major | 1837–38 | Keyboard | ||
156/14 | A | 40b/7
|
pf | A♭ major | 1837–38 | Keyboard | ||
156/15 | A | 40b/8
|
pf | D♭ major | 1837–38 | Keyboard | ||
156/16 | A | 40b/9
|
pf | G major | 1837–38 | Keyboard | ||
A | 40c Album d'un voyageur III. Paraphrases |
pf | 1837–38 | Keyboard | 2nd version of S.155a, S.156a | |||
156/17 | A | 40c/1
|
pf | G major | 1837–38 | Keyboard | 2nd version of S.155a/1, S.156a/1 | |
156/18 | A | 40c/2
|
pf | C major | 1837–38 | Keyboard | 2nd version of S.155a/2, S.156a/2 | |
156/19 | A | 40c/3
|
pf | 1837–38 | Keyboard | 2nd version of S.155a/3, S.156a/3 | ||
156a | A | 27bMorceaux suisses (3): | pf | 1876–77 | Keyboard | 3rd version of S.155a, S.156/17–19 | ||
156a/1 | A | 27b/1
|
pf | 1876–77 | Keyboard | 3rd version of S.155a/1, S.156/17 | ||
156a/2 | A | 27b/2
|
pf | 1876–77 | Keyboard | 3rd version of S.155a/2, S.156/18 | ||
156a/3 | A | 27b/3
|
pf | 1876–77 | Keyboard | 3rd version of S.155a/3, S.156/19 | ||
157 | A | 21Fantaisie romantique sur deux mélodies suisses | pf | 1835–36 | Keyboard | |||
157a | A | 55/1Sposalizio | pf | 1838–39 | Keyboard | 1st version of S.161/1 | ||
157b | A | 55/2Il penseroso | pf | 1839 | Keyboard | 1st version of S.161/2 | ||
157c | A | 55/3Canzonetta del Salvator Rosa | pf | 1838–39 | Keyboard | 1st version of S.161/3 | ||
157d | A101 | Quasi Mazurka | pf | 1843 | Keyboard | |||
158 | A102 | Sonetti di Petrarca (3): | pf | 1843–46 | Keyboard | arrs. of S.270a | ||
158/1 | A102/2 |
|
pf | 1843–46 | Keyboard | arr. of S.270a/1; 1st version of S.161/5 | ||
158/2 | A102/1 |
|
pf | 1843–46 | Keyboard | arr. of S.270a/2; 1st version of S.161/4 | ||
158/3 | A102/3 |
|
pf | 1843–46 | Keyboard | arr. of S.270a/3; 1st version of S.161/6 | ||
158a | A | 55/7Paralipomènes á la Divina Commedia (Fantaisie symphonique) | pf | 1839 | Keyboard | 1st version of S.158b, S.158c, S.161/7 | ||
158b | A | 55/7Prolégomènes á la Divina Commedia (Fantaisie symphonique) | pf | 1839 | Keyboard | 2nd version of S.158a, S.158c, S.161/7 | ||
158c | A | 55/7Aprés une lecture du Dante (Fantasia quasi Sonata) | pf | 1839 | Keyboard | 3rd version of S.158a, S.158b, S.161/7 | ||
158d | — | Adagio | pf | C major | 1841 | Keyboard | fragment from S.158c? may also have been formerly S.998? | |
159 | A | 53Venezia e Napoli | pf | 1840 | Keyboard | 1st version of S.162 | ||
159/1 | A | 53/1
|
pf | C minor | 1840 | Keyboard | ||
159/2 | A | 53/2
|
pf | C major | 1840 | Keyboard | ||
159/3 | A | 53/3
|
pf | F♯ major | 1840 | Keyboard | based on the popular song La biondina in gondoletta by Giovanni Battista Perucchini; 1st version of S.162/1 | |
159/4 | A | 53/4
|
pf | G minor | 1840 | Keyboard | based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3 | |
160 | A159 | Années de pèlerinage I (Première année: Suisse) | pf | 1848–55 | Keyboard | |||
160/1 | A159/1 |
|
pf | C major | 1848–55 | Keyboard | 2nd version of S.156/5 | |
160/2 | A159/2 |
|
pf | A♭ major | 1848–55 | Keyboard | 2nd version of S.156/2 | |
160/3 | A159/3 |
|
pf | E major | 1848–55 | Keyboard | 2nd version of S.156/10 | |
160/4 | A159/4 |
|
pf | A♭ major | 1848–55 | Keyboard | 2nd version of S.156/3, S.160/4bis | |
160/4bis | A159/4 |
|
pf | A♭ major? | 1863 | Keyboard | 3rd version of S.156/3, S.160/4 | |
160/5 | A159/5 |
|
pf | C minor | 1848–55 | Keyboard | ||
160/6 | A159/6 |
|
pf | E minor | 1848–55 | Keyboard | 2nd version of S.156/5; arr. for vn vc pf by Eduard Lassen and Liszt as S.378a, S.378b, S.378c | |
160/7 | A159/7 |
|
pf | A♭ major | 1848–55 | Keyboard | ||
160/8 | A159/8 |
|
pf | E minor | 1848–54 | Keyboard | ||
160/9 | A159/9 |
|
pf | B major | 1848–55 | Keyboard | 2nd version of S.156/4 | |
161 | A | 55 Années de pèlerinage II (Deuxième année: Italie) |
pf | 1846–49 | Keyboard | for supplement see S.162 | ||
161/1 | A | 55/1
|
pf | 1849 | Keyboard | 2nd version of S.157a; rev. for vv org/harm as S.60 | ||
161/2 | A | 55/2
|
pf | C♯ minor | 1846–49 | Keyboard | 2nd version of S.157b | |
161/3 | A | 55/3
|
pf | A major | 1846 | Keyboard | 2nd version of S.157c | |
161/4 | A | 55/4
|
pf | 1846 | Keyboard | 2nd version of S.158/2 | ||
161/5 | A | 55/5
|
pf | 1846 | Keyboard | 2nd version of S.158/1 | ||
161/6 | A | 55/6
|
pf | 1846 | Keyboard | 2nd version of S.158/3 | ||
161/7 | A | 55/7
|
pf | 1849 | Keyboard | 4th version of S.158a, S.158b, S.158c | ||
162 | A197 | Années de pèlerinage II, Supplément (Supplément: Venezia e Napoli) |
pf | 1859 | Keyboard | 2nd version of S.159 | ||
162/1 | A197/1 |
|
pf | 1859 | Keyboard | 2nd version of S.159/3; based on La biondina in gondoletta by Giovanni Battista Perucchini | ||
162/2 | A197/2 |
|
pf | E♭ minor | 1859 | Keyboard | based on the theme of the Gondolier's song from Act III of Otello by Gioacchino Rossini | |
162/3 | A197/3 |
|
pf | G minor | 1859 | Keyboard | 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau | |
162a/1 | A283/1 | Den Schutz-Engeln (Angelus! Prière à l'ange gardien) | pf | 1877 | Keyboard | 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1 | ||
162a/1bis | A283/1 | Aux anges gardiens (Den Schutz Engeln) | pf | 1877 | Keyboard | 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1 | ||
162a/2 | A283/1 | Den Schutz-Engeln (Angelus! Pri ère á l'ange gardien) | pf | 1880 | Keyboard | 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1 | ||
162a/3 | A283/1 | Den Schutz-Engeln (Angelus! Pri ère á l'ange gardien) | pf | 1880 | Keyboard | 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1 | ||
162a/4 | A283/1 | Den Schutz-Engeln (Angelus! Pri ère á l'ange gardien) | pf | 1880 | Keyboard | 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1 | ||
162b | A283/3 | Den Cypressen der Villa d'Este | pf | 1872 | Keyboard | 1st version of S.163/3 | ||
162c | A283/5 | Sunt lacrymae rerum | pf | 1877 | Keyboard | 1st version of S.163/5, S.162d | ||
162e | A283/6 | En mémoire de Maximilian I | pf | 1867 | Keyboard | 1st version of S.163/6 | ||
162d | A283/5 | Sunt lacrymae rerum (in ungarischer Weise) | pf | 1877 | Keyboard | 2nd version of S.162c, S.163/5 | ||
162f | A283/7 | Postludium (Sursum Corda) | pf | 1877 | Keyboard | 1st version of S.163/7 | ||
163 | A283 | Années de pèlerinage III (Troisième année) |
pf | 1877–82 | Keyboard | |||
163/1 | A283/1 |
|
pf | E major | 1882 | Keyboard | 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a | |
163/2 | A283/2 |
|
pf | 1877 | Keyboard | |||
163/3 | A283/3 |
|
pf | E minor | 1877 | Keyboard | 2nd version of S.162b | |
163/4 | A283/4 |
|
pf | F♯ major | 1877 | Keyboard | ||
163/5 | A283/5 |
|
pf | 1882 | Keyboard | 3rd version of S.162c, S.162d | ||
163/6 | A283/6 |
|
pf | 1867 | Keyboard | 2nd version of S.162e | ||
163/7 | A283/7 |
|
pf | E major | 1877 | Keyboard | 2nd version of S.162f | |
163a/1 | — | Album-Leaf ("2nd Concerto") | pf | F♯ minor | 1828 | Keyboard | ||
163a/2 | — | Andantino ("pour Emile et Charlotte Loudon") | pf | E♭ major | 1828 | Keyboard | ||
163b | — | Album-Leaf ("Ah, vous dirai-je, maman") | pf | A♭ major | 1833 | Keyboard | ||
163c | — | Album-Leaf ("Pressburg I") | pf | C minor | 1839 | Keyboard | ||
163d | — | Album-Leaf ("Leipzig") | pf | E major | 1840 | Keyboard | exists in two versions | |
163e | — | Album-Leaf ("Quasi Mazurek") | pf | C major | 1843 | Keyboard | ||
163f | — | Album-Leaves (2) | pf | C major | 1840–41 | Keyboard | ||
163h | — | Album-Leaf ("Paris") | pf | F♯ major | 1842 | Keyboard | ||
163n | — | Album Leaf ("Magdeburg") | pf | A♭ major | 1844 | Keyboard | excerpt from S.212i. | |
163o | — | Album Leaf ("Frankfurt") | pf | A♭ major | 1842 | Keyboard | excerpt from S.212i | |
163q | — | Album Leaf | pf | A minor | Keyboard | |||
163r | — | Album Leaf | pf | A♭ minor | Keyboard | |||
163w | — | Album-Leaves (2) | pf | A♭ major | Keyboard | |||
164 | A | 66Albumblatt ("Feuille d'album No.1") | pf | E major | 1840 | Keyboard | based on S.210 | |
164a | — | Album-Leaf ("Vienna") | pf | E major | 1840 | Keyboard | ||
164b | — | Album-Leaf ("Leipzig") | pf | E♭ major | 1840 | Keyboard | ||
164c | — | Album-Leaf ("Exeter Preludio") | pf | 1840 | Keyboard | |||
164d | — | Album-Leaf ("Detmold") | pf | E major | 1841 | Keyboard | ||
164e | — | Album-Leaves (3) ("Magyar") | pf | 1840–41 | Keyboard | |||
164e | — | Album Leaves ("Magyar") | pf | 1840–42 | Keyboard | from S.242/5, 7, 10, 11 | ||
164f | — | Album-Leaf ("Rákóczi-Marsch") | pf | A minor | 1841 | Keyboard | based on S.242a | |
164g | — | Album-Leaf ("Berlin Preludio") | pf | C major | 1842 | Keyboard | ||
164h | — | Album-Leaf ("Weimar I") | pf | D major | 1840–45? | Keyboard | ||
164j | — | Album-Leaf ("Paris Preludio") | pf | 1842 | Keyboard | |||
164k | — | Album-Leaf ("Moderato") | pf | D♭ major | 1842 | Keyboard | ||
164l | — | Album-Leaf ("Adagio") | pf | C major | 1825 | Keyboard | ||
164m | — | Album-Leaf ("Elisabeth") | pf | F{{sharp}] major | Keyboard | extract from S.2 | ||
164o | — | Album Leaves (2) | pf | B major | 1841 | Keyboard | ||
164p | — | Album-Leaf ("Andantino") | pf | E{{flat}] major | Keyboard | uses material from S.242/7 | ||
164q | — | Album-Leaf ("Ave Maria") | pf | B{{flat}] major | 1841 | Keyboard | ||
164r | — | Album-Leaf ("Dublin") | pf | A{{flat}] major | Keyboard | |||
164s | — | Album Leaves (4) | pf | Keyboard | ||||
165 | A104 | Feuilles d'album | pf | A♭ major | 1844 | Keyboard | ||
165a | — | Album-Leaf ("Consolation 1") | pf | E major | 1870–79 ca. | Keyboard | Album-Leaf of S.172/1; formerly listed as S.171b | |
165b | — | Album-Leaf ("Osnabrück") | pf | F major | 1841 | Keyboard | ||
165c | — | Album-Leaf ("Preludio") | pf | 1841 | Keyboard | |||
165e | — | Album-Leaf ("Dante-Symphony") | pf | F♯ major | 1858 | Keyboard | based on material from S.109 | |
165f | — | Album-Leaf ("Andante molto espressivo") | pf | G♯ minor | 1857 | Keyboard | extract from S.98 | |
165k | — | Album-Leaf | pf | B major | Keyboard | |||
165l | — | Album-Leaf ("Dresden") | pf | A minor | 1840 | Keyboard | ||
165o | — | Album-Leaf ("St. François de Paule") | pf | E major | 1873? | Keyboard | ||
166 | A | 83Albumblatt in Walzerform | pf | A major | 1842 | Keyboard | ||
166a | — | Album-Leaf | pf | E major | 1843 | Keyboard | ||
166a | — | Album-Leaf | pf | A major | 1870 | Keyboard | cataloguing mistake?; maybe 2nd version of 166a (above) | |
166b | — | Album-Leaf ("Portugal") | pf | A♭ major | 1845 | Keyboard | ||
166c | — | Album Leaf ("Weimar II") | pf | A♭ major | 1845 | Keyboard | ||
166d | — | Album-Leaves (12) | pf | A minor | Keyboard | |||
166e | — | Album-Leaf ("Prélude Omnitonique") | pf | 1844 | Keyboard | |||
166f | — | Album-Leaves (5) | pf | A minor | 1844 | Keyboard | ||
166g | — | Album-Leaves (2) | pf | A minor | 1840s? | Keyboard | ||
166h | — | Album-Leaf ("Andante religioso ") | pf | G major | 1846 | Keyboard | 1st version of S.166j | |
166j | — | Album-Leaf ("Andante religiosamente") | pf | G major | 1846 | Keyboard | 2nd version of S.166h | |
166k | — | Album-Leaf ("Friska") | pf | A major | 1845–49? | Keyboard | ||
166l | R3 | Album-Leaves (2) | pf | 1840s | Keyboard | |||
166m | A135 | Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (Album-Leaves for Princess Marie von Sayn-Wittgenstein) | pf | 1847 | Keyboard | |||
166m/1 | A135/1 |
|
pf | C major | 1847 | Keyboard | ||
166m/2 | A135/2 |
|
pf | 1847 | Keyboard | |||
166m/3 | A135/3 |
|
pf | A major | 1847 | Keyboard | ||
166m/4 | A135/4 |
|
pf | F major | 1847 | Keyboard | ||
166n | A134 | Album-Leaf ("Freudvoll und leidvoll") | pf | 1847 | Keyboard | partial arr. of S.280 | ||
166o | — | Album-Leaf ("Langsam in C♯ minor") | pf | C♯ minor | 1876 | Keyboard | uses themes from S.139/11 | |
166p | — | Album-Leaf ("Andantino in A♭ major") | pf | A♭ major | 1847 | Keyboard | ||
166q | — | Album-Leaf | pf | G major | 1847 | Keyboard | ||
166r | — | Album-Leaves (2) ("Purgatorio") | pf | 1857? | Keyboard | |||
166r/1 | — | Album-Leaf ("Purgatorio") | pf | B minor | 1857 | Keyboard | ||
166r/2 | — | Album-Leaf ("Aus dem Purgatorio des Dante Sinfonie") | pf | B minor | 1857? | Keyboard | ||
166s | — | Album-Leaf | pf | F♯ minor | 1870 | Keyboard | ||
166t | — | Album-Leaves (5) | pf | 1844 | Keyboard | |||
166u | — | Album-Leaf 'Fragment d'Étude, d'apres Paganini', S.166u (Liszt, Franz) ("Fragment d'Étude, d'apres Paganini") | pf | E♭ major | 1838 | Keyboard | ||
166v | — | Album-Leaf ("Molique") | pf | A major | 1870 | Keyboard | ||
166x | — | Album-Leaf ("12 Einleitungs Takten zur Harmonie poetique: Bénédiction de Dieu dans la solitude") | pf | F♯ major | 1883 | Keyboard | introduction to S.173/3 | |
166y | — | Album-Leaves (2) | pf | A minor | 1884 | Keyboard | S.166y/2 was formerly S.141bis | |
166z | — | Album-Leaf ("Apparition 1") | pf | F♯ minor | Keyboard | |||
167* | — | Feuille d'album No.2 | Keyboard | see S.534/2bis | ||||
167a* | — | Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice | Keyboard | see S.571a | ||||
167b | A | 75Miniatur Lieder | pf | 1840–49 | Keyboard | unpublished; score inaccessible (in private collection?) | ||
167c | — | Album-Leaf ("Poco adagio aus der Graner Messe") | pf | 1860? | Keyboard | from the Agnus Dei of Beethoven's Missa Solemnis | ||
167d | — | Album-Leaf | pf | 1860 | Keyboard | from S.98 | ||
167e | — | Album-Leaf | pf | 1861 | Keyboard | from S.106 | ||
167f | — | Album-Leaf ("Dante Symphony progression") | pf | G major | 1860? | Keyboard | based on material from S.109 | |
167g | — | Album-Leaf ("Lélio") | pf | D♭ major | 1835 | Keyboard | ||
167h | — | Album-Leaf | pf | 1860–69? | Keyboard | |||
167j | — | Album-Leaf ("Fugue Chromatique") | pf | G minor | 1844 | Keyboard | ||
167k | — | Album-Leaves (5) | pf | E♭ major | 1840–41 ca. | Keyboard | based on the start of S.219 | |
167l | — | Album-Leaves (2) | pf | G major | 1842–49 | Keyboard | based on S.577, S.577bis, S.577a, and S.577ter | |
167m | — | Album-Leaf ("Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke") | pf | 1859 or later | Keyboard | possibly intended for S.216, S.216b, S.514, or S.515? | ||
167n | — | Album-Leaf ("Berlin I") | pf | A major | 1842 | Keyboard | ||
167o | — | Album-Leaf ("Tempo di marcia in E♭ major") | pf | E♭ major | 1845 | Keyboard | themes re-used in S.227 | |
167p | — | Album-Leaf ("Larghetto in D♭ major") | pf | D♭ major | 1883 | Keyboard | on a Henselt Concerto | |
167q | — | Album-Leaf ("Schlusschor des entfesselten Prometheus") | pf | D♭ major | 1883 | Keyboard | ||
167r | — | Album-Leaf ("Andante") | pf | E♭ major | 1850s | Keyboard | ||
167s | — | Album-Leaf ("Lyon") | pf | C major | 1839 | Keyboard | ||
167t | — | Album-Leaf ("Cantique d'amour") | pf | E major | 1853 | Keyboard | based on S.173/10 | |
167v | — | Album-Leaf ("Berlin II") | pf | B major | 1842 | Keyboard | based on the second theme of S.158a | |
167v | — | Album-Leaf ("Huguenots") | pf | 1842 | Keyboard | |||
167z | — | Album-Leaves (2) | pf | E minor | 1842 | Keyboard | ||
168/1 | A | 94Élégie sur des motifs du Prince Louis Ferdinand de Prusse | pf | A♭ major | 1842–43 | Keyboard | 1st version of S.168/2 | |
168/2 | A | 94Élégie sur des motifs du Prince Louis Ferdinand de Prusse | pf | A♭ major | 1851 | Keyboard | 2nd version of S.168/1 | |
168a | A145 | Andante amoroso | pf | 1847? | Keyboard | from S.395? | ||
168b | — | Pensées (Nocturne) | pf | A major | 1845 | Keyboard | ||
169 | A148 | Romance "O pourquoi donc" | pf | E minor | 1848 | Keyboard | based on S.301a; rev. as S.527 | |
170 | A117 | Ballade No.1 (Le chant du croisé) | pf | D♭ major | 1848–49 | Keyboard | 2nd version of S.171d/4 | |
170a | A181 | Ballade No.2 | pf | B minor | 1853 | Keyboard | 1st version of S.171 | |
171 | A181 | Ballade No.2 | pf | B minor | 1853 | Keyboard | 2nd version of S.170a | |
171a | A111a/1 | Consolations: | pf | 1844–48 | Keyboard | 1st version of S.172 | ||
171a/1 | A111a/1 |
|
pf | E major | 1844–48 | Keyboard | 1st version of S.172/1 | |
171a/2 | A111a/2 |
|
pf | E major | 1844–48 | Keyboard | 1st version of S.172/2 | |
171a/3 | A111a/3 |
|
pf | E major | 1844–48 | Keyboard | 1st version of S.172/3; theme re-used in S.243b | |
171a/4 | A111a/4 |
|
pf | D♭ major | 1844–48 | Keyboard | 1st version of S.172/4 | |
171a/5 | A111a/5 |
|
pf | E major | 1844–48 | Keyboard | 1st version of S.172/5 | |
171a/6 | A111a/6 |
|
pf | E major | 1844–48 | Keyboard | 1st version of S.172/6 | |
171b | — | Madrigal | pf | 1849–50 | Keyboard | early draft for S.172/5 | ||
171c | — | Prière d'un enfant à son réveil | pf | 1840 | Keyboard | 1st version of S.172a/7, S.173/6; theme used in S.19/1 | ||
171d | — | Préludes et Harmonies poétiques et religieuses (8): | pf | 1845–47 | Keyboard | |||
171d/1 | — |
|
pf | E♭ major | 1845–47 | Keyboard | 1st version of S.172a/11 and S.173/3 | |
171d/2 | — |
|
pf | C minor | 1845–47 | Keyboard | ||
171d/3 | — |
|
pf | E major | 1845–47 | Keyboard | ||
171d/4 | — |
|
pf | D♭ major | 1845–47 | Keyboard | incomplete; 1st version of S.170 | |
171d/5 | — |
|
pf | G♭ major | 1845–47 | Keyboard | ||
171d/6 | — |
|
pf | A major | 1845–47 | Keyboard | incomplete | |
171d/7 | — |
|
pf | E major | 1845–47 | Keyboard | ||
171d/8 | — |
|
pf | D♭ major | 1845–47 | Keyboard | incomplete | |
171e | A | 61/4Litanies de Marie | pf | E major | 1846–47 | Keyboard | formerly S.695a; 1st version of S.172a/4 | |
172 | A111b | Consolations (Pensées poétiques) (6): | pf | 1849–50 | Keyboard | 2nd version of S.171a | ||
172/1 | A111b/1 |
|
pf | E major | 1849–50 | Keyboard | 2nd version of S.171a/1; see also S.165a; arr. for vc pf by Liszt and Jules de Swert as S.382a/1 | |
172/2 | A111b/2 |
|
pf | E major | 1849–50 | Keyboard | 2nd version of S.171a/2 | |
172/3 | A111b/3 |
|
pf | D♭ major | 1849–50 | Keyboard | 2nd version of S.171a/3; arr. for org/harm as S.672d/1 | |
172/4 | A111b/4 |
|
pf | D♭ major | 1849–50 | Keyboard | 2nd version of S.171a/4; arr. for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/2; ; arr. for vc pf/org/harm by Liszt and Jules de Swert as S.382a/2 | |
172/5 | A111b/5 |
|
pf | E major | 1849–50 | Keyboard | 2nd version of S.171a/5; arr. for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/3 | |
172/6 | A111b/6 |
|
pf | E major | 1849–50 | Keyboard | 2nd version of S.171a/6; arr. for org/harm as S.672d/4 | |
172a | A | 61Harmonies poétiques et religieuses II (10): | pf | 1840–47 | Keyboard | 1st version of S.173 | ||
172a/ | 1A | 61/ 1
|
pf | E major | 1840–47 | Keyboard | 1st version of S.172c, S.173/1 | |
172a/ | 2A | 61/ 2
|
pf | E major | 1840–47 | Keyboard | 1st version of S.173a/1 | |
172a/ | 3A | 61/ 3
|
pf | B major | 1840–47 | Keyboard | 1st version of S.173a/2 | |
172a/ | 4A | 61/ 4
|
pf | E major | 1840–47 | Keyboard | 2nd version of S.171e | |
172a/ | 5A | 61/ 5
|
pf | E minor | 1840–47 | Keyboard | 1st version of S.173/8 | |
172a/ | 6A | 61/ 6
|
pf | C major | 1840–47 | Keyboard | 1st version of S.173/5; adapted for mch as S.21 | |
172a/ | 7A | 61/ 7
|
pf | A♭ major | 1840–47 | Keyboard | 2nd version of S.171c, S.173/6 | |
172a/ | 8A | 61/ 8
|
pf | 1840–47 | Keyboard | 2nd version of S.154, S.173/4 | ||
172a/ | 9A | 61/ 9
|
pf | G minor | 1840–47 | Keyboard | 1st version of S.173/9 | |
172a/10 | A | 61/10 |
pf | E♭ major | 1840–47 | Keyboard | ||
172a/11 | A | 61/11
|
pf | E♭ major | 1840–47 | Keyboard | 2nd version of S.171d/1 and S.173/3 | |
172a/12 | A | 61/12
|
pf | 1840–47 | Keyboard | 1st version of S.173/2; now lost | ||
172b | A142 | Stabat Mater | pf | 1847 | Keyboard | formerly S.579/3 | ||
172c | A | 61/1Invocation | pf | E major | 1847 | Keyboard | 2nd version of S.172a/1, S.173/1 | |
173a/1 | A | 61/2Hymne de la nuit | pf | E major | 1847 | Keyboard | 2nd version of S.172a/2 | |
173a/2 | A | 61/3Hymne du matin | pf | B major | 1847 | Keyboard | 2nd version of S.172a/3 | |
173 | A158 | Harmonies poétiques et religieuses III (10): | pf | 1848–53 | Keyboard | 2nd version of S.172a | ||
173/ | 1A158/ | 1
|
pf | E major | 1848–51 | Keyboard | 3rd version of S.172a/1, S.172c | |
173/ | 2A158/ | 2
|
pf | B♭ major | 1842 | Keyboard | 2nd version of S.172/12 | |
173/ | 3A158/ | 3
|
pf | F♯ major | 1851 | Keyboard | 3rd version of S.171d/1 and S.172a/11 | |
173/ | 4A158/ | 4
|
pf | 1851 | Keyboard | 3rd version of S.154, S.172a/8 | ||
173/ | 5A158/ | 5
|
pf | C major | 1847 | Keyboard | 2nd version of S.172a/6 | |
173/ | 6A158/ | 6
|
pf | A♭ major | 1847 | Keyboard | 2nd version of S.171c, S.172a/7 | |
173/ | 7A158/ | 7
|
pf | F minor | 1849 | Keyboard | 2nd version of S.226a | |
173/ | 8A158/ | 8
|
pf | E minor | 1851 | Keyboard | 2nd version of S.172a/6 | |
173/ | 9A158/ | 9
|
pf | G♯ minor | 1851 | Keyboard | 2nd version of S.172a/9 | |
173/10 | A158/10 |
|
pf | E major | 1847 | Keyboard | ||
174 | A186 | Berceuse | pf | D♭ major | 1854, 1862 | Keyboard | 2 versions | |
175 | A219 | Légendes (2): | pf | 1863 | Keyboard | |||
175/1 | A219/1 |
|
pf | A major | 1862–63 | Keyboard | version for orch as S.113a/1 | |
175/2 | A219/2 |
|
pf | E major | 1862–63 | Keyboard | simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp) as S.28 | |
175/2bis | A219/2 |
|
pf | E major? | 1863 | Keyboard | simplified version of S.175/2 | |
175a | A167 | Grand Solo de concert | pf | E minor? | 1849 | Keyboard | rev. as S.176 | |
176 | A167 | Grosses Konzertsolo | pf | E minor | 1849–50 | Keyboard | based on S.175a; rev. for 2pf as S.258, for pf orch as S.365 | |
176a | — | Wilde Jagd - Scherzo | pf | D minor/B♭ major | 1851 | Keyboard | 1st version of S.177 | |
177 | A174 | Scherzo und Marsch | pf | D minor and B♭ major | 1851 | Keyboard | 2nd version of S.176a | |
178 | A179 | Piano Sonata | pf | B minor | 1852–53 | Keyboard | ||
179 | A198 | Weinen, Klagen, Sorgen, Zagen | pf | F minor | 1859 | Keyboard | prelude based on a theme from the Weinen, Klagen, Sorgen, Zagen, BWV 12, by Johann Sebastian Bach; not related to S.180 | |
180 | A214 | Variationen über das Motiv von Bach | pf | F minor | 1862 | Keyboard | prelude based on themes from the Weinen, Klagen, Sorgen, Zagen, BWV 12, by Johann Sebastian Bach; not related to S.179; arr. for org as S.673 | |
181 | A290 | Sarabande und Chaconne aus dem Singspiel Almira | pf | G minor | 1879 | Keyboard | after extracts from the Singspiel Almira, HWV 1, by George Frideric Handel | |
182 | A215 | Ave Maria (Die Glocken von Rom) | pf | E major | 1862 | Keyboard | also known as Ave Maria für die große Klavierschule von Lebert und Stark | |
182a | — | Magnificat | pf | F major | 1862 | Keyboard | unpublished; 1st version of S.183/1 | |
183/1 | A216/1 | Alleluja | pf | F major | 1862 | Keyboard | 2nd version of S.182a | |
183/2 | A216/2 | Ave Maria d'Arcadelt | pf | F major | 1862 | Keyboard | based on Dietsch's adaptation of a madrigal by Arcadelt | |
184 | A229 | Urbi et Orbi (Bénédiction papale) | pf | C♯ minor | 1864 | Keyboard | ||
185 | A226 | Vexilla regis prodeunt (Kreuzes Hymne) | pf | 1864 | Keyboard | arr. for orch as S.355 | ||
185a | A267 | Weihnachtsbaum | pf | 1873–74 | Keyboard | 1st version ("Paris manuscripts") of S.186; arr. for pf4h as S.612a | ||
185a/ | 1A267/ | 1
|
pf | F major | 1873–74 | Keyboard | 1st version of S.186/1; arr. for pf4h as S.612a/1 | |
185a/ | 2A267/ | 2
|
pf | D minor | 1873–74 | Keyboard | 1st version of S.186/2; arr. for pf4h as S.612a/2 | |
185a/ | 3A267/ | 3
|
pf | D♭ major | 1873–74 | Keyboard | 1st version of S.186/3; arr. for pf4h as S.612a/3 | |
185a/ | 4A267/ | 4
|
pf | A major | 1873–74 | Keyboard | 1st version of S.186/4; arr. for pf4h as S.612a/4 | |
185a/ | 5A267/ | 5
|
pf | F major | 1873–74 | Keyboard | 1st version of S.186/5; arr. for pf4h as S.612a/5 | |
185a/ | 6A267/ | 6
|
pf | 1873–74 | Keyboard | 1st version of S.186/6; arr. for pf4h as S.612a/6 | ||
185a/ | 7A267/ | 7
|
pf | F♯ major | 1873–74 | Keyboard | 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7 | |
185a/ | 8A267/ | 8 |
pf | B minor | 1873–74 | Keyboard | 1st version of S.186/8; arr. for pf4h as S.612a/8 | |
185a/ | 9A267/ | 9 |
pf | 1873–74 | Keyboard | 1st version of S.186/9; arr. for pf4h as S.612a/9 | ||
185a/10 | A267/10 | |
pf | F minor | 1873–74 | Keyboard | 1st version of S.186/10; arr. for pf4h as S.612a/10 | |
185a/11 | A267/11 |
|
pf | F minor | 1873–74 | Keyboard | 1st version of S.186/11; arr. for pf4h as S.612a/11 | |
185a/12 | A267/12 |
|
pf | B♭ minor | 1873–74 | Keyboard | 1st version of S.186/12; arr. for pf4h as S.612a/12 | |
186 | A267 | Weihnachtsbaum | pf | 1874–76 | Keyboard | 2nd version of S.185a; arr. for pf4h as S.613 | ||
186/ | 1A267/ | 1
|
pf | F major | 1874–76 | Keyboard | 2nd version of S.185a/1; arr. for pf4h as S.613/1 | |
186/ | 2A267/ | 2
|
pf | D minor | 1874–76 | Keyboard | 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49 | |
186/ | 3A267/ | 3
|
pf | D♭ major | 1874–76 | Keyboard | 2nd version of S.185a/3; arr. for pf4h as S.613/3 | |
186/ | 4A267/ | 4
|
pf | A major | 1874–76 | Keyboard | 2nd version of S.185a/4; arr. for pf4h as S.613/4 | |
186/ | 5A267/ | 5
|
pf | F major | 1874–76 | Keyboard | 2nd version of S.185a/5; arr. for pf4h as S.613/5 | |
186/ | 6A267/ | 6
|
pf | 1874–76 | Keyboard | 2nd version of S.185a/6; arr. for pf4h as S.613/6 | ||
186/ | 7A267/ | 7
|
pf | F♯ major | 1874–76 | Keyboard | 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7 | |
186/ | 7aA267/ | 7
|
pf | F♯ major? | 1882 | Keyboard | 3rd version of S.185a/7, S.186/7; version for Lachmund | |
186/ | 8A267/ | 8
|
pf | B minor | 1874–76 | Keyboard | 2nd version of S.185a/8; arr. for pf4h as S.613/8 | |
186/ | 9A267/ | 9
|
pf | 1874–76 | Keyboard | 2nd version of S.185a/9; arr. for pf4h as S.613/9 | ||
186/10 | A267/10 |
|
pf | F minor | 1874–76 | Keyboard | 2nd version of S.185a/10; arr. for pf4h as S.613/ 10 | |
186/11 | A267/11 |
|
pf | F minor | 1874–76 | Keyboard | 2nd version of S.185a/11; arr. for pf4h as S.613/11 | |
186/12 | A267/12 |
|
pf | B♭ minor | 1874–76 | Keyboard | 2nd version of S.185a/12; arr. for pf4h as S.613/12 | |
187 | A278 | Sancta Dorothea | pf | E major | 1877 | Keyboard | ||
187a | E | 28Resignazione | pf/org | E major | 1877 | Keyboard | 1st version of S.187b | |
187b | E | 28Resignazione | pf/org | E major | 1881 | Keyboard | 2nd version of S.187a | |
188 | A300 | In festo transfigurationis Domini nostri Jesu Christi | pf | C major | 1880 | Keyboard | ||
189 | A234 | Klavierstück No.1 | pf | A♭ major | 1866 | Keyboard | ||
189a | A116 | Klavierstück No.2 | pf | A♭ major | 1845 | Keyboard | 1st version of S.189b | |
189b | A116 | Klavierstück No.2 | pf | D♭ major | 1845 or later | Keyboard | 2nd version of S.189a; themes re-used in S.170 and S.171d/4 | |
190 | A241 | La marquise de Blocqueville (Un portrait en musique) | pf | 1869 | Keyboard | 1st movement is by Henri Herz, the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements. | ||
191 | A256 | Impromptu | pf | F♯ major | 1872 | Keyboard | ||
192 | A233 | Klavierstücke (5) | pf | 1865–79 | Keyboard | |||
192/1 | A233/1 |
|
pf | E major | 1865 | Keyboard | ||
192/2 | A233/2 |
|
pf | A♭ major | 1865 | Keyboard | ||
192/3 | A233/3 |
|
pf | F♯ major | 1873 | Keyboard | ||
192/4 | A233/4 |
|
pf | F♯ major | 1876 | Keyboard | ||
192/5 | A233/5 |
|
pf | 1879 | Keyboard | |||
193 | — | Klavierstück | pf | F♯ major | 1854 | Keyboard | ||
194 | A249 | Mosonyis Grabgeleit (Mosonyi gyázmenete) | pf | 1870 | Keyboard | re-used as S.205/7; arr. for 2pf as S.756(?) | ||
195 | A279 | Dem Andenken Petöfis | pf | 1877 | Keyboard | based on S.349 ; arr. for pf4h as S.614; same as S.205/6 | ||
195a | A266 | Schlummerlied im Grabe | pf | 1874 | Keyboard | rev. as S.196 | ||
196 | A266 | Elegy No.1 | pf | 1874 | Keyboard | based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c | ||
196a | A277 | Entwurf der Ramann-Elegie | pf | 1877 | Keyboard | 1st version of S.197 | ||
197 | A277 | Elegy No.2 | pf | 1877 | Keyboard | 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis | ||
197a | A295 | Toccata | pf | C major | 1879? | Keyboard | ||
197b | A272 | Kaiser Wilhelm! | pf | 1876 | Keyboard | |||
198 | A303 | Wiegenlied (Chant du berceau) | pf | 1881 | Keyboard | |||
199 | A305 | Trübe Wolken (Nuages gris) | pf | 1881 | Keyboard | |||
199a | A319 | Die Trauer-Gondel (La lugubre gondola) | pf | 1882 | Keyboard | 1st version of S.200/1, S.200/2; incomplete sketch as S.701k | ||
200/1 | A319a | La lugubre gondola (Die Trauer-Gondel) | pf | 1882–83 | Keyboard | 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis | ||
200/2 | A319b | La lugubre gondola (Die Trauer-Gondel) | pf | 1885 | Keyboard | 3rd version of S.199a, S.200/1; arr. for vc pf as S.134 | ||
201 | A320 | R.W. - Venezia | pf | 1883 | Keyboard | |||
202 | A321 | Am Grabe Richard Wagners | pf | 1883 | Keyboard | arr. of S.135 | ||
203 | A322 | Schlaflos! Frage und Antwort | pf | 1883 | Keyboard | |||
204 | A280 | Receuillement | pf | 1877 | Keyboard | |||
205 | A335 | Historische ungarische Bildnisse | pf | 1885 | Keyboard | 1st version of S.205a | ||
205/1 | A335/1 |
|
pf | 1885 | Keyboard | same as S.205a/1 | ||
205/2 | A335/4 |
|
pf | 1885 | Keyboard | same as S.205a/4 | ||
205/3 | A335/5 |
|
pf | 1885 | Keyboard | same as S.205a/5 | ||
205/4 | A335/3 |
|
pf | 1885 | Keyboard | same as S.205a/3 | ||
205/5 | A335/2 |
|
pf | 1885 | Keyboard | same as S.205a/2 | ||
205/6 | A335/6 |
|
pf | 1885 | Keyboard | same as S.195, S.205a/6 | ||
205/7 | A335/7 |
|
pf | 1885 | Keyboard | same as S.194; 1st version of S.205a/7 | ||
205a | A335 | Historische ungarische Bildnisse | pf | 1885 | Keyboard | 2nd version of S.205 | ||
205a/1 | A335/1 |
|
pf | 1885 | Keyboard | same as S.205/1 | ||
205a/2 | A335/2 |
|
pf | 1885 | Keyboard | same as S.205/5 | ||
205a/3 | A335/3 |
|
pf | 1885 | Keyboard | same as S.205/4 | ||
205a/4 | A335/4 |
|
pf | 1885 | Keyboard | same as S.205/2 | ||
205a/5 | A335/5 |
|
pf | 1885 | Keyboard | same as S.205/3 | ||
205a/6 | A335/6 |
|
pf | 1885 | Keyboard | same as S.195, S.205/6 | ||
205a/7 | A335/7 |
|
pf | 1885 | Keyboard | 2nd version of S.205a/7 | ||
206 | A334 | Trauervorspiel und Trauermarsch | pf | 1885 | Keyboard | |||
206/1 | A334/1 |
|
pf | 1885 | Keyboard | |||
206/2 | A334/2 |
|
pf | 1885 | Keyboard | based on a theme from Funeral Music for István Széchenyi by Mihály Mosonyi | ||
207 | A336 | En rêve (Nocturne) | pf | 1885 | Keyboard | |||
207a | A296 | Prélude à la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé) | pf | 1880 | Keyboard | formerly listed as S.256; based on the "Chopsticks" polka by Aleksandr Borodin from the album Paraphrases | ||
208a–233b | — | Works in Dance Form |
||||||
208 | A312 | Unstern (Sinistre) | pf | 1881 | Keyboard | |||
208a | A | 2/2Waltzes (2): | pf | A major | 1823? | Keyboard | arr. of S.126b/2 | |
209 | A | 32aGrande valse di bravura (Le bal de Berne) | pf | 1836 | Keyboard | themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615 | ||
209a | — | Waltz | pf | E♭ major | 1840 | Keyboard | uses themes from S.209 | |
210 | A | 57aValse mélancolique | pf | E major | 1839 | Keyboard | 2nd version of S.210a, S.214/2 | |
210a | A | 57aValse mélancolique | pf | E major | 1840? | Keyboard | 1st version of S.210, S.214/2 | |
210b | A | 28Waltz | pf | A major | 1835? | Keyboard | ||
211 | A | 95Ländler | pf | A♭ major | 1843 | Keyboard | ||
211a | A289/1 | Ländler | pf | D major | 1879 | Keyboard | formerly S.734 | |
212/1 | A | 84aPetite valse favorite (Souvenir de St Pétersbourg) | pf | 1842 | Keyboard | 1st version of S.212/2, S.213, S.213bis, and S.213a | ||
212/2 | A | 84bPetite valse favorite | pf | 1843 | Keyboard | 2nd version (expanded) of S.212/1, S.213, S.213bis, and S.213a; formerly S.222 | ||
212a | A | 82Valse de Marie (Mariotte) | pf | 1842 | Keyboard | |||
213 | A | 84cValse-Impromptu | pf | 1842–52 | Keyboard | 3rd version of S.212/1, S.212/2, S.213bis, and S.213a | ||
213bis | — | Valse-Impromptu | pf | 1870s? | Keyboard | 4th version (edition facilitée) of S.212/1, S.212/2, S.213, and S.213a | ||
213a | — | Valse-Impromptu | pf | c1880 | Keyboard | 5th version (with additions for Liszt's students) of S.212/1, S.212/2, S.213, and S.213bis | ||
214 | — | Caprices-Valses (3): | pf | 1850–52 | Keyboard | |||
214/1 | A | 32b
|
pf | B♭ major | 1850–52 | Keyboard | 2nd version of S.209 | |
214/2 | A | 57b
|
pf | E major | 1850 | Keyboard | 3rd version of S.210, S.210a | |
214/3 | A | 88b
|
pf | A major | 1850–52 | Keyboard | 2nd version of S.401; using themes from Parisina and Lucia di Lammermoor by Gaetano Donizetti | |
214a | A271 | Carrousel de Madame Pelet-Narbonne | pf | 1879? | Keyboard | |||
215 | A311 | Valses oubliées (4): | pf | 1881–84 | Keyboard | |||
215/1 | A311/1 |
|
pf | 1881 | Keyboard | |||
215/2 | A311/2 |
|
pf | 1883 | Keyboard | |||
215/3 | A311/3 |
|
pf | 1883 | Keyboard | 1st version of S.215/3a | ||
215/3a | A311/3 |
|
pf | 1883? | Keyboard | 2nd version of S.215/3 | ||
215/4 | A311/4 |
|
pf | 1884 | Keyboard | |||
215a | A325 | Mephisto Waltz No.3 | pf | 1883 | Keyboard | 1st version of S.216 | ||
216 | A325 | Mephisto Waltz No.3 | pf | 1883 | Keyboard | 2nd version of S.215a; arr. for pf4h as S.615a | ||
216a | A338 | Bagatelle sans tonalité | pf | 1885 | Keyboard | |||
216b | A337 | Mephisto Waltz No.4 | pf | 1885 | Keyboard | 1st version of S.696 | ||
217 | A317 | Mephisto Polka | pf | 1882–83 | Keyboard | exists in two versions | ||
218 | A119 | Galop | pf | A minor | 1846 | Keyboard | ||
219 | A | 43Grand galop chromatique | pf | E♭ major | 1838 | Keyboard | 1st version of S.219bis; arr. for pf4h as S.616 | |
219bis | A | 43Grand galop chromatique | pf | E major | 1840? | Keyboard | 2nd (simplified) version of S.219 (sometimes wrongly attributed to Johann Strauss Jr.) | |
220 | A | 64Galop de bal | pf | 1840 | Keyboard | |||
221 | A168 | Mazurka brillante | pf | 1850 | Keyboard | |||
221a* | A221 | Mazurka | pf | F minor | Keyboard | now believed to be spurious | ||
222* | — | Albumblatt an Madame Kalergis | pf | Keyboard | renumbered as S.212/2 | |||
223 | A171 | Polonaises (2): | pf | 1850–51 | Keyboard | |||
223/1 | A171/1 |
|
pf | C minor | 1850–51 | Keyboard | ||
223/2 | A171/2 |
|
pf | E major | 1850–51 | Keyboard | ||
224 | A313 | Csárdás macabre | pf | 1881–82 | Keyboard | arr. for pf4h as S.617 | ||
225 | A333 | Csárdás (2): | pf | 1884 | Keyboard | |||
225/1 | A333/1 |
|
pf | 1884 | Keyboard | |||
225/2 | A333/2 |
|
pf | 1884 | Keyboard | possibly arr. for pf4h as S.618 | ||
226 | A188 | Festvorspiel (Preludio pomposo) | pf | 1856 | Keyboard | arr. for orch as S.356 | ||
226a | A | 10Marche funèbre | pf | G minor | 1827 | Keyboard | formerly S.745 | |
227 | A164a | Festmarsch zur Säcularfeier von Goethes Geburtstag | pf | E♭ major | 1849 | Keyboard | uses themes from S.167o; 1st version of S.521; arr. for orch as S.115, for pf4h as S.606 | |
228/1 | A182 | Huldigungsmarsch | pf | C major | 1853 | Keyboard | 1st version of S.228/2; arr. for orch by Liszt and Joachim Raff as S.357/1 | |
228/2 | A182 | Huldigungsmarsch | pf | C major | 1857 | Keyboard | 2nd version of S.228/1; arr. for orch as S.357/2 | |
229 | A184 | Vom Fels zum Meer! (Deutscher Siegesmarsch) | pf | E♭ major | 1853–56 | Keyboard | arr. for pf4h as S.618a; for orch as S.368 | |
229a | — | Ungarischer Marsch | pf | B♭ major | 1859 | Keyboard | unpublished | |
230 | A326 | Bülow-Marsch | pf | 1883 | Keyboard | arr. for pf4h as S.619; for 2pf (8 hands) as S.657b | ||
230a | A274 | Festpolonaise | pf | 1876 | Keyboard | formerly S.528; arr. for pf4h as S.619a | ||
231 | A | 65Heroischer Marsch in ungarischem Stil (Marche héroïque dans le genre hongrois) | pf | A minor | 1840 | Keyboard | partly based on S.103 | |
232 | A112/1 | Seconde marche hongroise (Ungarischer Sturmmarsch) | pf | 1842 | Keyboard | 1st version of S.119 | ||
233 | A252 | Ungarischer Geschwindmarsch (Magyar Gyors induló) | pf | 1870–71 | Keyboard | possibly 1st version of S.460 | ||
233a | A332 | Siegesmarsch (Marche triomphale) | pf | E♭ major | 1884 | Keyboard | ||
233b | A105 | Marche hongroise | pf | E♭ minor | 1844 | Keyboard | ||
233c–254 | — | Works on National Themes |
||||||
— | Austrian | |||||||
233c* | — | Tyrolean Melody | pf | Keyboard | see S.385a | |||
— | Czech | |||||||
234 | A | 67Hussitenlied (Aus dem 15. Jahrhundert) | pf | 1840 | Keyboard | based on the song Těšme se blahou nadějć by Josef Theodor Krov; arr. for pf4h as S.620 | ||
— | English | |||||||
235 | A | 76God Save the Queen (Paraphrase de concert) | pf | 1841–49 | Keyboard | based on the British national anthem; rev. as S.694 | ||
— | French | |||||||
236/1 | A106 | Faribolo Pasteur (Chanson tirée du poème de Françonetto de Jacques Jasmin) | pf | 1844 | Keyboard | |||
236/2 | A107 | Chanson du Béarn (Pastorale) | pf | 1844 | Keyboard | based on a song by René de Galard de Béarn, Marquis de Brassac | ||
237 | A236 | La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle) | pf | 1866–72 | Keyboard | after the French national anthem La Marseillaise by Claude Joseph Rouget de Lisle | ||
238 | A169 | La cloche sonne | pf | C minor | 1850? | Keyboard | based on an old French song | |
239 | A262 | Vive Henri IV | pf | 1879–80 | Keyboard | based on the French anthem Marche de Henri IV | ||
— | German | |||||||
240 | A | 96Gaudeamus igitur (Chanson des étudiants) | pf | 1843 | Keyboard | exists in two versions; based on a traditional student song | ||
— | Hungarian | |||||||
241 | A | 11Ungarische Werbungstänze (Zum Andenken) (2): | pf | 1828 | Keyboard | Hungarian recruiting songs | ||
241/1 | A | 11/1
|
pf | 1828 | Keyboard | based on a dance by László Fáy | ||
241/2 | A | 11/2
|
pf | 1828 | Keyboard | based on a dance by János Bihari | ||
241a | A180 | Ungarischer Romanzero (Hungarian Romances) (18): | pf | 1853 | Keyboard | based on popular Hungarian themes, by Liszt and Eduard Remenyi | ||
241a/ | 1A180/ | 1
|
pf | F minor | 1853 | Keyboard | composed by Eduard Remenyi | |
241a/ | 2A180/ | 2
|
pf | A minor | 1853 | Keyboard | ||
241a/ | 3A180/ | 3
|
pf | A minor | 1853 | Keyboard | ||
241a/ | 4A180/ | 4
|
pf | A minor | 1853 | Keyboard | composed by Eduard Remenyi | |
241a/ | 5A180/ | 5
|
pf | D minor | 1853 | Keyboard | ||
241a/ | 6A180/ | 6
|
pf | A major | 1853 | Keyboard | ||
241a/ | 7A180/ | 7
|
pf | A major | 1853 | Keyboard | ||
241a/ | 8A180/ | 8
|
pf | D minor | 1853 | Keyboard | ||
241a/ | 9A180/ | 9
|
pf | A major | 1853 | Keyboard | ||
241a/10 | A180/10 |
|
pf | G minor | 1853 | Keyboard | ||
241a/11 | A180/11 |
|
pf | F major | 1853 | Keyboard | ||
241a/12 | A180/12 |
|
pf | C major | 1853 | Keyboard | composed by Eduard Remenyi | |
241a/13 | A180/13 |
|
pf | F♯ minor | 1853 | Keyboard | composed by Eduard Remenyi | |
241a/14 | A180/14 |
|
pf | D major | 1853 | Keyboard | composed by Eduard Remenyi | |
241a/15 | A180/15 |
|
pf | D major | 1853 | Keyboard | composed by Eduard Remenyi | |
241a/16 | A180/16 |
|
pf | C major | 1853 | Keyboard | composed by Eduard Remenyi | |
241a/17 | A180/17 |
|
pf | A major | 1853 | Keyboard | composed by Eduard Remenyi | |
241a/18 | A180/18 |
|
pf | A major | 1853 | Keyboard | composed by Eduard Remenyi | |
241b | — | Magyar Tempo | pf | 1840 | Keyboard | sketches only | ||
242 | A | 60aMagyar dalok (Ungarische Nationalmelodien) | pf | 1839–40 | Keyboard | originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11) | ||
242/ | 1A | 60a/ 1
|
pf | C minor | 1839–40 | Keyboard | ||
242/ | 2A | 60a/ 2
|
pf | C major | 1839–40 | Keyboard | ||
242/ | 3A | 60a/ 3
|
pf | D♭ major | 1839–40 | Keyboard | ||
242/ | 4A | 60a/ 4
|
pf | C♯ major | 1839–40 | Keyboard | 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6 | |
242/ | 5A | 60a/ 5
|
pf | D♭ major | 1839–40 | Keyboard | 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6 | |
242/ | 6A | 60a/ 6
|
pf | G minor | 1839–40 | Keyboard | themes re-used in S.242/12, S.244/5 | |
242/ | 7A | 60a/ 7
|
pf | E♭ major | 1839–40 | Keyboard | 1st version of S.244/4 | |
242/ | 8A | 60a/ 8
|
pf | F minor | 1839–40 | Keyboard | ||
242/ | 9A | 60a/ 9
|
pf | A minor | 1839–40 | Keyboard | ||
242/10 | A | 60a/10
|
pf | D major | 1839–40 | Keyboard | ||
242/11 | A | 60a/11
|
pf | B♭ major | 1839–40 | Keyboard | 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6 | |
A | 60bMagyar rapszódiák | pf | 1846–47 | Keyboard | originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17) | |||
242/12 | A | 60b/12
|
pf | E minor | 1846–47 | Keyboard | partly based on S.242/6. themes re-used in S.244/5 | |
242/13 | A | 60b/13
|
pf | A minor | 1846–47 | Keyboard | based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117 | |
242/13bis | A | 60b
|
pf | A minor | 1846? | Keyboard | simplified version of S.242/13 | |
242/14 | A | 60b/14
|
pf | A minor | 1846–47 | Keyboard | themes re-used in S.244/11 | |
242/15 | A | 60b/15
|
pf | D minor | 1846–47 | Keyboard | themes re-used in S.244/7 | |
242/16 | A | 60b/16
|
pf | E major | 1846–47 | Keyboard | themes re-used in S.244/10, S.244/10bis | |
242/17 | A | 60b/17
|
pf | A minor | 1846–47 | Keyboard | themes re-used in S.244/13 | |
242/18 | A | 60c/18
|
pf | C♯ minor | 1846–47 | Keyboard | themes re-used in S.244/12 | |
242/19 | A | 60c/19
|
pf | F♯ minor | 1846–47 | Keyboard | themes re-used in of S.244/8 | |
242/20 | A | 60c/20
|
pf | G minor | 1846–47 | Keyboard | themes re-used in S.244/6, S.244/12 | |
242/21 | A | 60c/21
|
pf | E minor | 1846–47 | Keyboard | themes re-used in S.244/14 | |
242/22 | A | 60e
|
pf | E♭ major | 1846–48 | Keyboard | themes re-used in S.244/9 , S.244/14 | |
242a | A | 59Rákóczi Marsch | pf | A minor | 1839–40 | Keyboard | simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc. | |
243 | A | 60dUngarische Nationalmelodien (3): | pf | 1840–43 | Keyboard | |||
243/1 | A | 60d/1
|
pf | D major | 1843 | Keyboard | 2nd version of S.242/5, S.243bis/1 | |
243/2 | A | 60d/2
|
pf | C♯ major | 1843 | Keyboard | 2nd version of S.242/4, S.243bis/2 | |
243/3 | A | 60d/3
|
pf | B♭ major | 1843 | Keyboard | 2nd version of S.242/11, 243bis/3 | |
243bis | A | 60dUngarische Nationalmelodien (Im leichten Stile bearbeitet) | pf | 1846 | Keyboard | |||
243bis/1 | A | 60d/1
|
pf | D major | 1846 | Keyboard | 3rd version of S.242/5, S.243/1 | |
243bis/2 | A | 60d/2
|
pf | C major | 1846 | Keyboard | 3rd version of S.242/4, S.243/2 | |
243bis/3 | A | 60d/3
|
pf | B♭ major | 1846 | Keyboard | 3rd version of S.242/11, S.243/3 | |
243a | — | Célèbre mélodie hongroise | pf | 1866 or later | Keyboard | |||
243b | — | Rêves et fantaisies | pf | C♯ minor | 1844–46? | Keyboard | partly based on S.171a; 1st version of S.244/1 | |
244 | A132 | Hungarian Rhapsodies (Ungarische Rhapsodien) | pf | 1846–85 | Keyboard | |||
244/ | 1A132/ | 1
|
pf | C♯ minor | 1846 | Keyboard | 2nd version of S.243b | |
244/ | 2A132/ | 2
|
pf | C♯ minor | 1847 | Keyboard | 1st version of S.244/2bis; arr. for orch by Liszt and Franz Doppler as S.359/4, and for pf4h as S.621/4 | |
244/ | 2bisA132/ | 2
|
pf | C♯ minor | 1885 | Keyboard | Cadenzas for S.244/2 | |
244/ | 3A132/ | 3
|
pf | B♭ major | 1847 | Keyboard | uses themes from S.164e/1 and 2; partly based on S.242/11 | |
244/ | 4A132/ | 4
|
pf | E♭ major | 1847 | Keyboard | uses themes from S.242/7 | |
244/ | 5A132/ | 5
|
pf | E minor | 1847 | Keyboard | uses themes from S.242/6, S.242/12; arr. for orch by Liszt and Franz Doppler as S.359/5, and for pf4h as S.621/5 | |
244/ | 6A132/ | 6
|
pf | D♭ major | 1847 | Keyboard | uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and Franz Doppler as S.359/3, and for pf4h as S.621/3 | |
244/ | 7A132/ | 7
|
pf | D minor | 1847 | Keyboard | uses themes from S.242/15 | |
244/ | 8A132/ | 8
|
pf | F♯ minor | 1846 | Keyboard | uses themes from S.242/19 | |
244/ | 9A132/ | 9
|
pf | E♭ major | 1847 | Keyboard | uses themes from S.242/22; arr. for orch by Liszt and Franz Doppler as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379 | |
244/10 | A132/10 |
|
pf | E major | 1847 | Keyboard | 1st version of S.244/10bis; uses themes from S.242/16 | |
244/10bis | A132/10 |
|
pf | E major | 1847 | Keyboard | 2nd (easier) version of S.244/10; uses themes from S.242/16 | |
244/11 | A132/11 |
|
pf | A minor | 1847 | Keyboard | uses themes from S.242/14 | |
244/12 | A132/12 |
|
pf | C♯ minor | 1847 | Keyboard | uses themes from S.242/18, S.242/20; arr. for orch by Liszt and Franz Doppler as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a | |
244/13 | A132/13 |
|
pf | A minor | 1847 | Keyboard | uses themes from S.242/17 | |
244/14 | A132/14 |
|
pf | F minor | 1847 | Keyboard | uses themes from S.242/21, S.242/22; arr. for orch by Liszt and Franz Doppler as S.359/1; themes used in S.123 | |
244/15 | A132/15 |
|
pf | A minor | 1847 | Keyboard | 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117 | |
244/15bis | A132/15 |
|
pf | A minor | 1847 | Keyboard | 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117 | |
244/16 | A132/16 |
|
pf | A minor | 1882 | Keyboard | exists in two versions; arr. for pf4h as S.622 | |
244/17 | A132/17 |
|
pf | D minor | 1883 | Keyboard | ||
244/18 | A132/18 |
|
pf | F♯ minor | 1885 | Keyboard | exists in two versions; arr. for pf4h as S.623 [?] | |
244/19 | A132/19 |
|
pf | D minor | 1885 | Keyboard | arr. for pf4h as S.623a [?] | |
244a | A224 | Rákóczi-Marsch, S.117 (Liszt, Franz) | pf | A minor | 1863 | Keyboard | arr. of orchestral version (S.117); simplified version as S.244b | |
244b | A224 | Rákóczi-Marsch, S.117 (Liszt, Franz) | pf | A minor | 1871 | Keyboard | simplified version of S.244a | |
244c | A132/15a | Marche de Rákóczy (Édition populaire) | pf | A minor | 1851 | Keyboard | based on S.242/13; see also S.244/15, S.117 | |
245 | A263 | Ungarische Volkslieder (Magyar népdal) (5) | pf | 1873 | Keyboard | |||
245/1 | A263/1 |
|
pf | D major | 1873 | Keyboard | ||
245/2 | A263/2 |
|
pf | G major | 1873 | Keyboard | ||
245/3 | A263/3 |
|
pf | G major | 1873 | Keyboard | ||
245/4 | A263/4 |
|
pf | C♯ minor | 1873 | Keyboard | ||
245/5 | A263/5 |
|
pf | F minor | 1873 | Keyboard | ||
246 | A255 | Puszta Wehmut – A puszta keserve | pf | 1871 | Keyboard | based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b | ||
— | Italian | |||||||
247* | — | La romanesca | pf | Keyboard | see S.252a | |||
248 | A | 85Canzone Napolitana (Notturno) | pf | 1842 | Keyboard | 1st version | ||
248a | A | 85Canzone Napolitana (Notturno) | pf | 1842 | Keyboard | 2nd version ("arr. élégant") | ||
— | Polish | |||||||
249 | A143 | Glanes de Woronince (3): | pf | 1847 | Keyboard | |||
249/1 | A143/1 |
|
pf | 1847 | Keyboard | |||
249/2 | A143/2 |
|
pf | 1847 | Keyboard | based on No.1 of the Polish Songs, Op.74, by Frederic Chopin | ||
249/3 | A143/3 |
|
pf | 1847 | Keyboard | |||
249a | — | Mélodie polonaise | pf | 1843 | Keyboard | |||
249b | — | Dumka | pf | 1871 | Keyboard | |||
— | Russian | |||||||
249c | A289/2 | Air cosaque | pf | 1879 | Keyboard | formerly S.735 | ||
249d | A | 86/1Le rossignol (Air russe d'Alexander Alabieff) | pf | 1842 | Keyboard | based on a romance by Aleksandr Alyabyev; 1st version of S.250/1 | ||
250 | A | 86Mélodies russes (Arabesques) (2): | pf | 1842 | Keyboard | |||
250/1 | A | 86/1
|
pf | 1842 | Keyboard | 2nd version of S.249d | ||
250/2 | A | 86/2
|
pf | 1842 | Keyboard | based on a song by Pyotr Bulakhov | ||
251 | A324 | Abschied (Russisches Volkslied) | pf | 1885 | Keyboard | |||
— | Spanish | |||||||
252 | A | 33Rondeau fantastique sur un thème espagnol (El contrabandista) | pf | B♭ major | 1836 | Keyboard | based on an aria from Manuel Garcia's opera El poeta calculista | |
252a | A | 14/1La romanesca (Mélodie du 16ième siècle) | pf | 1832–33 | Keyboard | formerly S.247; 1st version of S.252b | ||
252b | A | 14/2La romanesca (Mélodie du 16ième siècle) | pf | 1852? | Keyboard | 2nd version of S.252a | ||
253 | A114 | Grosse Konzertfantasie über spanische Weisen | pf | 1845 | Keyboard | 2nd version of S.738; themes used in S.254 | ||
254 | A195 | Rhapsodie espagnole (Folies d'espagne et Jota aragonesa) | pf | 1858 | Keyboard | based on S.253 | ||
255–256a | — | Piano Duet (4 hands) |
||||||
255* | — | Festpolonaise | pf4h | Keyboard | renumbered as S.619a | |||
256* | — | Variation über das Thema von Borodin | pf4h | Keyboard | renumbered as S.207a | |||
256a* | — | Nocturne | pf4h | E minor | Keyboard | arr. of S.161/5; spurious (not by Liszt) | ||
257–258 | — | 2 Pianos |
||||||
257 | C | 1Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte | 2pf | 1834 | Keyboard | based on themes from Songs Without Words, Op.19b, by Felix Mendelssohn | ||
258/1 | C18 | Concerto pathétique | 2pf | 1855 | Keyboard | based on S.176; 1st version of S.258/2 | ||
258/2 | C18 | Concerto pathétique | 2pf | 1866 | Keyboard | 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a | ||
259–268a | — | Organ |
||||||
259 | E | 1Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | org | 1850 | Keyboard | based on a theme from the opera Le prophète by Giacomo Meyerbeer; published as No.4 of S.259; arr. for pf4h as S.624 | ||
260/1 | E | 3/1Präludium und Fuge über den Namen BACH | org | 1855–56 | Keyboard | 1st version of S.260/2; arr. for pf as S.529/1 | ||
260/2 | E | 3/2Präludium und Fuge über den Namen BACH | org | 1869–70 | Keyboard | 2nd version of S.260/1; arr. for pf as S.529/2 | ||
261 | E19a | Pio IX (Der Papsthymnus) | org | 1863–65 | Keyboard | arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8 | ||
261a | E12 | Andante religioso | org | 1861 | Keyboard | arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV | ||
262 | E20 | Ora pro nobis | org | 1864 | Keyboard | |||
263* | — | Resignazione | org | 1877–81 | Keyboard | see S.187 | ||
264 | E33 | Missa pro organo lectarum celebrationi missarum adjumento inserviens | org | 1879 | Keyboard | based on S.8, S.265, S.504 | ||
265 | E32 | Gebet (Preghiera) | org | 1879 | Keyboard | rev. as movt. III of S.264 | ||
266 | E39 | Requiem für die Orgel | org | 1883 | Keyboard | based on S.12 | ||
267 | E38 | Am Grabe Richard Wagners | org | 1883 | Keyboard | arr. of S.135 | ||
268 | — | Vortragsstücke (2): | org | 1884 | Keyboard | |||
268/1 | E41 |
|
org | 1884 | Keyboard | |||
268/2 | E | 7
|
org | 1884? | Keyboard | arr. of S.112/1 | ||
268a | E25 | Preludio | org | 1885? | Keyboard | version of S.666 without vv | ||
269–340a | — | Songs |
||||||
269/1 | N | 1Angiolin dal biondo crin (Englein hold im Lockengold) | v pf | 1839 | Vocal | 1st version of S.269/2; arr. for pf as S.531/6 | ||
269/2 | N | 1Angiolin dal biondo crin (Englein hold im Lockengold) | v pf | 1849? | Vocal | 2nd version of S.269/1 | ||
270a | N14 | Sonetti di Petrarca (Petrarca-Sonette) (3): | v pf | 1843–46 | Vocal | 1st version of S.270b (for tenor voice) | ||
270a/1 | N14/1 |
|
v pf | 1843–46 | Vocal | 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1 | ||
270a/2 | N14/2 |
|
v pf | 1843–46 | Vocal | 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2 | ||
270a/3 | N14/3 |
|
v pf | 1843–46 | Vocal | 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3 | ||
270b | N14 | Sonetti di Petrarca (Petrarca-Sonette) (3): | v pf | 1864–82 | Vocal | 2nd version of S.270a (for low voice) | ||
270b/1 | N14/2 |
|
v pf | 1864–82 | Vocal | 2nd version of S.270a (for low voice) | ||
270b/2 | N14/1 |
|
v pf | 1864–82 | Vocal | 2nd version of S.270a (for low voice) | ||
270b/3 | N14/3 |
|
v pf | 1864–82 | Vocal | 2nd version of S.270a (for low voice) | ||
271 | N | 4Il m'aimait tant | v pf | 1840–42 | Vocal | arr. for pf as S.533 | ||
272/1 | N | 3Im Rhein, im schönen Strome | v pf | 1840 | Vocal | 1st version of S.272/2; arr. for pf as S.531/2 | ||
272/2 | N | 3Im Rhein, im schönen Strome | v pf | 1855 | Vocal | 2nd version of S.272/1 | ||
273/1 | N | 5Die Loreley | v pf | 1841 | Vocal | 1st version of S.273/2; arr. for pf as S.531/1 | ||
273/2 | N | 5Die Loreley | v pf | 1854–56 | Vocal | 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369 | ||
274/1 | N | 6Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle) | v pf | 1841 | Vocal | 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1 | ||
274/2 | N | 5Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle) | v pf | 1858–60 | Vocal | 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382 | ||
275/1 | N | 8/1Mignons Lied (Kennst du das Land) | v pf | 1842 | Vocal | 1st version of S.275/2, S.275/3; arr. for pf as S.531/3 | ||
275/2 | N | 8/2Mignons Lied (Kennst du das Land) | v pf | 1854 | Vocal | 2nd version of S.275/1, S.275/3 | ||
275/3 | N | 8/3Mignons Lied (Kennst du das Land) | v pf | 1860 | Vocal | 3rd version of S.275/1, S.275/2; arr. for v orch as S.370 | ||
276/1 | N12/1 | Comment disaient-ils (Was tun?) | v pf | 1842 | Vocal | 1st version of S.276/2; arr. for pf as S.534 | ||
276/2 | N12/2 | Comment disaient-ils | v pf | 1849–59 | Vocal | 2nd version of S.276/1 | ||
277/1 | N21/1 | Bist du (Mild wie ein Lufthauch) | v pf | 1844 | Vocal | 1st version of S.277/2 | ||
277/2 | N21/2 | Bist du (Mild wie ein Lufthauch) | v pf | 1878 | Vocal | 2nd version of S.277/1 | ||
278/1 | N | 9/1Es war ein König in Thule | v pf | 1842 | Vocal | 1st version of S.278/2; arr. for pf as S.531/4 | ||
278/2 | N | 9/2Es war ein König in Thule | v pf | 1856 | Vocal | 2nd version of S.278/2 | ||
279/1 | N10/1 | Der du von dem Himmel bist | v pf | 1842 | Vocal | 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5 | ||
279/2 | N10/2 | Der du von dem Himmel bist | v pf | 1849 | Vocal | 2nd version of S.279/1, S.279/3, S.279/4 | ||
279/3 | N10/3 | Der du von dem Himmel bist | v pf | 1860 | Vocal | 3rd version of S.279/1, S.279/2, S.279/4 | ||
279/4 | N10/4 | Der du von dem Himmel bist | v pf | 1870 | Vocal | 4th version of S.279/1, S.279/2, S.279/3 | ||
280/1 | N23/1 | Freudvoll und leidvoll I | v pf | 1844 | Vocal | 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis | ||
280/2 | N23/2 | Freudvoll und leidvoll I | v pf | 1849 | Vocal | 2nd version of S.280/1; for 2nd setting see S.280bis | ||
280bis | N23/3 | Freudvoll und leidvoll II | v pf | 1848? | Vocal | for 1st setting see S.280 | ||
281 | N22a | Die Vätergruft | v pf | 1844 | Vocal | arr. for v orch as S.371 | ||
282/1 | N11/1 | Oh! quand je dors | v pf | 1842 | Vocal | 1st version of S.282/2; arr. for pf as S.536 | ||
282/2 | N11/2 | Oh! quand je dors | v pf | 1849 | Vocal | 2nd version of S.282/1 | ||
283/1 | N24/1 | Enfant, si j'étais roi | v pf | 1844 | Vocal | 1st version of S.283/2; arr. for pf as S.537 | ||
283/2 | N24/2 | Enfant, si j'étais roi | v pf | 1849 | Vocal | 2nd version of S.283/1 | ||
284/1 | N25/1 | S'il est un charmant gazon | v pf | 1844 | Vocal | 1st version of S.284/2; arr. for pf as S.538 | ||
284/2 | N25/2 | S'il est un charmant gazon | v pf | 1849–59 | Vocal | 2nd version of S.284/1 | ||
285 | N26 | La tombe et la rose | v pf | 1844 | Vocal | arr. for pf as S.539 | ||
286 | N27 | Gastibelza (Bolero) | v pf | 1844 | Vocal | arr. for pf as S.540 | ||
287/1 | N19/1 | Du bist wie eine Blume | v pf | 1843 | Vocal | 1st version of S.287/2 | ||
287/2 | N19/2 | Du bist wie eine Blume | v pf | 1849 | Vocal | 2ndt version of S.287/1 | ||
288/1 | N | 7/1Was Liebe sei | v pf | 1842 | Vocal | 1st version of S.288/2, S.288/3 | ||
288/2 | N | 7/2Was Liebe sei | v pf | 1854–55 | Vocal | 2nd version of S.288/1, S.288/3 | ||
288/3 | N | 7/3Was Liebe sei | v pf | 1878–79 | Vocal | 3rd version of S.288/1, S.288/2 | ||
289/1 | N29/1 | Vergiftet sind meine Lieder | v pf | 1843 | Vocal | 1st version of S.289/2 | ||
289/2 | N29/2 | Vergiftet sind meine Lieder | v pf | 1859 | Vocal | 2nd version of S.289/1 | ||
290/1 | N16/1 | Morgens steh ich auf und frage | v pf | 1843 | Vocal | 1st version of S.290/2 | ||
290/2 | N16/2 | Morgens steh ich auf und frage | v pf | 1849–59 | Vocal | 2nd version of S.290/1 | ||
291/1 | N17/1 | Die tote Nachtigall | v pf | 1843 | Vocal | 1st version of S.291/2 | ||
291/2 | N17/2 | Die tote Nachtigall | v pf | 1870–79 | Vocal | 2nd version of S.291/1 | ||
292a | N32/1 | Lieder aus Schiller's Wilhelm Tell (3) | v pf | 1845 | Vocal | 1st version of S.292b | ||
292a/1 | N32/1/1 |
|
v pf | 1845 | Vocal | 1st version of S.292b/1 | ||
292a/2 | N32/1/2 |
|
v pf | 1845 | Vocal | 1st version of S.292b/2 | ||
292a/2 | N32/1/3 |
|
v pf | 1845 | Vocal | 1st version of S.292b/3 | ||
292b | N32/2 | Lieder aus Schiller's Wilhelm Tell (3) | v pf | 1855? | Vocal | 2nd version of S.292a; arr. for v orch as S.372 | ||
292b/1 | N32/2/1 |
|
v pf | 1855? | Vocal | 2nd version of S.292a/1; arr. for v orch as S.372/1 | ||
292b/2 | N32/2/2 |
|
v pf | 1855? | Vocal | 2nd version of S.292a/2; arr. for v orch as S.372/2 | ||
292b/2 | N32/2/3 |
|
v pf | 1855? | Vocal | 2nd version of S.292a/3; arr. for v orch as S.372/3 | ||
293/1 | N37/1 | Jeanne d'Arc au bûcher | v pf | 1845 | Vocal | 1st version of S.293/2; arr. for v orch as S.373/1 | ||
293/2 | N37/2 | Jeanne d'Arc au bûcher | v pf | 1874–75 | Vocal | 2nd version of S.293/1; arr. for v orch as S.373/2 | ||
294/1 | N33/1 | Es rauschen die Winde | v pf | 1845 | Vocal | 1st version of S.294/2 | ||
294/2 | N33/2 | Es rauschen die Winde | v pf | 1849? | Vocal | 2nd version of S.294/1 | ||
295 | N28 | Wo weilt er? | v pf | 1844 | Vocal | |||
296 | N31 | Ich möchte hingehn | v pf | 1844–56? | Vocal | |||
297/1 | N34/1 | Wer nie sein Brot mit Tränen aß | v pf | 1845 | Vocal | 1st version of S.297/2 | ||
297/2 | N34/2 | Wer nie sein Brot mit Tränen aß | v pf | 1849 | Vocal | 2nd version of S.297/1 | ||
298/1 | N18/3/1 | O lieb so lang du lieben kannst | v pf | 1843 | Vocal | 1st version of S.298/2 | ||
298/2 | N18/3/2 | O lieb so lang du lieben kannst (Liebestraum No.3) |
v pf | 1843 | Vocal | 2nd version of S.298/1; arr. for pf as S.541/3 | ||
298a | N38 | Über die Aeolsharfe | v pf | 1846 | Vocal | |||
299/1 | N39/1 | Isten veled | v pf | 1847 | Vocal | 1st version of S.299/2 | ||
299/2 | N39/2 | Isten veled | v pf | 1879 | Vocal | 2nd version of S.299/1 | ||
300 | N40 | Le Juif errant | v pf | 1847 | Vocal | unpublished | ||
301/1 | N42/1 | Kling leise, mein Lied | v pf | 1848 | Vocal | 1st version of S.301/2 | ||
301/2 | N42/2 | Kling leise, mein Lied | v pf | 1849–60 | Vocal | 2nd version of S.301/1 | ||
301a | N30 | Oh pourquoi donc | v pf | 1844? | Vocal | rev. for pf as S.169 | ||
301b/1 | N | 6/2/1En ces lieux tout me parle d'elle (Élégie) | v pf | 1844 | Vocal | 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2 | ||
301b/2 | N | 6/2/2Elégie (En ces lieux) | v pf | 1845 | Vocal | 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis | ||
302 | N45 | Die Macht der Musik | v pf | 1848 | Vocal | |||
303 | N43 | Weimars Toten | v pf | 1848 | Vocal | |||
304 | N44 | Le vieux vagabond (Der alte Vagabund) | v pf | 1848 | Vocal | |||
305/1 | N35/1 | Schwebe, schwebe, blaues Auge | v pf | 1845 | Vocal | 1st version of S.305/2 | ||
305/2 | N35/2 | Schwebe, schwebe, blaues Auge | v pf | 1849–60 | Vocal | 2nd version of S.305/1 | ||
306/1 | N46/1 | Über allen Gipfeln ist Ruh | v pf | 1848 | Vocal | 1st version of S.306/2 | ||
306/2 | N46/2 | Über allen Gipfeln ist Ruh | v pf | 1859 | Vocal | 2nd version of S.306/1 | ||
306a | N13 | Quand tu chantes bercée | v pf | 1842 | Vocal | |||
306b | N41 | Göttliche Gedanken, selige Gefühle | v pf | 1848 | Vocal | |||
307 | N18/1 | Hohe Liebe (In Liebesarmen ruht ihr trunken) (Liebestraum No.1) |
v pf | 1850 | Vocal | arr. for pf as S.541/1 | ||
308 | N18/2 | Gestorben war ich (Seliger tod) (Liebstraum No.2) |
v pf | 1845–46 | Vocal | arr. for pf as S.541/2 | ||
309 | N36/1 | Ein Fichtenbaum steht einsam I | v pf | 1845 | Vocal | 1st setting of S.309bis | ||
309bis | N36/2 | Ein Fichtenbaum steht einsam II | v pf | 1860 | Vocal | 2nd setting of S.309 | ||
310 | N20 | Nimm einen Strahl der Sonne (Ihr Auge) | v pf | 1843–49 | Vocal | |||
311/1 | N48/1 | Anfangs wollt' ich fast verzagen | v pf | 1849 | Vocal | 1st version of S.311/2 | ||
311/2 | N48/2 | Anfangs wollt' ich fast verzagen | v pf | 1860? | Vocal | 2nd version of S.311/1 | ||
312 | N51 | Wie singt die Lerche schön | v pf | 1855 | Vocal | |||
313 | N53 | Weimars Volkslied | v pf | 1857 | Vocal | arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and Franz Doppler as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7 | ||
314 | N49 | Es muss ein Wunderbares sein | v pf | 1852 | Vocal | |||
315 | N52 | Ich liebe dich | v pf | 1857 | Vocal | arr. for pf as S.542a | ||
316 | N54 | Muttergottes-Sträusslein zum Mai-Monate | v pf | 1857 | Vocal | see also S.765 | ||
316/1 | N54/1 |
|
v pf | 1857 | Vocal | |||
316/2 | N54/2 |
|
v pf | 1857 | Vocal | |||
317 | N55 | Lasst mich ruhen | v pf | 1858 | Vocal | |||
318 | N56 | In Liebeslust | v pf | 1858 | Vocal | |||
319 | N58 | Ich scheide | v pf | 1860 | Vocal | |||
320 | N62/1 | Die drei Zigeuner | v pf | 1860 | Vocal | arr. for vn pf as S.383, for v orch as S.374 | ||
321 | N59 | Die stille Wasserrose | v pf | 1860 | Vocal | |||
322 | N60 | Wieder möcht ich dir begegnen | v pf | 1860 | Vocal | |||
323 | N61 | Jugendglück | v pf | 1860 | Vocal | |||
324 | N50 | Blume und Duft | v pf | 1854 | Vocal | |||
325 | N65 | Die Fischerstochter | v pf | 1871 | Vocal | |||
326 | N67 | La perla (Die Perle) | v pf | 1872 | Vocal | |||
327 | N68 | J'ai perdu ma force et ma vie (Ich verlor die Kraft und das Leben) | v pf | 1872 | Vocal | |||
328 | N69 | Ihr Glocken von Marling | v pf | 1874 | Vocal | |||
329 | N70 | Und sprich | v pf | 1875–79 | Vocal | |||
330 | N71 | Sei still | v pf | 1877–79? | Vocal | |||
331 | N72 | Gebet | v pf | 1878 | Vocal | |||
332 | N73 | Einst | v pf | 1878 | Vocal | |||
333 | N74 | An Edlitam (Zur silbernen Hochzeit) | v pf | 1878 | Vocal | |||
334 | N75 | Der Glückliche (Wie glänzt nun die welt) | v pf | 1878 | Vocal | |||
335 | N76 | Go Not, Happy Day (Weil noch, Sonnenstrahl) | v pf | 1879 | Vocal | |||
336 | N77 | Verlassen (Mir ist die Welt so freudenleer) | v pf | 1880 | Vocal | |||
337 | N78 | Des Tages laute Stimmen schweigen | v pf | 1880 | Vocal | |||
338 | N66 | Und wir dachten der Toten | v pf | 1871? | Vocal | |||
339 | M37 | A magyarok Istene (Ungarns Gott) | v pf (+ mch) | 1881 | Vocal | arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a | ||
340 | N81 | Magyar király-dal (Ungarisches Königslied) | v pf | 1883 | Vocal | arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7 | ||
340a | N64 | Do Not Reproach Me, My Friend (Не брани меня, мой друг) | v pf | 1866 | Vocal | |||
341–345a | — | Other Vocal Works |
||||||
341 | K | 8Ave Maria IV | v org/harm | G major | 1881 | Vocal | arr. for pf as S.545; for org as S.674b | |
342/1 | K | 9/1Le Crucifix | v pf/harm | 1879 | Vocal | 1st version of S.342/2, S.342/3 | ||
342/2 | K | 9/2Le Crucifix | v pf/harm | 1879 | Vocal | 2nd version of S.342/1, S.342/3 | ||
342/3 | K | 9/3Le Crucifix | v pf/harm | 1881–83 | Vocal | 3rd version of S.342/1, S.342/2 | ||
343 | K | 7Sancta Caecilia | v org/harm | 1880–85 | Vocal | |||
344 | N79 | O Meer im Abendstrahl | 2vv pf/harm | 1881? | Vocal | |||
345 | L14 | Wartburg-Lieder (7): | 3vv ch orch/pf | 1872–73 | Vocal | |||
345/0 | L14/0 |
|
ch orch/pf | 1872–73 | Vocal | |||
345/1 | L14/1 |
|
v ch orch/pf | 1872–73 | Vocal | |||
345/2 | L14/2 |
|
v orch/pf | 1872–73 | Vocal | |||
345/3 | L14/3 |
|
v orch/pf | 1872–73 | Vocal | arr. for v vn pf as S.345/3a | ||
345/3a | L14/3a |
|
v vn pf | 1872–73 | Vocal | arr. of S.345/3 | ||
345/4 | L14/4 |
|
2vv orch/pf | 1872–73 | Vocal | |||
345/5 | L14/5 |
|
v orch/pf | 1872–73 | Vocal | |||
345/6 | L14/6 |
|
v orch/pf | 1872–73 | Vocal | |||
345a | L16 | A magyarok Istene (Ungarns Gott) | v mch ww br perc | 1882 | Vocal | arr. of S.339 | ||
346–350 | — | Recitations |
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346 | P1 | Lenore (Der Bräutigam) | nar pf | 1857–58 | Vocal | |||
347 | P2 | Vor hundert Jahren | nar orch | 1859 | Vocal | unpublished | ||
348 | P3 | Der traurige Mönch (In Schweden steht ein grauer Turm) | nar pf | 1860 | Vocal | |||
349 | P5 | Des toten Dichters Liebe (A holt költó szerelme) | nar pf | 1874 | Vocal | rev. for pf as S.195 | ||
350 | P6 | Der blinde Sänger (Слепой) | nar pf | 1875–77 | Vocal | arr. for pf as S.546 | ||
351–701v | — | Arrangements, Fantasies, etc. |
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351–364 | — | Orchestral |
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351 | G32 | Mazurka-Fantaisie [H. von Bülow] | orch | B minor | 1865 | Orchestral | arr. of the Mazurka-fantaisie for pf, Op.13 by Hans von Bülow | |
352 | G36 | Zweite Ouvertüre zum Barbier von Bagdad [P. Cornelius] | orch | 1877–80 | Orchestral | second overture to the opera Der Barbier von Bagdad by Peter Cornelius, completed and orchestrated by Liszt | ||
353 | G34 | Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) | orch | 1872 | Orchestral | arrs. of the Hungarian patriotic songs Szózat by Béni Egressy and Hymnus by Ferenc Erkel; also arr. for pf as S.486, for pf4h as S.628b | ||
353a* | — | Angelus! Prière aux anges gardiens | str | Orchestral | renumbered as S.362a | |||
354* | — | Légendes (2) | orch | 1863 | Orchestral | renumbered as S.113a | ||
355 | G30 | Vexilla regis prodeunt (Kreuzeshymne) | orch | 1864 | Orchestral | arr. of S.185 | ||
356 | G18 | Festvorspiel | orch | 1857 | Orchestral | arr. of S.226 | ||
357/1 | G | 8/1Huldigungsmarsch | ww br perc | 1853 | Keyboard | arr. of S.228/1 by Liszt and Joachim Raff | ||
357/2 | G | 8/2Huldigungsmarsch | orch | 1857 | Orchestral | arr. of S.228/2 | ||
358 | G11 | Vom Fels zum Meer! (Deutscher Siegesmarsch) | orch | 1853–56? | Orchestral | arr. of S.229 | ||
359 | G21 | Hungarian Rhapsodies (6) | orch | 1857–60 | Orchestral | arr. from S.244; arr. for pf4h as S.621 | ||
359/1 | G21/1 | orch | F minor | 1857–60 | Orchestral | arr. by Liszt and Franz Doppler of S.244/14; arr. for pf4h by Liszt as S.621/1 | ||
359/2 | G21/2 | orch | D minor | 1857–60 | Orchestral | arr. by Liszt and Franz Doppler of S.244/12; arr. for pf4h by Liszt as S.621/2 | ||
359/3 | G21/3 | orch | D major | 1857–60 | Orchestral | arr. by Liszt and Franz Doppler of S.244/6; arr. for pf4h by Liszt as S.621/3 | ||
359/4 | G21/4 | orch | D minor | 1857–60 | Orchestral | arr. by Liszt and Franz Doppler of S.244/2; arr. for pf4h by Liszt as S.621/4 | ||
359/5 | G21/5 |
|
orch | E minor | 1857–60 | Orchestral | arr. by Liszt and Franz Doppler of S.244/5; arr. for pf4h by Liszt as S.621/5 | |
359/6 | G21/6 |
|
orch | D major | 1857–60 | Orchestral | arr. by Liszt and Franz Doppler of S.244/9; arr. for pf4h by Liszt as S.621/6 | |
359a | G19 | Weimars Volkslied | orch | C major | 1857 | Orchestral | arr. of S.313 | |
360 | G26 | À la Chapelle Sixtine | orch | 1862 | Orchestral | arr. of S.461/1 | ||
361 | G31 | Der Papsthymnus | orch | 1864 | Orchestral | arr. of S.261 | ||
362 | H14 | Benedictus aus der Ungarischen Krönungsmesse | vn orch | 1875–77 | Orchestral | arr. of S.11/7 | ||
362a | D15 | Angelus! Priere aux anges gardiens | str/(2vn va vc) | 1882 | Orchestral | arr. of S.162/1 | ||
363 | G24 | Märsche von Franz Schubert (4) | orch | 1859–70 | Orchestral | arr. for pf4h as S.632 | ||
363/1 | G24/1 |
|
orch | B minor | 1859–70 | Orchestral | orchestration of No.3 of 6 Grandes Marches, D.819, by Franz Schubert; arr. for pf4h as S.632/1 | |
363/2 | G24/2 |
|
orch | E♭ minor | 1859–70 | Orchestral | orchestration of No.5 of 6 Grandes Marches, D.819, by Franz Schubert; arr. for pf as S.426/1, for pf4h as S.632/2 | |
363/3 | G24/3 |
|
orch | C major | 1859–70 | Orchestral | orchestration of No.1 of 2 Marches caractéristiques, D.968b, by Franz Schubert; arr. for pf4h as S.633/3 | |
363/4 | G24/4 |
|
orch | D minor | 1859–70 | Orchestral | orchestration of Divertissement à la hongroise, D.818, by Franz Schubert; arr. for pf4h as S.632/4 | |
364 | G39 | Danses galiciennes de Zarembski | orch | 1881–82 | Orchestral | orchestration of 3 Danses galiciennes by Juliusz Zarębski | ||
365–367 | — | Piano and Orchestra |
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365 | H11/1 | Grand solo de concert | pf orch | 1849–50 | Orchestral | based on S.176 | ||
365a | H11/2 | Concerto pathétique | pf orch | E minor | 1885–86 | Orchestral | arr. of S.258 by Liszt and Edward Reuss | |
365b | H | 5Hexaméron (Morceau de concert) | pf orch | 1837–39 | Orchestral | arr. of S.392 | ||
366 | H13 | Franz Schuberts Grosse Fantasie | pf orch | C major | 1851 | Orchestral | arr. of the Fantasie in C major, D.760, by Franz Schubert; arr. for 2pf as S.653 | |
367 | H10 | Polonaise brillante [Weber] | pf orch | E major | 1848 | Orchestral | arr. of the Polacca brillante, Op.72, by Carl Maria von Weber; arr. for pf as S.455 | |
368–377 | — | Songs with Orchestra |
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368 | N80 | Lieder von Francis Korbay (2): | v orch | 1883 | Vocal | arrs. of songs by Francis Korbay | ||
368/1 | N80/1 |
|
v orch | 1883 | Vocal | arr. of the song by Francis Korbay | ||
368/2 | N80/2 |
|
v orch | 1883 | Vocal | arr. of the song by Francis Korbay; also arr. for v org as S.683a | ||
369 | N | 5/3Die Loreley | v orch | 1860 | Vocal | arr. of S.273/2 | ||
370 | N | 8/4Mignons Lied (Kennst du das Land) | v orch | 1860 | Vocal | arr. of S.275/3 | ||
371 | N22/2 | Die Vätergruft | v orch | 1886 | Vocal | arr. of S.281 | ||
372 | N32/3 | Lieder aus Schiller's Wilhelm Tell (3) | v orch | 1855 | Vocal | arr. of S.292b | ||
372/1 | N32/3/1 |
|
v orch | 1855 | Vocal | arr. of S.292b/1 | ||
372/2 | N32/3/2 |
|
v orch | 1855 | Vocal | arr. of S.292b/2 | ||
372/3 | N32/3/3 |
|
v orch | 1855 | Vocal | arr. of S.292b/3 | ||
373/1 | N37/5/1 | Jeanne d'Arc au bûcher | v orch | 1858 | Vocal | arr. of S.293/1; 1st version of S.373/2 | ||
373/2 | N37/5/2 | Jeanne d'Arc au bûcher | v orch | 1875 | Vocal | arr. of S.293/2; 1st version of S.373/1 | ||
374 | N62/2 | Die drei Zigeuner | v orch | 1871 | Vocal | arr. of S.320 | ||
375 | N63 | Lieder von Schubert (6) | v orch | 1860 | Vocal | arrs. of songs by Franz Schubert | ||
375/1 | N63/1 |
|
v orch | 1860 | Vocal | arr. of Die junge Nonne, D.828, by Franz Schubert | ||
375/2 | N63/2 |
|
v orch | 1860 | Vocal | arr. of Gretchen am Spinnrade, D.118, by Franz Schubert | ||
375/3 | N63/3 |
|
v orch | 1860 | Vocal | arr. of Mignon, D.321, by Franz Schubert | ||
375/4 | N63/4 |
|
v orch | 1860 | Vocal | arr. of Erlkönig, D.328, by Franz Schubert | ||
375/5 | N63/5 |
|
v orch | 1860 | Vocal | arr. of No.13 from Schwanengesang, D.957, by Franz Schubert; unpublished | ||
375/6 | N63/6 |
|
v orch | 1860 | Vocal | arr. of No.7 from Schwanengesang, D.957, by Franz Schubert; unpublished; lost | ||
376 | L13 | Die Allmacht von Franz Schubert (Gross ist Jehova, der Herr) | mch org/harm orch | 1871 | Vocal | arr. of Die Allmacht, D.852, by Franz Schubert | ||
377 | N82 | Der Zaubersee (Bűvös tó) | ten orch | 1884 | Vocal | arr. of a ballad (now lost) by Géza Zichy | ||
377a–383 | — | Chamber Music, etc. |
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377a | D | 9La notte | vn pf | 1864–66? | Chamber | arr. of S.112/2; formerly S.722 | ||
378 | D15 | Angelus! Priere aux anges gardiens | 2vn va vc | 1883 | Chamber | arr. of S.163/1 | ||
378a | D18/1 | Vallée d'Obermann | vn va vc | 1880 | Chamber | arr. by Eduard Lassen and Liszt of S.160/6; 1st version of S.378b, S.378c | ||
378b | D18/2 | Vallée d'Obermann | vn va vc | 1880 | Chamber | 2nd version of S.378a, S.378c | ||
378c | D18/3 | Tristia (Vallée d'Obermann) | vn va vc | 1880 | Chamber | 3rd version of S.378a, S.378b | ||
379 | D | 6Hungarian Rhapsody No.9 | vn vc pf | E♭ major | 1848 | Chamber | arr. of S.244/9 | |
379a | — | Hungarian Rhapsody No.12 | vn pf | C♯ minor | 1850–59 | Chamber | arr. of S.244/12 | |
379b | D17 | Puszta-Wehmut | vn pf | 1880 | Chamber | arr. of S.246 | ||
380 | D | 7O du mein holder Abendstern | vc pf | 1852 | Chamber | arr. of S.444 (with Bernhard Cossmann) | ||
381 | D10 | Aus der Ungarischen Krönungsmesse | vn pf | 1869 | Chamber | arr. from S.11 | ||
381/1 | D10/1 |
|
vn pf | 1869 | Chamber | arr. of S.11/7 | ||
381/2 | D10/2 |
|
vn pf | 1869 | Chamber | arr. of S.11/5 | ||
381a | — | A magyarok Istene (Ungarns Gott) | vn pf | 1882 | Chamber | arr. of S.339 | ||
382 | D21 | Die Zelle im Nonnenwerth (Elegie) | vn/vc pf | 1883? | Chamber | arr. of S.274/2 | ||
382a | D11 | Consolations (2): | vc pf/org | 1870 | Chamber | arr. of extracts from S.172 by Liszt and Jules de Swert | ||
382a/1 | D11/1 |
|
vc pf | 1870 | Chamber | arr. of S.172/1 by Liszt and Jules de Swert | ||
382a/2 | D11/2 |
|
vc pf/org/harm | 1870 | Chamber | arr. of S.172/2 by Liszt and Jules de Swert | ||
383 | D | 8Die drei Zigeuner | vn pf | 1864 | Chamber | arr. of S.320 | ||
383a–577ter | — | Piano Solo |
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383a–460 | — | Paraphrases, Operatic Transcriptions, etc. |
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383a | V12 | Virag Dál (Chant des Fleurs) [Ábrányi] | pf | 1880 | Keyboard | additions and corrections by Liszt to the pf piece by Kornél Ábrányi | ||
384 | A | 93Mazurka pour piano composeé par un amateur de St Pétersbourg | pf | 1868? | Keyboard | arr. of a pf piece by Michał Wielhorski [attributed in some sources to Aleksandr Alyabyev] | ||
384a | — | Variations on "Tiszantuli szép leany" | pf | 1846 | Keyboard | variations on the Hungarian folk song "Tiszantuli szép leany" | ||
385/1 | A | 12a/1Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber | pf | A major | 1829 | Keyboard | based on a theme from the opera La fiancée by Daniel François Esprit Auber (also used in S.385a); 1st version of S.385/2, S.385/3 | |
385/2 | A | 12a/2Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber | pf | A major | 1843? | Keyboard | 2nd version of S.385/1, S.385/3 | |
385/3 | A | 12a/3Souvenir de La fiancée (Grande fantaisie sur la tyrolienne de l'opéra La Fiancée d'Auber) | pf | A major | 1842 | Keyboard | 3rd version of S.385/1, S.385/2 | |
385a | A | 12bTyrolean Melody | pf | G major | 1829 | Keyboard | formerly S.233c; based on the same theme as S.385 | |
386/1 | A125 | Tarantelle di bravura d'après la tarantelle de La muette de Portici | pf | 1846 | Keyboard | based on a theme from the opera La muette de Portici by Daniel François Esprit Auber;1st version of S.386/2 | ||
386/2 | A125 | Tarantelle di bravura d'après la tarantelle de La muette de Portici | pf | 1869 | Keyboard | 2nd version of S.386/1 | ||
387 | A144/1 | Stücke aus der Oper La muette de Portici von Auber (3): | pf | 1847–48 | Keyboard | |||
387/1 | A144/1 |
|
pf | 1847–48 | Keyboard | based on themes from the opera La muette de Portici by Daniel François Esprit Auber | ||
387/2 | A144/2 |
|
pf | 1847–48 | Keyboard | based on an unidentified theme | ||
388 | A124 | Capriccio alla turca sur des motifs de Beethoven | pf | 1846 | Keyboard | based on themes from Die Ruinen von Athen, Op.113, by Ludwig van Beethoven; themes also used in S.388b, S.122 | ||
388a | A124 | Marche des Ruines d'Athenes de Beethoven | pf | 1846 | Keyboard | extracted from S.388 | ||
388b | A177 | Fantasie über Themen aus Beethovens Ruinen von Athen | pf | 1839 | Keyboard | based on themes from Die Ruinen von Athen, Op.113, by Ludwig van Beethoven; rev. as S.122; themes also used in S.388 | ||
389 | A177 | Fantasie über Motive aus Beethovens Ruinen von Athen | pf | 1852 | Keyboard | arr. of S.122 | ||
389a | C27 | Cadenza to the first movement of Piano Concerto No.3 by Beethoven | pf | 1878–79 | Keyboard | extracted from S.657a/1 | ||
390/1 | A | 34/1Réminiscences des Puritains de Bellini | pf | 1836 | Keyboard | based on themes from the opera I puritani by Vincenzo Bellini; 1st version of S.390/2 | ||
390/2 | A | 34/2Réminiscences des Puritains de Bellini | pf | 1837 | Keyboard | 2nd version of S.390/1; ending used in S.391 | ||
391 | A | 74Introduction et Polonaise de l'opéra I puritani | pf | 1840–41 | Keyboard | based on the conclusion of S.390/2 | ||
392 | A | 41Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) | pf | 1837–38 | Keyboard | collaborative work with Sigismond Thalberg, Johann Peter Pixis, Henri Herz, Carl Czerny and Frederic Chopin; arr. for pf orch as S.365b, for 2pf as S.654 | ||
393/1 | A | 56/1Fantaisie sur des motifs favoris de l'opera Somnambula de Bellini | pf | 1841 | Keyboard | based on themes from the opera La sonnambula by Vincenzo Bellini; 1st version of S.393/2, S.393/3, | ||
393/2 | A | 56/2Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula | pf | 1852 | Keyboard | 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627 | ||
393/3 | A | 56/3Grosse Concert-Fantasie aus der Oper Sonnambula | pf | 1874 | Keyboard | 3rd version of S.393/1, S.393/2 | ||
394 | A | 77Réminiscences de Norma | pf | 1841 | Keyboard | based on themes from the opera Norma by Vincenzo Bellini; arr. for 2pf as S.655 | ||
395 | — | L'Idée fixe | pf | 1833 | Keyboard | renumbered as S.470a/1 | ||
396 | A178 | Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) | pf | 1852–53 | Keyboard | based on themes from the opera Benvenuto Cellini, H 76, by Hector Berlioz; arr. for pf4h as S.628 | ||
397 | A | 22Réminiscences de Lucia di Lammermoor | pf | 1835–36 | Keyboard | based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti | ||
398 | A | 23Marche et Cavatine de Lucie de Lammermoor | pf | 1835–36 | Keyboard | based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti; arr. for pf4h as S.628a | ||
399 | A | 44Nuits d'été à Pausilippe (Amusements sur des motifs de l'album de Donizetti) (3): | pf | 1838 | Keyboard | based on themes from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti | ||
399/1 | A | 44/1
|
pf | 1838 | Keyboard | based on No.1 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti | ||
399/2 | A | 44/2
|
pf | 1838 | Keyboard | based on No.9 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti | ||
399/3 | A | 44/3
|
pf | 1838 | Keyboard | based on No.4 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti | ||
399a | A | 71aFantaisie sur des motifs favoris de l'opéra Lucrezia Borgia | pf | 1840 | Keyboard | based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti;1st version of S.400/2 | ||
400bis | — | Réminiscences de Lucrezia Borgia de Donizetti Grande fantaisie en deux parties pour piano, par F. Liszt Réduite, avec l'approbation de l'auteur, à un seul morceau de concert par G. Buonamici | pf | 1880 | Keyboard | based on themes from the opera Lucrezia Borgia by Gaetano Donizetti; the 'Buonamici' version (approved by Liszt) was published by Cranz in c1880. | ||
400 | A | 71bRéminiscences de Lucrezia Borgia (Grande fantaisie sur des motifs de l'opéra de Gaetano Donizetti) | pf | 1848 | Keyboard | based on themes from the opera Lucrezia Borgia | ||
400/1 | A | 71b/1
|
pf | 1848 | Keyboard | based on the trio from Act II of the opera Lucrezia Borgia by Gaetano Donizetti | ||
400/2 | A | 71b/2
|
pf | 1848 | Keyboard | based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 2nd version of S.399a | ||
400a | A136 | Spirito gentil (Kavatine aus der Oper La favorita) | pf | 1847 | Keyboard | based on a theme from Act IV of La favorite | ||
401 | A | 88aValse a capriccio (sur deux motifs de Lucia et Parisina) | pf | 1842 | Keyboard | based on themes from the operas Parisina and Lucia di Lammermoor by Gaetano Donizetti;1st version of S.214/3 | ||
402 | A108 | Marche funèbre de Dom Sébastien de Donizetti | pf | 1844 | Keyboard | based on the funeral march from the opera Dom Sébastien by Gaetano Donizetti | ||
403 | A137 | Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan | pf | 1847 | Keyboard | based on the Grande marche militaire by Giuseppe Donizetti; 1st version of S.403bis | ||
403bis | A137 | Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan | pf | 1848 | Keyboard | 2nd version of S.403 ("version facilitée") | ||
404 | A160 | Halloh! (Jagdchor und Steirer aus der Oper Tony von E. H. z. S. C. G.) | pf | 1849 | Keyboard | based on themes from the opera by Tony, oder die Vergeltung by Ernst II, Duke of Saxe-Coburg-Gotha | ||
405 | A140 | Schwanengesang und Marsch aus Hunyadi László | pf | 1847 | Keyboard | based on themes from the opera Hunyadi László by Ferenc Erkel | ||
405a | V | 4Pásztor Lakodalmus (Magyar nóták) | pf | 1858 | Keyboard | corrections and alterations to Les noces du Pâtre by Leo Festetics | ||
406/1 | — | Marcia Circassa tratta dall'opera Russlan e Ludmilla di Glinka (Marche des Tcherkesses de l'opera Rouslan et Loudmila) | pf | 1843 | Keyboard | based on Chernomor's March (Act IV, No.19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406/2 | ||
406/2 | — | Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla | pf | 1843, 1875 | Keyboard | 2nd version of S.406/2; arr. for pf4h as S.629 | ||
407 | A208 | Valse de l'opéra Faust | pf | 1861 | Keyboard | based on the waltz and duet from Act II of the opera Faust by Charles Gounod | ||
408 | A231 | Les Sabéennes (Berceuse de l'opéra La reine de Saba) | pf | 1865 | Keyboard | based on the berceuse from the opera La reine de Saba by Charles Gounod | ||
409 | A237 | Les adieux (Rêverie sur un motif de l'opéra Roméo et Juliette) | pf | 1867 | Keyboard | based on a theme from the opera Roméo et Juliette by Charles Gounod | ||
409a | A | 20Réminiscences de La juive (Fantaisie brillante sur des motifs de l'opéra de Halévy) | pf | 1835 | Keyboard | based on themes from the opera La Juive by Fromental Halévy | ||
410 | A166 | Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum | pf | 1849–50 | Keyboard | based on themes from the incidental music to A Midsummer Night's Dream, Op.61, by Felix Mendelssohn | ||
411 | A | 47Soirées italiennes (Amusements sur des motifs de Mercadante) (6): | pf | 1838–39 | Keyboard | based on 6 of the 12 Soirées italiennes by Saverio Mercadante | ||
411/1 | A | 47/1
|
pf | 1838–39 | Keyboard | based on No.2 of the Soirées italiennes by Saverio Mercadante | ||
411/2 | A | 47/2
|
pf | 1838–39 | Keyboard | based on No.10 of the Soirées italiennes by Saverio Mercadante | ||
411/3 | A | 47/3
|
pf | 1838–39 | Keyboard | based on No.4 of the Soirées italiennes by Saverio Mercadante | ||
411/4 | A | 47/4
|
pf | 1838–39 | Keyboard | based on No.5 of the Soirées italiennes by Saverio Mercadante | ||
411/5 | A | 47/5
|
pf | 1838–39 | Keyboard | based on No.11 of the Soirées italiennes by Saverio Mercadante | ||
411/6 | A | 47/6
|
pf | 1838–39 | Keyboard | based on No.8 of the Soirées italiennes by Saverio Mercadante | ||
412/1 | A | 35Réminiscences des Huguenots (Grande fantaisie dramatique) | pf | 1836 | Keyboard | based on themes from the opera Les Huguenots by Giacomo Meyerbeer; 1st version of S.412/2, S.412/3 | ||
412/2 | A | 35Réminiscences des Huguenots (Grande fantaisie dramatique) | pf | 1838 | Keyboard | 2nd version of S.412/1, S.412/3 | ||
412/3 | A | 35Grande fantaisie dramatique sur des thèmes de l'opéra Les Huguenots | pf | 1842 | Keyboard | 3rd version of S.412/2, S.412/3 | ||
412a | A120 | Cavatine de Robert le Diable | pf | 1841–46? | Keyboard | based on Isabella's cavatina from the opera Robert le diable by Giacomo Meyerbeer | ||
413 | A | 78Réminiscences de Robert le diable | pf | 1841 | Keyboard | based on the Valse infernale and Air de ballet from the opera Robert le diable by Giacomo Meyerbeer; arr. for pf4h as S.630 [?] | ||
414 | A165 | Illustrations du Prophète | pf | 1849–50 | Keyboard | based on themes from the opera Le prophète by Giacomo Meyerbeer | ||
414/1 | A165/1 |
|
pf | 1849–50 | Keyboard | based on themes from the opera Le prophète by Giacomo Meyerbeer | ||
414/2 | A165/2 |
|
pf | 1849–50 | Keyboard | based on themes from the opera Le prophète by Giacomo Meyerbeer | ||
414/3 | A165/3 |
|
pf | 1849–50 | Keyboard | based on themes from the opera Le prophète by Giacomo Meyerbeer | ||
415 | A230 | Illustrations de l'opéra L'Africaine | pf | 1865 | Keyboard | based on themes from the opera L'Africaine by Giacomo Meyerbeer | ||
415/1 | A230/1 |
|
pf | 1865 | Keyboard | based on the sailors' prayer from Act III of the opera L'Africaine by Giacomo Meyerbeer | ||
415/2 | A230/2 |
|
pf | 1865 | Keyboard | based on the Indian March from Act IV of the opera L'Africaine by Giacomo Meyerbeer | ||
416 | A | 79Le moine [Meyerbeer] | pf | 1841 | Keyboard | arr. of the song by Giacomo Meyerbeer | ||
417 | A232 | Fantaisie sur l'opéra hongroise Szép Ilonka | pf | 1865–67 | Keyboard | based on themes from the opera Szép Ilonka by Mihály Mosonyi | ||
418 | A | 80Réminiscences de Don Juan (Grande fantaisie) | pf | 1841 | Keyboard | based on themes from the opera Don Giovanni, K.527, by Wolfgang Amadeus Mozart; arr. for 2pf as S.656 | ||
419 | A | 24Grande fantaisie sur des motifs de Niobe (Divertissement sur la cavatine "I tuoi frequenti palpiti") | pf | 1835–36 | Keyboard | based on themes from the opera Niobe by Giovanni Pacini | ||
420 | A | 15Grande fantaisie de bravoure sur La clochette | pf | 1832–34 | Keyboard | based on the main theme of the last movement of the Violin Concerto No.2, Op.7, by Niccolò Paganini | ||
421 | A183 | Andante Finale und Marsch aus der Oper König Alfred | pf | 1853 | Keyboard | based on extracts from the opera König Alfred, WoO.14, by Joachim Raff; arr. for pf4h as S.631 | ||
421/1 | A183/1 |
|
pf | 1853 | Keyboard | arr. for pf4h as S.631/1 | ||
421/2 | A183/2 |
|
pf | 1853 | Keyboard | arr. for pf4h as S.631/2 | ||
421a | A | 13Introduction des Variations sur une marche du Siège de Corinthe | pf | 1830 | Keyboard | based on themes from the opera Le siège de Corinthe by Gioacchino Rossini; formerly S.750 | ||
422/1 | A | 25Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales | pf | 1835–36 | Keyboard | based on Nos.4 and 11 of the song cycle Les soirées musicales by Gioacchino Rossini; 1st version of S.422/2 | ||
422/2 | A | 25Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales | pf | 1840 | Keyboard | 2nd version of S.422/1 | ||
423 | A | 26Fantaisie sur des motifs de La pastorella dell'Alpi e Li marinari des Soirées musicales | pf | 1835–36 | Keyboard | based on Nos.12 and 6 of the song cycle Les soirées musicales by Gioacchino Rossini | ||
424 | A | 36Soirées musicales de Rossini | pf | 1837 | Keyboard | based on the song cycle Les soirées musicales by Gioacchino Rossini | ||
424/1 | A | 36/ 1
|
pf | 1837 | Keyboard | based on No.1 of the Les soirées musicales by Gioacchino Rossini | ||
424/2 | A | 36/ 2
|
pf | 1837 | Keyboard | based on No.9 of the Les soirées musicales by Gioacchino Rossini | ||
424/3 | A | 36/ 3
|
pf | 1837 | Keyboard | based on No.5 of the Les soirées musicales by Gioacchino Rossini | ||
424/4 | A | 36/ 4
|
pf | 1837 | Keyboard | based on No.7 of the Les soirées musicales by Gioacchino Rossini | ||
424/5 | A | 36/ 5
|
pf | 1837 | Keyboard | based on No.2 of the Les soirées musicales by Gioacchino Rossini | ||
424/6 | A | 36/ 6
|
pf | 1837 | Keyboard | based on No.6 of the Les soirées musicales by Gioacchino Rossini | ||
424/7 | A | 36/ 7
|
pf | 1837 | Keyboard | based on No.3 of the Les soirées musicales by Gioacchino Rossini | ||
424/8 | A | 36/ 8
|
pf | 1837 | Keyboard | based on No.10 of the Les soirées musicales by Gioacchino Rossini | ||
424/9 | A | 36/ 9
|
pf | 1837 | Keyboard | based on No.8 of the Les soirées musicales by Gioacchino Rossini | ||
424/10 | A | 36/10
|
pf | 1837 | Keyboard | based on No.11 of the Les soirées musicales by Gioacchino Rossini | ||
424/11 | A | 36/11
|
pf | 1837 | Keyboard | based on No.4 of the Les soirées musicales by Gioacchino Rossini | ||
424/12 | A | 36/12
|
pf | 1837 | Keyboard | based on No.12 of the Les soirées musicales by Gioacchino Rossini | ||
425 | A | 48Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien) | pf | 1838–39 | Keyboard | based on Divertissement à la hongroise, D.818, by Franz Schubert; 1st version of S.425a | ||
425/1 | A | 48/1
|
pf | 1838–39 | Keyboard | based on No.1 of Divertissement à la hongroise, D.818, by Franz Schubert; 1st version of S.425a/1 | ||
425/2a | A | 48/2
|
pf | 1838–39 | Keyboard | based on No.2 of Divertissement à la hongroise, D.818, by Franz Schubert;1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("1st Diabelli edition") | ||
425/2b | A | 48/2
|
pf | 1840 | Keyboard | 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("Richault edition") | ||
425/2c | A | 48/2
|
pf | 1840 | Keyboard | 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 ("Lucca edition") | ||
425/2d | A | 48/2
|
pf | 1879 | Keyboard | 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 ("Menter transcription") | ||
425/2e | A | 48/2
|
pf | 1883 | Keyboard | 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 ("3rd edition") | ||
425/3 | A | 48/3
|
pf | 1838–39 | Keyboard | based on No.3 of Divertissement à la hongroise, D.818, by Franz Schubert;1st version of S.425a/3 | ||
425a | A | 48Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien) | pf | 1846 | Keyboard | 2nd (simplified) version of S.425 | ||
425a/1 | A | 48/1
|
pf | 1846 | Keyboard | 2nd (simplified) version of S.425a/1 | ||
425a/2 | A | 48/2
|
pf | 1846 | Keyboard | 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e ("2nd Diabelli edition") | ||
425a/3 | A | 48/3
|
pf | 1846 | Keyboard | 2nd (simplified) version of S.425/3 | ||
426 | A123 | Märsche von Franz Schubert (3): | pf | 1846 | Keyboard | |||
426/1 | A123/1 |
|
pf | 1846 | Keyboard | based on No.5 of 6 Grandes marches, D.819, by Franz Schubert; arr. for orch as S.363/2, for pf4h as S.632/2 | ||
426/2 | A123/2 |
|
pf | 1846 | Keyboard | using themes from No.3 of 6 Grandes marches, D.819, and Grande marche funèbre, D.859, by Franz Schubert | ||
426/3 | A123/3 |
|
pf | 1846 | Keyboard | using themes from Nos.1 and 2 of 2 Marches caractéristiques, D.968b, and Nos.1 and 2 of 6 Grandes marches, D.819, by Franz Schubert | ||
426a | — | Marche militaire (Grande paraphrase de concert) | pf | 1870? | Keyboard | based on No.1 of 3 Marches militaires, D.733, by Franz Schubert | ||
427 | A131 | Soirées de Vienne (Valses-caprices d''après François Schubert) | pf | 1846–52 | Keyboard | based on pf pieces by Franz Schubert | ||
427/1 | A131/1 |
|
pf | A♭ major | 1846–52 | Keyboard | based on themes from 36 Originaltänze, D.365; Wiener Damen-Ländler und Ecossaisen, D.734; and 18 German Dances and Ecossaises, D.783, by Franz Schubert | |
427/2 | A131/2 |
|
pf | A♭ major | 1846–52 | Keyboard | based on themes from 36 Originaltänze, D.365, and 38 Waltzes, Ländler and Ecossaises, D.145, by Franz Schubert | |
427/3 | A131/3 |
|
pf | E major | 1846–52 | Keyboard | based on themes from 18 Deutsche und Ecossaisen, D.783; 36 Originaltänze, D.365 and 38 Waltzes, Ländler and Ecossaises, D.145, by Franz Schubert | |
427/4 | A131/4 |
|
pf | D♭ major | 1846–52 | Keyboard | based on themes from 36 Originaltänze, D.365 | |
427/5 | A131/5 |
|
pf | G♭ major | 1846–52 | Keyboard | based on themes from 36 Originaltänze, D.365 and 12 Valses nobles, D.969, by Franz Schubert | |
427/6 | A131/6 |
|
pf | A minor | 1846–52 | Keyboard | based on themes from 12 Valses nobles, D.969; and Valses sentimentales, D.779, by Franz Schubert; 1st version of S.427/6a, S.427/6b | |
427/6a | A131/6 |
|
pf | A minor | 1879 | Keyboard | 2nd version of S.427/6, S.427/6a | |
427/6b | A131/6 |
|
pf | A minor | 1883? | Keyboard | 3rd version of S.427/6, S.427/6a | |
427/7 | A131/7 |
|
pf | A major | 1846–52 | Keyboard | based on themes from 18 German Dances and Ecossaises, D.783, by Franz Schubert | |
427/8 | A131/8 |
|
pf | D major | 1846–52 | Keyboard | based on themes from 18 German Dances and Ecossaises, D.783 and 12 Valses nobles, D.969, by Franz Schubert | |
427/9 | A131/9 |
|
pf | A♭ major | 1846–52 | Keyboard | based on themes from 36 Originaltänze, D.365 | |
428 | A115 | Feuille morte (Élégie d'après Soriano) | pf | 1845 | Keyboard | based on an unidentified composition by Mariano Soriano Fuertes | ||
429 | A293 | Polonaise aus der Oper Jewgeny Onegin | pf | 1879 | Keyboard | based on the Polonaise from the opera Eugene Onegin, Op.24, by Pyotr Tchaikovsky | ||
430 | A318 | Valse de concert | pf | 1882–83 | Keyboard | based on part of the Suite en forme de valse byJános Végh | ||
431/1 | A149/1 | Salve Maria de Jérusalem | pf | 1848 | Keyboard | arr. of Giselda's prayer from the opera I Lombardi alla prima crociata by Giuseppe Verdi; 1st version of S.431/2 | ||
431/2 | A149/2 | Salve Maria de Jérusalem | pf | 1882 | Keyboard | 2nd version of S.431/1 | ||
431a | A138 | Paraphrase de concert sur Ernani I | pf | 1847 | Keyboard | based on different themes from the opera Ernani by Giuseppe Verdi than S.432 | ||
432 | A203 | Paraphrase de concert sur Ernani II | pf | 1859 | Keyboard | based on different themes from the opera Ernani by Giuseppe Verdi than S.431a | ||
433 | A199 | Miserere du Trovatore (Paraphrase de concert) | pf | 1859 | Keyboard | based on the Miserere from Act IV of the opera Il Trovatore by Giuseppe Verdi | ||
434 | A187 | Paraphrase de concert sur Rigoletto | pf | 1855–59? | Keyboard | based on the quartet from Act III of the opera Rigoletto by Giuseppe Verdi | ||
435 | A240 | Finale de Don Carlos (Coro di festa e Marcia funebre) | pf | 1867–68 | Keyboard | arr. of the finale ("Ce jour est plein d'allégresse") from the opera Don Carlos by Giuseppe Verdi | ||
436 | A276 | Danza sacra e duetto finale d’Aida | pf | 1876? | Keyboard | arrs. of extracts from | ||
437/1 | A284 | Agnus Dei della Messa da Requiem di Giuseppe Verdi | pf | 1877 | Keyboard | based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.437/1 | ||
437/2 | A284 | Agnus Dei della Messa da Requiem di Giuseppe Verdi | pf | 1882 | Keyboard | 2nd version of S.437/2 | ||
438 | A314 | Réminiscences de Boccanegra | pf | 1882 | Keyboard | based on themes from the rev. version of the opera Simon Boccanegra by Giuseppe Verdi | ||
439 | A200 | Phantasiestück über Motive aus Rienzi | pf | 1859 | Keyboard | based on the battle-hymn "Santo spitiro cavaliere" (Act III, No.10) from the opera Rienzi, WWV 49, by Richard Wagner | ||
440 | A204 | Spinnerlied aus dem Fliegenden Holländer | pf | 1860 | Keyboard | based on the Chœur des fileuses from Act II of the opera Der fliegende Holländer, WWV 63, by Richard Wagner | ||
441 | A259 | Ballade aus dem Fliegenden Holländer | pf | 1872 | Keyboard | based on Senta's ballad from Act II of the opera Der fliegende Holländer, WWV 63, by Richard Wagner | ||
442 | A146 | Ouvertüre zu Tannhäuser | pf | 1848 | Keyboard | based on the Overture to the opera Tannhäuser by Richard Wagner | ||
443/1 | A210a | Pilgerchor aus Tannhäuser | pf | 1861 | Keyboard | based on the opening of the overture from the opera Tannhäuser, WWV 70, by Richard Wagner; 1st version of S.443/2 | ||
443/2 | A210b | Pilgerchor aus Tannhäuser | pf | 1885? | Keyboard | 2nd version of S.443/1 | ||
444 | A163 | O du mein holder Abendstern (Rezitativ und Romanze aus der Oper Tannhäuser) | pf | 1849 | Keyboard | based on Wolfram's aria from Act III of the opera Tannhäuser, WWV 70, by Richard Wagner; arr. for vc pf (with Bernhard Cossmann) as S.380 | ||
445 | A176 | Stücke aus Tannhäuser und Lohengrin (2): | pf | 1852 | Keyboard | arr. for pf4h as S.634b | ||
445/1a | A176/1 |
|
pf | 1852 | Keyboard | based on the March from Act II of the opera Tannhäuser, WWV 70, by Richard Wagner; 1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1 | ||
445/1b | A176/1 |
|
pf | 1874 | Keyboard | 2nd version of S.445/1a, S.445/1c | ||
445/1c | A176/1 |
|
pf | 1876 | Keyboard | 3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b | ||
445/2 | A176/2 |
|
pf | 1852 | Keyboard | based on Elsa's bridal procession from Act II of the opera Lohengrin, WWV 75, by Richard Wagner; arr. for pf4h as S.634b/2 | ||
446 | A185 | Aus Lohengrin | pf | 1854 | Keyboard | based on themes from the opera Lohengrin, WWV 75, by Richard Wagner | ||
446/1 | A185/1 |
|
pf | 1854 | Keyboard | based on the Prelude and Bridal Chorus from Act III of the opera Lohengrin, WWV 75, by Richard Wagner | ||
446/2 | A185/2 |
|
pf | 1854 | Keyboard | based on Elsa's Dream from Act I of the opera Lohengrin, WWV 75, by Richard Wagner | ||
446/3 | A185/3 |
|
pf | 1854 | Keyboard | based on Lohengrin's Rebuke to Elsa from Act III of the opera Lohengrin, WWV 75, by Richard Wagner | ||
447 | A239 | Isoldens Liebestod (Schlußszene) | pf | 1867 | Keyboard | arr. of the transfiguration scene from the opera Tristan und Isolde, WWV 90, by Richard Wagner | ||
448 | A254 | Am stillen Herd | pf | 1871 | Keyboard | based on the song from Act I of Die Meistersinger von Nürnberg, WWV 96 | ||
449 | A269 | Walhall aus Der Ring des Nibelungen | pf | 1875 | Keyboard | based on themes from the final scene of the opera Das Rheingold, WWV 86A, by Richard Wagner | ||
450 | A315 | Feierlicher Marsch zum heiligen Gral aus Parsifal | pf | 1882 | Keyboard | based on the theme of the march from Act I of the opera Parsifal, WWV 111, by Richard Wagner | ||
451 | A | 68Freischütz Fantasie | pf | 1840 | Keyboard | based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera Der Freischütz, Op.77, by Carl Maria von Weber | ||
452 | A151 | Leyer und Schwerdt (Heroide nach Carl Maria von Weber) | pf | 1848 | Keyboard | based on the themes of Nos.6, 3 and 2 from the choral song collection Leyer und Schwerdt by Carl Maria von Weber | ||
453 | A152 | Einsam bin ich, nicht allein (Volkslied aus dem Schauspiel Preziosa) | pf | 1848 | Keyboard | based on Preciosa's song (Act II, No.7) from the incidental music to Preciosa, Op.78, by Carl Maria von Weber | ||
454 | A150 | Schlummerlied mit Arabesken | pf | 1848 | Keyboard | based on the chorus Schlummerlied, Op.68 No.4, by Carl Maria von Weber | ||
455 | A175 | Polacca brillante [Weber] | pf | 1851 | Keyboard | arr. of the Polacca brillante, Op.72, by Carl Maria von Weber; arr. for pf orch as S.367 | ||
456 | A281 | Valse d'Adèle (Transcription brillante) | pf | 1877 | Keyboard | arr. of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy | ||
457* | — | number not allocated | ||||||
458 | A | 51Reminiscences de La Scala (Fantasie über italienische Opernmelodien) | pf | 1838–39 | Keyboard | using themes from the opera Il giuramento by Saverio Mercadante and another unidentified source | ||
459* | — | number not allocated | ||||||
460 | A330 | Kavallerie-Geschwindmarsch | pf | 1883? | Keyboard | lost; possibly 2nd version of S.233 | ||
461–577ter | — | Partitions de Piano, Transcriptions, etc. |
||||||
461/1 | A217 | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) | pf | 1862 | Keyboard | based on the Miserere by Gregorio Allegri and Ave verum corpus, K.618, by Wolfgang Amadeus Mozart; 1st version of S.461/2; arr. for orch as S.360 | ||
461/2 | A217 | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) | pf | 1862 | Keyboard | 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658 | ||
461a | — | Ave verum corpus de Mozart | pf | 1867 | Keyboard | arr. of the Ave verum corpus, K.618, by Wolfgang Amadeus Mozart; arr. for org/harm as S.674d | ||
462 | A | 92Preludes and Fugues by J.S. Bach (6): | pf | 1842–50 | Keyboard | |||
462/1 | A | 92/1
|
pf | A minor | 1842–50 | Keyboard | arr. of Prelude and Fugue, BWV 543, A minor, by Johann Sebastian Bach | |
462/2 | A | 92/2
|
pf | C major | 1842–50 | Keyboard | arr. of Prelude and Fugue, BWV 545, C major, by Johann Sebastian Bach | |
462/3 | A | 92/3
|
pf | C minor | 1842–50 | Keyboard | arr. of Prelude and Fugue, BWV 546, C minor, by Johann Sebastian Bach | |
462/4 | A | 92/4
|
pf | C major | 1842–50 | Keyboard | arr. of Prelude and Fugue, BWV 547, C major, by Johann Sebastian Bach | |
462/5 | A | 92/5
|
pf | E minor | 1842–50 | Keyboard | arr. of Prelude and Fugue, BWV 548, E minor, by Johann Sebastian Bach | |
462/6 | A | 92/6
|
pf | B minor | 1842–50 | Keyboard | arr. of Prelude and Fugue, BWV 544, B minor, by Johann Sebastian Bach | |
463 | A244 | Orgel Fantasie und Fuge | pf | G minor | 1861? | Keyboard | arr. of Fantasia and Fugue, BWV 542, G minor, by Johann Sebastian Bach | |
463 | A244 | Orgel Fantasie und Fuge | pf | G minor | 1868 | Keyboard | 2nd version of S.463/1 | |
463a | A | 37b/1Symphonie No.5 de Beethoven | pf | C minor | 1837 | Keyboard | arr. of the Symphony No.5, Op.67, by Ludwig van Beethoven; 1st version of S.464/5 | |
463b | A | 37b/2Symphonie No.6 de Beethoven | pf | F major | 1837 | Keyboard | arr. of the Symphony No.6, Op.68, by Ludwig van Beethoven;1st version of S.463c, S.464/6 | |
463c | A | 37b/2Symphonie No.6 de Beethoven | pf | F major | 1837 | Keyboard | arr. of the Symphony No.6, Op.68, by Ludwig van Beethoven;2nd version of S.463b, S.464/6 | |
463d | A | 37b/3Symphonie No.7 de Beethoven | pf | A major | 1837 | Keyboard | arr. of the Symphony No.7, Op.92, by Ludwig van Beethoven; 1st version of S.464/7 | |
463e | A | 37aMarche funèbre de la Symphonie héroïque de Beethoven | pf | 1837 | Keyboard | arr. of movt. III from the Symphony No.3, Op.55, by Ludwig van Beethoven; rev. in S.464/3 | ||
464 | A | 37Symphonies de Beethoven (9): | pf | 1863–64 | Keyboard | |||
464/1 | A | 37c/1pf | C major | 1863–64 | Keyboard | arr. of the Symphony No.1, Op.21, by Ludwig van Beethoven | ||
464/2 | A | 37c/2pf | D major | 1863–64 | Keyboard | arr. of the Symphony No.2, Op.36, by Ludwig van Beethoven; | ||
464/3 | A | 37c/3pf | E♭ major | 1863–64 | Keyboard | arr. of the Symphony No.3, Op.55, by Ludwig van Beethoven; movt.II based on S.463e | ||
464/4 | A | 37c/4pf | B♭ major | 1863–64 | Keyboard | arr. of the Symphony No.4, Op.60, by Ludwig van Beethoven; | ||
464/5 | A | 37c/5pf | C minor | 1863–64 | Keyboard | arr. of the Symphony No.5, Op.67, by Ludwig van Beethoven; 2nd version of S.463a | ||
464/6 | A | 37c/6pf | F major | 1863–64 | Keyboard | arr. of the Symphony No.6, Op.68, by Ludwig van Beethoven; 3rd version of S.463b, S.463c | ||
464/7 | A | 37c/7pf | A major | 1863–64 | Keyboard | arr. of the Symphony No.7, Op.92, by Ludwig van Beethoven; 2nd version of S.463c | ||
464/8 | A | 37c/8pf | F major | 1863–64 | Keyboard | arr. of the Symphony No.8, Op.93, by Ludwig van Beethoven | ||
464/9 | A | 37c/9pf | D minor | 1863–64 | Keyboard | arr. of the Symphony No.9, Op.125, by Ludwig van Beethoven; arr. for pf as S.657 | ||
465 | A | 69Grand septuor de Beethoven | pf | 1840 | Keyboard | arr. of the Septet, Op.20, by Ludwig van Beethoven; also arr. for pf4h as S.634 | ||
466a | A | 58Adelaide von Beethoven | pf | 1839 | Keyboard | arr. of the song Adelaide, Op.46, by Ludwig van Beethoven;1st version of S.466, S.466b | ||
466b | A | 58Adelaide von Beethoven | pf | 1841 | Keyboard | arr. of the song Adelaide, Op.46, by Ludwig van Beethoven;2nd version of S.466, S.466a | ||
466 | A | 58Adelaide by Beethoven | pf | 1847 | Keyboard | arr. of the song Adelaide, Op.46, by Ludwig van Beethoven;3rd version of S.466a, S.466b | ||
467 | A | 70Beethovens geistliche Lieder von Gellert (6): | pf | 1840 | Keyboard | arr. of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven; published as vol.1 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert | ||
467/1 | A | 70/1
|
pf | 1840 | Keyboard | arr. of No.5 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven | ||
467/2 | A | 70/2
|
pf | 1840 | Keyboard | arr. of No.1 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven | ||
467/3 | A | 70/3
|
pf | 1840 | Keyboard | arr. of No.6 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven | ||
467/4 | A | 70/4
|
pf | 1840 | Keyboard | arr. of No.3 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven | ||
467/5 | A | 70/5
|
pf | 1840 | Keyboard | arr. of No.2 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven | ||
467/6 | A | 70/6
|
pf | 1840 | Keyboard | arr. of No.4 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven | ||
468 | A161 | Beethovens Lieder von Goethe (6) | pf | 1849 | Keyboard | |||
468/1 | A161/1 |
|
pf | 1849 | Keyboard | arr. of No.1 of 6 Songs, Op.75, by Ludwig van Beethoven | ||
468/2 | A161/2 |
|
pf | 1849 | Keyboard | arr. of No.3 of 3 Songs, Op.83, by Ludwig van Beethoven | ||
468/3 | A161/3 |
|
pf | 1849 | Keyboard | arr. of the song from the incidental music to Egmont, Op.84, by Ludwig van Beethoven | ||
468/4 | A161/4 |
|
pf | 1849 | Keyboard | arr. of No.3 of 6 Songs, Op.75, by Ludwig van Beethoven | ||
468/5 | A161/5 |
|
pf | 1849 | Keyboard | arr. of No.1 of 3 Songs, Op.83, by Ludwig van Beethoven | ||
468/6 | A161/6 |
|
pf | 1849 | Keyboard | arr. of the song from the incidental music to Egmont, Op.84, by Ludwig van Beethoven | ||
469 | A162 | An die ferne Geliebte (Liederkreis von Ludwig van Beethoven): | pf | 1849 | Keyboard | arr. of the song cycle An die ferne Geliebte, Op.98, by Ludwig van Beethoven | ||
469/1 | A162/1 |
|
pf | 1849 | Keyboard | arr. of No.1 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven | ||
469/2 | A162/2 |
|
pf | 1849 | Keyboard | arr. of No.2 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven | ||
469/3 | A162/3 |
|
pf | 1849 | Keyboard | arr. of No.3 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven | ||
469/4 | A162/4 |
|
pf | 1849 | Keyboard | arr. of No.4 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven | ||
469/5 | A162/5 |
|
pf | 1849 | Keyboard | arr. of No.5 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven | ||
469/6 | A162/6 |
|
pf | 1849 | Keyboard | arr. of No.6 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven | ||
470 | A | 16aEpisode de la vie d'un artiste (Grande symphonie fantastique par Hector Berlioz) | pf | 1833 | Keyboard | arr. of the Symphonie fantastique, H 48, by Hector Berlioz; 4th movement rev. as S.470a/2 | ||
470a/1 | A | 16bL'idée fixe (Andante amoroso d'après une mélodie de Berlioz) | pf | 1833 | Keyboard | formerly S.395; based on the main theme from the Symphonie fantastique, H 48, by Hector Berlioz | ||
470a/2 | A | 16cMarche au supplice de la Symphonie fantastique (Episode de la vie d'un artiste de Hector Berlioz) | pf | 1865 | Keyboard | 2nd version of 4th movement from S.470 | ||
471 | A | 31Ouverture des Francs-juges de Hector Berlioz | pf | 1833 | Keyboard | arr. of the concert overture to the opera Les francs-juges, H 23, by Hector Berlioz | ||
472/1 | D | 5aHarold en Italie (Symphonie de Berlioz) | pf (+ va) | 1836 | Keyboard | arr. of the symphony Harold en Italie, H 68, by Hector Berlioz; 1st version of S.472/2 | ||
472/2 | D | 5bHarold en Italie (Symphonie de Berlioz) | pf (+ va) | 1850–59? | Keyboard | 2nd version of S.472/1 | ||
473/1 | A | 29aMarche des pèlerins chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz) | pf | 1836–37 | Keyboard | 1st version of S.473/1 | ||
473/2 | A | 29bMarche des pèlerins (de la symphonie Harold en Italie de Hector Berliioz) | pf | 1862 | Keyboard | 2nd version of S.473/2 | ||
474 | A | 30Ouverture du Roi Lear de Hector Berlioz | pf | 1836–37 | Keyboard | arr. of the overture to Roi Lear, H 53, by Hector Berlioz | ||
475 | A205 | Danse des Sylphes de La damnation de Faust de Hector Berlioz | pf | 1860 | Keyboard | arr. of the Ballet des Sylphes from part II of La damnation de Faust, H 111, by Hector Berlioz | ||
476 | A | 38aEsmeralda (Opéra en 4 actes de L. Bertin) | vv ch pf | 1837 | Stage | vocal score arr. of the opera La Esmeralda by Louise Angelique Bertin; see also S.477 and S.477a | ||
477 | A | 38bAir chanté par Massol de Esmerelda de L. Bertin | pf | 1837 | Keyboard | arr. of Quasimodo's aria "Mon Dieu! j'aime" (No.13) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2 | ||
477a | A | 38cMorceaux detachés d‘Esmeralda de L. Bertin (3): | pf | 1837 | Keyboard | arrs. of extracts from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476 | ||
477a/1 | A | 38c/1
|
pf | 1837 | Keyboard | arr. of "Quoi! lui" (No.11) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476 | ||
477a/2 | A | 38c/2
|
pf | 1837 | Keyboard | see S.476 | ||
477a/3 | A | 38c/3
|
pf | 1837 | Keyboard | arr. of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476 | ||
478 | A | 99Russischer Galop | pf | 1843 | Keyboard | arr. of the song You Will Not Believe by Pyotr Bulakhov | ||
479 | A265 | Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow) | pf | 1874 | Keyboard | arr. of the song Wenn sie euch grüsst mit freundlicher Gebärde, Op.22, by Hans von Bülow | ||
480 | A193 | Polish Songs' (6) (after Chopin) | pf | 1857–60 | Keyboard | arr. of 6 of the Polish Songs, Op.74, by Frederic Chopin | ||
480/1 | A193/1 |
|
pf | 1857–60 | Keyboard | arr. of No.1 of the Polish Songs, Op.74, by Frederic Chopin | ||
480/2 | A193/2 |
|
pf | 1857–60 | Keyboard | arr. of No.2 of the Polish Songs, Op.74, by Frederic Chopin | ||
480/3 | A193/3 |
|
pf | 1857–60 | Keyboard | arr. of No.14 of the Polish Songs, Op.74, by Frederic Chopin | ||
480/4 | A193/4 |
|
pf | 1857–60 | Keyboard | arr. of No.4 of the Polish Songs, Op.74, by Frederic Chopin | ||
480/5, | A193/5 |
|
pf | 1857–60 | Keyboard | arr. of No.12 of the Polish Songs, Op.74, by Frederic Chopin;1st version of S.480/5bis | ||
480/5bis | A193/5 |
|
pf | 1860 or later | Keyboard | 2nd version of S.480 | ||
480/6 | A193/6 |
|
pf | 1857–60 | Keyboard | arr. of No.15 of the Polish Songs, Op.74, by Frederic Chopin | ||
481 | A147 | Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi) | pf | 1848 | Keyboard | arr. of No.2 of 2 Zigeuner-Polkas, Op.5, by August Conradi | ||
482 | A327 | Tarentelle de César Cui | pf | 1885 | Keyboard | arr. of the Tarantella, Op.12, by César Cui | ||
483 | A291 | Tarantella de Dargomijski | pf | 1879 | Keyboard | arr. of the Tarantella slave by Aleksandr Dargomyzhsky | ||
483bis | A | 91Souvenir de Russie (d'après Ferdinand David) | pf | B♭ minor | 1842 | Keyboard | arr. of No.22 from Bunte Reihe, Op.30, by Ferdinand David;1st version of S.484/22 | |
484 | A170 | Bunte Reihe (24 Stücke von Ferdinand David) | pf | 1850 | Keyboard | arr. of the collection Bunte Reihe, Op.30, by Ferdinand David | ||
484/1 | A170/ | 1
|
pf | C major | 1850 | Keyboard | arr. of No.1 from Bunte Reihe, Op.30, by Ferdinand David | |
484/2 | A170/ | 2
|
pf | C minor | 1850 | Keyboard | arr. of No.2 from Bunte Reihe, Op.30, by Ferdinand David | |
484/3 | A170/ | 3
|
pf | D♭ major | 1850 | Keyboard | arr. of No.3 from Bunte Reihe, Op.30, by Ferdinand David | |
484/4 | A170/ | 4
|
pf | C♯ mino | 1850 | Keyboard | arr. of No.4 from Bunte Reihe, Op.30, by Ferdinand David | |
484/5 | A170/ | 5
|
pf | D major | 1850 | Keyboard | arr. of No.5 from Bunte Reihe, Op.30, by Ferdinand David | |
484/6 | A170/ | 6
|
pf | D minor | 1850 | Keyboard | arr. of No.6 from Bunte Reihe, Op.30, by Ferdinand David | |
484/7 | A170/ | 7
|
pf | E♭ major | 1850 | Keyboard | arr. of No.7 from Bunte Reihe, Op.30, by Ferdinand David | |
484/8 | A170/ | 8
|
pf | E♭ minor | 1850 | Keyboard | arr. of No.8 from Bunte Reihe, Op.30, by Ferdinand David | |
484/9 | A170/ | 9
|
pf | E major | 1850 | Keyboard | arr. of No.9 from Bunte Reihe, Op.30, by Ferdinand David | |
484/10 | A170/10 |
|
pf | E minor | 1850 | Keyboard | arr. of No.10 from Bunte Reihe, Op.30, by Ferdinand David | |
484/11 | A170/11 |
|
pf | F major | 1850 | Keyboard | arr. of No.11 from Bunte Reihe, Op.30, by Ferdinand David | |
484/12 | A170/12 |
|
pf | F minor | 1850 | Keyboard | arr. of No.12 from Bunte Reihe, Op.30, by Ferdinand David | |
484/13 | A170/13 |
|
pf | F♯ major | 1850 | Keyboard | arr. of No.13 from Bunte Reihe, Op.30, by Ferdinand David | |
484/14 | A170/14 |
|
pf | F♯ minor | 1850 | Keyboard | arr. of No.14 from Bunte Reihe, Op.30, by Ferdinand David | |
484/15 | A170/15 |
|
pf | G major | 1850 | Keyboard | arr. of No.15 from Bunte Reihe, Op.30, by Ferdinand David | |
484/16 | A170/16 |
|
pf | G minor | 1850 | Keyboard | arr. of No.16 from Bunte Reihe, Op.30, by Ferdinand David | |
484/17 | A170/17 |
|
pf | A♭ major | 1850 | Keyboard | arr. of No.17 from Bunte Reihe, Op.30, by Ferdinand David | |
484/18 | A170/18 |
|
pf | G♯ minor | 1850 | Keyboard | arr. of No.18 from Bunte Reihe, Op.30, by Ferdinand David | |
484/19 | A170/19 |
|
pf | A major | 1850 | Keyboard | arr. of No.19 from Bunte Reihe, Op.30, by Ferdinand David; 1st version of S.484/19bis | |
484/19bis | A170/19b |
|
pf | A major | 1850 | Keyboard | 2nd version of S.484/19 | |
484/20 | A170/20 |
|
pf | A minor | 1850 | Keyboard | arr. of No.20 from Bunte Reihe, Op.30, by Ferdinand David | |
484/21 | A170/21 |
|
pf | B♭ major | 1850 | Keyboard | arr. of No.21 from Bunte Reihe, Op.30, by Ferdinand David | |
484/22 | A170/22 |
|
pf | B♭ minor | 1850 | Keyboard | 2nd version of S.483bis | |
484/23 | A170/23 |
|
pf | B major | 1850 | Keyboard | arr. of No.23 from Bunte Reihe, Op.30, by Ferdinand David | |
484/24 | A170/24 |
|
pf | B mnor | 1850 | Keyboard | arr. of No.24 from Bunte Reihe, Op.30, by Ferdinand David | |
485 | A130 | Dessauers Lieder (3): | pf | 1846–47 | Keyboard | |||
485/1 | A130/1 |
|
pf | 1846–47 | Keyboard | arr. of the song by Josef Desauer | ||
485/2 | A130/2 |
|
pf | 1846–47 | Keyboard | arr. of the song by Josef Desauer | ||
485/3 | A130/3 |
|
pf | 1846–47 | Keyboard | arr. of the song by Josef Desauer | ||
485a | A251 | Der Schwur am Rütli (von F. Draeseke) | pf | 1870 | Keyboard | arr. of the cantata by Felix Draeseke | ||
485b | A | 89Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha) | pf | 1842 | Keyboard | arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha | ||
486 | A261 | Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz) | pf | 1872 | Keyboard | arr. of S.353 | ||
487 | A110 | Spanisches Ständchen (Melodie von Graf Leó Festetics) | pf | 1844 | Keyboard | arr. of the song by Leo Festetics | ||
488 | A154 | Er ist gekommen in Sturm und Regen (Lied von Robert Franz) | pf | 1848 | Keyboard | arr. of No.7 of 12 Gesänge, Op.4, by Robert Franz | ||
489 | A157 | Lieder von Robert Franz (12): Heft I: Schilflieder |
pf | 1848 | Keyboard | |||
489/1 | A157/1 |
|
pf | 1848 | Keyboard | arr. of No.1 of Schilflieder, Op.2, by Robert Franz | ||
489/2 | A157/2 |
|
pf | 1848 | Keyboard | arr. of No.2 of Schilflieder, Op.2, by Robert Franz | ||
489/3 | A157/3 |
|
pf | 1848 | Keyboard | arr. of No.3 of Schilflieder, Op.2, by Robert Franz | ||
489/4 | A157/4 |
|
pf | 1848 | Keyboard | arr. of No.4 of Schilflieder, Op.2, by Robert Franz | ||
489/5 | A157/5 |
|
pf | 1848 | Keyboard | arr. of No.5 of Schilflieder, Op.2, by Robert Franz | ||
A157/5a | Lieder von Robert Franz (12): Heft II: Drei Lieder |
pf | 1848 | Keyboard | ||||
489/6 | A157/6 |
|
pf | 1848 | Keyboard | arr. of No.1 of 6 Gesänge, Op.3, by Robert Franz | ||
489/7 | A157/7 |
|
pf | 1848 | Keyboard | arr. of No.1 of 6 Gesänge, Op.8, by Robert Franz | ||
489/8 | A157/8 |
|
pf | 1848 | Keyboard | arr. of No.2 of 6 Gesänge, Op.8, by Robert Franz | ||
A157/8a | Lieder von Robert Franz (12): Heft III: Vier Lieder |
pf | 1848 | Keyboard | ||||
489/9 | A157/9 |
|
pf | 1848 | Keyboard | arr. of No.5 of 6 Gesänge, Op.8, by Robert Franz | ||
489/10 | A157/10 |
|
pf | 1848 | Keyboard | arr. of No.6 of 6 Gesänge, Op.8, by Robert Franz | ||
489/11 | A157/11 |
|
pf | 1848 | Keyboard | arr. of No.4 of 6 Gesänge, Op.8, by Robert Franz | ||
489/12 | A157/12 |
|
pf | 1848 | Keyboard | arr. of No.3 of 6 Gesänge, Op.3, by Robert Franz | ||
490 | A298 | Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden (Fantasiestück nach Adalbert von Goldschmidt) | pf | 1880 | Keyboard | arr. of extracts from the oratorio Die sieben Todsünden by Adalbert von Goldschmidt | ||
491 | A235 | Hymne á Sainte Cécile de Charles Gounod | pf | 1866 | Keyboard | arr. of Hymne à Sainte Cécile by Charles Gounod | ||
492 | A245 | Tanzmomente von Johann Herbeck | pf | 1869 | Keyboard | arr. of the Tanzmomente, Op.14, by Johann von Herbeck | ||
492/1 | A245/1 |
|
pf | G major | 1869 | Keyboard | arr. of No.1 of the Tanzmomente, Op.14, by Johann von Herbeck | |
492/2 | A245/2 |
|
pf | A minor | 1869 | Keyboard | arr. of No.2 of the Tanzmomente, Op.14, by Johann von Herbeck | |
492/3 | A245/3 |
|
pf | F major | 1869 | Keyboard | arr. of No.3 of the Tanzmomente, Op.14, by Johann von Herbeck | |
492/4 | A245/4 |
|
pf | A major | 1869 | Keyboard | arr. of No.4 of the Tanzmomente, Op.14, by Johann von Herbeck;1st version of S.492/4bis | |
492/4bis | A245/4 |
|
pf | A major | 1869 | Keyboard | 2nd version of S.492/4 | |
492/5 | A245/5 |
|
pf | F major | 1869 | Keyboard | arr. of No.5 of the Tanzmomente, Op.14, by Johann von Herbeck | |
492/6 | A245/6 |
|
pf | D major | 1869 | Keyboard | arr. of No.6 of the Tanzmomente, Op.14, by Johann von Herbeck | |
492/7 | A245/7 |
|
pf | G major | 1869 | Keyboard | arr. of No.7 of the Tanzmomente, Op.14, by Johann von Herbeck | |
492/8 | A245/8 |
|
pf | D major | 1869 | Keyboard | arr. of No.8 of the Tanzmomente, Op.14, by Johann von Herbeck | |
493/1 | A155 | Großes Septett von Johann Nepomuk Hummel | pf | D minor | 1848 | Keyboard | arr. of Septet No.1, Op.74, by Johann Nepomuk Hummel;1st version of S.493/2 | |
493/2 | U12 | Großes Septett von Johann Nepomuk Hummel | pf | D minor | 1869? | Keyboard | 2nd version of S.493/1 | |
494/1 | A211/1 | Löse, Himmel, meine Seele (Lied von Eduard Lassen) | pf | 1861 | Keyboard | arr. of No.5 of 6 Lieder von Peter Cornelius, Op.5, by Eduard Lassen; 1st version of S.494/2 | ||
494/2 | A211/1 | Löse, Himmel, meine Seele (Lied von Eduard Lassen) | pf | 1872 | Keyboard | 2nd version of S.494/1 | ||
495 | A211/2 | Ich weil' in tiefer Einsamkeit (Lied von Eduard Lassen) | pf | 1872 | Keyboard | arr. of No.4 of 6 Lieder von Peter Cornelius, Op.5, by Eduard Lassen | ||
496 | A285/I | Aus der Musik von Eduard Lassen | pf | 1878–79 | Keyboard | |||
496/1 | A285/I/1 |
|
pf | 1878–79 | Keyboard | arr. from the incidental music to Nibelungen, Op.47, by Eduard Lassen | ||
496/2 | A285/I/2 |
|
pf | 1878–79 | Keyboard | arr. from the incidental music to Nibelungen, Op.47, by Eduard Lassen | ||
496/3 | A285/II/1 |
|
pf | 1878–79 | Keyboard | arr. from No.2 of part I of the incidental music to Faust, Op.57, by Eduard Lassen | ||
496/4 | A285/II/2 |
|
pf | 1878–79 | Keyboard | arr. from Nos.2 and 3 of part II of the incidental music to Faust, Op.57, by Eduard Lassen | ||
497 | A323 | Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen) | pf | 1883 | Keyboard | arr. from the orchestral intermezzo to Über allen Zauber Liebe, Op.77, by Eduard Lassen | ||
498 | A316 | Lieder zu Tannhäuser (Komponiert von Otto Lessmann) (3): | pf | 1882 | Keyboard | arr. of 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann | ||
498/1 | A316/1 |
|
pf | 1882 | Keyboard | arr. of No.1 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann | ||
498/2 | A316/2 |
|
pf | 1882 | Keyboard | arr. of No.2 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann | ||
498/3 | A316/3 |
|
pf | 1882 | Keyboard | arr. of No.3 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann | ||
498a | A192 | Die Legende von der Heiligen Elisabeth: | pf | 1857–62 | Keyboard | arrs. of extracts from S.2 | ||
498a/1 | A192/1 |
|
pf | 1857–62 | Keyboard | arr. of the introduction to S.2 | ||
498a/2 | A192/2 |
|
pf | 1857–62 | Keyboard | arr. of S.2/3e | ||
498a/3 | A192/3 |
|
pf | 1857–62 | Keyboard | arr. of S.2/6a | ||
498b | A222 | Christus (2 Orchestersätze aus dem Oratorium) | pf | 1871 | Keyboard | arrs. of extracts from S.3 | ||
498b/1 | A222/1 |
|
pf | 1871 | Keyboard | arr. of S.3/4 | ||
498b/2 | A222/2 |
|
pf | 1871 | Keyboard | arr. of S.3/5 | ||
498c | A301 | San Francesco (Preludio per il Cantico del sol di San Francesco d'Assisi) | pf | 1880? | Keyboard | arr. of prelude from S.4/2 | ||
499 | A307 | Cantico di San Francesco | pf | 1881–82 | Keyboard | arr. of S.4/2 | ||
500 | — | Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) | pf | 1874 | Keyboard | arr. of prelude from S.6 | ||
501 | A238 | Aus der Ungarischen Krönungsmesse | pf | 1867 | Keyboard | arr. of extracts from S.11 | ||
501/1 | A238/1 |
|
pf | 1867 | Keyboard | arr. of S.11/4 | ||
501/2 | A238/2 |
|
pf | 1867 | Keyboard | arr. of S.11/5 | ||
502 | A227 | Weinachtslied (Christus ist geboren) | pf | 1864 | Keyboard | arr. of S.32 | ||
503 | A223 | Slavimo slavno, Slaveni! | pf | 1863 | Keyboard | arr. of S.33 | ||
504/1 | A247/1 | Ave Maria II | pf | D major | 1869–70 | Keyboard | arr. of S.38; 1st version of S.504/2 | |
504/2 | A247/2 | Ave Maria II | pf | D♭ major | 1872 | Keyboard | arr. of S.38; 2nd version of S.504/1 | |
504a | A287 | Via Crucis (Les 14 stations de la croix) | pf | 1878–79 | Keyboard | arr. of S.53 | ||
504b | A286a | Alte deutsche geistliche Weisen (12): | pf | 1878–79 | Keyboard | arr. of S.50 | ||
504b/1 | A286a/1 |
|
pf | 1878–79 | Keyboard | arr. of S.50/9 | ||
504b/2 | A286a/2 |
|
pf | 1878–79 | Keyboard | arr. of S.50/12 | ||
504b/3 | A286a/3 |
|
pf | 1878–79 | Keyboard | arr. of S.50/2 | ||
504b/3a | A286a/3a |
|
pf | 1878–79 | Keyboard | arr. of S.50/1 | ||
504b/4 | A286a/4 |
|
pf | 1878–79 | Keyboard | arr. of S.50/11 | ||
504b/5 | A286a/5 |
|
pf | 1878–79 | Keyboard | arr. of S.50/3 | ||
504b/6 | A286a/6 |
|
pf | 1878–79 | Keyboard | arr. of S.50/4 | ||
504b/7 | A286a/7 |
|
pf | 1878–79 | Keyboard | arr. of S.50/5; arr. for pf4h as S.582 | ||
504b/8 | A286a/8 |
|
pf | 1878–79 | Keyboard | arr. of S.50/10 | ||
504b/9 | A286a/9 |
|
pf | 1878–79 | Keyboard | arr. of S.50/8 | ||
504b/10 | A286a/10 |
|
pf | 1878–79 | Keyboard | arr. of S.50/6 | ||
504b/11 | A286a/11 |
|
pf | 1878–79 | Keyboard | arr. of S.50/7 | ||
505 | A331 | In domum Domini ibimus (Zum Haus des Herrn ziehen wir) | pf | 1884 | Keyboard | arr. of S.57 | ||
506 | A243 | Ave maris stella | pf | 1868 | Keyboard | arr. of 2nd version of S.34 | ||
506b | A294 | O Roma nobilis | pf | 1879 | Keyboard | arr. of S.54 | ||
507 | A126 | Klavierstück aus der Bonner Beethoven-Kantate | pf | 1846 | Keyboard | based on themes from the 1st movement of S.507 | ||
507a | A213 | Schnitterchor aus den entfesselten Prometheus | pf | 1850 | Keyboard | arr. of No.4 from S.69/1 (incomplete); 1st version of S.508 | ||
508 | A213 | Pastorale (Schnitterchor aus den Entfesselten Prometheus) | pf | 1861 | Keyboard | arr. of No.4 from S.69/2; 2nd version of S.507a | ||
509 | A246 | Gaudeamus igitur (Humoreske) | pf | 1869–70 | Keyboard | arr. of S.71a | ||
510 | A153 | Marche héroïque | pf | 1847–48? | Keyboard | based on S.82; arr. for pf4h as S.587 | ||
510a | — | Chansons (3) | pf | 1852? | Keyboard | 1st version of S.511 | ||
510a/1 | — |
|
pf | 1852? | Keyboard | 1st version of S.511/1; arr. of S.90/4a | ||
510a/2 | — |
|
pf | 1852? | Keyboard | 1st version of S.511/2; arr. of S.90/5a | ||
510a/3 | — |
|
pf | 1852? | Keyboard | 1st version of S.511/3; arr. of S.90/6a | ||
511 | A207 | Geharnischte Lieder (3): | pf | 1860 | Keyboard | 2nd version of S.510a | ||
511/1 | A207/1 |
|
pf | 1860 | Keyboard | 2nd version of S.510a/1 | ||
511/2 | A207/2 |
|
pf | 1860 | Keyboard | 2nd version of S.510a/2 | ||
511/3 | A207/3 |
|
pf | 1860 | Keyboard | 2nd version of S.510a/3 | ||
511a | — | Les préludes (Poème symphonique No 3) | pf | 1863 | Keyboard | arr. of S.97 by Karl Klauser, with revisions by Liszt | ||
511b | — | Orpheus (Poème symphonique No.4) | pf | 1879 | Keyboard | arr. of S.98 by Friedrich Spiro, with revisions by Liszt | ||
511c | — | Mazeppa (Poème symphonique No.6) | pf | 1870–79? | Keyboard | arr. of S.100 by Theophil Forchhammer, with revisions by Liszt | ||
511d | — | Festklänge (Poème symphonique No.7) | pf | 1870–79? | Keyboard | arr. of S.101 by Ludwig Stark, with revisions by Liszt | ||
511e | — | Hungaria (Poème symphonique No.9) | pf | 1872 | Keyboard | arr. of S.103 by Friedrich Spiro, with revisions by Liszt | ||
512 | A310 | Von der Wiege bis zum Grabe (Poème symphonique No.13) | pf | 1881 | Keyboard | arr. of S.107 | ||
513 | A190 | Faust Symphony (Andante soave aus der Faust-Symphonie) | pf | 1867 | Keyboard | arr. of movt. II from S.108 | ||
513a | A189/1 | Der nächtliche Zug (Episode aus Lenaus Faust) | pf | 1859–61 | Keyboard | arr. of S.110/1 | ||
514 | A189/1 | Mephisto Waltz No.1 | pf | 1859–61 | Keyboard | arr. for orch as S.110/2 | ||
515 | A288 | Mephisto Waltz No.2 | pf | 1878–81? | Keyboard | arr. for orch as S.111; arr. for pf4h as S.600 | ||
516 | A202/1 | Les morts | pf | 1860? | Keyboard | arr. of S.112/1 | ||
516a | A202/2 | La notte | pf | 1864–66 | Keyboard | arr. of S.112/2 (formerly S.699) | ||
517 | A202/3 | Le triomphe funèbre du Tasse | pf | 1866–69 | Keyboard | arr. of S.112/3 | ||
518 | A225 | Salve Polonia (Interludium aus dem Oratorium Stanislaus) | pf | 1863 | Keyboard | arr. of S.113/2 | ||
519 | A302 | Polonaises de l'oratorio St. Stanislaus | pf | 1875 | Keyboard | arr. of extracts from S.688 | ||
519/1 | A302/1 |
|
pf | 1875 | Keyboard | arr. of extract from S.688 | ||
519/2 | A302/2 |
|
pf | 1875 | Keyboard | arr. of extract from S.688 | ||
520 | A201 | Künstlerfestzug zur Schillerfeier 1859 | pf | 1859–60 | Keyboard | arr. of S.114 | ||
521 | A164b | Goethe-Festmarsch | pf | 1859 | Keyboard | arr. of S.115 | ||
522 | A196 | Festmarsch nach Motiven von E.H. z. S.-C.-G | pf | 1858–59 | Keyboard | arr. of S.116 | ||
523 | A248 | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 | pf | 1870 | Keyboard | arr. of S.118 | ||
524 | A112/2 | Ungarischer Sturmmarsch (Hungarian Battle March) | pf | 1875–76 | Keyboard | arr. of S.119 | ||
524a | H | 6Concerto sans orchestre | pf | A major | 1839? | Keyboard | unfinished; rev. as S.125 | |
525 | A | 62Totentanz | pf | 1865 | Keyboard | arr. of S.126/2 | ||
526 | A260 | Epithalam (zu Eduard Reményis Vermählungsfeier) | pf | 1872 | Keyboard | arr. of S.129 | ||
527 | A299 | Romance oubliée | pf | 1880 | Keyboard | based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?] | ||
528* | — | Festpolonaise | pf | Keyboard | renumbered as S.230a | |||
529/1 | A250/1 | Präludium und Fuge über das Motiv B.A.C.H. | pf | 1855 | Keyboard | arr. of S.260/1; 1st version of S.529/2 | ||
529/2 | A250/2 | Fantasie und Fuge über das Thema B–A–C–H | pf | 1870 | Keyboard | arr. of S.260/2; 2nd version of S.529/1 | ||
530 | A228 | Hymne du Pape | pf | 1864 | Keyboard | arr. of S.261 | ||
531 | A | 97Buch der Lieder I (6) | pf | 1843 | Keyboard | arrs. of various solo songs | ||
531/1 | A | 97/1
|
pf | 1843 | Keyboard | arr. of S.273/1 | ||
531/2 | A | 97/2
|
pf | 1843 | Keyboard | arr. of S.272/1 | ||
531/3 | A | 97/3
|
pf | 1843 | Keyboard | arr. of S.275/1 | ||
531/4 | A | 97/4
|
pf | 1843 | Keyboard | arr. of S.278/1 | ||
531/5 | A | 97/5
|
pf | 1843 | Keyboard | arr. of S.279/1 | ||
531/6 | A | 97/6
|
pf | 1843 | Keyboard | arr. of S.269/1 | ||
532 | A209 | Die Loreley | pf | 1861 | Keyboard | arr. of S.273/2 | ||
533 | A | 98Il m'aimait tant! | pf | 1843 | Keyboard | arr. of S.271 | ||
534/1 | A | 81aDie Zelle im Nonnenwerth | pf | 1840 | Keyboard | arr. of S.274/1 | ||
534/2 | A | 81bElégie | pf | 1841 | Keyboard | arr. of S.301b/1 | ||
534/2bis | A | 81cFeuille d'album No.2 | pf | 1849 | Keyboard | arr. of S.301b/2 | ||
534/3 | A | 81dDie Zelle im Nonnenwerth (Elegie) | pf | 1881 | Keyboard | arr. of S.274/2 | ||
— | A139 | Buch der Lieder II | pf | 1847 | Keyboard | |||
535 | A139/2 |
|
pf | 1847 | Keyboard | arr. of S.276/1 | ||
536 | A139/1 |
|
pf | 1847 | Keyboard | arr. of S.282/1 | ||
537 | A139/3 |
|
pf | 1847 | Keyboard | arr. of S.283/1 | ||
538 | A139/4 |
|
pf | 1847 | Keyboard | arr. of S.284/1 | ||
539 | A139/5 |
|
pf | 1847 | Keyboard | arr. of S.285 | ||
540 | A139/6 |
|
pf | 1847 | Keyboard | arr. of S.286 | ||
540a | — | O lieb, so lang du lieben kannst! | pf | 1843? | Keyboard | arr. of S.298/1; original version lost; reconstructed by Leslie Howard | ||
541 | A103 | Liebesträume (3): | pf | 1850 | Keyboard | |||
541/1 | A103/1 |
|
pf | A♭ major | 1850 | Keyboard | arr. of S.307 | |
541/2 | A103/2 |
|
pf | E♭ major | 1850 | Keyboard | arr. of S.308; an Album-Leaf on themes from this work exist, entitled "Nocturne No.2" | |
541/3 | A103/3 |
|
pf | A♭ major | 1850 | Keyboard | arr. of S.298/2 | |
542/1 | A191a | Weimars Volkslied | pf | C major | 1857 | Keyboard | arr. of S.313; 1st version of S.542/2 | |
542/2 | A191b | Weimars Volkslied | pf | F major | 1873 | Keyboard | 2nd version of S.542/1 | |
542a | A194 | Ich liebe dich | pf | 1857–60? | Keyboard | arr. of S.315 | ||
542b | A268b | Fanfare zur Enthüllung des Carl-Augusts Monument | pf | 1875 | Keyboard | arr. of Fanfare from S.92 | ||
543 | A309/1 | A magyarok Istene (Ungarns Gott) | pf | 1881 | Keyboard | arr. of S.339 | ||
543bis | A309/2 | A magyarok Istene (Ungarns Gott) | pflh | 1881 | Keyboard | arr. of S.339 | ||
544 | A328 | Magyar király-dal (Ungarisches Königslied) | pf | 1883 | Keyboard | arr. of S.340 | ||
545 | A308 | Ave Maria IV | pf | 1881 | Keyboard | arr. of S.341 | ||
546 | A282 | Der blinde Sänger (Слепой) | pf | 1878 | Keyboard | arr. of S.350 | ||
546a | — | O Roma nobilis | pf | 1879 | Keyboard | renumbered as S.506b | ||
547 | A | 72 Mendelssohns Lieder (Lieders de Mendelssohn) |
pf | 1840 | Keyboard | |||
547/1 | A | 72/1
|
pf | 1840 | Keyboard | arr. of No.2 of 6 Songs, Op.34, by Felix Mendelssohn | ||
547/2 | A | 72/2
|
pf | 1840 | Keyboard | arr. of No.5 of 6 Songs, Op.34, by Felix Mendelssohn | ||
547/3 | A | 72/3
|
pf | 1840 | Keyboard | arr. of No.6 of 6 Songs, Op.34, by Felix Mendelssohn | ||
547/4 | A | 72/4
|
pf | 1840 | Keyboard | arr. of No.4 of 6 Songs, Op.19a, by Felix Mendelssohn | ||
547/5 | A | 72/5
|
pf | 1840 | Keyboard | arr. of No.3 of 6 Songs, Op.47, by Felix Mendelssohn | ||
547/6 | A | 72/6
|
pf | 1840 | Keyboard | arr. of No.3 of 6 Songs, Op.19a, by Felix Mendelssohn | ||
547/7 | A | 72/7
|
pf | 1840 | Keyboard | arr. of No.4 of 6 Songs, Op.34, by Felix Mendelssohn | ||
548 | A156 | Mendelssohns Wasserfahrt und Jäger-Abschied | pf | 1848 | Keyboard | |||
548/1 | A156/1 |
|
pf | 1848 | Keyboard | arr. of No.4 of 6 Lieder, Op.50, by Felix Mendelssohn | ||
548/2 | A156/2 |
|
pf | 1848 | Keyboard | arr. of No.2 of 6 Lieder, Op.50, by Felix Mendelssohn | ||
549 | A206 | Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer) | pf | 1860 | Keyboard | arr. of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Giacomo Meyerbeer | ||
550 | A220 | Transcriptionen aus Mozarts Requiem (2): | pf | 1865 | Keyboard | arr. of extracts from the Requiem, K.626, by Wolfgang Amadeus Mozart | ||
550/1 | A220/1 |
|
pf | 1865 | Keyboard | arr. of extract from the Requiem, K.626, by Wolfgang Amadeus Mozart | ||
550/2 | A220/2 |
|
pf | 1865 | Keyboard | arr. of extract from the Requiem, K.626, by Wolfgang Amadeus Mozart | ||
551 | A270 | Una stella amica (Polka mazurka de F. Pezzini) | pf | 1874–75? | Keyboard | arr. of an unidentified waltz attributed to "F. Pezzini" | ||
551a | V | 3Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer) | pf | D♭ major | 1854 | Keyboard | additional introduction and coda to No.1 of the Tanz-Capricen, Op.54, by Joachim Raff | |
552 | A | 54Ouverture de l'opéra Guillaume Tell de Gioachino Rossini | pf | 1838 | Keyboard | arr. of the overture from the opera Guillaume Tell by Gioacchino Rossini | ||
552a | — | Caritas (nach Rossini) | pf | 1847 | Keyboard | arr. of No.3 of 3 Chœurs religieux by Gioacchino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a | ||
552b | — | La caritá (d'après Rossini) | pf | 1847 | Keyboard | 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a | ||
553 | A141 | Transcriptions d'après Rossini (2): | pf | 1847 | Keyboard | |||
553/1 | A141/1 |
|
pf | 1847 | Keyboard | arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for bn org as S.679; for ten org as S.682 | ||
553/2 | A141/2 |
|
pf | 1847 | Keyboard | arr. of No.3 of 3 Chœurs religieux by Gioacchino Rossini; 3rd version of S.552a, S.552b | ||
554/1 | A304 | O! Wenn es doch immer so bliebe! (Lied von Anton Rubinstein) | pf | 1881 | Keyboard | arr. of No.9 of 12 Lieder des Mirza-Schaffy, Op.34, by Anton Rubinstein | ||
554/2 | A329 | Der Asra (Lied von Anton Rubinstein) | pf | 1880 | Keyboard | arr. of No.6 of 6 Lieder von Heine, Op.32, by Anton Rubinstein | ||
554a | V | 5(Einleitung und Coda zu Anton Rubinsteins Etude) Étude sur des notes fausses | pf | C major | 1880? | Keyboard | revisions and additions to Etude on False Notes by Anton Rubinstein | |
555 | A273 | Danse macabre (Poème symphonique de Camille Saint-Saëns) | pf | 1876 | Keyboard | arr. of the symphonic poem Danse macabre, Op.40, by Camille Saint-Saëns | ||
556/1 | A | 17Die Rose (Lied von Franz Schubert) | pf | 1833 | Keyboard | arr. of the song Die Rose, D.745, by Franz Schubert; 1st version of S.556/2, S.556/3 | ||
556/2 | A | 17Die Rose (Lied von Franz Schubert) | pf | 1838 | Keyboard | 2nd version of S.556/1, S.556/3 | ||
556/3 | A | 17Die Rose (Lied von Franz Schubert) | pf | 1837 | Keyboard | 3rd version of S.556/1, S.556/2 | ||
557 | A | 45Lob der Tränen (Lied von Franz Schubert) | pf | 1838 | Keyboard | arr. of the song Lob der Tränen, D.711, by Franz Schubert | ||
557a | A | 42/ 4Erlkönig (Lied von Franz Schubert) | pf | 1837 | Keyboard | arr. of the song Erlkönig, D.328, by Franz Schubert;1st version of S.558/4, S.558/4bis | ||
557b | A | 42/ 5Meeresstille (Lied von Franz Schubert) | pf | 1837 | Keyboard | arr. of the song Meeres Stille, D.216, by Franz Schubert; 1st version of S.558/5 | ||
557c | A | 42/ 7Frühlingsglaube (Lied von Franz Schubert) | pf | 1837 | Keyboard | arr. of the song Frühlingsglaube, D.686; 1st version of S.558/7, S.558/7bis | ||
557d | A | 42/12Ave Maria (Lied von Franz Schubert) | pf | 1837 | Keyboard | arr. of the song Ave Maria, D.839, by Franz Schubert; 1st version of S.558/12 | ||
558 | A | 42Lieder von Franz Schubert (12): | pf | 1837–38 | Keyboard | |||
558/ | 1A | 42/ 1
|
pf | 1837–38 | Keyboard | arr. of the song Sei mir gegrüsst, D.741, by Franz Schubert | ||
558/ | 2A | 42/ 2
|
pf | 1837–38 | Keyboard | arr. of the song Auf dem Wasser zu singen, D.774, by Franz Schubert | ||
558/ | 3A | 42/ 3
|
pf | 1837–38 | Keyboard | arr. of the song Du bist die Ruh, D.776, by Franz Schubert; 1st version of S.558/3bis | ||
558/ | 3bisA | 42/ 3
|
pf | 1876 | Keyboard | 2nd version of S.558/3 | ||
558/ | 4A | 42/ 4
|
pf | 1837–38 | Keyboard | arr. of the song Erlkönig, D.328, by Franz Schubert; 2nd version of S.557a, S.558/4bis | ||
558/ | 4bisA | 42/ 4
|
pf | 1876 | Keyboard | 3rd version of S.557a, S.558/4 | ||
558/ | 5A | 42/ 5
|
pf | 1837–38 | Keyboard | arr. of the song Meeres Stille, D.216, by Franz Schubert; 2nd version of S.557b | ||
558/ | 6A | 42 /6
|
pf | 1837–38 | Keyboard | arr. of the song Die junge Nonne, D.828, by Franz Schubert | ||
558/ | 7A | 42 /7
|
pf | 1837–38 | Keyboard | arr. of the song Frühlingsglaube, D.686, by Franz Schubert; 2nd version of S.557c, S.558/7bis | ||
558/ | 7bisA | 42/ 7
|
pf | 1876 | Keyboard | 3rd version of S.557c, S.558/7 | ||
558/ | 8A | 42/ 8
|
pf | 1837–38 | Keyboard | arr. of the song Gretchen am Spinnrade, D.118, by Franz Schubert; 1st version of S.558/8bis | ||
558/ | 8bisA | 42/ 8
|
pf | 1876 | Keyboard | 2nd version of S.558/8 | ||
558/ | 9A | 42/ 9
|
pf | 1837–38 | Keyboard | arr. of the song Ständchen, D.889, by Franz Schubert; 1st version of S.558/9bis | ||
558/ | 9bisA | 42 /9
|
pf | 1876 | Keyboard | 2nd version of S.558/9 | ||
558/10 | A | 42/10
|
pf | 1837–38 | Keyboard | arr. of the song Rastlose Liebe, D.138, by Franz Schubert | ||
558/11 | A | 42/11
|
pf | 1837–38 | Keyboard | arr. of the song Der Wanderer, D.493, by Franz Schubert; 1st version of S.558/11bis | ||
558/11bis | A | 42/11
|
pf | 1876 | Keyboard | 2nd version of S.558/11 | ||
558/12 | A | 42/12
|
pf | 1837–38 | Keyboard | arr. of the song Ave Maria, D.839, by Franz Schubert; 2nd version of S.557d | ||
559 | A | 46Gondelfahrer (Männerquartett von Franz Schubert) | pf | 1838 | Keyboard | arr. of the chorus Gondelfahrer, D.809, by Franz Schubert | ||
559a | A | 49/7La sérénade de Franz Schubert | pf | 1837 | Keyboard | arr. of No.4 of the song cycle Schwanengesang, D.957, by Franz Schubert; 1st version of S.560/7, S.560/7a | ||
560 | A | 49Schwanengesang (Lieder von Franz Schubert) | pf | 1838–39 | Keyboard | arr. of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/1 | A | 49/ 1
|
pf | 1838–39 | Keyboard | arr. of No.11 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/2 | A | 49/ 2
|
pf | 1838–39 | Keyboard | arr. of No.10 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/3 | A | 49/ 3
|
pf | 1838 | Keyboard | arr. of No.5 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/4 | A | 49/ 4
|
pf | 1838–39 | Keyboard | arr. of No.12 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/5 | A | 49/ 5
|
pf | 1838–39 | Keyboard | arr. of No.7 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/6 | A | 49/ 6
|
pf | 1838–39 | Keyboard | arr. of No.6 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/7 | A | 49/ 7
|
pf | 1838 | Keyboard | arr. of No.4 of the song cycle Schwanengesang, D.957, by Franz Schubert; 2nd version of S.559a, S.560/7a | ||
560/7a | A | 49/ 7
|
pf | 1880 | Keyboard | 3rd version of S.559a, S.560/7 | ||
560/8 | A | 49/ 8
|
pf | 1838–39 | Keyboard | arr. of No.9 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/9 | A | 49/ 9
|
pf | 1838–39 | Keyboard | arr. of No.3 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/10 | A | 49/10
|
pf | 1838–39 | Keyboard | arr. of No.1 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/11 | A | 49/11
|
pf | 1838–39 | Keyboard | arr. of No.8 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/12 | A | 49/12
|
pf | 1838–39 | Keyboard | arr. of No.13 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/13 | A | 49/13
|
pf | 1838–39 | Keyboard | arr. of No.14 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
560/14 | A | 49/14
|
pf | 1838–39 | Keyboard | arr. of No.2 of the song cycle Schwanengesang, D.957, by Franz Schubert | ||
561 | A | 50Winterreise (12 Lieder von Franz Schubert) | pf | 1839 | Keyboard | arr. of 12 songs from the cycle Winterreise by Franz Schubert | ||
561/1 | A | 50/ 1
|
pf | 1839 | Keyboard | arr. of No.1 from the cycle Winterreise by Franz Schubert | ||
561/2 | A | 50/ 2
|
pf | 1839 | Keyboard | arr. of No.23 from the cycle Winterreise by Franz Schubert | ||
561/3 | A | 50/ 3
|
pf | 1839 | Keyboard | arr. of No.22 from the cycle Winterreise by Franz Schubert | ||
561/4 | A | 50/ 4
|
pf | 1839 | Keyboard | arr. of No.13 from the cycle Winterreise by Franz Schubert | ||
561/5 | A | 50/ 5
|
pf | 1839 | Keyboard | arr. of No.4 from the cycle Winterreise by Franz Schubert | ||
561/6 | A | 50/ 6
|
pf | 1839 | Keyboard | arr. of No.6 from the cycle Winterreise by Franz Schubert | ||
561/7 | A | 50/ 7
|
pf | 1839 | Keyboard | arr. of No.5 from the cycle Winterreise by Franz Schubert | ||
561/8 | A | 50/ 8
|
pf | 1839 | Keyboard | arr. of No.24 from the cycle Winterreise by Franz Schubert | ||
561/9 | A | 50/ 9
|
pf | 1839 | Keyboard | arr. of No.19 from the cycle Winterreise by Franz Schubert | ||
561/10 | A | 50/10
|
pf | 1839 | Keyboard | arr. of No.21 from the cycle Winterreise by Franz Schubert | ||
561/11 | A | 50/11
|
pf | 1839 | Keyboard | arr. of No.18 from the cycle Winterreise by Franz Schubert | ||
561/12 | A | 50/12
|
pf | 1839 | Keyboard | arr. of No.17 from the cycle Winterreise by Franz Schubert | ||
562 | A | 73Franz Schuberts geistliche Lieder | pf | 1840 | Keyboard | vol. 2 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert | ||
562/1 | A | 73/1
|
pf | 1840 | Keyboard | arr. of the song Am Tage Aller Seelen, D.343, by Franz Schubert | ||
562/2 | A | 73/2
|
pf | 1840 | Keyboard | arr. of the song Himmelsfunken, D.651, by Franz Schubert | ||
562/3 | A | 73/3
|
pf | 1840 | Keyboard | arr. of the song Die Gestirne, D.444, by Franz Schubert | ||
562/4 | A | 73/4
|
pf | 1840 | Keyboard | arr. of No.4 from the incidental music to Rosamunde, D.797, by Franz Schubert | ||
563 | A109 | Melodien von Franz Schubert (6): | pf | 1844 | Keyboard | |||
563/1 | A109/1 |
|
pf | 1844 | Keyboard | |||
563/2 | A109/2 |
|
pf | 1844 | Keyboard | arr. of the song Des Mädchens Klage, D.191, by Franz Schubert | ||
563/3 | A109/3 |
|
pf | 1844 | Keyboard | arr. of the song Das Zügenglöcklein, D.871, by Franz Schubert | ||
563/4 | A109/4 |
|
pf | 1844 | Keyboard | arr. of No.18 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert | ||
563/5 | A109/5 |
|
pf | 1844 | Keyboard | arr. of No.7 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 1st version of S.565/6, S.565bis/6 | ||
563/6 | A109/6 |
|
pf | 1844 | Keyboard | arr. of the song Die Forelle, D.550, by Franz Schubert; 1st version of S.564 | ||
564 | A127 | Die Forelle (Lied von Franz Schubert) | pf | 1846 | Keyboard | arr. of the song Die Forelle, D.550, by Franz Schubert; 2nd version of S.563/6 | ||
565 | A128 | Müllerlieder von Franz Schubert | pf | 1846 | Keyboard | 1st version of S.565bis | ||
565/1 | A128/1 |
|
pf | 1846 | Keyboard | arr. of No.1 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 1st version of S.565bis/1 | ||
565/2 | A128/2 |
|
pf | 1846 | Keyboard | arr. of No.19 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 1st version of S.565bis/2 | ||
565/3 | A128/3 |
|
pf | 1846 | Keyboard | arr. of No.14 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 1st version of S.565bis/3 | ||
565/4 | A128/4 |
|
pf | 1846 | Keyboard | arr. of No.17 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 1st version of S.565bis/4 | ||
565/5 | A128/5 |
|
pf | 1846 | Keyboard | arr. of No.2 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 1st version of S.565bis/5 | ||
565/6 | A128/6 |
|
pf | 1846 | Keyboard | arr. of No.7 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 2nd version of S.563/5, S.565bis/6 | ||
565bis | A128 | Müllerlieder von Franz Schubert | pf | 1879 | Keyboard | 2nd (simplified) version of S.565 | ||
565bis/1 | A128/1 |
|
pf | 1879 | Keyboard | arr. of No.1 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 2nd version of S.565/1 | ||
565bis/2 | A128/2 |
|
pf | 1879 | Keyboard | arr. of No.19 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 2nd version of S.565/2 | ||
565bis/3 | A128/3 |
|
pf | 1879 | Keyboard | arr. of No.14 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 2nd version of S.565/3 | ||
565bis/4 | A128/4 |
|
pf | 1879 | Keyboard | arr. of No.17 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 2nd version of S.565/4 | ||
565bis/5 | A128/5 |
|
pf | 1879 | Keyboard | arr. of No.2 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 2nd version of S.565/5 | ||
565bis/6 | A128/6 |
|
pf | 1879 | Keyboard | arr. of No.7 from the song cycle Die Schöne Müllerin, D.795, by Franz Schubert; 2nd version of S.563/5, S.565/6 | ||
565a | U14/1 | Grosse Fantasie von Franz Schubert | pf | C major | 1868 | Keyboard | edited with additions to the Fantasie in C major, D.760, by Franz Schubert | |
565b | U14/2 | Impromptus von F. Schubert (4) | pf | 1868 | Keyboard | edited, with additions to Nos.2 and 3 of 4 Impromptus, D.899, by Franz Schubert | ||
566 | A133 | Liebeslied (Widmung von Robert Schumann) | pf | 1848 | Keyboard | arr. of No.1 of Myrthen, Op.25, by Robert Schumann; 1st version of S.566a | ||
566a | A133 | Liebeslied (Widmung von Robert Schumann) | pf | 1850–59? | Keyboard | 2nd version of S.566 | ||
567 | A212 | Lieder von Robert Schumann | pf | 1861 | Keyboard | |||
567/1 | A212/1 |
|
pf | 1861 | Keyboard | arr. of No.4 of 6 Gedichte, Op.36, by Robert Schumann | ||
567/2 | A212/2 |
|
pf | 1861 | Keyboard | arr. of No.2 of Lieder und Gesänge, Vol.I, Op.27, by Robert Schumann | ||
568 | A257 | Frühlingsnacht (Lied von Robert Schumann) | pf | 1872 | Keyboard | arr. of No.12 of Liederkreis, Op.39, by Robert Schumann | ||
569 | A264a | Lieder von Robert und Clara Schumann (10): | pf | 1874 | Keyboard | |||
569/1 | A264a/1 |
|
pf | 1874 | Keyboard | arr. of No.16 of Liederalbum für die Jugend, Op.79, by Robert Schumann | ||
569/2 | A264a/2 |
|
pf | 1874 | Keyboard | arr. of No.17 of Liederalbum für die Jugend, Op.79, by Robert Schumann | ||
569/3 | A264a/3 |
|
pf | 1874 | Keyboard | arr. of No.19 of Liederalbum für die Jugend, Op.79, by Robert Schumann | ||
569/4 | A264a/4 |
|
pf | 1874 | Keyboard | arr. of No.22 of Liederalbum für die Jugend, Op.79, by Robert Schumann | ||
569/5 | A264a/5 |
|
pf | 1874 | Keyboard | arr. of No.23 of Liederalbum für die Jugend, Op.79, by Robert Schumann | ||
569/6 | A264a/6 |
|
pf | 1874 | Keyboard | arr. of No.3 of Lieder und Gesänge aus 'Wilhelm Meister', Op.98a, by Robert Schumann | ||
569/7 | A264a/7 |
|
pf | 1874 | Keyboard | arr. of No.5 of Lieder und Gesänge aus 'Wilhelm Meister', Op.98a, by Robert Schumann | ||
569/8 | A264b/1 |
|
pf | 1874 | Keyboard | arr. of No.9 of Gedichte aus Rückerts Liebesfrühling, Op.12, by Clara Schumann | ||
569/9 | A264b/2 |
|
pf | 1874 | Keyboard | arr. of No.5 of 6 Lieder, Op.13, by Clara Schumann | ||
569/10 | A264b/3 |
|
pf | 1874 | Keyboard | arr. of No.10 of 6 Lieder aus Jucunde von Rollet, Op.23, by Clara Schumann | ||
570 | A306 | Provenzalisches Minnelied (von Robert Schumann) | pf | 1881 | Keyboard | arr. of No.4 of Des Sängers Fluch, Op.139, by Robert Schumann | ||
570a | V16 | Polka de salon (Einleitung und Coda zu Smetanas Polka) | pf | F♯ major | 1885 | Keyboard | additions and revisions to No.1 of 3 Polkas de salon, Op.7, by Bedřich Smetana | |
571 | A275 | Die Rose (Romanze von Louis Spohr) | pf | 1876 | Keyboard | arr. of Zemire's romance from the opera Zemire und Azor by Louis Spohr | ||
571a | V15 | Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice) | pf | 1880 | Keyboard | additions and revisions to of Valse-Caprice No.3; formerly S.167a | ||
572 | A292 | Marche hongroise de Szabady, S.572 (Revive Szegedin!) | pf | 1879 | Keyboard | arr. of the Marche héroïque de Szabadi by Jules Massenet. | ||
573 | A258 | Einleitung und Ungarischer Marsch von Graf Imre Széchényi (Bevezetés és magyar induló Gróf Széchényi Imrétõl ) | pf | 1872 | Keyboard | based on the Ungarischer Marsch by Imre Széchényi | ||
573a | A297 | Seconda Mazurka di Tirindelli | pf | 1880 | Keyboard | additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli | ||
574 | A122 | Ouvertüre zur Webers Oper Oberon | pf | 1846 | Keyboard | arr. of the overture from the opera Oberon, J.306, by Carl Maria von Weber | ||
575 | A129 | Ouvertüre aus Webers Oper Der Freischütz | pf | 1846 | Keyboard | arr. of the overture from the opera Der Freischütz, Op.77 | ||
576 | A121 | Webers Jubelovertüre | pf | 1846 | Keyboard | arr. of the Jubel-Ouvertüre, Op.59, by Carl Maria von Weber | ||
576a | — | Konzertstück (von Weber) | pf | 1868–70 | Keyboard | arr. of the Konzertstück, Op.79, by Carl Maria von Weber | ||
577/1 | A | 87I Love (Romanze von Wielhorski) | pf | 1842 | Keyboard | arr. of the romance I Love by Michał Wielhorski; 2nd version of S.577/2, S.577bis, and S.577ter | ||
577/2 | A | 87Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky) | pf | 1843 | Keyboard | 4th version of S.577/1, S.577bis, and S.577ter | ||
577bis | — | Romance "Lyubila ya" | pf | 1842? | Keyboard | 1st version of S.577ter, S.577/1, and S.577/2 | ||
577ter | — | Romance "Lyubila ya" | pf | 1843? | Keyboard | 3rd version of S.577bis, S.577/1, and S.577/2 | ||
577a–634b | — | Piano Duet (4 hands) |
||||||
577a | T33 | Nocturnes (12) (John Field) | pf4h | 1877 | Keyboard | |||
577a/ | 1T33/ | 1
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.1 in E♭ major, H.24, by John Field | ||
577a/ | 2T33/ | 2
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.2 in C minor, H.25, by John Field | ||
577a/ | 3T33/ | 3
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.3 in A♭ major, H.26, by John Field | ||
577a/ | 4T33/ | 4
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.4 in A major, H.36, by John Field | ||
577a/ | 5T33/ | 5
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.5 in B♭ major, H.37, by John Field | ||
577a/ | 6T33/ | 6
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.6 in F major, H.40, by John Field | ||
577a/ | 7T33/ | 7
|
pf4h | 1877 | Keyboard | arr. of Pastorale in A major, H.14, by John Field | ||
577a/ | 8T33/ | 8
|
pf4h | 1877 | Keyboard | arr. of Romance in E♭ major, H.30, by John Field | ||
577a/ | 9T33/ | 9
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.8 in E minor, H.46, by John Field | ||
577a/10 | T33/10 |
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.17 in E major, H.65, by John Field | ||
577a/11 | T33/11 |
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.11 in E♭ major, H.56, by John Field | ||
577a/12 | T33/12 |
|
pf4h | 1877 | Keyboard | arr. of Nocturne No.18 in E major ("Midi"), H.13, by John Field | ||
578 | B27 | Die Legende von der Heiligen Elisabeth: | pf4h | 1862–66? | Keyboard | arr. from S.2 | ||
578/1 | B27/1 |
|
pf4h | 1862–66? | Keyboard | arr. of Introduction from S.2 | ||
578/2 | B27/2 |
|
pf4h | 1862–66? | Keyboard | arr. of No.3e from S.2 | ||
578/3 | B27/3 |
|
pf4h | 1862–66? | Keyboard | arr. of No.4d from S.2 | ||
578/4 | B27/4 |
|
pf4h | 1862–66? | Keyboard | arr. of No.6a from S.2 | ||
579 | B30 | Orchestersätze aus dem Oratorium Christus (2): | pf4h | 1866–73? | Keyboard | arr. from S.3 | ||
579/1 | B30/1 |
|
pf4h | 1866–73? | Keyboard | arr. of No.4 from S.3 | ||
579/2 | B30/2 |
|
pf4h | 1866–73? | Keyboard | arr. of No.5 from S.3 | ||
580 | B42 | Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) | pf4h | 1874 | Keyboard | arr. of prelude from S.6 | ||
581 | B31 | Aus der Ungarischen Krönungsmesse | pf4h | 1869 | Keyboard | arr. from S.11 | ||
581/1 | B31/1 |
|
pf4h | 1869 | Keyboard | arr. of No.5 from S.11 | ||
581/2 | B31/2 |
|
pf4h | 1869 | Keyboard | arr. of No.7 from S.11 | ||
582 | B53 | O Lamm Gottes! | pf4h | 1878–79 | Keyboard | arr. of S.504b/7 | ||
583 | B52 | Via Crucis (Les 14 stations de la croix) | pf4h | 1878–79 | Keyboard | arr. of S.53 | ||
584 | B | 6Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn | pf4h | 1845 | Keyboard | arr. of S.67 | ||
585 | B24 | Pastorale (Schnitterchor aus dem Entfesselten Prometheus) | pf4h | 1861 | Keyboard | arr. of No.4 from S.69/2 | ||
586 | B34 | Gaudeamus igitur (Humoreske) | pf4h | 1870? | Keyboard | arr. of S.71a | ||
587 | B | 7Marche héroique | pf4h | 1848? | Keyboard | arr. of S.510 | ||
588 | B16 | Weimars Volkslied | pf4h | 1857 | Keyboard | arr. of S.313 | ||
589 | B37 | Ce qu'on entend sur la montagne (Symphonic Poem No.1) | pf4h | 1874 | Keyboard | arr. of S.95 (3rd version) | ||
590 | B20 | Tasso: Lamento e Trionfo (Symphonic Poem No.2) |
pf4h | 1858 | Keyboard | arr. of S.96 | ||
591 | B12 | Les préludes (Symphonic Poem No.3) |
pf4h | 1853–58 | Keyboard | arr. of S.97 | ||
592 | B17 | Orpheus (Symphonic Poem No.4) |
pf4h | 1858 | Keyboard | arr. of S.98 | ||
593 | B18 | Prometheus (Symphonic Poem No.5) |
pf4h | 1858? | Keyboard | arr. of S.99 | ||
594 | B38 | Mazeppa (Symphonic Poem No.6) |
pf4h | 1874 | Keyboard | arr. of S.100 | ||
595 | B13 | Festklänge (Symphonic Poem No.7) |
pf4h | 1854–61 | Keyboard | arr. of S.101 | ||
596 | B39 | Hungaria (Symphonic Poem No.9) |
pf4h | 1874 | Keyboard | arr. of S.103 | ||
596a | B49 | Héroïde funèbre (Symphonic Poem No.8) |
pf4h | 1877 | Keyboard | arr. of S.102 | ||
596b | B51 | Hunnenschlacht (Symphonic Poem No.11) |
pf4h | 1877 | Keyboard | arr. of S.105 | ||
596c | B44 | Die Ideale (Symphonic Poem No.12) |
pf4h | 1874–77 | Keyboard | arr. of S.106 by Liszt and Giovanni Sgambati | ||
597 | B40 | Hamlet (Symphonic Poem No.10) |
pf4h | 1874 | Keyboard | arr. of S.104 | ||
598 | B55 | Von der Wiege bis zum Grabe (From the Cradle to the Grave) (Symphonic Poem No.13) |
pf4h | 1881 | Keyboard | arr. of S.107 | ||
599 | B15 | Episoden aus Lenau's Faust (2) | pf4h | 1856–61? | Keyboard | arr. of S.110 | ||
599/1 | B15/1 |
|
pf4h | 1856–61? | Keyboard | arr. of S.110/1 | ||
599/2 | B15/2 |
|
pf4h | 1856–61? | Keyboard | arr. of S.110/2 | ||
600 | B54 | Mephisto Waltz No.2 | pf4h | 1880–81 | Keyboard | arr. of S.515 | ||
— | B23 | Odes funèbres (3): | pf4h | 1860–69 | Keyboard | arr. from S.112 | ||
601 | B23/1 |
|
pf4h | 1860 | Keyboard | arr. of S.112/1 | ||
602 | B23/2 |
|
pf4h | 1866 | Keyboard | arr. of S.112/2 | ||
603 | B23/3 | pf4h | 1866–69 | Keyboard | arr. of S.112/3 | |||
604/1 | B28/1 | Boze coś Polskę | pf4h | 1863 | Keyboard | arr. of S.113/1 | ||
604/2 | B28/2 | Salve Polonia (Interludium aus dem Oratorium St. Stanislaus) | pf4h | 1884 | Keyboard | arr. of S.113/2 | ||
605 | B22 | Künstlerfestzug zur Schillerfeier 1859 | pf4h | 1859 | Keyboard | arr. of S.114 | ||
606 | B19 | Festmarsch zur Goethe-Jubiläumfeier | pf4h | 1858? | Keyboard | arr. of S.115 | ||
607 | B21 | Festmarsch nach Motiven von E.H.z.S.-C.-G. | pf4h | 1858–59 | Keyboard | arr. of S.116 | ||
608 | B33 | Rákóczi-Marsch, S.117 (Liszt, Franz) | pf4h | 1870 | Keyboard | arr. of S.117 | ||
609 | B32 | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 | pf4h | 1870 | Keyboard | arr. of S.118 | ||
610 | B46 | Ungarischer Sturmmarsch (Hungarian Battle March) | pf4h | 1875 | Keyboard | arr. of S.119 | ||
611 | W | 7Epithalam (zu Eduard Reményi‘s Vermählungsfeier) | pf4h | 1872 | Keyboard | arr. of S.129; Liszt's authorship doubtful | ||
612 | B36 | Elegy No.1 | pf4h | 1874 | Keyboard | arr. of S.196 | ||
612a | B43 | Weihnachtsbaum | pf4h | 1875? | Keyboard | arr. of S.185a; 1st version of S.613 | ||
612a/1 | B43/1 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/1; 1st version of S.613/1 | ||
612a/2 | B43/2 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/2; 1st version of S.613/2 | ||
612a/3 | B43/3 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/3; 1st version of S.613/3 | ||
612a/4 | B43/4 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/4; 1st version of S.613/4 | ||
612a/5 | B43/5 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/5; 1st version of S.613/5 | ||
612a/6 | B43/6 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/6; 1st version of S.613/6 | ||
612a/7 | B43/7 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/7; 1st version of S.613/7 | ||
612a/8 | B43/8 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/8; 1st version of S.613/8 | ||
612a/9 | B43/9 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/9; 1st version of S.613/9 | ||
612a/10 | B43/10 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/10; 1st version of S.613/10 | ||
612a/11 | B43/11 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/11; 1st version of S.613/11 | ||
612a/12 | B43/12 |
|
pf4h | 1875? | Keyboard | arr. of S.185a/12; 1st version of S.613/12 | ||
613 | B43 | Weihnachtsbaum | pf4h | 1876–81 | Keyboard | arr. of S.186; 2nd version of S.613 | ||
613/1 | B43/1 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/1; 2nd version of S.613/1 | ||
613/2 | B43/2 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/2; 2nd version of S.613/2 | ||
613/3 | B43/3 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/3; 2nd version of S.613/3 | ||
613/4 | B43/4 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/4; 2nd version of S.613/4 | ||
613/5 | B43/5 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/5; 2nd version of S.613/5 | ||
613/6 | B43/6 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/6; 2nd version of S.613/6 | ||
613/7 | B43/7 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/7; 2nd version of S.613/7 | ||
613/8 | B43/8 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/8; 2nd version of S.613/8 | ||
613/9 | B43/9 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/9; 2nd version of S.613/9 | ||
613/10 | B43/10 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/10; 2nd version of S.613/10 | ||
613/11 | B43/11 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/11; 2nd version of S.613/11 | ||
613/12 | B43/12 |
|
pf4h | 1876–81 | Keyboard | arr. of S.186/12; 2nd version of S.613/12 | ||
614 | B50 | Dem Andenken Petöfis | pf4h | 1877 | Keyboard | arr. of S.349 | ||
615 | B | 1Grande valse di bravura (La bal de Berne) | pf4h | 1836 | Keyboard | arr. of S.209 | ||
615a | — | Mephisto Waltz No.3 | pf4h | 1883 | Keyboard | arr. of S.216 | ||
616 | B | 2Grand galop chromatique | pf4h | 1838 | Keyboard | arr. of S.219 | ||
617 | B56 | Csárdás macabre | pf4h | 1881–82 | Keyboard | arr. of S.224 [by Liszt and János Végh?] | ||
618 | W11 | Csárdás obstiné | pf4h | 1884? | Keyboard | arr. of S.225/2 [Liszt's authorship uncertain] | ||
618a | B14 | Vom Fels zum Meer! (Deutscher Siegesmarsch) | pf4h | 1853–56? | Keyboard | arr. of S.229 | ||
619 | B59 | Bülow-Marsch | pf4h | 1883 | Keyboard | arr. of S.230 | ||
619a | B48 | Festpolonaise | pf4h | 1876 | Keyboard | arr. of S.230a | ||
620 | B | 3Hussitenlied (Aus dem 15. Jahrhundert) | pf4h | 1840–41 | Keyboard | arr. of S.234 | ||
621 | B41 | Hungarian Rhapsodies (6): | pf4h | 1857–60 | Keyboard | arr. of S.359 | ||
621/1 | B41/1 | pf4h | F minor | 1860 | Keyboard | arr. of S.359/1 (based on S.244/14) | ||
621/2 | B41/2 | pf4h | D minor | 1860 | Keyboard | arr. of S.359/2 (based on S.244/12) | ||
621/3 | B41/3 | pf4h | D major | 1860 | Keyboard | arr. of S.359/3 (based on S.244/6) | ||
621/4 | B41/4 | pf4h | D minor | 1860 | Keyboard | arr. of S.359/4 (based on S.244/2) | ||
621/5 | B41/5 |
|
pf4h | E minor | 1860 | Keyboard | arr. of S.359/5 (based on S.244/5) | |
621/6 | B41/6 |
|
pf4h | 1860 | Keyboard | arr. of S.359/6 (based on S.244/9) | ||
622 | B57 | Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten | pf4h | 1882 | Keyboard | arr. of S.244/16 | ||
623 | W12 | Hungarian Rhapsody No.18 | pf4h | 1885 | Keyboard | arr. of S.244/18 (Liszt's authorshop doubtful) | ||
623a | W13 | Hungarian Rhapsody No.19 | pf4h | 1885? | Keyboard | arr. of S.244/19 (Liszt's authorshop doubtful) | ||
624 | B | 8Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | pf4h | 1850 | Keyboard | arr. of S.259; published as S.414/4 | ||
625 | B29 | Der Papsthymnus | pf4h | 1865 | Keyboard | arr. of S.261 | ||
626 | B60 | Magyar király-dal (Ungarisches Königslied) | pf4h | 1883 | Keyboard | arr. of S.340 | ||
627 | B | 9Fantaisie sur des motifs favoris de 'La sonnambula' | pf4h | 1852 | Keyboard | arr. of S.393 | ||
628 | B10 | Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) | pf4h | 1852–53 | Keyboard | arr. of S.396 | ||
628a | B | 5Marche et Cavatine de Lucie de Lammermoor | pf4h | 1844? | Keyboard | arr. of S.398 | ||
628b | — | Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) | pf4h | 1873 | Keyboard | arr. of S.353 (Liszt's authorship doubtful) | ||
629 | B45 | Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla | pf4h | 1875 | Keyboard | arr. of S.406/2 | ||
630 | W | 2Réminiscences de Robert le diable (Valse infernale) | pf4h | 1841–43 | Keyboard | arr. of S.413 (Liszt's authorship doubtful) | ||
631 | B11 | Andante Finale und Marsch aus der Oper König Alfred | pf4h | 1853? | Keyboard | arr. of S.421 | ||
631/1 | B11/1 |
|
pf4h | 1853? | Keyboard | arr. of S.421/1 | ||
631/2 | B11/2 |
|
pf4h | 1853? | Keyboard | arr. of S.421/2 | ||
632 | B35 | Franz Schuberts Märsche (4) | pf4h | 1859–70 | Keyboard | arr. from S.363 | ||
632/1 | B35/1 |
|
pf4h | B minor | 1859–70 | Keyboard | arr. of S.363/1 | |
632/2 | B35/2 |
|
pf4h | E♭ minor | 1859–70 | Keyboard | arr. of S.363/2 | |
632/3 | B35/3 |
|
pf4h | C major | 1859–70 | Keyboard | arr. of S.363/3 | |
632/4 | B35/4 |
|
pf4h | D minor | 1859–70 | Keyboard | arr. of S.363/4 | |
633 | B26 | À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) | pf4h | 1865 | Keyboard | arr. of S.461/2 | ||
634 | B | 4Grand septuor de Beethoven | pf4h | 1840–42 | Keyboard | arr. of S.465 | ||
634a | B47 | Adagio von Die Zauberflöte (Der welcher wandelt diese Strasse) | pf4h | 1875–81? | Keyboard | arr. of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera Die Zauberflöte, K.620, by Wolfgang Amadeus Mozart | ||
634b | B25 | Stücke aus Tannhäuser und Lohengrin (2): | pf4h | 1862? | Keyboard | arr. of S.445 | ||
634b/1 | B25/1 |
|
pf4h | 1862? | Keyboard | arr. of S.445/1a | ||
634b/2 | B25/2 |
|
pf4h | 1862? | Keyboard | arr. of S.445/2 | ||
635–657b | — | 2 Pianos |
||||||
635 | C | 9Ce qu'on entend sur la montagne (Symphonic Poem No.1) | 2pf | 1854–56 | Keyboard | arr. of S.95 | ||
636 | C10 | Tasso: Lamento e Trionfo (Symphonic Poem No.2) |
2pf | 1854–56 | Keyboard | arr. of S.96 | ||
637 | C11 | Les préludes (Symphonic Poem No.3) |
2pf | 1855? | Keyboard | arr. of S.97 | ||
638 | C12 | Orpheus (Symphonic Poem No.4) |
2pf | 1855–56 | Keyboard | arr. of S.98 | ||
639 | C14 | Prometheus (Symphonic Poem No.5) |
2pf | 1855–56 | Keyboard | arr. of S.99 | ||
640 | C13 | Mazeppa (Symphonic Poem No.6) |
2pf | 1855 | Keyboard | arr. of S.100 | ||
641 | C | 7 Festklänge (Symphonic Poem No.7) |
2pf | 1853 | Keyboard | arr. of S.101 | ||
642 | C15 | Héroïde funèbre (Symphonic Poem No.8) |
2pf | 1854–56 | Keyboard | arr. of S.102 | ||
643 | C16 | Hungaria (Symphonic Poem No.9) |
2pf | 1855–56 | Keyboard | arr. of S.103 | ||
644 | C22 | Hamlet (Symphonic Poem No.10) |
2pf | 1858–60 | Keyboard | arr. of S.104 | ||
645 | C21 | Hunnenschlacht (Symphonic Poem No.11) |
2pf | 1857–60 | Keyboard | arr. of S.105 | ||
646 | C17 | Die Ideale (Symphonic Poem No.12) |
2pf | 1857–58 | Keyboard | arr. of S.106 | ||
647 | C19 | Faust Symphony (Eine Faust-Symphonie) | 2pf | 1856 | Keyboard | arr. of S.108 | ||
648 | C20 | Dante Symphony (Eine Symphonie zu Dantes Divina Commedia) | 2pf | 1856–57 | Keyboard | arr. of S.109 | ||
649 | C | 6Fantasie über Motiven aus Beethovens Ruinen von Athen | 2pf | 1852 | Keyboard | arr. of S.122 | ||
650 | C | 8Piano Concerto No.1 | 2pf | E♭ major | 1853–56? | Keyboard | arr. of S.124 | |
651 | C23 | Piano Concerto No.2 | 2pf | A major | 1859 | Keyboard | arr. of S.125 | |
652 | C24 | Totentanz | 2pf | 1859–65? | Keyboard | arr. of S.126/2 | ||
652a | C25 | Rákóczi-Marsch, S.117 (Liszt, Franz) | 2pf | 1870 | Keyboard | arr. of S.117 | ||
653 | C | 5Franz Schuberts Grosse Fantasie | 2pf | C major | 1851–62? | Keyboard | arr. of S.366 | |
654/1 | C | 2Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) | 2pf | 1840 | Keyboard | arr. of S.392; 1st version | ||
654/2 | C | 2Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) | 2pf | 1870? | Keyboard | arr. of S.392; 2nd version | ||
655 | C | 3Réminiscences de Norma | 2pf | 1845–74? | Keyboard | arr. of S.394 | ||
656 | C26 | Réminiscences de Don Juan (Grande fantaisie) | 2pf | 1876–77 | Keyboard | arr. of S.418 | ||
657 | C | 4Symphony No.9 [Beethoven] | 2pf | D minor | 1851 | Keyboard | arr. of the Symphony No.9, Op.125, by Ludwig van Beethoven; arr. for pf as S.464/9 | |
657a/1 | C27 | Piano Concerto No.3 [Beethoven] | 2pf | C minor | 1878–79 | Keyboard | arr. of the Piano Concerto No.3, Op.37; includes new cadenza for 1st movement, S.389a | |
657a/2 | C28 | Piano Concerto No.4 [Beethoven] | 2pf | G major | 1878–79 | Keyboard | arr. of the Piano Concerto No.4, Op.58 | |
657a/3 | C29 | Piano Concerto No.5 [Beethoven] | 2pf | E♭ major | 1878–79 | Keyboard | arr. of the Piano Concerto No.5, Op.73 | |
657b | C30 | Bülow-Marsch | 2pf8h | 1884 | Keyboard | arr. of S.230 | ||
658–676 | — | Organ |
||||||
658 | E15 | Evocation á la Chapelle Sixtine | org/harm | 1862–65? | Keyboard | arr. of S.461 | ||
659 | E14 | Ave Maria d'Arcadelt | org/harm | 1862–63 | Keyboard | arr. of S.183/2 | ||
660/1 | E | 9Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis) | org/harm | 1860–66 | Keyboard | arr. of the introduction and fugue from the cantata Ich hatte viel Bekümmernis, BWV 21, by Johann Sebastian Bach | ||
660/2 | E | 5Andante ' (Aus tiefer Not) | org/harm | 1856–60? | Keyboard | arr. of part of the cantata Aus tiefer Noth schrei ich zu dir, BWV 38, by Johann Sebastian Bach | ||
661 | E13 | Adagio vom Bach | org/harm | 1861–63 | Keyboard | arr. of the 3rd movement of Violin Sonata No.4, BWV 1017, by Johann Sebastian Bach | ||
662/1 | E16/1 | Prelude | org | E minor | 1862–63? | Keyboard | arr. of No.4 of the Preludes, Op.28, by Frederic Chopin | |
662/2 | E16/2 | Prelude | org | E major | 1862–63? | Keyboard | arr. of No.9 of the Preludes, Op.28, by Frederic Chopin | |
663 | E21 | Regina coeli laetare | org/harm | 1865 | Keyboard | arr. of the motet Regina coeli laetare by Orlande de Lassus | ||
663a | E25 | Einleitung zur Legende von der heiligen Elisabeth | org/harm | 1872 | Keyboard | arr. by Liszt and Carl Müller-Hartung of the introduction from S.2 | ||
664/1 | E19b/1 | Tu es Petrus aus dem Oratorio Christus | org/harm | 1867 | Keyboard | arr. of No.8 from S.3; 1st version of S.664/2 | ||
664/2 | E19b/2 | Tu es Petrus aus dem Oratorio Christus | org | 1867 | Keyboard | arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1 | ||
665 | E35 | San Francesco | org | 1880 | Keyboard | arr. of the prelude from S.4/2 | ||
666 | E26 | Preludio (Excelsior!) | org (+ ch) | 1874–75 | Vocal | arr. of prelude from S.6 | ||
667 | E23 | Offertorium aus der Ungarischen Krönungsmesse | org/harm | 1868? | Keyboard | arr. of No.5 from S.11 | ||
667a | — | Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) | org | 1860 | Keyboard | arr. of S.14/1 | ||
667b/1 | — | Gebet (Ave Maria) | org | 1842? | Keyboard | arr. of S.20/1 | ||
667b/2 | E | 4Ave Maria I | org | 1856–59? | Keyboard | arr. of S.20/2; incomplete sketch as S.701n | ||
667c | E24 | Ave Maria II | harm | D major | 1869 | Keyboard | arr. of S.38 | |
668 | E18 | Slavimo slavno, Slaveni! | org | 1863 | Keyboard | arr. of S.33 | ||
668a | E27/2a | Ave maris stella | harm | 1871 | Keyboard | arr. of S.34; 1st version of S.669/2 | ||
669 | E27 | Kirchenhymnen (2) | org/harm | 1877 | Keyboard | |||
669/1 | E27/1 |
|
org/harm | 1877 | Keyboard | |||
669/2 | E27/2b |
|
org/harm | 1877 | Keyboard | arr. of S.34; 2nd version of S.668a | ||
669a | — | Deutsche Kirchenlieder (7): | v ch pf/org | 1878–79 | Vocal | arr. from S.50 | ||
669a/1 | — |
|
ch org | 1878–79 | Vocal | arr. of S.50/1 | ||
669a/2 | — |
|
v/ch org | 1878–79 | Vocal | arr. of S.50/2 | ||
669a/3 | — |
|
v org | 1878–79 | Vocal | arr. of S.50/3 | ||
669a/4 | — |
|
v org | 1878–79 | Vocal | arr. of S.50/4 | ||
669a/5 | — |
|
v pf/org | 1878–79 | Vocal | arr. of S.50/5 | ||
669a/6 | — |
|
v org | 1878–79 | Vocal | arr. of S.50/6 | ||
669a/7 | — |
|
v org | 1878–79 | Vocal | arr. of S.50/7 | ||
669b | E31 | Via Crucis (Les 14 stations de la croix) | org | 1876–79 | Keyboard | arr. of S.53 | ||
669c | — | O Roma nobilis | org | 1878–79 | Keyboard | arr. of S.54 | ||
670 | E34 | Rosario | org/harm | 1879 | Keyboard | arr. from S.56 | ||
670/1 | E34/1 |
|
org/harm | 1879 | Keyboard | arr. of S.56/1 | ||
670/2 | E34/2 |
|
org/harm | 1879 | Keyboard | arr. of S.56/2 | ||
670/3 | E34/3 |
|
org/harm | 1879 | Keyboard | arr. of S.56/3 | ||
671 | E40 | In domum Domini ibimus (Zum Haus des Herrn ziehen wir) | org | 1884 | Keyboard | arr. of S.57 | ||
671a | J44 | Zur Trauung | org | 1883? | Keyboard | arr. of S.60 | ||
672/1 | E | 6/1Weimars Volkslied | org | 1857–63? | Keyboard | arr. of S.313; 1st version of S.672/2 | ||
672/2 | E | 6/2Weimars Volkslied | org/harm | 1872–73? | Keyboard | arr. of S.313; 2nd version of S.672/1 | ||
672a | E11 | Orpheus (Symphonic Poem No.4) |
org/harm | 1860–72 | Keyboard | arr. of S.98 | ||
672b | E | 8Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia | org/harm | 1860 | Keyboard | arr. by Liszt [and Alexander Wilhelm Gottschalg?] of S.109 | ||
672c | E30 | Angelus! Prière aux anges gardiens | harm | 1877–82 | Keyboard | arr. of S.163/1 | ||
672d | E22 | Consolations (4): | org/harm | 1866–79 | Keyboard | arr. from S.172 | ||
672d/1 | E22/1 |
|
org/harm | A major | 1879? | Keyboard | arr. of S.172/3 | |
672d/2 | E22/2 |
|
org/harm | D♭ major | 1866–67? | Keyboard | arr. of S.172/4 by Liszt and Alexander Wilhelm Gottschalg | |
672d/3 | E22/3 |
|
org/harm | E major | 1872–73? | Keyboard | arr. of S.172/5 by Liszt and Alexander Wilhelm Gottschalg | |
672d/4 | E22/4 |
|
org/harm | E major | 1879? | Keyboard | arr. of S.172/6 | |
673 | E17 | Variationen über das Motiv von Bach | org | 1862–63 | Keyboard | arr. of S.180 | ||
674 | E37 | A magyarok Istene (Ungarns Gott) | org/harm | 1881 | Keyboard | arr. of S.339 | ||
674a | E36 | O sacrum convivium | org/harm | 1881–85? | Keyboard | arr. of S.58 | ||
674b | — | Ave Maria IV | org/harm | 1881 | Keyboard | arr. of S.341 | ||
674c | — | Nun danket alle Gott | org | 1884 | Keyboard | arr. of S.61 | ||
674d | E42 | Ave verum corpus de Mozart | org | 1886 | Keyboard | arr. of the Ave verum corpus, K.618, by Wolfgang Amadeus Mozart; arr. for pf as S.461a | ||
675 | E | 2Kirchliche Fest-Ouvertüre | org/pfped | 1852 | Keyboard | arr. of the Kirchliche Fest-Ouvertüre über den Choral Ein feste Burg ist unser Gott by Otto Nicolai | ||
675a | V10 | In der Christmette | vn org | 1873? | Keyboard | corrections to No.1 of 5 Charakterstücke, Op.3, by Alexander Ritter | ||
675b | V18 | Davidsbündlertänze | org | 1870? | Keyboard | arr. by Alexander Wilhelm Gottschalg and Liszt of No.14 of the Davidsbündlertänze, Op.6, by Robert Schumann | ||
675c/1 | E29 | Agnus Dei della Messa da Requiem di Giuseppe Verdi | org/harm | 1877–78 | Keyboard | based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.675c/2 | ||
675c/2 | E29 | Agnus Dei della Messa da Requiem di Giuseppe Verdi | org/harm | 1883 | Keyboard | 2nd version of S.675c/1 | ||
676/1 | E10a | Chor der jüngeren Pilger (Der Gnade Heil) | org/harm | 1860 | Keyboard | based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV 70, by Richard Wagner; 1st version of S.676/2 | ||
676/2 | E10b | Chor der jüngeren Pilger (Der Gnade Heil) | org/harm | 1862 | Keyboard | 2nd version of S.676/1 | ||
677–679 | — | Organ with Other Instruments |
||||||
677 | F2 | Hosannah (Alleluja del Cantico del sol) | org (+ tbn) | 1862–63 | Chamber | arr. of 'Alleluja' from S.4/1 | ||
678 | F3 | Aus der Ungarischen Krönungsmesse | vn org/harm | 1871 | Chamber | arr. of extracts from S.11 | ||
678/1 | F3/1 |
|
vn org/harm | 1871 | Chamber | arr. of S.11/5 | ||
678/2 | F3/2 |
|
vn org/harm | 1871 | Chamber | arr. of S.11/7 | ||
679 | F1 | Cujus animam aus Rossinis Stabat Mater | tbn org | 1860–70? | Chamber | arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for ten org as S.682; for pf as S.553/1 | ||
680–685 | — | Vocal Arrangements |
||||||
680 | K | 3Ave maris stella | v org/harm | D major | 1868 | Vocal | arr. of S.34/2 | |
681 | K | 4Ave Maria II | v org/harm | 1869 | Vocal | arr. of S.38 | ||
682 | K | 5Cujus animam aus Rossinis Stabat Mater | ten org | 1874? | Vocal | arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for tbn org as S.682; for pf as S.553/1 | ||
683 | N57 | Serbisches Lied (Ein Mädchen sitzt am Meeresstrand) | v pf | 1858? | Vocal | |||
683a | K10 | Gebet | v org | 1883? | Vocal | arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2 | ||
684 | N | 2Barcarole vénitienne de Pantaleoni | v pf | 1840 | Vocal | arr. of the song by Luigi Pantaleoni | ||
685 | N47 | Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna) | v pf | 1849–54 | Vocal | arr. of the song by Maria Pavlovna, Grand Duchess of Russia | ||
686 | — | Recitations |
||||||
686 | P4 | Helges Treue | nar pf | 1860 | Vocal | arr. of the ballad Helges Treue, Op.1, by Felix Draeseke | ||
687–701 | — | Unfinished Works |
||||||
687 | Q13 | Sardanapale | vv ch orch | 1846–55? | Stage | unfinished sketches for an opera, based on Byron's Sardanapalus | ||
688 | Q17 | Die Legende vom heiligen Stanislaus | vv ch orch | 1869–85 | Vocal | unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a | ||
688a | Q17 | Die Legende vom heiligen Stanislaus | pf | 1868? | Keyboard | arr. from S.688; incomplete sketches | ||
689 | Q14 | Singe wem Gesang gegeben | mch orch | 1848? | Vocal | orchestrated by Liszt and August Conradi; incomplete | ||
689a | Q | 9Manfred | ch orch | 1842–44 | Vocal | incomplete | ||
690 | Q | 1Symphonie révolutionnaire | orch | 1830–53 | Orchestral | incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703 | ||
691* | — | De Profundis | pf orch | 1834 | Orchestral | renumbered as S.121a | ||
692 | S49 | Violin Concerto | vn orch | 1860 | Orchestral | lost | ||
692a | Q18 | Die vier Jahreszeiten | 2vn va vc | 1880? | Chamber | arr. of Le Quattro Stagioni by Antonio Vivaldi; incomplete sketches; formerly S.719 | ||
692b | S22 | Piano Sonata | pf | F minor | 1880 | Keyboard | the first page of S.725/1 (now lost), copied by Liszt in 1880 | |
692c | — | Preludio — Allegro maestoso maestoso (Etude No. 13) | pf | F♯ major | 1837-38 ca. | Keyboard | 2 versions | |
692d | — | Rákóczi-Marsch | pf | 1839–40 | Keyboard | simplified arr. of S.242a; incomplete sketches | ||
692e | — | Winzerchor aus den entfesselten Prometheus | pf | 1850? | Keyboard | arr. of No.5 from S.69; incomplete sketches | ||
692n | — | Klavierstück | pf | E♭ minor | 1849? | Keyboard | early sketch of theme to S.172/3 | |
692p | — | Sketches (2) | pf | 1829 | Keyboard | |||
693 | Q12 | Marches dans le genre hongrois (2): | pf | 1840? | Keyboard | incomplete sketches | ||
693/1 | Q12/1 |
|
pf | D minor | 1840? | Keyboard | incomplete sketches | |
693/2 | Q12/2 |
|
pf | B♭ minor | 1840? | Keyboard | incomplete sketches | |
693a | — | Die Legende von der Heiligen Elisabeth: | pf | 1862 | Keyboard | arr. from S.2 | ||
693a/1 | — |
|
pf | 1862 | Keyboard | arr. of S.2/2c | ||
693a/2 | — |
|
pf | 1862 | Keyboard | arr. of S.2/4d | ||
694 | Q | 8Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais) | pf orch | 1841 | Orchestral | partly based on S.235, using the themes of the British national anthem and Rule Britannia by Thomas Augustine Arne; fragment only survives (completed by Leslie Howard as Fantasy on English Themes); arr. for pf4h as S.755b, and for vn va vc pf as S.718e | ||
695 | A100 | Klavierstück | pf | F major | 1843 | Keyboard | ||
695a* | — | Litanies de Marie | pf | 1846–47 | Keyboard | renumbered as S.171e | ||
695b | — | Zigeuner-Epos (11): | pf | 1848? | Keyboard | sketches | ||
695b/1 | — |
|
pf | C minor | 1848? | Keyboard | sketches | |
695b/2 | — |
|
pf | C major | 1848? | Keyboard | sketches | |
695b/3 | — |
|
pf | D♭ major | 1848? | Keyboard | sketches | |
695b/4 | — |
|
pf | C♯ major | 1848? | Keyboard | sketches | |
695b/5 | — |
|
pf | D♭ major | 1848? | Keyboard | sketches | |
695b/6 | — |
|
pf | G minor | 1848? | Keyboard | sketches | |
695b/7 | — |
|
pf | A minor | 1848? | Keyboard | sketches | |
695b/8 | — |
|
pf | D major | 1848? | Keyboard | sketches | |
695b/9 | — |
|
pf | E♭ major | 1848? | Keyboard | sketches | |
695b/10 | — |
|
pf | F minor | 1848? | Keyboard | sketches | |
695b/11 | — |
|
pf | A minor | 1848? | Keyboard | incomplete sketches | |
695c | Q11b | Romancero espagnol (3) | pf | 1845 | Keyboard | incomplete sketches for S.253, S.254; 2nd version of S.738(?) | ||
695c/1 | Q11b/1 | Introduction and Fandango with variations | pf | 1845 | Keyboard | |||
695c/2 | Q11b/2 | Elaboration of an unidentified theme | pf | 1845 | Keyboard | |||
695c/3 | Q11b/3 | Jota aragonesa and coda | pf | 1845 | Keyboard | |||
695d | Q21 | Petite valse ("Nachspiel zu den drei vergessenen Walzer") | pf | 1884? | Keyboard | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e? | ||
695e | Q21? | Petite Valse ("Nachspiel zu den drei vergessenen Walzer") | pf | 1884? | Keyboard | incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d? | ||
695f | — | Cadenza | pf | 1883–85? | Keyboard | sketch for S.514 | ||
695h | — | Klavierstück | pf | E♭ major | Keyboard | sketch | ||
696 | A337 | Mephisto Waltz No.4 | pf | 1885 | Keyboard | 2nd version of S.216b; unfinished | ||
697 | A | 90Fantasie über Themen aus Mozarts Figaro und Don Giovanni | pf | 1842 | Keyboard | based on themes from the operas Le nozze di Figaro, K.492 and Don Giovanni, K.527, by Wolfgang Amadeus Mozart; unfinished; completions by Ferruccio Busoni and Leslie Howard | ||
698 | Q19 | La mandragore (Ballade de l'opera Jean de Nivelle) | pf | 1881 | Keyboard | arr. of "Tant que le jour dure" from the opera Jean de Nivelle by Léo Delibes; incomplete | ||
698b | — | Notturno | pf | 1849 | Keyboard | unfinished draft | ||
699* | — | La notte | pf | 1864–66 | Keyboard | renumbered as S.516a | ||
700/1 | A113 | Grande Fantaisie sur des thèmes de Paganini | pf | 1845 | Keyboard | using themes from the Violin Concerto No.2, Op.7 and Il carnevale di Venezia, Op.10, by Niccolò Paganini; unfinished; completed by Imre Mezö; 1st version of S.700/2 | ||
700/2 | A113 | Variations de bravoure sur des thèmes de Paganini | pf | 1845 | Keyboard | 2nd version of S.700/1 | ||
700a | Q | 7Variations sur le Carnaval de Venise | pf | 1843 | Keyboard | based on the Il carnevale di Venezia, Op.10, by Niccolò Paganini; incomplete | ||
700f | Q | 4La belle en robe des Dimanches | v pf | 1830–39? | Vocal | incomplete | ||
700g | J44 | Zur Trauung | v 2pf | 1883–87? | Vocal | arr. of S.60 | ||
700j | M14/1 | Titan (Auf des Athos blauen Felsenspitzen) | v pf | 1842 | Vocal | 1st version of S.79/1; pf part incomplete | ||
701 | N15 | Den Felsengipfel stieg ich einst hinan | v pf | 1843? | Vocal | |||
701a | Q | 2Allegro di bravura | orch | 1830 | Orchestral | arr. of S.151 [by Liszt?]; incomplete sketch | ||
701b | Q | 5Marie-Poème | pf/(str?) | 1837 | Keyboard | incomplete sketch | ||
701c | — | Andante sensibilissimo | pf | 1880–86 | Keyboard | incomplete sketch | ||
701d | Q16 | Melodie in Dorische Tonart (Prose des Morts) | pf | 1861 | Keyboard | incomplete sketch; based on the Dies irae | ||
701e | — | Album-Leaf ("Dante fragment") | pf | 1837 | Keyboard | incomplete sketch | ||
701f | — | Album-Leaf ("Glasgow fragment") | pf | E♭ minor | 1841? | Keyboard | incomplete sketch | |
701g | A253 | Polnisch | pf | 1876? | Keyboard | sketch | ||
701h/1 | — | Valse infernale | pf | 1841? | Keyboard | arr. of theme of the Valse infernale (Act III, No.10) from the opera Robert le diable by Giacomo Meyerbeer; incomplete sketch | ||
701h/2 | — | Album-Leaf | pf | 1841 | Keyboard | arr. of an unidentified operatic aria and one sketched variation; incomplete sketch | ||
701j | — | La Charité | pf | 1847 | Keyboard | incomplete sketch for S.552a; originally intended for S.172a | ||
701k | — | Korrekturblatt | pf | 1882 | Keyboard | incomplete sketch for S.199a | ||
701l | — | Album-Leaf ("Weimar fragment") | pf | 1886? | Keyboard | incomplete sketch | ||
701m | — | Trio | vn vc pf | G minor | 1886? | Chamber | incomplete sketch for 2 Harmonies poétiques et religieuses | |
701n | — | Korrekturblatt | org | 1853? | Keyboard | incomplete sketch for S.667b/2 | ||
701o | R1 | Scherzo | pf | 1830 | Keyboard | incomplete | ||
701v | — | Marche de Prozinsky | pf | C♯ minor | 1846 | Keyboard | incomplete sketch for S.171d | |
701–768 | — | Doubtful or Lost |
||||||
702–707 | — | Sacred Choral Works |
||||||
702 | S | 1Tantum ergo | ch | 1822 | Vocal | lost | ||
703 | Q15 | Psalm 2 (Quare fremuerunt gentes et populi) | ten ch orch | 1851 | Vocal | incomplete sketches; originally intended as 5th movement of S.690 | ||
704 | — | Requiem (on the death of Emperor Maximilian of Mexico) | vv ch ?orch | 1867? | Vocal | lost | ||
705 | — | The Creation | vv ch ?orch | 1867? | Vocal | lost | ||
706 | T45 | Benedictus | ch | Vocal | unrealized project | |||
707 | — | Excelsior | ch? | Vocal | unrealized project | |||
708–708b | — | Secular Choral Works |
||||||
708 | L | 6Rinaldo | ten mch orch/pf | 1848 | Vocal | cantata to text by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and August Conradi | ||
708a* | M25 | A patakhoz (A patakcsa) | mch | 1846 | Vocal | renumbered as S.81a | ||
708b | M17/2 | [untitled piece] | mch | 1843–44? | Vocal | companion piece to S.78; lost | ||
709–712 | — | Orchestral Works |
||||||
709* | — | Salve Polonia | orch | 1863 | Orchestral | renumbered as S.113 | ||
710 | S41 | Funeral March | orch | 1850 | Orchestral | lost; possibly the same as S.102 or S.761 | ||
711 | S62 | Csárdás macabre | orch | 1882? | Orchestral | lost; reconstruction by G. Darvos not based on authentic material | ||
712 | W | 9Romance oubliée | orch | 1881 | Orchestral | arr. of S.527; Liszt's authorship doubtful | ||
713–716 | — | Piano and Orchestra |
||||||
713/1 | S | 8Piano Concerto | pf orch | A minor | 1825? | Orchestral | lost; not the same as S.713/2 | |
713/2 | S | 9Piano Concerto | pf orch | 1825? | Orchestral | lost; not the same as S.713/1 | ||
714 | Q20 | Piano Concerto (in the Hungarian style) | pf orch | 1880–85? | Orchestral | incomplete sketches; not the same as S.126a | ||
715 | S19 | Piano Concerto (in the Italian style) | pf orch | 1830–39? | Orchestral | lost | ||
716 | — | Grande fantaisie symphonique | pf orch (?) | Orchestral | lost; maybe based on S.120? | |||
717–723a | — | Other Instrumental Works |
||||||
717 | D | 2Trio | vn vc pf | D♭ major | 1825 | Chamber | vc part was lost until 1997 | |
718 | S11 | Quintet | 2vn va vc db? | 1825 | Chamber | lost | ||
718a | — | Duo on Rossini's Semiramide | vn pf | 1827 | Chamber | based on themes from the opera Semiramide by Gioacchino Rossini; lost | ||
718b | — | The Fall of Paris ms, a Military Air with Variations | fl pf | 1827 | Chamber | lost | ||
718c | — | Un petit morceau | vn pf | 1830–31? | Chamber | lost | ||
718d | — | Sextet | 2vn 2va 2vc | 1835 or earlier | Chamber | lost | ||
718e | — | Grand Fantasie on God Save the Queen and Rule Britannia | vn va vc pf | 1841 | Chamber | arr. of S.694; lost | ||
719* | — | Die vier Jahreszeiten | 2vn va vc | 1880? | Chamber | renumbered as S.692a | ||
720 | S18 | Allegro moderato | vn pf | E major | 1829 | Chamber | lost | |
721 | S63 | Prelude | vn (+ pf?) | 1882 | Chamber | lost | ||
722* | — | La notte | vn pf | 1864–66 | Chamber | renumbered as S.377a | ||
723* | — | Tristia | vn vc pf | 1880? | Chamber | renumbered as S.378a, S.378b, S.378c | ||
723a* | W | 6Postlude (on a theme from Orpheus) | 1871 | Chamber | based on S.98; now attributed to Leopold Alexander Zellner | |||
724–754 | — | Piano Solo |
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724/1 | S | 3Rondo | pf | 1824 | Keyboard | lost; possibly S.152? | ||
724/2 | S | 4Fantasia | pf | 1824 | Keyboard | lost | ||
725/1 | S | 5Piano Sonata | pf | F minor | 1825 | Keyboard | lost; only several bars were copied down from memory later by Liszt | |
725/2 | S | 6Piano Sonata | pf | C minor | 1825 | Keyboard | lost; only three bars were copied down from memory in a letter from Liszt to his mother | |
725/3 | S | 7Piano Sonata | pf | 1825 | Keyboard | lost | ||
726 | — | Etude | pf | Keyboard | lost | |||
726a | S23 | Valse | pf | E major | 1835 | Keyboard | lost | |
727* | — | Prélude omnitonique | pf | 1844 | Keyboard | renumbered as S.166e | ||
728* | — | Sospiri! | pf | 1879 | Keyboard | renumbered as S.192/5 | ||
729 | — | Tantum ergo | pf | 1869 | Keyboard | lost; possibly arr. of S.42 or S.702 | ||
730 | — | Dem Andenken Petöfis | pf | 1877 | Keyboard | renumbered as S.195 | ||
731* | — | Valse élégiaque | pf | 1839 | Keyboard | renumbered as S.210 | ||
732* | — | Valse oubliée No.4 | pf | 1884 | Keyboard | renumbered as S.215/4 | ||
733* | — | Marche hongroise | pf | E♭ minor | 1844 | Keyboard | renumbered as S.233b | |
734* | — | Ländler | pf | 1879 | Keyboard | renumbered as S.211a | ||
735* | — | Air cosaque | pf | 1879 | Keyboard | renumbered as S.249c | ||
736 | W16 | Kerepsi csárdás | pf | Keyboard | lost; Liszt's authorship doubtful | |||
737 | W15 | Morceaux en style de danse ancien hongrois (3) | pf | 1850 | Keyboard | manuscript lost; Liszt's authorshop doubtful | ||
738 | A114 | Grosse Konzertfantasie über spanische Weisen | pf | 1844 | Keyboard | rediscovered, but not renumbered; 1st version of S.253 | ||
739 | S38 | Corolian Overture | pf | 1846–47 | Keyboard | arr. of Coriolan, Op.62, by Ludwig van Beethoven; lost | ||
740 | S39 | Egmont Overture | pf | 1846–47 | Keyboard | arr. of the overture from the incidental music to Egmont, Op.84, by Ludwig van Beethoven; lost | ||
741 | S37 | Le carnaval romain | pf | 1844–49? | Keyboard | arr. of the overture Le carnaval romain, H 95, by Hector Berlioz; lost | ||
742* | — | Duettino de La favorite | pf | 1847 | Keyboard | renumbered as S.400a | ||
743 | S55 | Chœur des soldats de Faust | pf | 1864 | Keyboard | arr. of the soldiers' chorus from Act IV of the opera Faust by Charles Gounod; lost | ||
743a | S31 | Fantaisie sur des thèmes de l'opéra Guitarero | pf | 1841 | Keyboard | based on themes from the opera Guitarrero by Fromental Halévy; lost | ||
744 | S36 | Dom Sebastien (Paraphrase de concert) | pf | 1843–44? | Keyboard | based on themes from Act IV of the opera Dom Sebastien by Theodor Kullak; lost | ||
745* | — | Marche funèbre | pf | 1827 | Keyboard | renumbered as S.226a | ||
746 | — | Andante maestoso | pf | Keyboard | lost | |||
747 | W | 3Poco adagio | pf | 1847? | Keyboard | arr. from S.9; lost; Liszt's authorship uncertain | ||
748 | S35 | Die Zauberflöte | pf | 1843? | Keyboard | arr. of the overture to the opera Die Zauberflöte, K.620; lost | ||
749 | S56 | Preussischer Armeemarsch | pf | 1866? | Keyboard | arr. of an unidentified composition, attributed to "Radovsky"; lost | ||
750* | — | Introduction et variations sur une marche du Siège de Corinthe | pf | 1830? | Keyboard | renumbered as S.421a | ||
751 | — | Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie) | pf | 1839–41 | Keyboard | lost, but recently rediscovered; based on themes from the operas Maometto Secondo and Mosè in Egitto by Gioacchino Rossini | ||
752* | S43 | Gelb rollt | pf | 1881 | Keyboard | renumbered as S.554/1 | ||
753 | S42 | Alfonso und Estrella | pf | 1850–51 | Keyboard | arr. of Act I of the opera Alfonso und Estrella, D.732, by Franz Schubert; lost | ||
754* | — | Seconda mazurka variata | pf | 1880 | Keyboard | renumbered as S.573a | ||
755–755b | — | Piano Duet (4 hands) |
||||||
755 | S10 | Sonata | pf4h | 1825 | Keyboard | lost | ||
755a | W10 | A magyarok Istene (Ungarns Gott) | pf4h | 1881 | Keyboard | arr. of S.339; Liszt's authorship doubtful | ||
755b | S30 | Grosse Fantasie über God Save the Queen und Rule Britannia (Fantasie uber englische Themen) | pf4h | 1841 | Keyboard | arr. of S.694; lost | ||
756–757 | — | 2 Pianos |
||||||
756 | W | 5Mosonyis Grabgeleit | 2pf | 1870 | Keyboard | arr. of S.194; Liszt's authorship uncertain | ||
757 | S57 | Le triomphe funèbre du Tasse | 2pf | 1866–69 | Keyboard | arr. of S.112/3; lost | ||
758–761 | — | Organ |
||||||
758 | S40 | Die Orgel | org | 1850–59? | Keyboard | symphonic poem after Johann Gottfried Herder; lost | ||
759* | E22/2 | Adagio | org | D♭ major | 1866–67? | Keyboard | renumbered as S.672d/2 | |
760 | S59 | Cantico del sol di Francesco d'Assisi | org | 1881 | Keyboard | arr. of S.4/2; lost | ||
761 | S51 | Marche funèbre | vc pf org | 1860–69? | Keyboard | arr. of the 2nd movement from the Piano Sonata No.2, Op.35, by Frederic Chopin | ||
762–766 | — | Songs |
||||||
762 | S46 | Air de Chateaubriand | v (pf?) | 1858 | Vocal | lost; possibly the same as S.18/4 | ||
763 | S47 | Strophes de Herlossohn | v pf | 1858 | Vocal | lost | ||
764 | S48 | Kränze pour chant | v pf | 1858 | Vocal | lost | ||
765 | S45 | Die Glöckchen | v pf | 1857 | Vocal | intended as S.316/3; lost | ||
765a | S32 | L'aube naît | v pf | 1842 | Vocal | lost | ||
766 | W | 4Der Papsthymnus | v pf | 1865? | Vocal | Liszt's authorship doubtful | ||
767 | — | Other Vocal Works |
||||||
767 | W | 8Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) | v org | 1874 | Vocal | arr. of prelude from S.6; Liszt's authorship doubtful | ||
768 | — | Recitations |
||||||
768 | S60 | Der ewige Jude | nar pf orch | 1881 | Vocal | melodrama to words by Christian Friedrich Daniel Schubart; lost |