Historical Publication Info
Gershwin Harms-New World cover
History
Harms was the largest publisher of popular sheet music in the United States in 1920. This was at the height of the pre-radio, film, and record era, when fortunes could be made from only two sources: live performances (vaudeville and theatrical shows) and printed scores.
The business talent which propelled Harms to this position was that of Max Dreyfus (1874-1964), not the Harms themselves.
Much earlier, in 1875 the two Harms brothers Alexander T. Harms (1856–1901) and Thomas B. Harms (1860-1906) founded a music publishing firm in New York and named it T.B. Harms & Co. It succeeded in promoting popular sheet music in spite of the limited mass media of the time. Among its successes were When the Robins Nest Again (1883) and The Letter That Never Came.
Twenty-five years later, in 1901, the enterprising Max Dreyfus (1874-1964), a musical arranger, bought a 25% interest in the firm and within three years (1904) bought the firm outright, keeping the name T.B. Harms & Co., Inc. He had a unique ability to find new composers, and within ten years he had signed nearly every significant popular composer of the day: Jerome Kern, George Gershwin, Vincent Youmans, Richard Rodgers, and Cole Porter. The firm's proximity to America's theatrical music mecca of Broadway was a great help.
From 1908 to 1920 the British firm Francis, Day & Hunter owned one-third of the company's stock and the firm was known as T.B.Harms & Francis, Day & Hunter; this allowed Harms to widen its market to the U.K. and the British Empire, and at the same time helped Francis, Day & Hunter to sell its British songs in the U.S.
The 1920s brought big changes. Louis Dreyfus (1877–1967), Max’s brother, became the New York manager for the British publisher Chappell. Francis, Day & Hunter sold its interest in Harms and the firm's name reverted to T.B. Harms, Inc. In 1927 Harms set up New World Music Corporation to market the Gershwins' music. Finally, in 1929 Dreyfus sold out to Warner Brothers, who renamed it Music Publishers Holding Corporation. From 1935 Max Dreyfus worked with his brother Louis at Chappell's New York office.
Editions
Imprints, Addresses, Agencies
Imprints
- T.B. Harms & Co. (1881)
- T.B. Harms & Francis, Day & Hunter (1908-1920)
- T.B. Harms (1920-1929)
- New World Music Corporation (from 1927) - Music of George Gershwin
- Music Publishers Holding Corporation (1929 forward, after sale to Warner Brothers)
Addresses
New York
- 819 Broadway (1881)
- RCA Building, Rockefeller Center (1919-29)
- 62 West 45th Street (1922)
Plate Numbers
Dates in italics are estimated.
Plate |
Composer |
Work |
Year
|
0297 |
Faning |
I've Something Sweet to Tell You |
|
5094 |
Hein, Silvio |
Some Little Bug is Going to Find You |
1915
|
5260 |
Lauder, Harry |
Doughie the Baker |
1915
|
5308 |
Lauder |
Rotary |
1916
|
5323 |
Lauder |
The Night Before (Aye, Something Happens to Me!; vocal score) |
1916
|
5397 |
Various |
The Big Show (4. Poor Butterfly; vocal score) |
1916
|
5401 |
Kálmán |
Miss Springtime (8. My Castle in the Air; vocal score) |
1916
|
5402 |
Kálmán |
Miss Springtime (10. Someone; vocal score) |
1916
|
5810 |
Herbert |
Angel Face (1. I Might Be Your Once-in-a-While; vocal score) |
1919
|
6095 |
Openshaw, John |
Love Sends a Little Gift of Roses |
1919
|
6129 |
Herbert |
The Girl in the Spotlight (2. I Cannot Sleep Without Dreaming of You; vocal score) |
1920
|
6178 |
Levey, Harold |
Lady Billy (10. Duet: Goodbye; vocal score) |
1920
|
6524 |
Herbert |
A Kiss in the Dark |
1922
|
6635 |
Openshaw |
Love Sends a Little Gift of Roses (re-issue) |
1922
|
7009 |
Openshaw |
June Brought the Roses |
1924
|
7271 |
Gershwin |
Lady, Be Good (7. Oh, Lady Be Good!; vocal score) |
1924
|
7430 |
Campbell, Jimmy |
Show Me the Way to Go Home |
1925
|
7464 |
Thornton |
She May Have Seen Better Days (re-issue) |
1925
|
7468 |
Gaunt, Percy |
A Trip to Chinatown (1. The Bowery; vocal score, re-issue) |
1925
|
7479 |
Scanlan, William Jay |
Molly-O! (re-issue) |
1925
|
7480 |
Dacre |
Daisy Bell (re-issue) |
1925
|
7481 |
Filson, Al W. |
Maggie, the Cows Are in the Clover (re-issue) |
1925
|
7647 |
Howard |
Hello! Ma Baby (re-issue) |
1925
|
7736 |
Ward, Charles B. |
The Band Played On (Sirmay ed.) |
1926
|
7851 |
Gershwin |
Oh, Kay! (5. Someone to Watch over Me; vocal score) |
1926
|
8003 |
Henderson, Ray |
Just a Memory |
1927
|
8077 |
Various |
Golden Dawn (1. The Whip; vocal score) |
1927
|
8092 |
Various |
Golden Dawn (3. Here in the Dark; vocal score) |
1927
|
8111 |
Various |
Take the Air (6. Maybe I'll Baby You; vocal score) |
1927
|
8112 |
Various |
Take the Air (15. Ham and Eggs in the Morning; vocal score) |
1927
|
8113 |
Ruby, Harry |
The Five O'Clock Girl (selections, arr. Grant) |
1927
|
8126 |
Various |
Take the Air (12. All I Want is a Lullaby; vocal score) |
1927
|
8197 |
Grossman, Edward |
Dolores |
1928
|
8344 |
Hanley, James Frederick |
The Rainbow Man (3. Rainbow Man; vocal score) |
1929
|
8348 |
Hanley |
The Rainbow Man (2. Little Pal; vocal score) |
1929
|
8349 |
Hanley |
The Rainbow Man (1. Sleepy Valley; vocal score) |
1929
|
8970 |
Noble, Ray |
Say It with Music (2. Love is the Sweetest Thing; vocal score) |
1933
|
T.B.H.Co. ###
Plate |
Composer |
Work |
Year
|
090 |
Kern |
Head Over Heels (5. The Big Show; vocal score) |
1918
|
141 |
Various |
The Night Boat (3. Left All Alone Again Blues; vocal score) |
1920
|
163 |
Kern |
Hitchy-Koo (1920) (8. The Old Town; vocal score) |
1920
|
Catalogs
Sources Consulted
Authority Control