6 Soirées à Saint-Petersbourg, Op.44 (Rubinstein, Anton)

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Publisher. Info. Leipzig: C.F. Kahnt, n.d.[1859]. Plate 658.
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Publisher. Info. Leipzig: C.F. Kahnt, n.d.[1859]. Plate 660.
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Romance (No.1)

Editor William Scharfenberg (1819–1895)
Publisher. Info. New York: G. Schirmer, 1879. Plate 2170.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Editor Arthur Foote (1853–1937)
Publisher. Info. Boston: Arthur P. Schmidt, 1890. Plate A.P.S. 2184-2.
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Editor Sigismondo Cesi (1869–1936)
Publisher. Info. Milano: G. Ricordi, n.d.(ca.1896). Plate 100292.
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Publisher. Info. New York: The University Society, 1905.
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Editor Ernest Richard Kroeger (1862–1934)
Publisher. Info. St. Louis: Thiebes-Stierlin Music Co., 1906. Plate 1165.
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Misc. Notes This file is part of the Gaylord Library Mirroring Project.
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Editor Stanley Harry Hawley (1867–1916)
Publisher. Info. Rubinstein: Favorite Piano Pieces (pp.3-6)
London: Alfred Lengnick, n.d.(ca.1908). Plate A.L. & Cº. 2259.
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Misc. Notes estimated date, Hawley's edition, etc.
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Editor Leopold Godowsky (1870–1938)
Publisher. Info. St. Louis: Art Publication Society, 1916. Plate 540.
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Misc. Notes This file is from the MIT archive project.
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Editor Konstantin Igumnov (1873–1948)
Publisher. Info. Selected Works for Piano, Vol.1 (pp.146-148)
Moscow: Muzgiz, 1945. Plate M. 18161 Г.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Scherzo (No.2)

Publisher. Info. Paris: J. Maho, n.d. Plate J. 773 1 M.
Reissue - Paris: J. Hamelle, n.d.(after 1877). Plate J. 773/78 H. (on cover)
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Misc. Notes (pages 2-3 are the Romance)
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Preghiera (No.3)

Editor Konstantin Igumnov (1873–1948)
Publisher. Info. Selected Works for Piano, Vol.1 (pp.149-156)
Moscow: Muzgiz, 1945. Plate M. 18161 Г.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Impromptu (No.4)

Editor William Kipp Bassford (1839–1902)
Publisher. Info. Library of Musical Classics, Vol.367
New York: G. Schirmer, 1896. Plate 12598.
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Arrangements and Transcriptions

Romance (No.1)

For Theatre Orchestra (Langey)
Arranger Otto Langey (1851–1922)
Publisher. Info. Schirmer's School Orchestra, No.9
New York: G. Schirmer, 1920. Plate 29167.
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Misc. Notes This file is part of the Submission Project.
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For Violin, Cello and Piano (Riesenfeld)
Arranger Hugo Riesenfeld (1879–1939)
Publisher. Info. Classic Trios
New York: T.B. Harms, 1913.
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For Flute and Piano (Schwedler)
Arranger Maximilian Schwedler (1853–1940)
Publisher. Info. Paris: Hamelle, n.d. Plate 5109.
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Misc. Notes For a monochrome piano score, use any violin acc (in Eflat)
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For Cornet and Piano
Arranger Unknown
Publisher. Info. Hamburg: D. Rahter, n.d.
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Misc. Notes suitable for clarinet or other B instrument
use with violin piano accpt (in e flat).
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For Voice and Piano
Arranger Unknown
Language Polish / German
Translator August Bernhard (1852–1908), German text
Piotr Maszyński (1855–1934), Polish text
Publisher. Info. Zbiór śpiewów salonowych
St. Petersburg: W. Bessel, 1890. Plate 898.
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Arranger Unknown, music
Aleksandr Pushkin (1799–1837), Russian text
Language Polish / Russian / French
Translator Polish: Piotr Maszyński (1855–1934)
French: Camille Chevillard (1859–1923)
Publisher. Info. Leipzig: C.F. Kahnt, n.d.(ca.1910). Plate 6242.
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Misc. Notes This file is part of the Submission Project.
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For Violin and Piano (Cerné)
For Violin and Piano (Hermann)
Arranger Friedrich Hermann (1828–1907) ?
Publisher. Info. Leipzig: C.F. Kahnt (?), n.d.
Reprinted New York: Century Music Publishing Co., n.d.(ca.1900).
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For Violin and Piano (Seybold)
For Cello and Piano (Grützmacher)
Arranger Friedrich Grützmacher (1832-1903)
Publisher. Info. Paris: J. Hamelle, n.d. Plate J. 773/75 H.
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Misc. Notes color scan 400 dpi
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For Harp (Ciarlone)
Arranger Virginia Ciarlone (fl. 1890)
Publisher. Info. Moscow: P. Jurgenson, n.d.(ca.1900). Plate 26617.
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Misc. Notes From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org). From Pratt Harp Collection
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General Information

Work Title 6 Soirées à Saint-Petersbourg
Alternative. Title
Composer Rubinstein, Anton
Opus/Catalogue NumberOp./Cat. No. Op.44
Internal Reference NumberInternal Ref. No. IAR 86
Movements/SectionsMov'ts/Sec's 6 pieces:
  1. Romance (E major)
  2. Scherzo (A major)
  3. Preghiera (B major)
  4. Impromptu (G major)
  5. Nocturne (F major)
  6. Appassionato (B minor)
First Publication. 1859
Dedication A Madame La Comptesse Gisella de Stadion-Than-Warthausen (Hamelle edition)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano

Navigation etc.

French city-name of the day was Saint-Petersbourg (as one sees - Monatsbericht (1859), p.202.)