Grand galop chromatique, S.219 (Liszt, Franz)

Contents

Performances

Sheet Music

Scores

PDF scanned by Juilliard (color)
Funper (2010/6/16)

PDF scanned by Juilliard (mono)
Dja (2008/9/14)

Editor Second edition
Publisher. Info. Leipzig: Frédéric Hofmeister, n.d.[1840]. Plate 2276.
Copyright
Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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Feldmahler (2006/3/03)

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Funper (2007/5/22)

Editor Third edition (new engraving)
Publisher. Info. Leipzig: Fr. Hofmeister, n.d.[1873]. Plate 2276.
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PDF scanned by US-SLug
Gaylord (2013/6/25)

Publisher. Info. Boston: Henry Tolman & Co., n.d.[1861-68?].
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Misc. Notes This file is part of the Gaylord Library Mirroring Project.
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piupianissimo (2011/1/29)

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piupianissimo (2011/1/29)

Editor Emil von Sauer (1862–1942)
Publisher. Info. Klavierwerke, Band 5:
Original Kompositionen für Klavier zu zwei Händen
(pp.110-19)
Leipzig: Edition Peters, No.3601a, n.d.[1917]. Plate 9880.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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piupianissimo (2009/5/21)

Editor José Vianna da Motta (1868–1948)
Publisher. Info. Musikalische Werke. Serie II, Band 10 (pp.59-68)
Leipzig: Breitkopf & Härtel, 1928. Plate F.L. 91.
Copyright
Misc. Notes Originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from dust and dirt pixels manually by the uploader. Title pages can be found in Grande valse di bravura, S.209
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piupianissimo (2011/7/5)

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piupianissimo (2011/7/5)

Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 13 (pp.6-16)
Budapest: Editio Musica, 1985. Plate Z.8252.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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Arrangements and Transcriptions

For 2 Pianos 8 hands (Maylath)

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Funper (2008/7/21)

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Notenquetser (2015/6/13)

Arranger Henry Maylath (1827–1883)
Publisher. Info. New York: William A. Pond & Co., 1883. Plate 11024-1.
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For Piano 4 hands (Liszt)

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Janno (2016/12/7)

Publisher. Info. Leipzig: F. Hofmeister, n.d.[1838]. Plate 2277.
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For Simplified Piano (Liszt)

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piupianissimo (2011/7/8)

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piupianissimo (2011/7/8)

Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 13 (pp.138-41)
Budapest: Editio Musica, 1985. Plate Z.8252.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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For Simplified Piano (Maylath)

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Choul (2011/2/15)

Arranger Henry Maylath (1827-1883)
Publisher. Info. 12 Trifling Trinkets for Tiny Fingers
Brooklyn: Chandler Brothers, 1874. Plate 27-2.
Copyright
Misc. Notes 600 dpi B/W Cleaned Score. Simplified arrangement.
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Braille Scores

BRF typeset by editor
Feduol (2024/1/31)

Editor Hu Haipeng (b. 1984)
Publisher. Info. Hu Haipeng, 2022.
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Misc. Notes Braille score in bar-over-bar format, 40 cells per line.
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General Information

Work Title Grand galop chromatique
Alternative. Title
Name Translations Grand Galop Chromatique (Liszt); 半音階的大ギャロップ; Grand Galop Chromatique
Name Aliases Grand galop chromatique in E-flat major; S 219
Authorities Wikipedia
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.219 ; LW.A43/1 ; Op.12 (1st version)
S.219bis ; LW.A43/2 (2nd version)
I-Catalogue NumberI-Cat. No. IFL 139
Key E-flat major (simplified version in E major)
Year/Date of CompositionY/D of Comp. 1838 (1st version)
1840 ca. (2nd version)
First Publication. 1838 (1st version)
Dedication Count Rudolf Apponyi
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
External Links Wikipedia article

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Version History

  • Composed for piano solo, 1838 (= S.219)
Published 1838 by Bernard Latte (Paris); Friedrich Hofmeister (Leipzig); Ricordi (Milan)
  • Arranged for piano 4 hands, 1838 (= S.616)
Published 1838 by Friedrich Hofmeister (Leipzig); Ricordi (Milan); Grosse (Breslau)
  • Revised for simplified solo piano, 1839? (= S.219bis)
Published circa 1840 by Latte (Paris). Version sometimes misattributed to Johann Strauss Jr.

Note: plate of 1838 and 1840 Hofmeister publications the same (2276) (source: WorldCat).