Symphony No.101 in D major, Hob.I:101 (Haydn, Joseph)

Contents

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Performances

Recordings

Performer Pages Royal Philharmonic Orchestra (orchestra)
Thomas Beecham (conductor)
Publisher Info. The Salomon Symphonies (Volume Two)
Capitol Records, 1960. GCR 7198.
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TN-PMLP7579-01.01. Symphony No. 99 In E Flat Major- First Movement- Adagio - Vivace Assai-8285.png
Performer Pages Joseph Keilberth (conductor)
Bamberger Symphoniker (orchestra)
Publisher Info. Telefunken, 1957.
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Andante (No.2)

For 4 Accordions, Bass Accordion and Timpani (De Bra)

Publisher Info. Paul De Bra, 2021.
Performers Professor P (Paul De Bra playing 4 different accordions and bass accordion)
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Misc. Notes arrangement available from this page
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Naxos

Sheet Music

Full Scores

Publisher. Info. Holograph manuscript, 1794.
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Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1855]. Plate 8874.
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Misc. Notes Low resolution grayscale images.
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Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1855]. Plate 8874.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A1548.
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Publisher. Info. Sinfonien und Quartette, Vol.1 (pp.104-63)
Leipzig: C.F. Peters, No.1027a, n.d.[1873]. Plate 5623.
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Publisher. Info. 12 Symphonies
Leipzig: August Cranz, No.2151, n.d. Plate C. 46698.
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Editor Ernst Praetorius (1880–1946)
Publisher. Info. Leipzig: Ernst Eulenburg, No.439, n.d.(ca.1934). Plate E.E. 3634.
Reprinted Mineola: Dover Publications, 1999.
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Misc. Notes 600dpi monochrome
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Editor Georgy Kirkor (1910–1980)
Publisher. Info. London Symphonies, No.11
Moscow: Muzgiz, 1959.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Editor Howard Chandler Robbins Landon (1926–2009)
Publisher. Info. Ausgabe sämtlicher Symphonien, Vol.XII
Salzburg: Haydn-Mozart Presse/Universal Edition, 1967. Plate H.M.P. 182.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor CCARH Team
Publisher. Info. Palo Alto: CCARH, 2008.
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Misc. Notes MuseData page
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Parts

12 more: Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1/2 • Horn 1, 2 (D) • Trumpet 1, 2 (D) • Timpani • Violins I • Violins II • Violas • Cellos • Basses • Cover Page

Publisher. Info. Paris: Sieber, n.d.(1799). Plate 1545.
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Misc. Notes RISM A/I: H 2919 Co-first publication with André?
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10 more: Oboe 1, 2 • Clarinet 1, 2 (A, transposed B♭) • Bassoon 1, 2 • Horn 1, 2 (D/G, transposed F) • Trumpet 1, 2 (D/C, transposed B♭) • Timpani • Violins I • Violins II • Violas • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate Orch.B.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A1548.
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Misc. Notes These files are part of the Orchestra Parts Project.
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16 more: Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 (A) • Clarinet 2 (A) • Bassoon 1 • Bassoon 2 • Horn 1 (D/G) • Horn 2 (D/G) • Trumpet 1 (D/C) • Trumpet 2 (D/C) • Timpani • Violins I • Violins II • Violas • Cellos/Basses

Editor Horst Walter (1931–2016)
Publisher. Info. Munich-Duisburg: G. Henle Verlag, 1966.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Kassel: Bärenreiter, 1994. Plate BA 4671-74.
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Arrangements and Transcriptions

Complete

For Violin and Piano (Hermann)
See: Symphonien für Pianoforte und Violine (No.4)
For Piano 4 Hands (Enke)
Arranger Heinrich Enke (1811–1859)
Publisher. Info. Wolfenbüttel: L. Holle, n.d.(19th century). Plate 272.
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For Piano 4 hands (Ulrich)
Arranger Hugo Ulrich (1827–1872)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 4935.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Hugo Ulrich (1827–1872)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 6330.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Hugo Ulrich (1827–1872)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 10601.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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For Piano (Stegmann)
Arranger Carl David Stegmann (1751–1826)
Publisher. Info. Bonn: N. Simrock, n.d. Plate 53.
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For Piano (Horn)
Arranger August Horn (1825–1893)
Publisher. Info. Symphonien für Klavier zu zwei Händen
Leipzig: C.F. Peters, n.d. Plate 6747.
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Misc. Notes This work is no. "4" in the published collection. Title and contents pages for this collection are added to this scan for reference.
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For Piano (Wittmann)
Arranger Robert Wittmann (b. 1804)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 4983.
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Andante (No.2)

For 4 Accordions, Bass Accordion and Timpani (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2021.
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Misc. Notes Timpani can be omitted. This piece is rather long (8 minutes) but the score indicates how to shorten it to just under 5 minutes.
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For Piano (Duvernoy)
Arranger Victor Alphonse Duvernoy (1842–1907)
Publisher. Info. Paris: Heugel, n.d.[1871]. Plate H.5327.
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For Organ (Best)
Arranger William Thomas Best (1826–1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.4 (pp.850-58)
London: Novello, Ewer & Co., n.d. Plate 2229.
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For Keyboard (Haydn)
Arranger Joseph Haydn (1732–1809)
Publisher. Info. Dirk Schneiderheinze, 2023.
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Misc. Notes Fragment of Menuetto (No.3) from the organ clock by Joseph Niemecz
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General Information

Work Title Symphony No.101 in D major
Alternative. Title The Clock
Name Translations symphonie nº 101; Symphony No. 101; 第101號交響曲 (海頓); 101. Sinfonie; 101-a simfonio (Haydn); [15 more...]Sinfonia n. 101; Симфония №101 (Хайдн); Симфонія № 101 (Гайдн); Symfonie nr. 101; 交響曲第101番 (ハイドン); Sinfonía n.º 101; Симфония № 101; Giao hưởng số 101; Sinfonia n.º 101 (Haydn); Simfonia núm. 101; Symfoni nr. 101; السيمفونيه رقم 101; 교향곡 101번; Sinfonia nro 101 (Haydn); Siansa Uimh. 101
Name Aliases Symphony No. 101 in D Major, "The Clock"; Symfonie nr. 101 (Haydn); Sinfonía n.º 101 en re mayor, Hob. 1:101; El reloj
Authorities WorldCat; Wikipedia; VIAF: 179031703; LCCN: n83121783; GND: 300808224; [2 more...]BNF: 13913282s; BNE: XX2016429
Composer Haydn, Joseph
Opus/Catalogue NumberOp./Cat. No. Hob.I:101
I-Catalogue NumberI-Cat. No. IJH 590
Key D major
Movements/SectionsMov'ts/Sec's 4 movements:
  1. Adagio - Presto (D major, 351 bars)
  2. Andante (G major, 150 bars)
  3. Minuet - Trio. Allegretto (D major, 160 bars)
  4. Finale. Vivace (D major, 280 bars)
Year/Date of CompositionY/D of Comp. 1794
First Performance. 1794-03-03 in London, Hanover Square Rooms
Orchestra, Johann Peter Solomon and Haydn (conductor)
First Publication. 1799 – Offenbach: Johann André (parts)
Average DurationAvg. Duration 30 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation orchestra
InstrDetail [more...]
2 flutes, 2 oboes, 2 clarinets, 2 bassoons
2 horns, 2 trumpets, timpani, strings
Related Works Minuet reworked as Flötenuhr in C major, Hob.XIX:29
External Links Haydn100&7
Wikipedia article

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Symphonies by Joseph Haydn (Hob. I)