Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian)

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Recordings

Aria: 'Schafe können sicher weiden' (No.9)

For 4 Accordions and Bass Accordion (De Bra)

Publisher Info. Paul De Bra
Performers Paul De Bra (multi-track recording)
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For Trumpet and Organ (Rondeau)

Performer Pages Michel Rondeau (trumpet)
Publisher Info. Michel Rondeau
Performers 1. Jeffrey Campbell (organ)
2. Aline Letendre (organ)
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Piano (Busoni)

Performer Pages Martha Goldstein (piano)
Publisher Info. Pandora Records/Al Goldstein Archive
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Misc. Notes Source and alternative formats: [more...]
From an album of Bach transcriptions on Pandora Records. Ogg Vorbis files can be found here.

Instrument: [more...]
The piano used was the Bösendorfer Imperial Grand at the University of Washington.
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Naxos

Synthesized/MIDI

Aria: 'Schafe können sicher weiden' (No.9)

For 12 Recorders (Kemp)

Publisher Info. David Kemp, 2019.
Performers Synthesized MIDI
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Misc. Notes Aria: 'Schafe können sicher weiden' (No.9) Transcribed for 12 Recorders - 2 Soprano 2 Alto 2 Tenor 2 Bass 1 Greatbass 1 Contrabass 1 Sub-Greatbass 1 Sub-Contrabass
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For 4 Recorders (Tennent)
Publisher Info. R.D. Tennent
Performers PhotoScore
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Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Transposed to C major.
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For Organ (Gouin)
Publisher Info. Montréal: Les Éditions Outremontaises, 2015
Performers MIDI file by Pierre Gouin
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Misc. Notes Best known in the US as "Sheep may safely graze".
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Sheet Music

Full Scores

Publisher. Info. Holograph manuscript, n.d.[1713-16].
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Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 42 (3)
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Editor Paul Waldersee (1831–1906)
First edition (+ reprint)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 29 (pp.1-42)
Leipzig: Breitkopf und Härtel, 1881. Plate B.W. XXIX.
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A5456. (#733155)
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Editor Alfred Dürr (1918–2011)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 35 (pp.1-46)
Kassel: Bärenreiter Verlag, 1963. Plate BA 5023.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Editor Alfred Dürr (1918–2011)
Publisher. Info. Kassel: Bärenreiter Verlag, 1963. Plate 5125.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7953.
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Misc. Notes Excerpted from NBA volume above, with the movement from BWV 1040 inserted after No.13.
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Copyist Hermann Kretzschmar (1848–1924)
Publisher. Info. Holograph manuscript, n.d.[1713-16].
Reprinted Bach-Gesellschaft Ausgabe, Band 44
Leipzig: Breitkopf und Härtel, 1895. Plate B.W. XLIV.
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Parts

7 more: Oboe 1, 2, English Horn • Bassoon • Horn 1, 2 (F) • Violins I • Violins II • Violas • Cellos/Basses

Editor Paul Waldersee (1831–1906)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1895).
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A5456.
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6 more: Oboe 1, 2, Oboe da caccia (English Horn) • Corno da caccia 1, 2 (F) • Violins I • Violins II • Violas • Continuo (Cellos/Basses/Bassoon)

Editor Alfred Dürr (1918–2011)
Publisher. Info. Kassel: Bärenreiter Verlag, 1963. Plate 5125.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7953.
Copyright
Misc. Notes Parts based on NBA volume.
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Vocal Scores

Complete

Editor Alfred Dürr (1918–2011)
Publisher. Info. Kassel: Bärenreiter Verlag, 1963. Plate 5125a.
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Misc. Notes Based on NBA volume
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Aria: 'Schafe können sicher weiden' (No.9)

Arranger Ilia Lushpa (b. 1991)
Publisher. Info. Ilia Lushpa
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Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
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Arrangements and Transcriptions

Selections

For Piano (Lipatti)
Arranger Dinu Lipatti (1917–1950)
Editor First edition
Publisher. Info. London: Schott & Co., 1953. Plate S. & Co. 5747.
Copyright
Misc. Notes 13. Aria: Weil die wollenreichen Heerden
9. Aria: Schafe können sicher weiden
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Aria: 'Jagen ist die Lust der Götter' (No.2)

For Quartets: Horn ad lib. and Strings (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2014.
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Aria: 'Willst du dich nicht mehr ergetzen' (No.4)

For String Duos (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
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Recitative: 'Ich liebe dich zwar noch!' (No.5)

For String Trios (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2014.
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Recitative: 'Ich, der ich sonst ein Gott' (No.6)

For Quintets: Oboe ad lib. and Strings (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
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Recitative: 'Soll dann der Pales Opfer hier das letzte sein?' (No.8)

For Quartets: Flute ad lib. and Strings (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2014.
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Aria: 'Schafe können sicher weiden' (No.9)

For 12 Recorders (Kemp)
Arranger David Edward Kemp (b. 1948)
Publisher. Info. David Edward Kemp, 2019.
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Misc. Notes Transcribed for 12 Recorders: 2 Soprano 2 Alto 2 Tenor 2 Bass 1 Greatbass 1 Contrabass 1 Sub-Greatbass 1 Sub-Contrabass
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For Flute, Oboe, Clarinet, Bassoon and Horn (Braden)

5 more: Flute • Oboe • Clarinet (B♭) • Bassoon • Horn (F)

Arranger Dan Braden
Publisher. Info. Dan Braden
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For 3 Flutes, Alto Flute and Bass Flute (Kamioka)
Arranger Hideo Kamioka (b. 1958)
Publisher. Info. Hideo Kamioka, 2022.
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For 4 Accordions and Bass Accordion (De Bra)
Arranger Paul De Bra
Publisher. Info. Paul De Bra
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For 4 Recorders (Tennent)
Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
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Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Transposed to C major
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For Trumpet and Organ (Rondeau)
Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Violin and Piano (Mandozzi)
Arranger Orfeo Mandozzi
Publisher. Info. Vienna: Orfeo Mandozzi, 2014
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For Cello and Piano (Mandozzi)
Arranger Orfeo Mandozzi
Publisher. Info. Vienna: Orfeo Mandozzi, 2014.
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For Double Bass and Piano (Mandozzi)
Arranger Orfeo Mandozzi (b. 1968)
Publisher. Info. Orfeo Mandozzi
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For Organ (Brunet)
Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
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For Organ (Gouin)
Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2015
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For Organ (Okumura)
Arranger Ren Okumura (b. 2001)
Publisher. Info. Ren Okumura
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For Piano (Howe)
Arranger Mary Howe (1882–1964)
Publisher. Info. London: Oxford University Press, 1937.
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Misc. Notes Includes Recitativo.
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For Piano (Petri)
Arranger Egon Petri (1881–1962)
Publisher. Info. London: Boosey & Hawkes, 1944. Plate PIB-57.
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For Piano (Sun)
Arranger Ruoshi Sun
Publisher. Info. Ruoshi Sun, 2023.
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Recordings Piano performance by Ruoshi Sun (2023)
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Recitative: 'So stimmt mit ein' (No.10)

For Quartets: Oboes ad lib. and Strings (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
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Chorus: 'Lebe, Sonne dieser Erden' (No.11)

For String Quartets (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2015.
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Aria: 'Entzucket uns beide, ihr Strahlen der Freude' (No.12)

For Female Chorus and Piano (Diack)
Arranger John Michael Diack (1869–1946)
Publisher. Info. The Lyric Collection of Choral Music, No.1595.
London: Paterson's Publications Ltd., 1932. Plate L.C. 1595.
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Misc. Notes From uploader's collection. Arrangement for SA with English title 'Consider the heavens'.
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For String Duos (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
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Aria: 'Weil die wollenreichen Heerden' (No.13)

For Female Chorus and Piano (Diack)
Arranger John Michael Diack (1869–1946)
Publisher. Info. The Lyric Collection of Choral Music, No.1600.
London: Paterson's Publications Ltd., 1932. Plate L.C. 1600.
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Misc. Notes From uploader's collection. Set for SA to the lyrics 'Sing we and chant it' by Thomas Morley.
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For String Duos (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
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Librettos

Copyist Unknown Scribe
Publisher. Info. Manuscript, 1713.
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 42 (3)
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Copyist Johann Elias Bach
Publisher. Info. Manuscript, 1742.
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Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 42 (3)
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General Information

Work Title Was mir behagt, ist nur die muntre Jagd
Alternative. Title Jagdkantate
Name Translations 楽しき狩こそ我が悦び; 使我愉快的事,唯有欢快地狩猎,BWV 208; Was mir behagt, ist nur die muntre Jagd, רי"ב 208; Was mir behagt; Was mir behagt, ist nur die muntre Jagd (BWV 208)
Name Aliases Hunting Cantata; Was mir behagt, ist nur muntre Jagd!; Cantate de la chasse; 狩獵清唱劇
Authorities WorldCat; Wikipedia; VIAF: 182231802; LCCN: n81047976; GND: 300009178; [2 more...]BNF: 139095449; BNE: XX2446520
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 208 ; BC G 1, 3, 27 ; (BWV 208a)
Internal Reference NumberInternal Ref. No. IJB 689
Key F major
Movements/SectionsMov'ts/Sec's 15 movements:
  1. Recitative (Diana): Was mir behagt, ist nur die muntre Jagd!
  2. Aria (Diana): Jagen ist die Lust der Götter
  3. Recitative (Endymion): Wie, schönste Göttin? wie?
  4. Aria (Endymion): Willst du dich nicht mehr ergetzen
  5. Recitative (Diana): Ich liebe dich zwar noch!
  6. Recitative (Pan): Ich, der ich sonst ein Gott
  7. Aria (Pan): Ein Fürst ist seines Landes Pan
  8. Recitative (Pales): Soll dann der Pales Opfer hier das letzte sein?
  9. Aria (Pales): Schafe können sicher weiden (Sheep may safely graze)
  10. Recitative (Diana): So stimmt mit ein
  11. Chorus: Lebe, Sonne dieser Erden
  12. Aria (Diana, Endymion): Entzucket uns beide, ihr Strahlen der Freude
  13. Aria (Pales, Endymion): Weil die wollenreichen Heerden
  14. Aria (Pan): Ihr Felder und Auen
  15. Chorus: Ihr lieblichste Blicke, ihr freudige Stunden
Year/Date of CompositionY/D of Comp. 1713 in Weimar
First Performance. 1713-02-23 in Weißenfels (1st Performance)
1716-02-23 in Weimar? (2nd Performance)
1742 in Leipzig (3rd Performance)
First Publication. 1881 (BGA)
Librettist Salomo Franck (1659–1725)
Language German
Dedication 31st Birthday of Duke Christian of Saxe-Weissenfels (1st version)
Birthday of Duke August of Weimar (2nd version)
Nameday of the Saxon elector, Friedrich August II (3rd version)
Average DurationAvg. Duration 30 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, mixed chorus (SSTB), orchestra
InstrDetail [more...]
Voices
Diana (soprano)
Pales (soprano)
Endymion (tenor)
Pan (bass)

Mixed Chorus (SSTB)
Orchestra

2 recorders, 2 oboes, taille, bassoon
2-3 horns, strings, continuo (also violone grosso)
Related Works Also hat Gott die Welt geliebt, BWV 68
Trio Sonata in F major, BWV 1040 (from No.13 above)
Manuscript Sources Bach Digital (1st version, BC G 1)
Bach Digital (2nd version, BC G 3)
Bach Digital (3rd version, BWV 208a)
External Links Wikipedia article
Bach-Cantatas.com
Extra Information Versions, performance history, etc.

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Cantatas by Johann Sebastian Bach