Der Friede sei mit dir, BWV 158 (Bach, Johann Sebastian)

Movements/SectionsMov'ts/Sec's	4 movements (possibly more)
Composition Year	1713-1717 originally in Weimar, possibly Leipzig
Genre Categories	Sacred cantatas; Cantatas; Religious works; For 2 voices, mixed chorus, oboe, violin, continuo; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the oboe; Scores featuring the violin; Scores with basso continuo; For voices and chorus with solo instruments; German language; For 2 violins, viola, cello (arr); For 4 players (arr); Scores featuring the violin (arr); Scores featuring the viola (arr); Scores featuring the cello (arr); For 2 violins, 2 cellos (arr); For violin, 2 violas, cello (arr); For violin, viola, 2 cellos (arr); For trumpet, organ (arr); Scores featuring the trumpet (arr); Scores featuring the organ (arr); For 2 players (arr)
Related Works	Christ lag in Todesbanden by Johann Walter (No.4)

Performances

Recordings

Complete Recording (EU)
*#501889 - 25.29MB - 11:03 - 0.0/10 2 4 6 8 10 (-) - !N/67/!N - 239×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2017/11/24)

Publisher Info.	Archive Production ARC 3104, 1959.
Performers	Kammerchor der Akademie für Musik und Theater Hannover Horst Günter (Soloist) Kammerensemble Carl Gorvin (Orchestra)
Copyright	Creative Commons Zero 1.0 - Non-PD US [tag/del]
Misc. Notes	Vinyl, LP, mono – Album complet
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Naxos

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Synthesized/MIDI

Arioso: 'Da bleib ich, da hab ich Vergnügen zu wohnen' (No.3)

For Trumpet and Organ

Synthesized Performance
*#416586 - 1.29MB - 1:25 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 153×⇩ - MP3 - Michrond

MP3 file (audio)
Michrond (2016/3/25)

Publisher Info.	Michel Rondeau
Performers	MIDI
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes	These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

Complete Score
*#01420 - 0.90MB, 14 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 4435×⇩ - Feldmahler

PDF scanned by Unknown
Feldmahler (2006/8/30)

Editor	Ernst Naumann (1832-1910) First edition (?)
Publisher. Info.	Bach-Gesellschaft Ausgabe, Band 32 (pp.141-54) Leipzig: Breitkopf und Härtel, 1886. Plate B.W. XXXII.
Copyright	Public Domain [tag/del]
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Complete Score
*#725227 - 1.06MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 38×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Editor	Ernst Naumann (1832-1910) First edition (?, reprint)
Publisher. Info.	Bach-Gesellschaft Ausgabe, Band 32 (pp.1-12) Leipzig: Breitkopf und Härtel, 1886. Plate B.W. XXXII.
Reprinted	New York: E.F. Kalmus, n.d.(1933–70). Catalog A2537.
Copyright	Public Domain [tag/del]
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Complete Score
*#463128 - 0.79MB, 10 pp. - 0.0/10 2 4 6 8 10 (-) - C*/V*/V* - 522×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2017/3/15)

Editor	Alfred Dürr (1918-2011)
Publisher. Info.	Neue Bach-Ausgabe, Serie I, Band 10 (pp.129-138) Kassel: Bärenreiter Verlag, 1955. Plate BA 5004. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain [tag/del]
Misc. Notes	600 dpi. Page size is 10.00 x 12.688 inches.
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Complete Score
*#725224 - 1.07MB, 10 pp. - 0.0/10 2 4 6 8 10 (-) - C*/V*/V* - 65×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Editor	Alfred Dürr (1918-2011)
Publisher. Info.	Neue Bach-Ausgabe, Serie I, Band 10 (pp.1-8) Kassel: Bärenreiter Verlag, 1955. Plate BA 5004. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted	Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7842.
Copyright	Public Domain [tag/del]
Misc. Notes	Preface by editor removed due to it being under copyright everywhere.
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1. Recitative: 'Der Friede sei mit dir'
*#753553 - 0.07MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 152×⇩ - Casadesus

PDF typeset by editor
Casadesus (2021/12/25)

⇒ 4 more: 2. Aria and Chorale: 'Welt, ade, ich bin dein müde' • 3. Recitative and Arioso: 'Nun, Herr, regiere meinen Sinn' • 4. Chorale: 'Hier ist das rechte Osterlamm' • Engraving files (MuseScore)

2. Aria and Chorale: 'Welt, ade, ich bin dein müde'
*#753554 - 0.42MB, 20 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 143×⇩ - Casadesus

PDF typeset by editor
Casadesus (2021/12/25)

3. Recitative and Arioso: 'Nun, Herr, regiere meinen Sinn'
*#753555 - 0.06MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 85×⇩ - Casadesus

PDF typeset by editor
Casadesus (2021/12/25)

4. Chorale: 'Hier ist das rechte Osterlamm'
*#753556 - 0.05MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 103×⇩ - Casadesus

PDF typeset by editor
Casadesus (2021/12/25)

Engraving files (MuseScore)
*#753557 - 0.29MB, ? pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 56×⇩ - Casadesus

ZIP typeset by editor
Casadesus (2021/12/25)

Editor	Ramon Casadesus-Masanell
Publisher. Info.	Ramon Casadesus-Masanell, 2021.
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del/mrg]
Misc. Notes	musescore.com
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Parts

Oboe
*#725229 - 0.09MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 40×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

⇒ 5 more: Violin Solo • Cellos • Basses • Harpsichord • Organ

Violin Solo
*#725230 - 0.30MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 40×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Cellos
*#725231 - 0.28MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 21×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Basses
*#725232 - 0.28MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 21×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Harpsichord
*#725233 - 0.54MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 23×⇩ - Sallen112

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Sallen112 (2021/8/18)

Organ
*#725234 - 0.23MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 21×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Editor	Ernst Naumann (1832-1910)
Publisher. Info.	Leipzig: Breitkopf und Härtel, n.d.(ca.1895).
Reprinted	New York: E.F. Kalmus, n.d.(1933–70). Catalog A2537.
Copyright	Public Domain [tag/del/mrg]
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Oboe
*#725221 - 0.10MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - C*/V*/V* - 22×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Violin (or Flute) Solo
*#725222 - 0.52MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - C*/V*/V* - 41×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Continuo (Cello/Violone)
*#725223 - 0.53MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - C*/V*/V* - 46×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Editor	Alfred Dürr (1918-2011)
Publisher. Info.	Neue Bach-Ausgabe, Serie I, Band 10 Kassel: Bärenreiter Verlag, 1955. Plate BA 5004. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted	Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7842.
Copyright	Public Domain [tag/del/mrg]
Purchase	Javascript is required for this feature.

Vocal Scores

Complete Score
*#24427 - 1.16MB, 14 pp. - 0.0/10 2 4 6 8 10 (-) - C/V/C - 1933×⇩ - Perlnerd666

PDF scanned by bh2000
Perlnerd666 (2008/11/15)

Arranger	Bernhard Todt (1822-1907) [?]
Publisher. Info.	Leipzig: Breitkopf und Härtel, n.d.[1895].
Copyright	Public Domain [tag/del]
Misc. Notes	Plate, truncated in the reprint made here, possibly J.S.B. I.158.
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Choral Score
*#725225 - 0.12MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - C*/V*/V* - 25×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/8/18)

Editor	Alfred Dürr (1918-2011)
Publisher. Info.	Neue Bach-Ausgabe, Serie I, Band 10 Kassel: Bärenreiter Verlag, 1955. Plate BA 5004. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted	Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7842.
Copyright	Public Domain [tag/del]
Purchase	Javascript is required for this feature.

Arrangements and Transcriptions

Aria and Chorale: 'Welt, ade, ich bin dein müde' (No.2)

For String Quartets (Lang)

Complete Score and Parts
*#497084 - 0.38MB, 22 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 390×⇩ - FP23

PDF typeset by arranger
FP23 (2017/10/17)

Complete Score and Parts (revoiced)
*#497085 - 0.41MB, 22 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 178×⇩ - FP23

PDF typeset by arranger
FP23 (2017/10/17)

Arranger	Peter Lang
Publisher. Info.	Peter Lang, 2016.
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del/mrg]
Misc. Notes	Various quartet configurations
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Arioso: 'Da bleib ich, da hab ich Vergnügen zu wohnen' (No.3)

For Trumpet and Organ (Rondeau)

Complete Score and Trumpet Part
*#416584 - 0.13MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 362×⇩ - Michrond

PDF typeset by arranger
Michrond (2016/3/25)

Engraving files (Finale & XML)
*#416585 - 0.45MB, ? pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 129×⇩ - Michrond

ZIP typeset by arranger
Michrond (2016/3/25)

Arranger	Michel Rondeau
Publisher. Info.	Michel Rondeau
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes	These file(s) are part of the Werner Icking Music Collection.
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Other

Chorale: 'Hier ist das rechte Osterlamm' (No.4)

Study Chorale Score (Textless) (EU)
*#493449 - 0.04MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 140×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2017/9/18)

Editor	Frieder Rempp (b. 1942)
Publisher. Info.	Neue Bach-Ausgabe, Serie III, Band 2.1 Choräle und geistliche Lieder, Teil 1 (pp.24) Kassel: Bärenreiter Verlag, 1991. Plate BA 5075. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	From Dietel Sammlung as "Christ lag in Todesbanden" (No.24). More details. 600 dpi. Page size is 10.00 x 12.688 inches.
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Study Choral Score (Textless) (EU)
*#822300 - 0.09MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 28×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2022/11/15)

Editor	Frieder Rempp (b. 1942)
Publisher. Info.	Neue Bach-Ausgabe, Serie III, Band 2.2 Choräle und geistliche Lieder, Teil 2 (pp.155) Kassel: Bärenreiter Verlag, 1996. Plate BA 5076. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	From Chorale der Sammlung C.P.E. Bach nach dem Druck von 1784-1787. 600 dpi. Page size is 10.00 x 12.688 inches. 4. As "Christ lag in Todesbanden" (More details) (No.261)
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Free Recordings

Bach-Stiftung performance, 2017, Rudolf Lutz conducting

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General Information

Work Title	Der Friede sei mit dir
Alternative. Title	Peace be with you
Authorities	WorldCat; Wikipedia; VIAF: 178245090; LCCN: n85067586; GND: 300008619; BNF: 139095100
Composer	Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No.	BWV 158 ; BC A 61/A 171
I-Catalogue NumberI-Cat. No.	IJB 179
Key	D major
Movements/SectionsMov'ts/Sec's	4 movements (possibly more): Recitative (bass): Der Friede sei mit dir Aria (bass) and Chorale (soprano): Welt, ade, ich bin dein müde Recitative and Arioso (bass): Nun, Herr, regiere meinen Sinn Chorale: Hier ist das rechte Osterlamm
Year/Date of CompositionY/D of Comp.	1713-1717 originally in Weimar, possibly Leipzig
First Performance.	1727-04-15 or 1728-03-30 in Weimar or Leipzig
First Publication.	1886 (BGA)
Librettist	see below Anonymous (Salomo Franck (1659-1725)) (Nos.1, 3) Johann Georg Albinus (1624-1679) (No.2) Martin Luther (1483-1546) (No.4)
Language	German
Dedication	Feast of Purification of Mary 3rd day of Easter (Easter Tuesday)
Average DurationAvg. Duration	10-14 minutes
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	soprano, bass, mixed chorus (SATB), oboe, violin, continuo
Related Works	Christ lag in Todesbanden by Johann Walter (No.4)
Manuscript Sources	Bach Digital (source list)
External Links	Wikipedia article Bach-Cantatas.com
Extra Information	No.4 is identical to Christ lag in Todes Banden, BWV 279

Navigation etc.

Cantatas by Johann Sebastian Bach

Cantatas, BWV 1–10

BWV 1: Wie schön leuchtet der Morgenstern
BWV 2: Ach Gott, vom Himmel sieh darein
BWV 3: Ach Gott, wie manches Herzeleid
BWV 4: Christ lag in Todes Banden
BWV 5: Wo soll ich fliehen hin
BWV 6: Bleib bei uns, denn es will Abend werden
BWV 7: Christ unser Herr zum Jordan kam
BWV 8: Liebster Gott, wenn werd ich sterben?
BWV 9: Es ist das Heil uns kommen her
BWV 10: Meine Seel erhebt den Herren

Cantatas, BWV 11–20

BWV 11: Lobet Gott in seinen Reichen (Ascension Oratorio)
BWV 12: Weinen, Klagen, Sorgen, Zagen
BWV 13: Meine Seufzer, meine Tränen
BWV 14: Wär Gott nicht mit uns diese Zeit
BWV 15: Denn du wirst meine Seele nicht in der Hölle lassen
(by Johann Ludwig Bach)
BWV 16: Herr Gott, dich loben wir
BWV 17: Wer Dank opfert, der preiset mich
BWV 18: Gleich wie der Regen und Schnee vom Himmel fällt
BWV 19: Es erhub sich ein Streit
BWV 20: O Ewigkeit, du Donnerwort

Cantatas, BWV 21–30

BWV 21: Ich hatte viel Bekümmernis
BWV 22: Jesus nahm zu sich die Zwölfe
BWV 23: Du wahrer Gott und Davids Sohn
BWV 24: Ein ungefärbt Gemüte
BWV 25: Es ist nichts Gesundes an meinem Leibe
BWV 26: Ach wie flüchtig, ach wie nichtig
BWV 27: Wer weiß, wie nahe mir mein Ende
BWV 28: Gottlob! nun geht das Jahr zu Ende
BWV 29: Wir danken dir, Gott, wir danken dir
BWV 30: Freue dich, erlöste Schaar
BWV 30a: Angenehmes Wiederau

Cantatas, BWV 31–40

BWV 31: Der Himmel lacht! die Erde jubiliert
BWV 32: Liebster Jesu, mein Verlangen
BWV 33: Allein zu dir, Herr Jesu Christ
BWV 34: O ewiges Feuer, o Ursprung der Liebe
BWV 34a: O ewiges Feuer, o Ursprung der Liebe
BWV 35: Geist und Seele wird verwirret
BWV 36: Schwingt freudig euch empor
BWV 36a: Steigt freudig in die Luft
BWV 36b: Die Freude reget sich
BWV 36c: Schwingt freudig euch empor
BWV 37: Wer da gläubet und getauft wird
BWV 38: Aus tiefer Not schrei ich zu dir
BWV 39: Brich dem Hungrigen dein Brot
BWV 40: Dazu ist erschienen der Sohn Gottes

Cantatas, BWV 41–50

BWV 41: Jesu, nun sei gepreiset
BWV 42: Am Abend aber desselbigen Sabbats
BWV 43: Gott fähret auf mit Jauchzen
BWV 44: Sie werden euch in den Bann tun
BWV 45: Es ist dir gesagt, Mensch, was gut ist
BWV 46: Schauet doch und sehet
BWV 47: Wer sich selbst erhöhet, der soll erniedriget werden
BWV 48: Ich elender Mensch, wer wird mich erlösen
BWV 49: Ich geh' und suche mit Verlangen
BWV 50: Nun ist das Heil und die Kraft

Cantatas, BWV 51–60

BWV 51: Jauchzet Gott in allen Landen
BWV 52: Falsche Welt, dir trau ich nicht
BWV 53: Schlage doch, gewünschte Stunde (by Melchior Hoffmann ?)
BWV 54: Widerstehe doch der Sünde
BWV 55: Ich armer Mensch, ich Sündenknecht
BWV 56: Ich will den Kreuzstab gerne tragen
BWV 57: Selig ist der Mann
BWV 58: Ach Gott, wie manches Herzeleid
BWV 59: Wer mich liebet, der wird mein Wort halten
BWV 60: O Ewigkeit, du Donnerwort

Cantatas, BWV 61–70

BWV 61: Nun komm, der Heiden Heiland
BWV 62: Nun komm, der Heiden Heiland
BWV 63: Christen, ätzet diesen Tag
BWV 64: Sehet, welch eine Liebe
BWV 65: Sie werden aus Saba alle kommen
BWV 66: Erfreut euch, ihr Herzen
BWV 66a: Der Himmel dacht auf Anhalts Ruhm und Glück
BWV 67: Halt im Gedächtnis Jesum Christ
BWV 68: Also hat Gott die Welt geliebt
BWV 69: Lobe den Herrn, meine Seele
BWV 69a: Lobe den Herrn, meine Seele
BWV 70: Wachet! betet! betet! wachet!
BWV 70a: Wachet, betet, seid bereit allezeit!

Cantatas, BWV 71–80

BWV 71: Gott ist mein König
BWV 72: Alles nur nach Gottes Willen
BWV 73: Herr, wie du willt, so schick's mit mir
BWV 74: Wer mich liebet, der wird mein Wort halten
BWV 75: Die Elenden sollen essen
BWV 76: Die Himmel erzählen die Ehre Gottes
BWV 77: Du sollt Gott, deinen Herren, lieben
BWV 78: Jesu, der du meine Seele
BWV 79: Gott der Herr ist Sonn und Schild
BWV 80: Ein feste Burg ist unser Gott
BWV 80a: Alles, was von Gott geboren
BWV 80b: Ein feste Burg ist unser Gott

Cantatas, BWV 81–90

BWV 81: Jesus schläft, was soll ich hoffen?
BWV 82: Ich habe genug
BWV 83: Erfreute Zeit im neuen Bunde
BWV 84: Ich bin vergnügt mit meinem Glücke
BWV 85: Ich bin ein guter Hirt
BWV 86: Wahrlich, wahrlich, ich sage euch
BWV 87: Bisher habt ihr nichts gebeten in meinem Namen
BWV 88: Siehe, ich will viel Fischer aussenden
BWV 89: Was soll ich aus dir machen, Ephraim
BWV 90: Es reißet euch ein schrecklich Ende

Cantatas, BWV 91–100

BWV 91: Gelobet seist du, Jesu Christ
BWV 92: Ich hab in Gottes Herz und Sinn
BWV 93: Wer nur den lieben Gott lässt walten
BWV 94: Was frag ich nach der Welt
BWV 95: Christus, der ist mein Leben
BWV 96: Herr Christ, der einge Gottessohn
BWV 97: In allen meinen Taten
BWV 98: Was Gott tut, das ist wohlgetan
BWV 99: Was Gott tut, das ist wohlgetan
BWV 100: Was Gott tut, das ist wohlgetan

Cantatas, BWV 101–110

BWV 101: Nimm von uns, Herr, du treuer Gott
BWV 102: Herr, deine Augen sehen nach dem Glauben
BWV 103: Ihr werdet weinen und heulen
BWV 104: Du Hirte Israel, höre
BWV 105: Herr, gehe nicht ins Gericht mit deinem Knecht
BWV 106: Gottes Zeit ist die allerbeste Zeit
BWV 107: Was willst du dich betrüben
BWV 108: Es ist euch gut, daß ich hingehe
BWV 109: Ich glaube, lieber Herr
BWV 110: Unser Mund sei voll Lachens

Cantatas, BWV 111–120

BWV 111: Was mein Gott will, das g'scheh allzeit
BWV 112: Der Herr ist mein getreuer Hirt
BWV 113: Herr Jesu Christ, du höchstes Gut
BWV 114: Ach, lieben Christen, seid getrost
BWV 115: Mache dich, mein Geist, bereit
BWV 116: Du Friedefürst, Herr Jesu Christ
BWV 117: Sei Lob und Ehr dem höchsten Gut
BWV 118: O Jesu Christ, mein's Lebens Licht
BWV 119: Preise, Jerusalem, den Herren
BWV 120: Gott, man lobet dich in der Stille
BWV 120a: Herr Gott, Beherrscher aller Dinge
BWV 120b: Gott, man lobet dich in der Stille

Cantatas, BWV 121–130

BWV 121: Christum wir sollen loben schon
BWV 122: Das neugeborne Kindelein
BWV 123: Liebster Immanuel, Herzog der Frommen
BWV 124: Meinen Jesum lass ich nicht
BWV 125: Mit Fried und Freud ich fahr dahin
BWV 126: Erhalt uns, Herr, bei deinem Wort
BWV 127: Herr Jesu Christ, wahr' Mensch und Gott
BWV 128: Auf Christi Himmelfahrt allein
BWV 129: Gelobet sei der Herr, mein Gott
BWV 130: Herr Gott, dich loben alle wir

Cantatas, BWV 131–140

BWV 131: Aus der Tiefe rufe ich, Herr, zu dir
BWV 131a: Fugue in G minor
BWV 132: Bereitet die Wege, bereitet die Bahn
BWV 133: Ich freue mich in dir
BWV 134: Ein Herz, das seinen Jesum lebend weiß
BWV 134a: Die Zeit, die Tag und Jahre macht
BWV 135: Ach Herr, mich armen Sünder
BWV 136: Erforsche mich, Gott, und erfahre mein Herz
BWV 137: Lobe den Herren, den mächtigen König der Ehren
BWV 138: Warum betrübst du dich, mein Herz
BWV 139: Wohl dem, der sich auf seinen Gott
BWV 140: Wachet auf, ruft uns die Stimme

Cantatas, BWV 141–150

BWV 141: Das ist je gewisslich wahr (by Georg Philipp Telemann)
BWV 142: Uns ist ein Kind geboren (by Johann Kuhnau?)
BWV 143: Lobe den Herrn, meine Seele (author uncertain)
BWV 144: Nimm, was dein ist, und gehe hin
BWV 145: Ich lebe, mein Herze, zu deinem Ergötzen
BWV 146: Wir müssen durch viel Trübsal in das Reich Gottes eingehen
BWV 147: Herz und Mund und Tat und Leben
BWV 147a: Herz und Mund und Tat und Leben
BWV 148: Bringet dem Herrn Ehre seines Namens
BWV 149: Man singet mit Freuden vom Sieg
BWV 150: Nach dir, Herr, verlanget mich

Weihnachtsoratorium, BWV 248 (Christmas Oratorio)
I. Jauchzet, frohlocket, auf, preiset die Tage II. Und es waren Hirten in derselben Gegend III. Herrscher des Himmels, erhöre das Lallen IV. Fallt mit Danken, fallt mit Loben V. Ehre sei dir, Gott, gesungen VI. Herr, wenn die stolzen Feinde schnauben

Oster-Oratorium, BWV 249 (Easter Oratorio)
Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a

Cantatas, BWV 151–160

BWV 151: Süsser Trost, mein Jesus kömmt
BWV 152: Tritt auf die Glaubensbahn
BWV 153: Schau, lieber Gott, wie meine Feind
BWV 154: Mein liebster Jesus ist verloren
BWV 155: Mein Gott, wie lang, ach lange
BWV 156: Ich steh mit einem Fuß im Grabe
BWV 157: Ich lasse dich nicht, du segnest mich denn!
BWV 157a: Ich lasse dich nicht, du segnest mich denn!
BWV 158: Der Friede sei mit dir
BWV 158a: Der Friede sei mit dir
BWV 159: Sehet, wir geh'n hinauf gen Jerusalem
BWV 160: Ich weiss, dass mein Erlöser lebt (by Georg Philipp Telemann)

Cantatas, BWV 161–170

BWV 161: Komm, du süsse Todesstunde
BWV 162: Ach! ich sehe, itzt, da ich zur Hochzeit gehe
BWV 163: Nur jedem das Seine
BWV 164: Ihr, die ihr euch von Christo nennet
BWV 165: O heilges Geist- und Wasserbad
BWV 166: Wo gehest du hin
BWV 167: Ihr Menschen, rühmet Gottes Liebe
BWV 168: Tue Rechnung! Donnerwort
BWV 169: Gott soll allein mein Herze haben
BWV 170: Vergnügte Ruh, beliebte Seelenlust

Cantatas, BWV 171–180

BWV 171: Gott, wie dein Name, so ist auch dein Ruhm
BWV 172: Erschallet, ihr Lieder
BWV 173: Erhöhtes Fleisch und Blut
BWV 173a: Durchlauchtster Leopold
BWV 174: Ich liebe den Höchsten von ganzem Gemüte
BWV 175: Er rufet seinen Schafen mit Namen
BWV 176: Es ist ein trotzig und verzagt Ding
BWV 177: Ich ruf zu dir, Herr Jesu Christ
BWV 178: Wo Gott der Herr nicht bei uns hält
BWV 179: Siehe zu, dass deine Gottesfurcht
BWV 180: Schmücke dich, o liebe Seele

Cantatas, BWV 181–190

BWV 181: Leichtgesinnte Flattergeister
BWV 182: Himmelskönig, sei willkommen
BWV 183: Sie werden euch in den Bann tun
BWV 184: Erwünschtes Freudenlicht
BWV 185: Barmherziges Herze der ewigen Liebe
BWV 186: Ärgre dich, o Seele, nicht
BWV 186a: Ärgre dich, o Seele, nicht
BWV 187: Es wartet alles auf dich
BWV 188: Ich habe meine Zuversicht
BWV 189: Meine Seele rühmt und preist (by Melchior Hoffmann)
BWV 190: Singet dem Herrn ein neues Lied
BWV 190a: Singet dem Herrn ein neues Lied

Cantatas, BWV 191–200

BWV 191: Gloria in excelsis Deo
BWV 192: Nun danket alle Gott
BWV 193: Ihr Tore zu Zion
BWV 193a: Ihr Häuser des Himmels, ihr scheinenden Lichter
BWV 194: Höchsterwünschtes Freudenfest
BWV 195: Dem Gerechten muss das Licht
BWV 196: Der Herr denket an uns
BWV 197: Gott ist unsre Zuversicht
BWV 197a: Ehre sei Gott in der Höhe
BWV 198: Lass, Fürstin, lass noch einen Strahl (Trauer Ode)
BWV 199: Mein Herze schwimmt im Blut
BWV 200: Bekennen will ich seinen Namen

Cantatas, BWV 201–210

BWV 201: Geschwinde, ihr wirbelnden Winde (The Contest Between Phoebus and Pan)
BWV 202: Weichet nur, betrübte Schatten (Wedding Cantata)
BWV 203: Amore traditore
BWV 204: Ich bin in mir vergnügt
BWV 205: Zerreißet, zersprenget, zertrümmert die Gruft
BWV 205a: Blast Lärmen, ihr Feinde! verstärket die Macht
BWV 206: Schleicht, spielende Wellen
BWV 207: Vereinigte Zwietracht der wechselnden Saiten
BWV 207a: Auf, schmetternde Töne der muntern Trompeten
BWV 208: Was mir behagt, ist nur die muntre Jagd (Hunting Cantata)
BWV 208a: Was mir behagt, ist nur die muntre Jagd
BWV 209: Non sa che sia dolore
BWV 210: O holder Tag, erwünschte Zeit
BWV 210a: O angenehme Melodei

Cantatas, BWV 211–220

BWV 211: Schweigt stille, plaudert nicht (Coffee Cantata)
BWV 212: Mer hahn en neue Oberkeet (Peasant Cantata)
BWV 213: Laßt uns sorgen, laßt uns wachen (Hercules auf dem Scheidewege)
BWV 214: Tönet, ihr Pauken! Erschallet, Trompeten!
BWV 215: Preise dein Glücke, gesegnetes Sachsen
BWV 216: Vergnügte Pleissenstadt
BWV 216a: Erwählte Pleissenstadt (Apollo et Mercurius)
BWV 217: Gedenke, Herr, wie es uns gehet (by Johann Christoph Altnikol?)
BWV 218: Gott der Hoffnung erfülle euch (by Georg Philipp Telemann)
BWV 219: Siehe, es hatüberwunden der Löwe (by Georg Philipp Telemann)
BWV 220: Lobt ihn mit Herz und Munde (composer unknown)

Cantatas, BWV 221–224
BWV 221: Wer sucht die Pracht, wer wünscht den Glanz (composer unknown} BWV 222: Mein Odem ist schwach (by Johann Ernst Bach) BWV 223: Meine Seele soll Gott loben BWV 224: Reißt euch los, bekränkte Sinnen (by Carl Philipp Emanuel Bach?)

Trio Sonata in F major, BWV 1040
Sinfonia in D major, BWV 1045 (From a Lost Cantata)

Der Friede sei mit dir, BWV 158 (Bach, Johann Sebastian)

Contents

Performances

Recordings

Naxos

Synthesized/MIDI

Arioso: 'Da bleib ich, da hab ich Vergnügen zu wohnen' (No.3)

For Trumpet and Organ

Sheet Music

Full Scores

Parts

Vocal Scores

Arrangements and Transcriptions

Aria and Chorale: 'Welt, ade, ich bin dein müde' (No.2)

For String Quartets (Lang)

Arioso: 'Da bleib ich, da hab ich Vergnügen zu wohnen' (No.3)

For Trumpet and Organ (Rondeau)

Other

Chorale: 'Hier ist das rechte Osterlamm' (No.4)

Free Recordings

General Information

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