Grosses Konzertsolo, S.176 (Liszt, Franz)

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PDF scanned by Juilliard (color)
Funper (2010/6/15)

Editor First edition
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(1851). Plate 8365.
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Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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piupianissimo (2010/2/15)

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Funper (2007/3/22)

Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 8 (pp.47-62)
Leipzig: Breitkopf & Härtel, 1924. Plate F.L. 59.
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Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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Ferencziffra (2016/5/18)

Editor Yakov Milstein (1911-1981)
Publisher. Info. Sochineniia dlia fortepiano, Vol.1 (pp.37-65)
Moscow: Muzgiz, 1960. Plate М. 27341 Г.
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piupianissimo (2011/11/23)

PDF scanned by piupianissimo
piupianissimo (2011/11/23)

Editor Antal Boronkay (1948–)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 5 (pp.xviii, 3-26)
Budapest: Editio Musica, 1983. Plate Z.7295.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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General Information

Work Title Grosses Konzertsolo
Alternative. Title Großes Konzertsolo
Name Translations 大演奏会用独奏曲
Name Aliases Großes Konzert-Solo
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.176 ; LW.A167
I-Catalogue NumberI-Cat. No. IFL 149
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1849–50
First Publication. 1851
Dedication Adolf von Henselt (1814–1889)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano

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Version History

  • Composed for solo piano, 1849–50 (= S.176), based on the Grand solo de concert, S.175a
Published 1851 by Breitkopf & Härtel (Leipzig)
  • Revised for piano and orchestra, 1849–50, as Grand solo de concert (= S.365)
  • Revised for 2 pianos, 1856, as Concerto pathétique, S.258