Mein liebster Jesus ist verloren, BWV 154 (Bach, Johann Sebastian)

Movements/SectionsMov'ts/Sec's 8 movements
Composition Year 1724 in Leipzig
Genre Categories Sacred cantatas; Cantatas; Religious works; [44 more...]For 3 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; German language; For 2 violins, 2 violas, cello (arr); For 5 players (arr); Scores featuring the violin (arr); Scores featuring the viola (arr); Scores featuring the cello (arr); For 2 violins, viola, 2 cellos (arr); For violin, 3 violas, cello (arr); For violin, 2 violas, 2 cellos (arr); For 2 violins, viola, cello (arr); For 4 players (arr); For 2 violins, 2 cellos (arr); For violin, 2 violas, cello (arr); For violin, viola, 2 cellos (arr); For 4 violins (arr); For 4 violas (arr); For 4 cellos (arr); For 3 violins, viola (arr); For 3 violins, cello (arr); For 2 violins, 2 violas (arr); For violin, 3 violas (arr); For violin, 3 cellos (arr); For 2 oboes damore, 2 violins (arr); Scores featuring the oboe damore (arr); For 2 oboes damore, 2 violas (arr); For 2 oboes damore, 2 cellos (arr); For 2 oboes damore, violin, viola (arr); For 2 oboes damore, violin, cello (arr); For 2 oboes damore, viola, cello (arr); For 2 violins, 3 violas, cello (arr); For 6 players (arr); For 2 violins, 2 violas, 2 cellos (arr); For trumpet, organ (arr); Scores featuring the trumpet (arr); Scores featuring the organ (arr); For 2 players (arr)

Contents

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Performances

Naxos

Synthesized/MIDI

Aria: 'Jesu, laß dich finden' (No.4)

For Trumpet and Organ (Rondeau)

 Synthesized Performance
#416124 - 2.96MB - 3:14 -  0/10 2 4 6 8 10 (0) - 88×⇩ - MP3 - Michrond

MP3 file (audio)
Michrond (2016/3/21)

Publisher Info. Michel Rondeau
Performers MIDI
Copyright
Creative Commons Attribution-ShareAlike 4.0 
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

Editor Ernst Naumann (1832–1910)
First edition
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 32 (pp.59-82)
Leipzig: Breitkopf und Härtel, 1886. Plate B.W. XXXII.
Copyright
Public Domain
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Editor Ernst Naumann (1832–1910)
First edition (reprint)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 32 (pp.59-82)
Leipzig: Breitkopf und Härtel, 1886. Plate B.W. XXXII.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A5754.
Copyright
Public Domain
Purchase

 Complete Score (EU)
#458652 - 1.76MB, 26 pp. -  8/10 2 4 6 8 10 (1) - C*/71*/V* - 1510×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2017/2/7)

Editor Marianne Helms (b. 1936)
Publisher. Info. Neue Bach-Ausgabe, Serie I, Band 5 (pp.89-114)
Kassel: Bärenreiter Verlag, 1975. Plate BA 5043.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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⇒ 8 more: 2. Recitative: 'Wo treff ich meinen Jesum an' • 3. Chorale: 'Jesu, mein Hort und Erretter' • 4. Aria: 'Jesu, laß dich finden' • 5. Arioso: 'Wisset ihr nicht, daß ich sein muß' • 6. Recitative: 'Dies ist die Stimme meines Freundes' • 7. Aria: 'Wohl mir, Jesus ist gefunden' • 8. Chorale: 'Meinen Jesum laß ich nicht' • Engraving files (MuseScore)

Editor Ramon Casadesus-Masanell
Publisher. Info. Ramon Casadesus-Masanell, 2021.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
Misc. Notes musescore.com
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Parts

⇒ 6 more: Violins I • Violins II • Violas • Cellos/Basses • Harpsichord • Organ

Editor Ernst Naumann (1832–1910)
Max Seiffert (1868–1948), harpsichord
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1895).
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A5754.
Copyright
Public Domain
Purchase

Vocal Scores

Arranger Bernhard Todt (1822–1907) [?]
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1895].
Copyright
Public Domain
Purchase

Arrangements and Transcriptions

Aria: 'Mein liebster Jesus ist verloren' (No.1)

For String Quintets (Lang)

 Complete Score and Parts
#496947 - 0.15MB, 10 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 133×⇩ - FP23

PDF typeset by arranger
FP23 (2017/10/16)

Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
Misc. Notes 2 violas or 2 cellos
Purchase
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For String Quartets (Lang / Bartoli)

 Complete Score and Parts
#496948 - 0.16MB, 10 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 208×⇩ - FP23

PDF typeset by arranger
FP23 (2017/10/16)

Arranger Peter Lang
Russ Bartoli (b. 1951)
Editor Peter Lang
Publisher. Info. Peter Lang, 2016.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
Misc. Notes Various quartet configurations
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Aria: 'Jesu, laß dich finden' (No.4)

For Quartets: Oboe d'Amore ad lib. and Strings (Lang)
Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
Misc. Notes Various quartet configurations
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For Trumpet and Organ (Rondeau)
Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
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Aria: 'Wohl mir, Jesus ist gefunden' (No.7)

For String Sextets (Lang)

 Complete Score and Parts
#496951 - 0.35MB, 22 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 95×⇩ - FP23

PDF typeset by arranger
FP23 (2017/10/16)

Arranger Peter Lang
Publisher. Info. Peter Lang, 2016.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
Misc. Notes Various sextet configurations
Purchase
Javascript is required for this feature.
For String Quartets (Lang / Bartoli)

 Complete Score and Parts
#496952 - 0.27MB, 16 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 159×⇩ - FP23

PDF typeset by arranger
FP23 (2017/10/16)

Arranger Peter Lang
Russ Bartoli (b. 1951)
Editor Peter Lang
Publisher. Info. Peter Lang, 2016.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
Misc. Notes 2 violins or 2 violas
Purchase
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Other

Selections

Editor Frieder Rempp (b. 1942)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 2.1
Choräle und geistliche Lieder, Teil 1 (pp.87-89)
Kassel: Bärenreiter Verlag, 1991. Plate BA 5075.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes From Dietel Sammlung. 600 dpi. Page size is 10.00 x 12.688 inches.
3. As "Jesu, meiner Seelen Wonne" (More details) (No.127)
8. As "Meinen Jesum lass ich nicht" (More details) (No.129)
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Editor Frieder Rempp (b. 1942)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 2.2
Choräle und geistliche Lieder, Teil 2 (pp.137, 88)
Kassel: Bärenreiter Verlag, 1996. Plate BA 5076.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes From Chorale der Sammlung C.P.E. Bach nach dem Druck von 1784-1787.
600 dpi. Page size is 10.00 x 12.688 inches.
3. As "Werde munter, mein Gemüte" (More details) (No.233)
8. As "Meinen Jesum laß ich nicht, weil etc." (More details) (No.152)
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General Information

Work Title Mein liebster Jesus ist verloren
Alternative. Title My dearest Jesus is lost
Name Translations いと尊きわがイエスは見失われぬ; Mein liebster Jesus ist verloren, רי"ב 154
Authorities WorldCat; Wikipedia; VIAF: 185091424; LCCN: n82096212; GND: 300008546; BNF: 13909506r
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 154 ; BC A 29
Internal Reference NumberInternal Ref. No. IJB 395
Key B minor
Movements/SectionsMov'ts/Sec's 8 movements:
  1. Aria (tenor): Mein liebster Jesus ist verloren
  2. Recitative (tenor): Wo treff ich meinen Jesum an
  3. Chorale: Jesu, mein Hort und Erretter
  4. Aria (alto): Jesu, laß dich finden
  5. Arioso (bass): Wisset ihr nicht, daß ich sein muß
  6. Recitative (tenor): Dies ist die Stimme meines Freundes
  7. Aria (alto): Wohl mir, Jesus ist gefunden
  8. Chorale: Meinen Jesum laß ich nicht
Year/Date of CompositionY/D of Comp. 1724 in Leipzig
First Performance. 1724-01-09 in Leipzig
First Publication. 1886 (BGA)
Librettist see below
Anonymous (Nos.1, 2, 4, 6, 7)
Martin Jahn (ca.1620–ca.1682) (No.3)
Luke 2:49 (No.5)
Christian Keymann (1607–1662) (No.8)
Language German
Dedication 1st Sunday after Epiphany
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation alto, tenor, bass, chorus (SATB), orchestra
InstrDetail 2 oboes, 2 oboes d'amore, strings, continuo (harpsichord and/or organ)
Manuscript Sources Bach Digital (source list)
External Links Wikipedia article
Bach-Cantatas.com

Navigation etc.

Cantatas by Johann Sebastian Bach
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