Ich hatte viel Bekümmernis, BWV 21 (Bach, Johann Sebastian)

Contents

Performances

Naxos

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Synthesized/MIDI

Sinfonia (No.1)

For Oboe and Harpsichord or Organ (Kahlert)

MID file (audio/video)
Reccmo (2012/4/30)

Publisher Info. Matthias Kahlert
Performers Synthesized MIDI
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Aria: 'Erfreue dich, Seele, erfreue dich, Herze' (No.10)

For Trumpet and Organ (Rondeau)

MP3 file (audio)
Michrond (2015/10/20)

Publisher Info. Michel Rondeau
Performers MIDI
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Sheet Music

Full Scores

Complete

Version I (BC A 99R)

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Editor David Glenn Lebut Jr.
Publisher. Info. David Glenn Lebut Jr., 2024.
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Misc. Notes Based on Parts D-B Mus.ms. Bach St 354
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Version II (BC A 99a (I))

Version III (BC A 99a (II))

Version IV (BC A 99b)

Version V (BC A 99c)

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Feldmahler (2006/5/18)

Editor Wilhelm Rust (1822-1892)
First edition
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 5 (pp.1-66)
Leipzig: Breitkopf und Härtel, 1855. Plate B.W. V.
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Sallen112 (2021/5/26)

Editor Wilhelm Rust (1822-1892)
First edition (reprint)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 5 (pp.1-64)
Leipzig: Breitkopf und Härtel, 1855. Plate B.W. V.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2499.
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Sallen112 (2017/7/23)

Editor Paul Brainard (1928-2004)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 16 (pp.109-195)
Kassel: Bärenreiter Verlag, 1981. Plate BA 5055.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Casadesus (2021/12/14)

11 more: 2. Chorus: 'Ich hatte viel Bekümmernis in meinem Herzen' • 3. Aria: 'Seufzer, Tränen, Kummer, Not' • 4. Recitativo: 'Wie hast du dich, mein Gott' • 5. Aria: 'Bäche von gesalznen Zähren' • 6. Chorus: 'Was betrübst du dich, meine Seele' • 7. Recitativo: 'Ach Jesu, meine Ruh' • 8. Duet Aria: 'Komm, mein Jesu, und erquicke; Ja, ich komme und erquicke' • 9. Chorus (+Chorale): 'Sei nun wieder zufrieden, meine Seele' • 10. Aria: 'Erfreue dich, Seele, erfreue dich, Herze' • 11. Chorus: 'Das Lamm, das erwürget ist' • Engraving files (MuseScore)

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Casadesus (2021/12/14)

Editor Ramon Casadesus-Masanell
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Sinfonia (No.1)

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Editor Martin Straeten
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Aria: Seufzer, Thränen, Kummer, Noth (No.3)

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Parts

Complete

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BachFan (2017/2/6)

Copyist Johann Martin Schubart (1690–1721)
Johann Lorenz Bach (1695–1773)
Johann Döbernitz (1658–1735)
Emanuel Leberecht Gottschalck (?–1727)
Johann Jeremias Göbel (?–1729)
Johann Andreas Kuhnau (1703–1761)
Christian Gottlob Meißner (1707–1760)
Anonymous scribes
Publisher. Info. Manuscript, n.d.(ca.1714-23).
Partial Holograph manuscript, n.d.(ca.1714-23).
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 354. *Missing Tamburi, Fagotto [Group 1], Tenore-Basso, Tromba 1-3, Tamburi, Continuo (Organo) [Group 2 (& Group 4)], Soprano & Alto Ripieno & Soprano-Basso, Tromba 1-3, Tamburi, Violino 1-2, Viola, Fagotto, Violoncello [Group 3].
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Sallen112 (2021/5/26)

10 more: Bassoon • Trumpet 1, 2, 3 (C) • Trombone 1, 2, 3, 4 • Timpani • Violins I • Violins II • Violas • Cellos/Basses • Harpsichord • Organ

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Sallen112 (2021/5/26)

Editor Wilhelm Rust (1822-1892)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 5
Leipzig: Breitkopf und Härtel, 1855. Plate B.W. V.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2499.
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Earlier Versions

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Copyist Johann Martin Schubart (1690–1721)
Johann Lorenz Bach (1695–1773)
Johann Döbernitz (1658–1735)
Anonymous scribes
Publisher. Info. Manuscript, n.d.(ca.1714).
Partial Holograph manuscript, n.d.(ca.1714).
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 354
Missing bassoon, timpani parts.
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Copyist Emanuel Leberecht Gottschalck (?–1727)
Publisher. Info. Manuscript, n.d.(ca.1717-22).
Partial Holograph manuscript, n.d.(ca.1717-22).
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 354
Missing A T B, oboe, organ, brass and timpani parts.
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Copyist Johann Jeremias Göbel (?–1729)
Publisher. Info. Manuscript, n.d.(ca.1717-22).
Partial Holograph manuscript, n.d.(ca.1717-22).
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 354
According to RISM: "Die Stimme Göbels wurde eventuell für eine eigene Aufführung der Kantate 1721 angefertigt, vgl. BachJb 2003, p. 97-99."
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Copyist Johann Andreas Kuhnau (1703–1761)
Christian Gottlob Meißner (1707–1760)
Anon. Ic
Publisher. Info. Manuscript, n.d.(ca.1723).
Partial Holograph manuscript, 1723.
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 354
Missing SATB soli, SA in chorus, trombone 1, timpani, strings.
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Sinfonia (No.1)

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Sallen112 (2017/7/23)

Editor Paul Brainard (1928-2004)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 16 (pp.196)
Kassel: Bärenreiter Verlag, 1981. Plate BA 5055.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Editor Martin Straeten
Publisher. Info. Martin Straeten
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Vocal Scores

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Yotam (2017/1/20)

Arranger Bernhard Todt (1822-1907), piano reduction
Language German / English
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(1891). Plate J. S. B. I.21.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
English text added, score re-formatted to 71 pages from 54.
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Misc. Notes Based on the Bach-Gesellschaft Ausgabe
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Arranger Bernhard Todt (1822-1907), piano reduction
Editor Melvin P. Unger
Language German / English
Publisher. Info. Melvin P. Unger, after
Leipzig: Breitkopf und Härtel, n.d.(1891). Plate J. S. B. I.21.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
English text added, score re-formatted to 71 pages from 54.
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Misc. Notes This is an annotated/analyzed piano-vocal score using the Bach-Gesellschaft Ausgabe.
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Arranger Bernhard Todt (1822-1907), piano reduction
Language Russian
Translator Mariya Davydova (1863–19??), Russian text
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1900).
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Arrangements and Transcriptions

Sinfonia (No.1)

For Oboe ad lib. and Strings (Lang)

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Arranger Peter Lang
Publisher. Info. Peter Lang, 2013.
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Misc. Notes Various quintet configurations
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For Flute, Oboe, Clarinet, Bassoon and Horn (Schneider)

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5 more: Flute • Oboe • Clarinet (B♭) • Bassoon • Horn (F)

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TAS (2011/5/8)

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Arranger Thomas A. Schneider
Publisher. Info. Thomas A. Schneider, 2011.
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For Oboe and Harpsichord or Organ (Kahlert)

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Zapane (2009/1/14)

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Reccmo (2012/4/30)

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Chorus: 'Ich Hatte viel Bekümmernis in meinem Herzen' (No.2)

For 2 Violins, 2 Violas and 2 Cellos (Lang)

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FP23 (2017/7/23)

Arranger Russ Bartoli
Peter Lang
Publisher. Info. Peter Lang, 2016.
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Misc. Notes 2 Violins, 2 Violas, 2 Cellos
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Aria: 'Seufzer, Thränen, Kummer, Noth' (No.3)

For Trios: Oboe ad lib. and Strings (Lang)

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Arranger Peter Lang
Publisher. Info. Peter Lang, 2013.
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Misc. Notes Various trio configurations
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For Organ (Bækgaard)

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Arranger Peter Bækgaard
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Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Peter Bækgaard Collection.
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For Piano (Manzotti)

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Arranger Giacomo Batista Manzotti (fl.1883-1885)
Publisher. Info. New York: J.O. von Prochaźka, Elite Edition, No.160, 1885.
Copyright
Misc. Notes Dedicated to Rafael Joseffy. Called just "Seufzer und Kommer". (The arranger in turn is given as "Mangotti" on the first page of score, but there are enough other examples of his work scanned and mentioned on the front and back page to make "Manzotti" clearer.)
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Aria: 'Bäche von gesalznen Zähren' (No.5)

For String Quintets (Lang)

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Arranger Peter Lang
Publisher. Info. Peter Lang, 2013.
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Misc. Notes 2 Violas or 2 Cellos
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Aria: 'Komm, mein Jesu, und erquicke; Ja, ich komme und erquicke' (No.8)

For String Trios (Lang)

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Arranger Peter Lang
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Misc. Notes Various trio configurations
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Aria: 'Erfreue dich, Seele, erfreue dich, Herze' (No.10)

For Trumpet and Organ (Rondeau)

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Arranger Michel Rondeau
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For String Duos (Lang)

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Arranger Peter Lang
Publisher. Info. Peter Lang, 2015.
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Misc. Notes Various duo configurations
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Chorus: 'Das Lamm, das erwürget ist' (No.11)

For String Octets (Bartoli and Lang)

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Arranger Russ Bartoli
Peter Lang
Editor Peter Lang
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Misc. Notes Octets for various configurations of violins, violas, and cellos
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Other

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Antonio Armendá... (2011/1/19)

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Antonio Armendá... (2011/1/19)

Editor Antonio Armendáriz (2nd edition)
Language German / Spanish / French / English
Publisher. Info. Lodosa: Antonio Armendáriz Navarro
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Misc. Notes Textos biográficos en cuatro idiomas (alemán, español, francés e inglés). Partituras en alta calidad
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General Information

Work Title Ich hatte viel Bekümmernis
Alternative. Title I had much affliction
Name Translations Ich hatte viel Bekümmernis, רי"ב 21
Name Aliases Ich hatte viel Bekummernis
Authorities WorldCat; Wikipedia; VIAF: 184337580; LCCN: n91045238; GND: 300006985; BNF: 139095460; BNE: XX4620633
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 21 ; BC A 99
I-Catalogue NumberI-Cat. No. IJB 310
Key C minor (D minor - BC A 99b)
Movements/SectionsMov'ts/Sec's 7 movements, rev. 11 movements (in 2 parts):

BC A 99R:

1. Chorus: Ich hatte viel Bekümmernis in meinem Herzen
2. Aria (Soprano): Seufzer, Tränen, Kummer, Not
3. Recitativo (Soprano): Wie hast du dich, mein Gott
4. Aria (Soprano): Bäche von gesalznen Zähren
5. Chorus: Was betrübst du dich, meine Seele
6. Chorus [+Chorale]: Sei nun wieder zufrieden, meine Seele
7. Aria (Soprano): Erfreue dich, Seele, erfreue dich, Herze

BC A 99a (I):

  • Erster Teil
1. Sinfonia
2. Chorus: Ich hatte viel Bekümmernis in meinem Herzen
3. Aria (Soprano): Seufzer, Tränen, Kummer, Not
4. Recitativo (Soprano): Wie hast du dich, mein Gott
5. Aria (Soprano): Bäche von gesalznen Zähren
6. Chorus: Was betrübst du dich, meine Seele
  • Zweiter Teil
7. Recitativo (Soprano, Bass): Ach Jesu, meine Ruh
8. Aria (Duet, Soprano, Bass): Komm, mein Jesu, und erquicke; Ja, ich komme und erquicke
9. Chorus [+Chorale]: Sei nun wieder zufrieden, meine Seele
10. Aria (Soprano): Erfreue dich, Seele, erfreue dich, Herze
11. Chorus: Das Lamm, das erwürget ist

BC A 99a (II):

  • Erster Teil
1. Sinfonia
2. Chorus: Ich hatte viel Bekümmernis in meinem Herzen
3. Aria (Tenor): Seufzer, Tränen, Kummer, Not
4. Recitativo (Tenor): Wie hast du dich, mein Gott
5. Aria (Tenor): Bäche von gesalznen Zähren
6. Chorus: Was betrübst du dich, meine Seele
  • Zweiter Teil
7. Recitativo (Tenor, Bass): Ach Jesu, meine Ruh
8. Aria (Duet, Tenor, Bass): Komm, mein Jesu, und erquicke; Ja, ich komme und erquicke
9. Chorus [+Chorale]: Sei nun wieder zufrieden, meine Seele
10. Aria (Tenor): Erfreue dich, Seele, erfreue dich, Herze
11. Chorus: Das Lamm, das erwürget ist

BC A 99b (D minor):

  • Erster Teil
1. Sinfonia
2. Chorus: Ich hatte viel Bekümmernis in meinem Herzen
3. Aria (Soprano): Seufzer, Tränen, Kummer, Not
4. Recitativo (Soprano): Wie hast du dich, mein Gott
5. Aria (Soprano): Bäche von gesalznen Zähren
6. Chorus: Was betrübst du dich, meine Seele
  • Zweiter Teil
7. Recitativo (Soprano, Bass): Ach Jesu, meine Ruh
8. Aria (Duet, Soprano, Bass): Komm, mein Jesu, und erquicke; Ja, ich komme und erquicke
9. Chorus [+Chorale]: Sei nun wieder zufrieden, meine Seele
10. Aria (Soprano): Erfreue dich, Seele, erfreue dich, Herze
11. Chorus: Das Lamm, das erwürget ist

BC A 99c:

  • Erster Teil
1. Sinfonia
2. Chorus (Solo & Ripieno): Ich hatte viel Bekümmernis in meinem Herzen
3. Aria (Soprano): Seufzer, Tränen, Kummer, Not
4. Recitativo (Tenor): Wie hast du dich, mein Gott
5. Aria (Tenor): Bäche von gesalznen Zähren
6. Chorus (Solo & Ripieno): Was betrübst du dich, meine Seele
  • Zweiter Teil
7. Recitativo (Soprano, Bass): Ach Jesu, meine Ruh
8. Aria (Duet, Soprano, Bass): Komm, mein Jesu, und erquicke; Ja, ich komme und erquicke
9. Chorus [+Chorale] (Solo & Ripieno): Sei nun wieder zufrieden, meine Seele
10. Aria (Tenor): Erfreue dich, Seele, erfreue dich, Herze
11. Chorus (Solo & Ripieno): Das Lamm, das erwürget ist
Year/Date of CompositionY/D of Comp. 1713-23
First Performance. 1713-10-08 in Weimar (funeral of Amelia Maria Harreß)
First Publication. 1855 (BGA)
Librettist see below
Psalm XCIV:19 (No.2)
Salomo Franck (1659?–1725) (Nos.3-5, 7-8, 10)
Psalm XLII:5 (No.6)
Georg Neumark (1621–1681) (No.9)
Revelation 5:12-13 (No.11)
Language German
Dedication 3rd Sunday after Trinity; Funeral; Post applications
Average DurationAvg. Duration 44 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation soprano, alto, tenor, bass; mixed chorus (SATB), orchestra
InstrDetail
oboe, bassoon, 3 trumpets (Versions 2-5), 4 trombones [or cornetto & 3 trombones) (doubling; Version 5 only), timpani
strings, continuo (organ)
Manuscript Sources BC A 99a (1713-14)
BC A 99b (1717-22)
BC A 99c (1723)
External Links Wikipedia article
Bach-Cantatas.com
Extra Information Commentary, etc. Performance history