Christus, S.3 (Liszt, Franz)

Movements/SectionsMov'ts/Sec's 3 sections, 14 movements
Composition Year 1866–72
Genre Categories Sacred oratorios; Oratorios; Religious works; For mixed chorus, orchestra; Scores featuring mixed chorus; Scores featuring the orchestra; For chorus with orchestra; Latin language; German language; For piano (arr); For 1 player (arr); Scores featuring the piano (arr)

Contents

Performances

Sheet Music

Scores

 Complete Score
#416053 - 60.96MB, 336 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 259×⇩ - Cypressdome

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Cypressdome (2016/3/20)

 Complete Score
#531041 - 59.62MB, 329 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 93×⇩ - Luukas

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Luukas (2018/7/9)

 Cover Page (color)
#416054 - 1.72MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 42×⇩ - Cypressdome

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Cypressdome (2016/3/20)

Editor First edition
Engraver Leipzig: F.W. Garbrecht.
Language Latin
Publisher. Info. Leipzig: Schuberth & Co., n.d.[1872]. Plate 4934.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Original images: ca.300dpi, color jpg files approx. 3030 by 3850 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. This file is based on high-resolution images obtained from the source using a method explained on this page.
#531041 - Resized to A4. Trimmed and indented page markings (0,2 inches). Cover page retained, the preliminary pages have been deleted.
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 Part I (Nos.1–5) (Preview)
#59110 - 22.90MB, 127 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5297×⇩ - piupianissimo

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piupianissimo (2010/3/15)

 Part II (Nos.6–10) (Preview)
#59175 - 16.46MB, 97 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 3106×⇩ - piupianissimo

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piupianissimo (2010/3/16)

 Part III (Nos.11–14) (Preview)
#59178 - 20.22MB, 114 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2833×⇩ - piupianissimo

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piupianissimo (2010/3/16)

Engraver Leipzig: F.W. Garbrecht.
Language Latin
Publisher. Info. Leipzig: C.F. Kahnt, n.d.(ca.1880). Plate 2410.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome. The engraving is identical to the first edition published by Schuberth (plate 4934).
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 Complete Score
#705301 - 30.50MB, 334 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 61×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

Publisher. Info. Leipzig: C.F. Kahnt, n.d.(ca.1880). Plate 2410.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2657.
Copyright
Public Domain [tag/del]
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Parts

 Flute 1, 2
#705302 - 3.77MB, 50 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 38×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

⇒ 16 more: Oboe 1, 2, English Horn • Clarinet 1, 2 • Bassoon 1, 2 • Horn 1, 2, 3, 4 • Trumpet 1, 2, 3 • Trombone 1, 2, 3, Tuba • Timpani • Bass Drum/Cymbals, Cymbals/Bells • Organ • Harmonium • Harp • Violins I • Violins II • Violas • Cellos • Basses

 Oboe 1, 2, English Horn
#705303 - 3.91MB, 52 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 37×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Clarinet 1, 2
#705304 - 4.14MB, 54 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 30×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Bassoon 1, 2
#705305 - 3.59MB, 50 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 28×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Horn 1, 2, 3, 4
#705306 - 4.35MB, 65 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 33×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Trumpet 1, 2, 3
#705307 - 1.81MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 30×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Trombone 1, 2, 3, Tuba
#705308 - 2.72MB, 41 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 35×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Timpani
#705309 - 0.83MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 31×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Bass Drum/Cymbals, Cymbals/Bells
#705310 - 0.20MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 33×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Organ
#705312 - 1.49MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 38×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Harmonium
#705313 - 0.39MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 44×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Harp
#705311 - 1.03MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 36×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Violins I
#705314 - 2.89MB, 39 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 37×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Violins II
#705315 - 2.69MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 31×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Violas
#705316 - 2.56MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 30×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Cellos
#705317 - 4.08MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 31×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

 Basses
#705318 - 1.82MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 30×⇩ - M.kowalski49

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M.kowalski49 (2021/6/3)

Publisher. Info. Leipzig: C.F. Kahnt, n.d.(ca.1880). Plate 2410.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2657.
Copyright
Public Domain [tag/del/mrg]
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Vocal Scores

Complete

 Part I (S.3/1–5)
#59050 - 5.45MB, 94 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2749×⇩ - Ralph Theo Misch

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Ralph Theo Misch (2010/3/14)

 Part II (S.3/6–10)
#59051 - 4.84MB, 86 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1734×⇩ - Ralph Theo Misch

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Ralph Theo Misch (2010/3/14)

 Part III (S.3/11–14)
#59052 - 5.66MB, 105 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1639×⇩ - Ralph Theo Misch

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Ralph Theo Misch (2010/3/14)

Editor First edition
Engraver Leipzig: F.W. Garbrecht.
Language Latin and German
Publisher. Info. Leipzig: J. Schuberth & Co., n.d.[1872]. Plate 4933.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Nos.4 and 5 are identical to 2 Orchesterstücke aus Christus, S.498b (see below)
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Selections

 7. Pater noster (S.3/7)
#15055 - 0.37MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 832×⇩ - Funper

PDF typeset by editor
Funper (2007/10/6)

 13. O filii et filiae (S.3/13)
#15057 - 0.10MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1221×⇩ - Funper

PDF typeset by editor
Funper (2007/10/6)

Editor Marco Voli
Language Latin
Publisher. Info. Choral Public Domain Library, 2001
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
Misc. Notes Free use. ("Use all the material freely")[1]
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 Choruses (no reduction) (EU)
#179635 - 12.20MB, 78 pp. -  0.0/10 2 4 6 8 10 (-) - C*/68*/V* - 820×⇩ - Tom3

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Tom3 (2012/2/18)

Editor Gábor Darvas (1911-1985)
Publisher. Info. Budapest: Editio Musica Budapest, 1972.
Reprinted Zurich: Edition Eulenburg, n.d.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
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Arrangements and Transcriptions

Selections

For Piano (Liszt)

 4. Hirtengesang an der Krippe (S.498b/1)
5. Die heiligen drei Könige (S.498b/2)
#62262 - 2.04MB, 34 (#52–85) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1257×⇩ - Guifré

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Guifré (2010/4/21)

Editor First edition
Publisher. Info. Leipzig: J. Schuberth & Co., n.d.[1872]. Plate 4933.
Copyright
Public Domain [tag/del]
Misc. Notes Extracted from the composer's vocal score. Separately published in 1873 (Monatsbericht (1873), p.375).
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 4. Hirtengesang an der Krippe (S.498b/1)
5. Die heiligen drei Könige (S.498b/2) (scan) (EU) (Preview)
#115345 - 4.37MB, 35 (#37-71) pp. -  0.0/10 2 4 6 8 10 (-) - C*/N/C* - 1142×⇩ - piupianissimo

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piupianissimo (2011/8/28)

 4. Hirtengesang an der Krippe (S.498b/1)
5. Die heiligen drei Könige (S.498b/2) (filter) (EU) (Preview)
#115346 - 3.30MB, 35 (#37-71) pp. -  0.0/10 2 4 6 8 10 (-) - C*/N/C* - 852×⇩ - piupianissimo

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piupianissimo (2011/8/28)

Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 16
Budapest: Editio Musica, 1982. Plate Z.8859.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - Non-PD US [tag/del/mrg]
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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For Piano (Stradal)
See: Fantasy on Three Movements from Liszt's 'Christus' by August Stradal

Free Recordings

  • Performance by the Hungarian State Orchestra, Antal Doráti (conductor)
    Sándor Sólyom-Nagy (baritone), Veronika Kincses (soprano), Klára Takács (mezzo-soprano), János B. Nagy (tenor), László Polgár (bass)
    Hungarian Radio and Television Chorus, The Nyíregyháza Children's Chorus, András Virágh (harmonium), Bertalan Hock (organ)
Part I
Part II
Part III
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General Information

Work Title Christus
Alternative. Title Oratorium nach Texten aus der heiligen Schrift und der Katholichen Liturgie
Name Translations キリスト; Krisztus; Liszt - Christus (Oratorio); Chrystus; 크리스투스
Name Aliases Weihnachtsoratorium; Christus, Oratorium
Authorities WorldCat; Wikipedia; VIAF: 175205595; LCCN: no98017352; GND: 300093098; SELIBR: 290305; BNF: 13918372z
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.3 ; LW.I7
I-Catalogue NumberI-Cat. No. IFL 62
Movements/SectionsMov'ts/Sec's 3 sections, 14 movements:
  • I. Oratorium in Nativitate Domini / Weihnachts-Oratorium
1. Rorate coeli / Einleitung
2. Angelus Domini / Pastorale und Verkündigung des Engels
3. Stabat Mater speciosa / Hymnus
4. Hirtenspiel an der Krippe / Pastorale
5. Et ecce stella / Die heiligen drei Könige Marsch
  • II. Post Epiphaniam / Nach Epiphania
6. Beati pauperes spiritu / Die Seligpreisungen (based on Die Seligkeiten, S.25)
7. Pater noster / Gebet (based on Pater noster II, S.29)
8. Tu es Petrus / Die Gründung der Kirche (based on Pio IX, S.261)
9. Et ecce motus magnus / Das Wunder
10. Hosanna, benedictus qui venit / Der Einzug in Jerusalem
  • III. Passio et resurrectio / Passion und Auferstehung
11. Tristis est anima mea
12. Stabat Mater dolorosa
13. O filii et filiae / Hymnus Paschalis
14. Resurrexit!
Year/Date of CompositionY/D of Comp. 1866–72
First Performance. 1873-05-29 in Weimar
First Publication. 1872 – Leipzig: Schuberth & Co.
Librettist Biblical and liturgical texts
Language Latin / German
Dedication Hans Richter
Average DurationAvg. Duration 110 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: soprano, alto, tenor, baritone, bass + mixed chorus
Orchestra: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons + 4 horns, 3 trumpets, 3 trombones, tuba + timpani, percussion + harp + organ + strings
External Links Wikipedia article
The Lied, Art Song, and Choral Texts Archive

Navigation etc.

Version History

  • Composed for voices, mixed chorus, organ and orchestra, 1866–72 (= S.3), including revised versions of some earlier compositions (noted above)
Published 1872 by Schuberth & Co. (Leipzig)
  • Nos.4 and 5 arranged for solo piano, 1862–66, as Zwei Orchesterstücke aus dem Oratorium Christus (= S.498b)
Published 1872 by Schuberth & Co. (Leipzig)
  • Nos.4 and 5 arranged for piano 4 hands, 1866–72?, as Zwei Orchestersätze aus dem Oratorium Christus (= S.579)
Published 1873 by Schuberth & Co. (Leipzig)
  • No.8 arranged for organ (or harmonium or pedal piano), 1867, as Tu es Petrus aus dem Oratorio Christus (= S.664/1)
Published 1867 by Repos (Paris)
  • No.8 arranged for organ (simplified), 1867 (= S.664/2)
Version not published

Dedicated to conductor Hans Richter. See Editing Christus.

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