Fantasia in C minor, Op.80 (Beethoven, Ludwig van)

Contents

 [hide

Performances [show]

Sheet Music

Full Scores

Publisher. Info. Ludwig van Beethovens Werke, Serie 9, Nr.71
Leipzig: Breitkopf und Härtel, n.d.[1862-90]. Plate B.71.
Copyright
Purchase
Publisher. Info. Ludwig van Beethovens Werke, Serie 9, Nr.71
Leipzig: Breitkopf und Härtel, n.d.[1862-90]. Plate B.71.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A1166.
Copyright
Misc. Notes Full Score is 10 x 13 scan.
Purchase

PDF scanned by Unknown
Feduol (2024/11/18)

Editor Armin Raab (b. 1956)
Publisher. Info. Munich: G. Henle Verlag, 1998.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Purchase
Javascript is required for this feature.

Parts

Piano Solo
Publisher. Info. London: Clementi & Comp., No.1811, n.d.[1811].
Copyright
Purchase
Publisher. Info. Konzerte und Phantasie für Klavier und Orchester
Leipzig: C.F. Peters, n.d.(ca.1897). Plate 8603.
Copyright
Purchase
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1900). Plate Orch.-B. 420.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A1166.
Copyright
Purchase

PDF scanned by Unknown
Feduol (2024/11/18)

Editor Clive Brown (b. 1947)
Publisher. Info. Breitkopf & Härtels Orchester-Bibliothek, No.5230
Wiesbaden: Breitkopf & Härtel, 1993. Plate Wq. 2086.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Purchase
Javascript is required for this feature.
Orchestra
Editor First edition
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d. Plate 1615, 1657.
Copyright
Misc. Notes Low Resolution Color Scans
Purchase

10 more: Oboe 1, 2 • Clarinet 1, 2 (C and A) • Bassoon 1, 2 • Horn 1, 2 (C) • Trumpet 1, 2 (C) • Timpani • Violins I • Violins II • Violas • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1900). Plate Orch.-B. 420.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
Copyright
Misc. Notes These files are part of the Orchestra Parts Project.
Purchase

10 more: Oboe 1, 2 • Clarinet 1, 2 (C/A)* • Bassoon 1, 2 • Horn 1, 2 (C) • Trumpet 1, 2 (C) • Timpani • Violins I • Violins II • Violas • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1900). Plate Orch.-B. 420.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A1166.
Copyright
Misc. Notes *Clarinet 1 has plate number which corresponds to the Complete Works. 10 x 13 scans.
Purchase
Editor Nielsen S. Dalley
Publisher. Info. Nielsen S. Dalley, 2024.
Copyright
Misc. Notes Both Horn Parts on One Page, With, cues, Measure #s, and edits
Purchase
Javascript is required for this feature.
Editor Tom Potter
Publisher. Info. Tom Potter
Copyright
Misc. Notes The cello solo on page 1 is written in treble clef, but usually is played one octave lower. Here that solo is rendered in tenor clef for easier sight reading.
Purchase

PDF scanned by Unknown
Feduol (2024/11/18)

17 more: Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 (C) • Clarinet 2 (C) • Bassoon 1 • Bassoon 2 • Horn 1 (C) • Horn 2 (C) • Trumpet 1 (C) • Trumpet 2 (C) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

PDF scanned by Unknown
Feduol (2024/11/18)

Editor Clive Brown (b. 1947)
Publisher. Info. Breitkopf & Härtels Orchester-Bibliothek, No.5230
Wiesbaden: Breitkopf & Härtel, 1993. Plate Wq. 2086.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Purchase
Javascript is required for this feature.

Vocal Scores

Complete

Arranger Xaver Scharwenka (1850–1924)
Language German / French
Translator Amédée Boutarel (1855–1924), French text
Publisher. Info. Leipzig: Breitkopf & Härtel, 1915. Plate 27544.
Copyright
Misc. Notes This file is from the MIT archive project.
Purchase

Allegretto, ma non troppo, (quasi Andante con moto)

Language English / German
Translator Natalia Macfarren (1827–1916), English text
Publisher. Info. London: Novello, n.d.
Reprinted New York: H.W. Gray Co., n.d.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
Purchase
Language German / French
Translator Amédée Boutarel (1855–1924), French text
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1915).
Copyright
Misc. Notes A4-size scan which can easily be reproduced for choruses.
Purchase

Arrangements and Transcriptions

For Mixed Chorus, Flute, Violin, Viola, Cello and Piano

8 more: Soprano • Alto • Tenor • Bass • Flute (or Violin) • Violin • Viola • Cello

Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1861). Plate 1657, 7398 and 10227.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
Purchase
For 2 Pianos 8 hands
For 2 Pianos (Bülow)
Arranger Hans von Bülow (1830–1894)
Publisher. Info. Leipzig: Jos. Aibl, n.d. Plate 2372.
Copyright
Purchase
For 2 Pianos (Kullak)
Arranger Franz Kullak (1844–1913)
Publisher. Info. Leipzig: Steingräber Verlag, n.d. Plate 306.
Copyright
Purchase
For Piano 4 hands (Ulrich)
Arranger Hugo Ulrich (1827–1872)
Publisher. Info. Leipzig: C.F. Peters, No.992c, n.d.[1896]. Plate 8264.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
Purchase

General Information

Work Title Fantasia for Piano, Chorus and Orchestra
Alternative. Title Choral Fantasy
Name Translations Fantasia corale; Fantasie für Klavier, Chor und Orchester; Ĥora Fantazio; Fantasía coral; Fantaisie chorale; [10 more...]合唱幻想曲; 합창 환상곡(베토벤); Fantasia coral; Koral Fantazi; Fantasi i c-moll for piano, kor og orkester; Fantazija za klavir, zbor i orkestar; Фантазія для фортепіано, хору та оркестру; Zborovska fantazija; Koorfantasie in C, op. 80 (Beethoven); Chorální fantazie
Name Aliases Fantasía para piano, solistas, coro y orquesta en do menor Op. 80; Fantasia for Piano, Chorus, and Orchestra, Op. 80; Korfantasi; Хорова фантазія; Fantazija za klavir, zbor in orkester
Authorities WorldCat; Wikipedia; VIAF: 309873301; LCCN: n82153059; GND: 300015186; [4 more...]BNF: 13908255w; NLA: 35378732; NKC: ph224361; BNE: XX1954887
Composer Beethoven, Ludwig van
Opus/Catalogue NumberOp./Cat. No. Op.80
Internal Reference NumberInternal Ref. No. ILB 66
Key C minor
Movements/SectionsMov'ts/Sec's 2 sections (no break):
  1. Adagio (C minor, 26 bars)
  2. Finale.
    a. Allegro (C minor, bars 27-397)
    b. Allegretto, ma non troppo (quasi Andante con moto) (C major, bars 398-612)
Year/Date of CompositionY/D of Comp. 1808
First Performance. 1808-12-22 in Vienna, Theater an der Wien*
Voices, Chorus, Orchestra, Ludwig van Beethoven (piano, conductor)
First Publication. 1811 (July) - Leipzig: Breitkopf & Härtel
Librettist Christoph Kuffner (1780–1846)
Language German
Dedication Maximilian Joseph I. König von Bayern
Average DurationAvg. Duration 18-20 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation piano, voices, chorus, orchestra
InstrDetail [more...]
Voices (SSATTB), Mixed Chorus (SATB)
Orchestra
2 flutes, 2 oboes, 2 clarinets, 2 bassoons
2 horns, 2 trumpets, timpani, strings
Related Works Based on a theme of "Gegenliebe" from Seufzer eines Ungeliebten und Gegenliebe, WoO 118
External Links Wikipedia article
All Music Guide
Extra Information *Finale of the extraordinary concert which saw the premieres of the Piano Concerto No.4 and the Symphonies Nos.5 and 6.

Navigation etc.

[hide]Beethoven Concertos