Hungarian Gypsy Melodies (Menter, Sophie)

Movements/SectionsMov'ts/Sec's	1
Composition Year	1892
Genre Categories	Concertos; For piano, orchestra; Scores featuring the piano; Scores featuring the orchestra; For orchestra with soloists; For piano, orchestra (arr); Scores featuring the piano (arr); Scores featuring the orchestra (arr); For orchestra with soloists (arr); For 2 pianos (arr); For 2 players (arr)

Sheet Music

Complete Score
*#03510 - 14.22MB, 87 (#179-265) pp. - 0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 1632×⇩ - Goldberg988

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Goldberg988 (2007/2/01)

Arranger	Pyotr Tchaikovsky (1840–1893)
Editor	Irina Iordan (1910–1976)
Publisher. Info.	Complete Collected Works, vol.59 (Полное собрание сочинений). Moscow: Muzyka, 1970. Plate 6557.
Copyright	Public Domain [tag/del]
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Complete Score
*#03509 - 2.33MB, 37 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 1138×⇩ - Goldberg988

PDF scanned by Unknown
Goldberg988 (2007/2/01)

Arranger	Pyotr Tchaikovsky (1840–1893)
Publisher. Info.	New York: G. Schirmer, 1910. Plate 21594
Copyright	Public Domain [tag/del]
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Work Title	Hungarian Gypsy Melodies
Alternative. Title	Ungarische Zigeunerweisen
Composer	Menter, Sophie
Opus/Catalogue NumberOp./Cat. No.	TH 193
I-Catalogue NumberI-Cat. No.	ISM 4
Movements/SectionsMov'ts/Sec's	1
Year/Date of CompositionY/D of Comp.	1892
First Publication.	1909 — New York: G. Schirmer. Full score 1910 — New York: G. Schirmer. Arrangement for 2 pianos. Plate 21594.
Dedication	Eduard Reuss
Average DurationAvg. Duration	15 minutes
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Solo: piano Orchestra: piccolo, 2 flutes, 2 oboes, 2 clarinets (B♭), 2 bassoons + 4 horns, 2 trumpets (B♭), 3 trombones, tuba + timpani, triangle, tambourine, cymbals, bass drum + strings
External Links	Tchaikovsky Research
Extra Information	This piece was orchestrated by Tchaikovsky in September-October 1892 at Sophie Menter's request. The suggestion that this piece was originally written for Menter by Franz Liszt as a "Piano Concerto in the Hungarian Style" is now thought unlikely by most Liszt scholars.