Performances
Recordings
Performer Pages
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Luis Kolodin (Piano)
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Publisher Info.
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Luis Kolodin, 2024.
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Naxos
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Sheet Music
Scores
Editor
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Robert Charles Lee First edition
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Publisher. Info.
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Drei späte Klavierstücke Kassel: Bärenreiter, 1969. Plate 19104.
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Copyright
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Misc. Notes
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URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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Publisher. Info.
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Unidentified Publisher, n.d.(ca.1980).
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Copyright
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Misc. Notes
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Typeset using Sibelius; scanner unknown however? - ES
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Editor
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Imre Mező (1932–) Imre Sulyok (1912–2008)
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Publisher. Info.
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Neue Liszt-Ausgabe, Serie 1, Band 12 Budapest: Editio Musica, 1978. Plate Z.6217. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Copyright
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Misc. Notes
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URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. scan: score scanned at 600dpi filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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General Information
Work Title
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Carrousel de Madame Pelet-Narbonne
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Alternative. Title
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Carrousel de Mme P-N ; Carrousel de Madame Pelet-Narboune
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Composer
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Liszt, Franz
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Opus/Catalogue NumberOp./Cat. No.
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S.214a ; LW.A271
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I-Catalogue NumberI-Cat. No.
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IFL 53
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Key
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A minor
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Movements/SectionsMov'ts/Sec's
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1 piece
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Year/Date of CompositionY/D of Comp.
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1875–1881 betw.
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First Publication.
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1969
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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Piano (solo)
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Navigation etc.
Version History
- Composed betw. 1875-81 for solo piano, ca.1879 (= S.214a)
- Published 1969 by Bärenreiter (Kassel), in Drei späte Klavierstücke
The Liszt Companion dates betw. 1875-81 (see p.171 et seq.)
Spelled "Carrousel de Madame Pelet-Narboune." in the manuscript (held by the Library of Congress) - see LoC, LoC (catalog records). The dedicatee was the landlady of a friend of the composer's? (Olga Meyerdorff) in Weimar.