IMSLP:Featured

• Prokofiev’s Piano Concerto No.1, Op.10, published by Muzgiz.
• The first edition of Mayer’s Mazurka, Op.33, published by Prütz & Mauri.
• The holograph manuscript of Zelenka’s Litaniae de Venerabili Sacramento, ZWV 147.
• Ethelbert Nevin’s Sketchbook, Op.2, published by Boston Music Co.
• The holograph manuscript of Nunes Garcia’s Novena de Sta. Bárbara, CPM 65.
• Prokofiev’s 2 Poems, Op.9, published by Muzgiz.
• The holograph manuscript of Mayer’s Marcia in A major.
• The holograph manuscript of Zelenka’s Laudate pueri, ZWV 82.
• Ethelbert Nevin’s Serenade, published by Schirmer.
• The first edition of Nunes Garcia’s No momento da partida meu coração t'entreguei, CPM 238, published by Pierre Laforge.
• Prokofiev’s 4 Pieces for Piano, Op.4, published by Muzgiz.
• The holograph manuscript of Mayer’s Marcia funèbre.
• The holograph manuscript of Zelenka’s Laudate pueri, ZWV 81.
• Ethelbert Nevin’s The Rosary, published by Boston Music Co.
• The holograph manuscript of Nunes Garcia’s Missa de Santa Cecília, CPM 113.
• The first edition of Prokofiev’s 4 Pieces for Piano, Op.3, published by P. Jurgenson.
• The first edition of Mayer’s 3 Lieder, Op.10, published by Breitkopf.
• The holograph manuscript of Zelenka’s Laudate Dominum, ZWV 87.
• Ethelbert Nevin’s The Quest, published by John Church.
• The holograph manuscript of Nunes Garcia’s Matinas do Apóstolo São Pedro, CPM 173.
• The first edition of Prokofiev’s 4 Etudes, Op.2, published by P. Jurgenson.
• The first edition of Mayer’s 3 Lieder, Op.7, published by Breitkopf.
• The holograph manuscript of Zelenka’s Lauda Jerusalem, ZWV 104.
• Ethelbert Nevin’s 4 Piano Compositions, Op.7, published by Boston Music Co.
• The first edition of W.C. Handy's The Yellow Dog Blues, published by Pace & Handy.
• The first edition of Prokofiev’s Piano Sonata No.1, Op.1, published by P. Jurgenson.
• The first edition of Mayer’s Impromptu, Op.44, published by Bote & Bock.
• The holograph manuscript of Zelenka’s Lauda Jerusalem, ZWV 102.
• Ethelbert Nevin’s O'er Hill and Dale, published by John Church.
• The first edition of W.C. Handy's Ole Miss, published by Pace & Handy.
• The first edition of Gershwin’s By and By, published by T.B. Harms.
• The first edition of Mayer’s 3 Humoresken, Op.41, published by Wilh. Müller.
• The holograph manuscript of Zelenka’s 3 Lamentationes pro hebdomada sancta, ZWV 54.
• Ethelbert Nevin’s The Milkmaid's Song, published by Ditson.
• The first edition of W.C. Handy's The Jogo Blues, published by Pace & Handy.
• The first edition of Gershwin’s Do It Again, published by T.B. Harms.
• The first edition of Mayer’s 2 Gesänge, published by C.A. Challier & Co.
• The holograph manuscript of Zelenka’s 6 Lamentationes pro hebdomada sancta, ZWV 53.
• Ethelbert Nevin’s Mighty Lak’ a Rose, published by John Church.
• The first edition of W.C. Handy's In the Land Where Cotton is King, published by Pace & Handy.
• The first edition of Gershwin’s Somebody Loves Me, published by T.B. Harms.
• The holograph manuscript of Mayer’s Die Fischerin.
• The holograph manuscript of Zelenka’s Laetatus sum, ZWV 88.
• Ethelbert Nevin’s The Merry, Merry Lark, published by Boston Music Co..
• The first edition of W.C. Handy's The Hesitating Blues, published by Pace & Handy.
• The first edition of Gershwin’s Rialto Ripples Rag, published by Jerome H. Remick & Co.
• The first edition of Mayer’s Faust-Ouverture, Op.46, published by Engelmann & Mühlberg.
• The holograph manuscript of Zelenka’s Kyrie, Sanctus and Agnus Dei, ZWV 26.
• Ethelbert Nevin’s Mazurka, published by Arthur P. Schmidt.
• The first edition of W.C. Handy's Beale Street, published by Pace & Handy.
• The holograph manuscript and first edition of Gershwin’s Rhapsody in Blue, published by T.B. Harms.
• The holograph manuscript of Mayer’s Der Erlkönig.
• The holograph manuscript of Vivaldi’s aria Sovvente il sole from serenata Andromeda liberata, RV Anh.117.
• Ethelbert Nevin’s May in Tuscany, Op.21, published by Boston Music Co.
• The first edition of W.C. Handy's Aunt Hagar's Blues, published by Handy Bros. Music Co.
• The first edition of Gershwin’s 3 Preludes, published by New World Music Co.
• The holograph manuscript of Mayer’s Duet in F major.
• The holograph manuscript of Zelenka’s Kyrie in A minor, ZWV 27.
• Ethelbert Nevin’s Marche nuptiale, published by John Church.
• The first edition of James Timothy Brymn's Come After Breakfast, published by Jos. W. Stern.
• The holograph manuscript of Gershwin’s Piano Concerto.
• The holograph manuscript of Mayer’s Cello Sonata in E minor.
• The holograph manuscript of Zelenka’s Jesu corona virginum, ZWV 116.
• Ethelbert Nevin’s March of the Pilgrims, published by John Church.
• The first edition of James Timothy Brymn's Please Let Me Sleep, published by Harry Von Tilzer Music.
• The first edition of Gershwin’s Nobody But You, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in D minor.
• The holograph manuscript of Zelenka’s Jam sol recessit aureus, ZWV 115.
• Ethelbert Nevin’s Life Lesson, published by Boston Music Co.
• The first edition of James Timothy Brymn's Josephine, My Jo., published by Shapiro, Bernstein.
• The first edition of Gershwin’s Idle Dreams, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in C minor.
• The holograph manuscript of Zelenka’s 8 Italian Arias, ZWV 176.
• Ethelbert Nevin’s In Arcady, Op.16, published by Boston Music Co.
• The first edition of James Timothy Brymn's Down in Sunny Alabama, published by Richard A. Saalfield.
• The first edition of Gershwin’s Do It Again, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in C major.
• The holograph manuscript of Zelenka’s Iste confessor.
• Ethelbert Nevin’s I Once Had a Sweet Little Doll, Dears, published by Oliver Ditson.
• The first edition of James Timothy Brymn's D-i-s! P-o-s! Z-e-s! Means Move, published by Shapiro, Remick & Co.
• The first edition of Gershwin’s Come to the Moon, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in B-flat major.
• The holograph manuscript of Zelenka’s Iste confessor, ZWV 117.
• Ethelbert Nevin’s La Guitare, published by Boston Music Co.
• The first edition of James Timothy Brymn's Cuban Cake Walk, published by Richard A. Saalfield.
• The first edition of Gershwin’s Argentina, published by T.B. Harms.
• The holograph manuscript of Mayer’s Cello Sonata in B minor.
• The holograph manuscript of Zelenka’s In exitu Israel, ZWV 84.
• Ethelbert Nevin’s 2 Etudes, Op.18, published by G. Schirmer.
• The first edition of James Timothy Brymn's The Candle and the Star, published by Thompson Music Co.
• An early edition of Novello’s Keep the Home Fires Burning, published by Ascherberg, Hopwood & Crew.
• The holograph manuscript of Mayer’s Cello Sonata in A major.
• The holograph manuscript of Zelenka’s In convertendo, ZWV 91.
• Ethelbert Nevin’s En Passant, Op.30, published by John Church.
• The first edition of James Timothy Brymn's By Wireless Telephone, published by Shapiro, Bernstein & Von Tilzer.
• Medtner’s 7 Songs after Pushkin, Op.52, published by Muzgiz.
• An early edition of Mayer’s Allemande fantastique, Op.29, published by Prütz & Mauri.
• The holograph manuscript of Zelenka’s Immisit Dominus pestilentiam, ZWV 58.
• Ethelbert Nevin’s Egyptian Love Song, published by Boston Music Co.
• The first edition of James Timothy Brymn's Build a Nest for Birdie, published by Gotham-Attucks.
• Medtner’s 6 Tales, Op.51, published by Muzgiz.
• An early edition of Mounsey Bartholomew’s Holy Thoughts in Song, published by Stanley Lucas, Weber & Co.
• The holograph manuscript of Zelenka’s I penitenti al sepolcro del redentore, ZWV 63.
• Ethelbert Nevin’s 3 Duets for the Piano, Op.6, published by Oliver Ditson.
• The first edition of James Timothy Brymn's The Battle Cry of Peace, published by Maurice Richmond.
• Medtner’s Piano Concerto No.2, Op.50, published by Muzgiz.
• An early edition of Mounsey Bartholomew’s Sacred Harmony, published by T.E. Purday.
• The holograph manuscript of Zelenka’s Hipocondrie à 7 Concertanti, ZWV 187.
• Ethelbert Nevin’s A Day in Venice, Op.25, published by John Church.
• The first edition of James Reese Europe's Castles' Half and Half, published by Jos. W. Stern.
• Medtner’s 3 Hymns, Op.49, published by Muzgiz.
• An early edition of Mounsey Bartholomew’s 6 Songs, published by Stanley Lucas, Weber & Co.
• The holograph manuscript of Zelenka’s Haec dies, ZWV 170.
• Ethelbert Nevin’s Cradle Song, published by Oliver Ditson.
• The first edition of James Reese Europe's The Castle Walk, published by Jos. W. Stern.
• The first edition of Medtner’s 2 Tales, Op.48, published by Zimmermann.
• An early edition of Mounsey Bartholomew’s Songs of Remembrance, published by T.E. Purday.
• The holograph manuscript of Zelenka’s Haec dies quam fecit Dominus, ZWV 169.
• Ethelbert Nevin’s Captive Memories, Op.29, published by John Church.
• The first edition of James Reese Europe's Castle Maxixe, published by Jos. W. Stern.
• Medtner’s Improvisation No.2, Op.47, published by Muzgiz.
• An early edition of Mounsey Bartholomew’s 6 Four-Part Songs, Op.30, published by Ewer & Co.
• The holograph manuscript of Zelenka’s Gloria, ZWV 30.
• Ethelbert Nevin’s A Book of Songs, Op.20, published by Boston Music Co.
• The first edition of James Reese Europe's Castle Lame Duck, published by Jos. W. Stern.
• Medtner’s 7 Poems, Op.46, published by Muzgiz.
• An early edition of Scott’s The Jasmine Door, published by Boosey.
• The holograph manuscript of Zelenka’s Gesù al calvario, ZWV 62.
• Ethelbert Nevin’s A Bed-Time Song, published by Oliver Ditson.
• The first edition of James Reese Europe's The Castle Combination, published by Jos. W. Stern.
• Medtner’s 4 Poems, Op.45, published by Muzgiz.
• An early edition of Scott’s Douglas, published by Ashdown & Parry.
• The holograph manuscript of Zelenka’s Gaude laetare turba fidelis, ZWV 168.
• Ethelbert Nevin’s Barcarolle, published by Boston Music Co.
• The first edition of James Reese Europe's Picanninny Days, published by Jerome H. Remick.
• The first edition of Medtner’s Violin Sonata No.2, Op.44, published by J.H. Zimmerman.
• An early edition of Scott’s Annie Laurie, published by William Hall.
• The holograph manuscript of Zelenka’s Exsultet orbis gaudiis, ZWV 114.
• Ethelbert Nevin’s At Rest, published by John Church.
• The first edition of James Reese Europe's Nubiana, published by Sol Bloom.
• Medtner’s 2 Canzonas with Dances, Op.43, published by Muzgiz.
• An early edition of Puget’s La voix tendre.
• The holograph manuscript of Zelenka’s Deus tuorum militum, ZWV 113.
• Ethelbert Nevin’s An African Love Song, published by John Church.
• The first edition of James Reese Europe's I've Got the Finest Man, published by Waterson, Berlin, and Snyder.
• Medtner’s 3 Tales, Op.42, published by Muzgiz.
• Puget’s La Veilleuse ou les Nuits de Milady, published by Heugel.
• The holograph manuscript of Zelenka’s Deus dux fortissime, ZWV 60.
• Theodora Morse’s Beautiful Hawaiian Love, published by Leo Feist.
• The first edition of James Reese Europe's I Ain't Had No Lovin' In a Long Time, published by Jos. W. Stern.
• Medtner’s Suite-Vocalise, Op.41 No.2, published by Muzgiz.
• Puget’s Tout pour toi, published by Meissonier.
• The holograph manuscript of Zelenka’s De profundis, ZWV 97.
• Halsey K. Mohr’s They're Wearing 'Em Higher in Hawaii, published by Shapiro, Bernstein, and Co.
• The first edition of James Reese Europe's Castles in Europe, published by Jos. W. Stern.
• Medtner’s Sonata-Vocalise, Op.41 No.1, published by Muzgiz.
• Puget’s 2 Rondolettes, published by J. Meissonier.
• The holograph manuscript of Zelenka’s De profundis, ZWV 96.
• Halsey K. Mohr’s They're on Their Way to Germany, published by Shapiro, Bernstein, and Co.
• The first edition of James Reese Europe's The Castle, published by Jos. W. Stern.
• The first edition of Medtner’s Forgotten Melodies III, Op.40, published by Jules Heinrich Zimmermann.
• Puget’s Le rêve de Marie, published by Juan Moyana.
• The holograph manuscript of Zelenka’s De profundis, ZWV 96.
• Halsey K. Mohr’s The Statue of Liberty Is Smiling, published by Shapiro, Bernstein, and Co.
• The first edition of James Reese Europe's Castle House Rag, published by Jos. W. Stern.
• The first edition of Medtner’s Forgotten Melodies I, Op.38, published by Jules Heinrich Zimmermann.
• The first edition of Puget’s La prière au St. Bernard.
• The holograph manuscript of Zelenka’s De profundis, ZWV 95.
• Halsey K. Mohr’s Piney Ridge, published by Shapiro, Bernstein, and Co.
• The first edition of James Reese Europe's Blue Eyed Sue, published by Sol Bloom.
• Medtner’s 5 Poems, Op.37, published by Muzgiz.
• The first edition of Puget’s La dot d'Auvergne, published by T. Boosey & Co.
• The holograph manuscript of Zelenka’s Currite ad aras, ZWV 166.
• Halsey K. Mohr’s Paul Revere, published by Shapiro, Bernstein, and Co.
• The first edition of Armand J. Piron's Sister Kate, published by Clarence Williams.
• Medtner’s 6 Poems after Pushkin, Op.36, published by Muzgiz.
• The first edition of Puget’s La chanson du charbonnier, published by J. Meissonnier.
• The holograph manuscript of Zelenka’s Crudelis Herodes Deum, ZWV 112.
• Halsey K. Mohr’s My Name Is Morgan But It Ain't J. P., published by P.J. Howley.
• The first edition of Jelly Roll Morton's Blues and Stomps, Book 1, published by Herman Darewski.
• Medtner’s 4 Tales, Op.35, published by Muzgiz.
• The first edition of Puget’s Le bon curé patience.
• The holograph manuscript of Zelenka’s Credo, ZWV 216.
• Halsey K. Mohr’s Liberty Bell, published by Shapiro, Bernstein & Co.
• The first edition of Jelly Roll Morton's New Orleans Blues, published by Edwin H. Morris & Co.
• Medtner’s 4 Tales, Op.34, published by Muzgiz.
• The first edition of Puget’s Adieu, cousine, published by Meissonier.
• The holograph manuscript of Zelenka’s Credo, ZWV 32.
• Halsey K. Mohr’s Jane, published by Shapiro, Bernstein & Co.
• The first edition of Brymn’s Please Let Me Sleep, published by Harry Von Tilzer.
• Medtner’s Piano Concerto No.1, Op.33, published by Muzgiz.
• The first edition of Puget’s À la grâce de Dieu, published by Messemaecker.
• The holograph manuscript of Zelenka’s Credidi, ZWV 85.
• Halsey K. Mohr’s It Will Never Be Dry Down in Havana, published by Shapiro, Bernstein & Co.
• The first edition of Brymn’s Josephine, My Jo., published by Shapiro, Bernstein & Von Tilzer.
• Medtner’s 6 Poems, Op.32, published by Muzgiz.
• The first edition of La Hye’s Ne me plains pas, published by Gazette des salons.
• The holograph manuscript of Zelenka’s Creator alme siderum, ZWV 111.
• Loder’s Weep For the Gallant Dead, published by National Publishing: the first sheet music publication to feature a photograph on the cover.
• The first edition of Brymn’s Down in Sunny Alabama, published by Richard A. Saalfield.
• The first edition of Medtner’s 3 Morceaux, Op.31, published by Editions Russes de Musique.
• The first edition of La Hye’s Méthode théorique et pratique pour l'orgue expressif, published by Aulagnier.
• The second volume of Beethoven’s suggested metronome markings, for his string quartets Opp. 18, 59, 74 and 95, published by Steiner.
• Halsey K. Mohr’s I've Got a White Man Running My Automobile, published by Henry Krey Music Co.
• The first edition of Brymn’s D-i-s! P-o-s! Z-e-s! Means Move, published by Shapiro, Remick & Co.
• The first edition of Medtner’s Piano Sonata, Op.30, published by Editions Russes de Musique.
• The first edition of La Hye’s 6 Melodie, published by Bernard Latte.
• The holograph manuscript of Zelenka’s Confitebor tibi Domine, ZWV 100.
• Halsey K. Mohr’s Cumberland, published by Schapiro, Bernstein & Co.
• The first edition of Brymn’s Cuban Cake Walk, published by Richard A. Saalfield.
• The first edition of Medtner’s 7 Poems after Pushkin, Op.29, published by Editions Russes de Musique.
• The first edition of La Hye’s Le Corsaire rouge, published by Bernard Latte.
• The holograph manuscript of Zelenka’s Confitebor tibi Domine, ZWV 73.
• F.W. Meacham’s Marching through Georgia, published by Century Music.
• The first edition of Brymn’s The Candle and the Star, published by Thompson Music Co.
• Vivaldi’s Violin Sonata in A major, RV deest, recently discovered.
• The first edition of La Hye’s Le Corsaire rouge, published by Aulagnier.
• The holograph manuscript of Zelenka’s Confitebor tibi Domine, ZWV 72.
• F.W. Meacham’s American Patrol, Op.92, published by Joe Morris.
• Medtner’s 7 Poems, Op.28, published by Muzgiz.
• The first edition of Brymn’s By Wireless Telephone, published by Shapiro, Bernstein & Von Tilzer.
• The first edition of Kinkel’s Das Schloss Boncort, Op.9, published by T. Trautwein.
• The holograph manuscript of Zelenka’s Confitebor tibi Domine, ZWV 70.
• The first edition of Jerome Kern’s You're Here and I'm Here, published by Leo Feist.
• The first edition of Medtner’s Sonata-Ballade, Op.27, published by Russischer Musikverlag.
• The first edition of Brymn’s Build a Nest for Birdie, published by Gotham-Attucks.
• The first edition of Kinkel’s 6 Lieder, Op.21, published by Schott.
• The holograph manuscript of Zelenka’s Concerto à 8 concertanti in G major, ZWV 186.
• The first edition of Jerome Kern’s Whose Baby Are You?, published by T.B. Harms.
• The first edition of Medtner’s 4 Tales, Op.26, published by Editions Russes de Musique.
• The first edition of Brymn’s The Battle Cry of Peace, published by Maurice Richmond.
• The first edition of Kinkel’s 6 Lieder, Op.19, published by M. Schloss.
• The holograph manuscript of Zelenka’s Christe eleison, ZWV 29.
• The first edition of Jerome Kern’s They Didn't Believe Me, published by T.B. Harms.
• The first edition of Medtner’s Piano Sonata, Op.25 No.2, published by Russischer Musikverlag.
• The first edition of Douglass’s Overture 'The Pilgrim', published by Lee and Shepard.
• The first edition of Kinkel’s 6 Lieder, Op.18, published by Schlesinger.
• The holograph manuscript of Zelenka’s Benedictus sit Deus Pater, ZWV 207.
• The first edition of Jerome Kern’s Same Sort of Girl, published by T.B. Harms.
• The first edition of Medtner’s 8 Poems, Op.24, published by Editions Russes de Musique.
• The first edition of Cook’s The Southerners, published by John H. Cook.
• The first edition of Kinkel’s 6 Lieder, Op.17, published by Bote & Bock.
• The holograph manuscript of Zelenka’s Beatus vir, ZWV 76.
• The first edition of Jerome Kern’s Raining, published by T.B. Harms.
• Medtner’s 4 Lyrical Fragments, Op.23, published by Muzgiz.
• The first edition of Cook’s Returned, published by Hearst's Chicago American.
• The first edition of Kinkel’s 6 Lieder, Op.16, published by Friedrich Hofmeister.
• The holograph manuscript of Zelenka’s Beatus vir, ZWV 75.
• The first edition of Jerome Kern’s Mind the Paint, published by T.B. Harms.
• The first edition of Medtner’s Piano Sonata, Op.22, published by Russischer Musikverlag.
• The first edition of Cook’s 3 Negro Songs, published by Schirmer.
• The first edition of Kinkel’s 6 Lieder, Op.15, published by Jacob Eck & Lefebvre.
• The holograph manuscript of Zelenka’s Beati omnes, ZWV 94.
• The first edition of Jerome Kern’s Look for the Silver Lining, published by T.B. Harms.
• Medtner’s Violin Sonata No.1, Op.21, published by Muzgiz.
• The first edition of Cook’s Mandy Lou, published by Jerome H. Remick.
• The first edition of Kinkel’s 6 Lieder, Op.10, published by T. Trautwein.
• The holograph manuscript of Zelenka’s Barbara dira effera, ZWV 164.
• The first edition of Jerome Kern’s Left All Alone Again Blues, published by T.B. Harms.
• The first edition of Medtner’s 2 Tales, Op.20, published by Édition Russe de Musique.
• The first edition of Cook’s The Little Gypsy Maid, published by the composer.
• The first edition of Kinkel’s 6 Lieder, Op.7, published by T. Trautwein.
• The holograph manuscript of Zelenka’s 6 Ave Regina Coelorum, ZWV 128.
• The holograph manuscript of Jerome Kern’s Hulda.
• The first edition of Medtner’s 3 Poems after Nietzsche, Op.19, published by Russischer Musikverlag.
• The first edition of Cook’s Good Evenin', published by Harry Von Tilzer.
• The first edition of Kinkel’s 6 Lieder, Op.6, published by Kistner.
• The holograph manuscript of Zelenka’s Attendite et videte, ZWV 59.
• The first edition score and parts of Jerome Kern’s Good Morning, Dearie, published by T.B. Harms.
• Medtner’s 6 Poems after Goethe, Op.18, published by Muzgiz.
• The first edition of Cook’s Darktown Is Out To-Night, published by M. Witmark & Sons.
• The second edition of Kinkel’s Hymnus in Coena Domini, Op.14, published by F.W. Arnold.
• The holograph manuscript of Zelenka’s 4 Antiphons, ZWV 163.
• The first edition score and parts of Jerome Kern’s Gloria's Romance, published by T.B. Harms.
• The first edition of Medtner’s 3 Novellettes, Op.17, published by Edition Russe de Musique.
• The first edition of Cook’s Darktown Barbecue, published by John Cook.
• The second edition of Kinkel’s 6 Gedichte, Op.8, published by T. Trautwein.
• The holograph manuscript of Zelenka’s Angelus Domini descendit, ZWV 161.
• The first edition of Jerome Kern’s The First Rose of Summer, published by T.B. Harms.
• The first edition of Medtner’s 3 Nocturnes, Op.16, published by Edition Russe de Musique.
• The first edition of Cook’s Cruel Papa!, published by Jos. W. Stern.
• The second edition of Kinkel’s 3 Duetten, Op.11, published by T. Trautwein.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 127.
• The first edition of Jerome Kern’s Don't You Want a Paper, Dearie?, published by T.B. Harms.
• Medtner’s 12 Songs after Goethe, Op.15, published by Muzgiz.
• The first edition of Cook’s As the Sunflower Turns to the Sun, published by The Gotham Music Co.
• The second edition of Kinkel’s Don Ramiro, Op.13, published by Jacob Eck und Lefebvre.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 126.
• The first edition of Jerome Kern’s The Bull Frog Patrol, published by T.B. Harms.
• The first edition of Medtner’s 2 Tales, Op.14, published by P. Jurgenson.
• The first edition of White’s From the Cotton Fields, Op.18, published by Carl Fischer.
• The first edition of Kinkel’s Der deutsche Rhein, published by Kistner.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 125.
• The first edition of Jerome Kern’s The Bagpipe Serenade, published by T.B. Harms.
• Medtner’s 2 Poems, Op.13, published by Muzgiz.
• The first edition of White’s Bandanna Sketches, Op.12, published by Carl Fischer.
• The first edition of Brooman’s 3 Sånger vid Piano, published by Abraham Hirsch.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 124.
• The first edition of Jerome Kern’s An Old Fashioned Wife, published by T.B. Harms.
• The first edition of Medtner’s 3 Poems after Heine, Op.12, published by Muzgiz.
• The first edition of Burleigh’s Were you there?, published by Ricordi.
• The first edition of Blahetka’s Nocturne No.4, Op.62, published by Henry Lemoine.
• The holograph manuscript of Zelenka’s Alma redemptoris Mater, ZWV 123.
• The first edition of Jerome Kern’s All I Want Is You!, published by T.B. Harms.
• The first edition of Medtner’s Sonaten-Triade, Op.11, published by P. Jurgenson.
• The first edition of Burleigh’s Weepin' Mary, published by Ricordi.
• The first edition of Blahetka’s Grand Duo in F-sharp minor, Op.47, published by Friedrich Hofmeister.
• The holograph manuscript of Zelenka’s Agnus Dei, ZWV 38.
• The first edition of Jerome Kern’s Ain't It Funny What a Difference Just a Few Drinks Make, published by T.B. Harms & Francis, Day & Hunter.
• The first edition of Medtner’s 3 Dithyrambs, Op.10, published by P. Jurgenson.
• The first edition of Burleigh’s Tis Me, O Lord, published by Ricordi.
• The first edition of Blahetka’s 2 Nocturnes, Op.46, published by Bernard Latte.
• The holograph manuscript of Zelenka’s Agnus Dei, ZWV 37.
• The first edition of Bert Kalmar’s I Want a Ragtime Bungalow, published by Kalmar & Puck.
• The first edition of Medtner’s 3 Tales, Op.9, published by P. Jurgenson.
• The first edition of Burleigh’s 4 Southland Sketches, published by Ricordi.
• The first edition of Blahetka’s Erinnerungen an Holland, Op.33, published by Schott.
• The holograph manuscript of Zelenka’s 6 Lamentationes pro hebdomada sancta, ZWV 53.
• The first edition of Walter Donaldson’s You're a Million Miles from Nowhere, published by Waterson, Berlin, and Snyder.
• Medtner’s 2 Tales, Op.8, published by Muzgiz.
• The first edition of Burleigh’s 5 Songs of Laurence Hope , published by Ricordi.
• The first edition of Blahetka’s Variations sur la chanson nationale autrichienne 'Gott erhalte Franz den Kaiser' de J. Haydn, Op.28, published by G.E. Alitsky.
• The holograph manuscript of Zelenka’s 6 Ave Regina Coelorum, ZWV 128.
• The first edition of Walter Donaldson’s You'd Never Know that Old Home-Town of Mine, published by Waterson, Berlin, and Snyder.
• The first edition of Medtner’s 3 Arabesques, Op.7, published by P. Jurgenson.
• The first edition of Burleigh’s Sometimes I Feel Like a Motherless Child, published by Ricordi.
• The first edition of Blahetka’s Variations sur un thème tirolien, Op.27, published by Pietro Mechetti.
• The holograph manuscript of Zelenka’s 4 Antiphons, ZWV 163.
• The first edition of Walter Donaldson’s When You See Another Sweetie Hanging Around, published by Waterson, Berlin, and Snyder.
• The first edition of Medtner’s 9 Songs after Goethe, Op.6, published by P. Jurgenson.
• The first edition of Burleigh’s One Year: 1914-1915, published by Ricordi.
• The first edition of Blahetka’s Variations on a Theme by Auber, Op.26, published by Tobias Haslinger.
• The holograph manuscript of Zelenka’s 3 Lamentationes pro hebdomada sancta, ZWV 54.
• The first edition of Walter Donaldson’s When Verdi Plays the Hurdy Gurdy, published by Broadway Music Corp.
• The first edition of Medtner’s Piano Sonata, Op.5, published by Belaieff.
• The first edition of Burleigh’s Oh, Didn't it Rain, published by Ricordi.
• The first edition of Blahetka’s Concertstück, Op.25, published by Richault.
• The holograph manuscript of Zelenka’s 10 Sub tuum praesidium, ZWV 157.
• The first edition of Walter Donaldson’s We'll Have a Jubilee in My Old Kentucky Home, published by Waterson, Berlin, and Snyder.
• The first edition of Medtner’s 4 Morceaux, Op.4, published by P. Jurgenson.
• The first edition of Burleigh’s Oh Peter go Ring-a dem Bells, published by Ricordi.
• The first edition of Blahetka’s Variations brillantes sur un thême hongrois, Op.18 , published by Tobias Haslinger.
• The holograph manuscript of Scarlatti’s È la speme un desio tormentoso, H.227.
• The first edition of Walter Donaldson’s Upstairs and Down, published by Waterson, Berlin, and Snyder.
• The score of Medtner’s 3 Romances, Op.3, published by Muzgiz.
• The first edition of Burleigh’s O Rocks, Don't Fall on Me, published by Ricordi.
• The first edition of Blahetka’s Grande polonaise concertante, Op.9, published by Tobias Haslinger.
• The holograph manuscript of Scarlatti’s Zeffiretto che indrizzi il tuo volo, H.783.
• The first edition of Walter Donaldson’s Sweetie Indiana Home, published by Jerome Remnick.
• The first edition score and parts of Medtner’s 3 Fantasy-Improvisations, Op.2, published by P. Jurgenson.
• The first edition of Burleigh’s O Perfect Love, published by William Maxwell.
• The first edition of Oury’s Welsh Melodies, Op.114, published by Joseph Williams.
• The holograph manuscript of Scarlatti’s Venne ad Amor desio, H.765.
• The first edition of Walter Donaldson’s Seven or Eleven, published by Shapiro, Bernstein & Co.
• The first edition score and parts of Medtner’s The Angel, Op.1bis, published by P. Jurgenson.
• The first edition of Burleigh’s Nobody Knows de Trouble I've Seen, published by Ricordi.
• The first edition of Oury’s 6 Variations, Op.1, published by Falter & Sohn.
• The holograph manuscript of Scarlatti’s Va' pur lungi da me, H.755.
• The first edition of Walter Donaldson’s Oh, Joe, with Your Fiddle and Your Bow, published by Broadway Music Corp.
• The first edition score and parts of Schoenberg’s String Quartet No.3, Op.30, published by Universal Edition.
• The first edition of Burleigh’s My Way's Cloudy, published by Ricordi.
• The holograph manuscript of Scarlatti’s Telemaco.
• The first edition of Walter Donaldson’s Oh! The Woman in Room 13, published by Waterson, Berlin & Snyder.
• The first edition score and parts of Schoenberg’s Suite, Op.29, published by Universal Edition.
• The first edition of Burleigh’s My Lord, what a Mornin', published by Ricordi.
• The first edition of Oury’s Santa Lucia, Op.63, published by Brewer & Co.
• The holograph manuscript of Scarlatti’s Su la sponda del mare.
• The first edition of Walter Donaldson’s Oh Baby, published by Irving Berlin.
• The first edition score and parts of Schoenberg’s 3 Satiren, Op.28, published by Universal Edition.
• The first edition of Burleigh’s Little Mother of Mine, published by Ricordi.
• The first edition of Oury’s Rigoletto Fantasie, published by Boosey.
• The holograph manuscript of Scarlatti’s Su bel seggio di fiori, H.695.
• The first edition of Walter Donaldson’s My Papa Doesn't Two-Time No Time, published by Irving Berlin.
• The first edition score and parts of Schoenberg’s 4 Pieces, Op.27, published by Universal Edition.
• The first edition of Burleigh’s Just Because, published by Theodore Presser.
• The first edition of Oury’s The Power of Love, published by Boosey.
• The holograph manuscript of Scarlatti’s Sovra questi fecondi ameni colli, H.682.
• The first edition of Walter Donaldson’s My Ohio Home, published by Leo Feist.
• The first edition score and parts of Schoenberg’s Wind Quintet, Op.26, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s John's Gone Down on de Island, published by Ricordi.
• The first edition of Oury’s Introduction and Variations, Op.2, published by Falter & Sohn.
• The holograph manuscript of Scarlatti’s Solitudini amene, bersaglio d'empia sorte, H.664.
• The first edition of Walter Donaldson’s My Buddy, published by Jerome H. Remick.
• The first edition of Schoenberg’s Suite, Op.25, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s Jean, published by Theodore Presser.
• The first edition of Oury’s Devonshire Polka, published by Woolcott & Clarke.
• The holograph manuscript of Scarlatti’s Qui dove aure ed augelli, H.619.
• The first edition of Walter Donaldson’s My Best Girl, published by Jerome H. Remick.
• The first edition of Schoenberg’s Serenade, Op.24, published by Wilhelm Hansen.
• The holograph manuscript and first edition of Burleigh’s I Want to be Ready, published by Ricordi.
• The first edition of Oury’s Bolero, published by Boosey.
• The holograph manuscript of Scarlatti’s Questa vermiglia rosa, H.613.
• The first edition of Walter Donaldson’s Mindin' My Bus'ness, published by Irving Berlin.
• The first edition of Schoenberg’s 5 Pieces, Op.23, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s I Stood on de Ribber ob Jerdon, published by Ricordi.
• The first edition of Norton’s The Officer's Funeral, published by A.E. Blackmar & Bros.
• The holograph manuscript of Scarlatti’s Quella que chiudo in sen fiamma amorosa, H.609.
• The first edition of Walter Donaldson’s Just Try to Picture Me Back Home in Tennessee, published by Waterson, Berlin, and Snyder.
• The first edition of Schoenberg’s 4 Lieder, Op.22, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s I Don't Feel No-Ways Tired, published by Ricordi.
• The first edition of Norton’s The Murmur of the Shell, published by Geo. Dunn & Comp.
• The holograph manuscript of Scarlatti’s Quel piacer che nell'amarti, H.607.
• The first edition of Walter Donaldson’s Just a Bird's-eye View, published by Leo Feist.
• The first edition of Schoenberg’s Herzgewächse, Op.20, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s From the Southland, published by William Maxwell.
• The first edition of Norton’s Juanita, published by Oliver Ditson.
• The holograph manuscript of Scarlatti’s Quel Fileno infelice, H.605.
• The first edition of Walter Donaldson’s I've Got the Sweetest Girl in Maryland, published by M. Witmark.
• The first edition of Schoenberg’s 6 Little Piano Pieces, Op.19, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s Ethiopia Saluting the Colors, published by Ricordi.
• The first edition of Norton’s The Fairy Bells, published by J. Power.
• The holograph manuscript of Scarlatti’s Quando mai troverò d'Amor nel regno, H.593.
• The first edition of Walter Donaldson’s I've Got the Nicest Little Home in D-I-X-I-E, published by M. Witmark.
• The first edition of Schoenberg’s Die glückliche Hand, Op.18, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s Don't You Weep When I'm Gone, published by Ricordi.
• The first edition of Norton’s The Careless Word, published by Chappell.
• The holograph manuscript of Scarlatti’s Quale al gelo s'adugge, H.582.
• The first edition of Walter Donaldson’s I Wish that I'd Been Born in Borneo, published by Irving Berlin.
• The first edition of Schoenberg’s Das Buch der hängenden Gärten, Op.15, published by Universal Edition.
• The holograph manuscript and first edition of Burleigh’s Deep River, published by Ricordi.
• The first edition of Malibrán’s Le message, published by E. Troupenas.
• The holograph manuscript of Scarlatti’s Perfida Filli ingrata, H.555.
• The first edition of Walter Donaldson’s I Love the Land of Old Black Joe, published by Irving Berlin.
• The first edition of Schoenberg’s 2 Lieder, Op.14, published by Universal Edition.
• The first edition of Burleigh’s By an' By, published by Ricordi.
• The first edition of Malibrán’s L'Indifférence, published by E. Troupenas.
• The holograph manuscript of Scarlatti’s Perdono, Amor, perdono, H.554.
• The first edition of Walter Donaldson’s Goodbye, Slim, published by Schapiro, Bernstein & Co.
• The first edition of Schoenberg’s Friede auf Erden, Op.13, published by Breitkopf.
• The first edition of Burleigh’s Balm in Gilead, published by Ricordi.
• The first edition of Malibrán’s Hymne des matelots, published by E. Troupenas.
• The holograph manuscript of Scarlatti’s Peno e del mio penar, H.531.
• The first edition of Walter Donaldson’s Feeling the Way I Do, published by Irving Berlin.
• The first edition (score and parts) of Schoenberg’s 3 Pieces, Op.11, published by Universal Edition.
• The first edition of Burleigh’s Apart, published by William Maxwell.
• A manuscript of Malibrán’s En Soupirant.
• The holograph manuscript of Scarlatti’s Ombre tacite e sole.
• The first edition of Walter Donaldson’s Down Around the 'Sip 'Sip 'Sippy Shore, published by Irving Berlin.
• The first edition (score and parts) of Schoenberg’s String Quartet No.2, Op.10, published by Universal Edition.
• The first edition of Burleigh’s Ain't Goin' to Study War No Mo', published by Ricordi.
• The first edition of Malibrán’s Away o'er the blue waves of ocean, published by E. Riley.
• The holograph manuscript of Scarlatti’s O sol degl'occhi miei, H.498.
• The first edition of Walter Donaldson’s Dixie Highway, published by Jerome Remick.
• The first edition (score and parts) of Schoenberg’s Kammersymphonie No.1, Op.9, published by Universal Edition.
• The first edition of Dett’s Somebody's Knocking at Your Door, published by John Church.
• The first edition of Servier's Variations on 'The Evening Bells', Op.2, published by Pacini.
• The holograph manuscript of Scarlatti’s Non so qual più m'ingombra, H.476.
• The first edition of Walter Donaldson’s Come On to Nashville, published by Broadway Music Corp.
• The first edition of Schoenberg’s 6 Orchester-Lieder, Op.8, published by Universal Edition.
• The first edition of Dett’s Ramah, published by Boston Music Company.
• The first edition of Lady Dufferin's A Selection of the Songs of Lady Dufferin, published by John Murray.
• The holograph manuscript of Scarlatti’s Missa Clementina, R.511/1.
• The first edition of Walter Donaldson’s Carolina in the Morning, published by Jerome H. Remnick.
• The first edition of Schoenberg’s String Quartet No.1, Op.7, published by Verlag Dreililien.
• The first edition of Dett’s O Holy Lord, published by Schirmer.
• The holograph manuscript Hensel’s String Quartet in E-flat major.
• The holograph manuscript of Scarlatti’s Lungi dalla cagion, H.407.
• The first edition of Walter Donaldson’s Beside a Babbling Brook, published by Jerome H. Remnick.
• The first edition of Schoenberg’s 8 Lieder, Op.6, published by Verlag Dreililien.
• The first edition of Dett’s Music in the Mine, published by Schirmer.
• The holograph manuscript Hensel’s Selmar und Selma, H.230.
• The holograph manuscript of Scarlatti’s Il mio sol non è più meco, H.315 .
• The first edition of Walter Donaldson’s Away Down East in Maine, published by Shapiro, Bernstein.
• The first edition (score and parts) of Schoenberg’s Pelleas und Melisande, Op.5, published by Universal Edition.
• The first edition of Dett’s Magnolia, published by Clayton F. Summy.
• The first edition of Hensel’s 5 Lieder, Op.10, published by Breitkopf.
• The holograph manuscript of Scarlatti’s Il fulgido splendor d'un ciglio arciero, H.313.
• The first edition of Jolson’s Tell That to the Marines, by Jean Schwartz and Al Jolson. Published by Waterson, Berlin & Snyder.
• The first edition (score and parts) of Schoenberg’s Verklärte Nacht, Op.4, published by Verlag Dreililien.
• The first edition of Dett’s Listen to the Lambs, published by Schirmer.
• The first edition of Hensel’s 6 Lieder, Op.9, published by Breitkopf.
• The holograph manuscript of Scarlatti’s Filli, la tua bellezza.
• The first edition of Jolson’s Yoo-Hoo, published by Jerome H. Remnick.
• The first edition of Schoenberg’s 6 Lieder, Op.3, published by Verlag Dreililien.
• The first edition of Dett’s In the Bottoms, published by Clayton F. Summy.
• The first edition of Hensel’s 4 Lieder for Piano, Op.8, published by Breitkopf.
• The holograph manuscript of Scarlatti’s Filli adorata e cara, Filli che fosti, H.272.
• The first edition of Jolson’s Old Fashioned Girl, published by Richmond-Robbins.
• The first edition of Schoenberg’s 4 Lieder, Op.2, published by Verlag Dreililien.
• The first edition of Dett’s I'm So Glad Trouble Don't Last Alway, published by John Church.
• The first edition of Hensel’s 6 Lieder, Op.7, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Fileno, ove t'en vai, H.265.
• The first edition of Morning Will Come, by B. G. De Sylva, Con Conrad and Al Jolson. Published by Harms, Inc.
• The first edition of Schoenberg’s 2 Gesänge, Op.1, published by Verlag Dreililien.
• The first edition of Dett’s Follow Me, published by John Church.
• The first edition of Hensel’s 4 Lieder for Piano, Op.6, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Dormono l'aure estive, H.206.
• The first edition of I'll Say She Does, by B. G. De Sylva, Gustav Kahn and Al Jolson. Published by Jerome H. Remick.
• The first edition of Koechlin’s 4 Nouvelles sonatines, Op.87, published by Maurice Senart.
• The first edition of Dett’s Cave of the Winds, published by S.C. Fagard.
• The first edition of Hensel’s 3 Mélodies, Op.5, published by Schlesinger.
• The holograph manuscript of Scarlatti’s Dal bel volto d'Irene, H.165.
• The first edition of Don't Cry Swanee, by B. G. De Sylva, Con Conrad and Al Jolson. Published by Jerome H. Remick.
• The first edition of Koechlin’s 12 Pastorales, Op.77, published by Maurice Senart.
• The first edition of Dett’s Ave Maria, published by Schirmer.
• The first edition of Hensel’s 3 Mélodies, Op.4, published by Schlesinger.
• The holograph manuscript of Scarlatti’s 12 Concerti Grossi, GB-Lbl R.M.21.b.14.
• The first edition of 'N' Everthing, by B. G. De Sylva, Gustav Kahn and Al Jolson. Published by Jerome H. Remick.
• The first edition of Koechlin’s Sonata for 2 Flutes, Op.75, published by Maurice Senart.
• The full score of Johnson’s Victoria Gallop, published by Osbourn's Music Saloon.
• The first edition of Hensel’s Gartenlieder, Op.3, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Con trasparente velo, H.143.
• The first edition of Isham Jones' Sweet Woman!, published by Waterson, Berlin & Snyder.
• The first edition of Koechlin’s Choral sur le nom de Fauré, Op.73bis, published by La revue musicale.
• The full score of Johnson’s A Collection of New Cotillons, published by G. Willig.
• The first edition of Hensel’s 4 Lieder for Piano, Op.2, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Clori bell'idol mio, H.125.
• The first edition of Isham Jones' Some Other Day, published by Milton Weil.
• The first edition of Koechlin’s String Quartet No.3, Op.72, published by Maurice Senart.
• The full score of Rostand’s Viens!, published by Heugel.
• The first edition of Hensel’s 6 Lieder, Op.1, published by Bote & Bock.
• The holograph manuscript of Scarlatti’s Bei prati, verdi colli, H.73.
• The first edition of Isham Jones' Say Young Feller, published by Tell Taylor.
• The first edition of Koechlin’s Bassoon Sonata, Op.71, published by Billaudot.
• The full score of Rostand’s La saison des roses, published by Heugel.
• The first edition of Bertin’s Reviens!, published by Salme.
• The full score of Massenet’s incidental music to Le grillon du foyer, in manuscript.
• The first edition of Isham Jones' The One I Love, published by Tell Taylor.
• The first edition of Koechlin’s Violin Sonata, Op.64, published by Maurice Senart.
• The full score of Rostand’s Récit intime, published by H. Messerer.
• The first edition of Bertin’s Piano Trio, Op.10, published by Schonenberger.
• The holograph manuscript of Scarlatti’s Allor ch'il Dio di Delo, H.31.
• The piano reduction of Vizentini’s Ordre du roi (grand ballet), published by A. Büttner.
• The first edition of Koechlin’s Paysages et marines, Op.63, published by A.Z. Mathot.
• The full score of Rostand’s Prière, published by M. Carbonel.
• The first edition of Bertin’s Pardon!!, published by the composer.
• The holograph manuscript of Scarlatti’s Alle Troiane antenne, H.30.
• The first edition of Isham Jones' Oh! Min!, published by Tell Taylor.
• The first edition of Koechlin’s 12 Petites pièces, Op.61d, published by Maurice Senart.
• The full score of Rostand’s Pierrot qui pleure et Pierrot qui rit, published by Heugel.
• The first edition of Bertin’s L'hirondelle, published by Ravayre-Raver.
• The holograph manuscript of Scarlatti’s Al fin m'ucciderete, H.21.
• The first edition of Isham Jones' Never Again, published by Milton Weil.
• The first edition of Koechlin’s 10 Petites pièces faciles, Op.61c, published by Maurice Senart.
• The first edition of Burleigh’s By an' By, published by Ricordi.
• The manuscript of Bertin’s La Esmeralda.
• The holograph manuscript of Scarlatti’s ...ver per un diletto, H.766.
• The first edition of Isham Jones' Meet Me in Bubble Land, published by Waterson, Berlin & Snyder.
• The first edition of Koechlin’s 5 Piano Sonatinas, Op.59, published by A.Z. Mathot.
• The first edition of Burleigh’s Balm in Gilead, published by Ricordi.
• The first edition of Marion Dix Sullivan’s The Kansas Home, published by Nathan Richardson.
• The holograph manuscript of Scarlatti’s Dalla nativa sfera scese, H.175.
• The first edition of Isham Jones' Lady of the Nile, published by Milton Weil.
• The first edition of Koechlin’s Oboe Sonata, Op.58, published by Max Eschig.
• The first edition of Burleigh’s Apart, published by William Maxwell.
• The first edition of Sullivan’s Judy McLeary, published by Oliver Ditson.
• The only extant complete contemporary manuscript of Scarlatti’s Mitridate Eupatore.
• The first edition of Isham Jones' It Had to Be You, published by Jeromne Remick.
• The first edition of Koechlin’s Viola Sonata, Op.53, published by Maurice Senart.
• The first edition of Burleigh’s Ain't Goin' to Study War No Mo', published by Ricordi.
• The first edition of Morel du Verger’s 8 Études mélodiques, published by Richault.
• Zingarelli’s Partimenti, published by Ricordi.
• The first edition of Isham Jones' Call For Mr. Brown, published by Tell Taylor.
• The first edition of Koechlin’s Flute Sonata, Op.52, published by Maurice Senart.
• The first edition of Eugène Dédé’s Sous la pluie, Op.247, published by P. Lefebvre.
• The first edition of Emilie Zumsteeg’s 6 Lieder, Op.5, published by the Zumsteegschen Musicalienhandlung.
• Tritto’s Scuola di Contrappunto, published by Artaria.
• The first edition of Isham Jones' Broken Hearted Melody, published by Forster.
• The first edition of Koechlin’s String Quartet No.1, Op.51, published by Maurice Senart.
• The first edition of Eugène Dédé’s Polka des confettis, Op.237, published by L. Bathlot.
• The first edition of Emilie Zumsteeg’s 6 Lieder, Op.4, published by Schott.
• Tritto’s Partimenti e Regole generali, published by Artaria.
• The first edition of Isham Jones' At the End of a Winding Lane, published by Milton Weil.
• The first edition of Koechlin’s 24 Esquisses, Op.41, published by Maurice Senart.
• The first edition of Eugène Dédé’s Miaou! Miaou!, Op.238, published by P. Lefebvre.
• The first edition of Emilie Zumsteeg’s 5 Lieder, published by N. Simrock.
• The holograph manuscript of Sala’s Regole del contrappunto pratico.
• The first edition of Charles K. Harris's Yesterday, published by the composer.
• The first edition of Koechlin’s Chansons de Bilitis, Op.39, published by Maurice Senart.
• The first edition of Eugène Dédé’s Marquise Pompadour, published by L. Bathlot.
• The first edition of Liebmann’s Grand Piano Sonata, Op.3, published by the Bureau d'arts et d'industrie.
• Sala’s Racolda di lezzioni numeriche.
• The first edition of Charles K. Harris's Would You Care?, published by the composer.
• The first edition of Koechlin’s 6 Mélodies, Op.31, published by Rouart, Lerolle & Cie.
• The first edition of Eugène Dédé’s La marche des Hovas, Op.293, published by Neveu et Gerlier.
• The first edition of Liebmann’s Cello Sonata, Op.11, published by the Bureau d'arts et d'industrie.
• The partimenti from Mattei’s Pratica d'accompagnamento sopra bassi numerati e contrappunti, published by Ricordi.
• The first edition of Charles K. Harris's Without a Wedding Ring, published by the composer.
• The first edition of Koechlin’s 4 Mélodies, Op.28.
• The first edition of Eugène Dédé’s Les libellules, Op.421, published by Jacques Parès.
• The first edition of Ridderstolpe’s Schwedische Lieder aus Axel und Frithiof, published by C. Möller.
• Early manuscript copies of Leo’s Solfeggi.
• The first edition of Charles K. Harris's While the Dance Goes On, published by Charles Sheard.
• The first edition of Koechlin’s 4 Poèmes de 'La bonne chanson', Op.24.
• The first edition of Eugène Dédé’s If you please?, Op.295, published by Neveu and Gerlier.
• The first edition of Olivia Dussek’s Musical Truths; or an Analysis of Music, published by the author.
• An early manuscript copy of Leo’s Solfeggios for Soprano, P-Ln C.N.321.
• The first edition of Charles K. Harris's When It Strikes Home, published by the composer.
• The first edition of Koechlin’s 2 Poèmes d'André Chénier, Op.23, published by L. Philipo.
• The first edition of Eugène Dédé’s Fantasmagorie, Op.241, published by L. Mathlot.
• The first edition of Olivia Dussek’s I've Been Roaming, published by Welsh & Hawes.
• An early manuscript copy of Cotumacci’s Regole, e Principi di sonare, e Lettioni di Partimenti.
• The first edition of Charles K. Harris's Suppose I Met You Face to Face, published by the composer.
• The first edition of Koechlin’s 4 Mélodies, Op.22, published by Joanin.
• The first edition of Eugène Dédé’s Extase d'amour, Op.550, published by Cortellazzo.
• The first edition of Szymanowska’s Serenade.
• An early manuscript copy of Cotumacci’s Principi e regole di Partimenti con tutte le lezioni.
• The first edition of Charles K. Harris's The Story of a Soul, published by the composer.
• The first edition of Koechlin’s 2 Villanelles, Op.21, published by Hachette.
• The first edition of Eugène Dédé’s Douleur et gaîté , published by L. Gathlot.
• The first edition of Szymanowska’s 6 Romances.
• An early manuscript copy of Durante’s Regole per l'accompagnamento.
• The first edition of Charles K. Harris's Somewhere, published by the composer.
• The first edition of Koechlin’s Suite for piano 4 hands, Op.19, published by Durand.
• The first edition of Eugène Dédé’s Chiffonnette, Op.236, published by C. Neveu et F. Gerlier.
• The first edition of Szymanowska’s Polonaise in C major, published by Breitkopf.
• An early manuscript copy of Durante’s Partimenti numerati e diminuiti e Fughe Del M.o Francesco Durante.
• The first edition of Charles K. Harris's Please, Miss Central, Find My Mamma, published by the composer.
• The first edition of Koechlin’s 3 Poèmes du ‘Livre de la Jungle’, Op.18, published by Rouart, Lerolle & Cie..
• The first edition of Eugène Dédé’s Buenas noches, Op.243, published by P. Lefebvre.
• The first edition of Szymanowska’s 6 Minuets, published by Breitkopf.
• An early manuscript copy of Durante’s Partimenti Diminuiti Del Sig.re Francesco Durante.
• The first edition of Charles K. Harris's Nobody Knows, Nobody Cares, published by the composer.
• The first edition of Koechlin’s 3 Mélodies, Op.17, published by Hachette.
• The autograph manuscript of Eugène Dédé’s Aurore.
• The first edition of Szymanowska’s 6 Marches for Piano, published by Breitkopf.
• An early edition and manuscript copy of Fenaroli’s collection of Regole musicali per i principianti di cembalo.
• The first edition of Charles K. Harris's A Man, a Maid, a Moon, a Boat, published by the composer.
• The first edition of Koechlin’s L'abbaye, Op.16, published by A. Joanin & Cie.
• The first edition of Eugène Dédé’s If you please?, Op.295, published by Neveu et Gerlier.
• The first edition of Szymanowska’s Grande valse, published by Breitkopf.
• The holograph manuscript of Cimarosa’s collection of Partimentos, I-MOe Gamma.L.9.26.
• The first edition of Charles K. Harris's The Last Farewell, published by the composer.
• The first edition of Koechlin’s 3 Mélodies, Op.15, published by Hachette.
• The first edition of Dédé’s Le Serment de l'Arabe, published by Lee and Shepard.
• The first edition of Szymanowska’s Fantaisie in F major, published by Breitkopf.
• The holograph manuscript of Cimarosa’s Volodimiro.
• The first edition of Charles K. Harris's It's Always June, When You're in Love, published by the composer.
• The first edition of Koechlin’s 9 Rondels, Op.14, published by L. Philippo.
• The first edition of Dédé’s El pronunciamento, published by L. Bathlot.
• The first edition of Szymanowska’s 20 Exercises and Preludes.
• The holograph manuscript of Cimarosa’s La villana riconosciuta.
• The first edition of Charles K. Harris's Is There a Letter for Me?, published by the composer.
• The first edition of Koechlin’s Poèmes d'automne, Op.13, published by L. Philippo.
• The first edition of Dédé’s Mirliton fin de siècle, published by E. Fromont.
• The first edition of Szymanowska’s Divertissement in B-flat major, published by Breitkopf.
• The holograph manuscript of Cimarosa’s La vergine del sole.
• The first edition of Charles K. Harris's In the City Where Nobody Cares, published by the composer.
• The first edition of Koechlin’s Les clairs de lune, Op.9, published by Hachette.
• The first edition of Dédé’s Méphisto masqué, published by L. Bathlot & Vve. Héraud.
• An early edition of Szymanowska’s Departure.
• The holograph manuscript of Cimarosa’s La vanità delusa.
• The first edition of Charles K. Harris's I'm Trying So Hard to Forget You, published by the composer.
• The first edition of Koechlin’s 7 Rondels, Op.8, published by E. Baudoux.
• The first edition of Dédé’s Kikipatchouli et Kakaoli, published by G. Ondet.
• An early edition of Szymanowska’s 18 Danses de Différent Genre.
• The holograph manuscript of Cimarosa’s Il trionfo della fede.
• An early edition of Charles K. Harris's I Love Her Just the Same.
• The first edition of Koechlin’s 4 Poèmes d'Edmond Haraucourt, Op.7 , published by Philippo.
• The first edition of Dédé’s Chicago, published by E. Fromont.
• An early edition of Szymanowska’s Cotillon, published by Hanry.
• The holograph manuscript of Cimarosa’s I tre amanti.
• The first edition of Charles K. Harris's Fairy Moon, published by the composer.
• The first edition of Koechlin’s 6 Rondels, Op.1, published by E. Baudoux.
• The first edition of Bland’s Oh! Lucinda, published by J.W. Pepper.
• An early edition of Szymanowska’s Caprice sur la romance de Joconde, published by Breitkopf.
• The holograph manuscript of Cimarosa’s Le trame deluse.
• The first edition of Charles K. Harris's Don't You Wish You Were Back Home Again?, published by the composer.
• The first edition of Cilea’s Adriana Lecouvreur, published by Sonzogno.
• The first edition of Bland’s In the Morning by the Bright Light, published by John F. Perry & Co.
• An early edition of Beauharnais’s 12 Romances, published by Breitkopf.
• The holograph manuscript of Cimarosa’s I traci amanti.
• The first edition of Charles K. Harris's Don't Give Me Diamonds, All I Want Is You, published by the composer.
• The first edition of Myaskovsky’s Piano Sonata No.2, Op.13, published by P. Jurgenson.
• The first edition of Bland’s In the Evening by Moonlight, published by the Song Distributing Corp.
• The first edition of Beauharnais’s 12 Romances dedicated to Stéphanie de Beauharnais, published by Pleyel.
• The holograph manuscript of Cimarosa’s Le stravaganze del conte.
• The first edition of Charles K. Harris's Don't Blame Me for Lovin' You, published by the composer.
• The first edition of Myaskovsky’s Cello Sonata No.1, Op.12, published by P. Jurgenson.
• The first edition of Bland’s Carry Me Back to Old Virginny, published by Ditson.
• The first edition of Beauharnais’s 12 Romances dedicated to Eugène de Beauharnais.
• The holograph manuscript of Cimarosa’s Le stravaganze d'amore.
• The first edition of Charles K. Harris's Come Back, published by the composer.
• The first edition of Myaskovsky’s 3 Sketches, Op.8, published by Édition Russe de Musique.
• The first edition of White’s Nouvelles études, Op.33, published by Durdilly.
• Beauharnais’s 12 Romances 'Album artistique', published by Heugel.
• The holograph manuscript of Cimarosa’s La sorpresa.
• The full score of Massenet’s Brumaire, published by Heugel.
• The first edition of Myaskovsky’s Piano Sonata No.1, Op.6, published by P. Jurgenson.
• The first edition of White’s Zamacueca, Op.30, published by du Wast.
• Beauharnais’s Partant pour la Syrie, published by Colombier.
• The holograph manuscript of Cimarosa’s I sdegni per amore.
• The first edition of Charles K. Harris's Climb a Tree with Me, published by the composer.
• Myaskovsky’s On the Border, Op.4, published by Muzgiz.
• The first edition of White’s 6 Études, Op.13, published by Lemoine.
• The first edition of Beauharnais’s L'Hirondelle, published by Troupenas.
• The holograph manuscript of Cimarosa’s Il ritorno di Don Calandrino.
• The first edition of Charles K. Harris's Break the News to Mother, published by the composer.
• Myaskovsky’s Meditations, Op.1, published by Muzgiz.
• The first edition of Johnson’s Victoria Gallop, published by Osbourn's Music Saloon.
• The first edition of Louise Reichardt’s Das Mädchen am Ufer, published by August Cranz.
• The holograph manuscript of Cimarosa’s Il pittore parigino.
• The first edition of Weill’s Violin Concerto, Op.12, published by Universal Edition.
• The first edition of Coleridge-Taylor’s The Willow Song, published by Metzler.
• The first edition of Louise Reichardt’s Heimweh, published by Julius Bauer.
• The holograph manuscript of Cimarosa’s Oreste.
• The first edition of Charles K. Harris's Always Me, published by the composer.
• The first edition of Weill’s String Quartet, Op.8, published by Universal Edition.
• The first edition of Coleridge-Taylor’s What Can Lambkins Do?, published by Novello.
• The first edition of Louise Reichardt’s 6 Lieder von Novalis, Op.4, published by J.A. Böhme.
• The holograph manuscript of Cimarosa’s L'Olimpiade.
• The first edition of Charles K. Harris's All I Want Is a Cottage, Some Roses, and You, published by the composer.
• The first edition of "Dragonetti's" (Nanny’s) Double Bass Concerto in A major, published by Alphonse Leduc.
• The first edition of Coleridge-Taylor’s Variations for Cello and Piano, published by Augener.
• The first edition of Louise Reichardt’s 12 Gesänge, Op.3, published by J.A. Böhme.
• The holograph manuscript of Cimarosa’s I nemici generosi.
• The first edition of Walter Donaldson's We'll have a Jubilee in my Old Kentucky Home, published by Waterson, Berlin, and Snyder.
• The first edition of Strauss’s Wandrers Sturmlied, Op.14, published by Aibl.
• The first edition of Coleridge-Taylor’s Three-Fours, Op.71, published by Augener.
• The first edition of Louise Reichardt’s 12 Gesänge, published by J.A. Böhme.
• The holograph manuscript of Cimarosa’s Il mercato di marmantile.
• The first edition of Walter Donaldson's Sweetie Indiana Home , published by Jerome Remnick.
• The first edition of Strauss’s 6 Volksliedbearbeitung, TrV 216, published by Peters.
• The first edition of Coleridge-Taylor’s Suite from 'St. Agnes' Eve', published by Boosey.
• The first edition of Louise Reichardt’s 12 Deutsche und Italiänische Romantische Gesänge, published by the Realschul-Buchhandlung.
• The holograph manuscript of Cimarosa’s I matrimoni impensati.
• The first edition of Walter Donaldson's Seven or Eleven, published by Shapiro, Bernstein & Co.
• The first edition of Strauss’s Violin Sonata, Op.18, published by Aibl.
• The first edition of Coleridge-Taylor’s Suite for Violin and Piano, Op.3, published by Schott.
• The first edition of Louise Reichardt’s 12 Christliche, liebliche Lieder, published by August Kranz.
• The holograph manuscript of Cimarosa’s L'italiana in Londra.
• The first edition of Walter Donaldson's Oh, Joe, with Your Fiddle and Your Bow, published by Broadway Music Corp.
• The first edition of Strauss’s Violin Concerto, Op.8, published by Aibl.
• The first edition of Coleridge-Taylor’s Southern Love Songs, Op.12, published by Augener.
• The first edition of Duchambge’s Ronde des pauvres, published by Pleyel.
• The holograph manuscript of Cimarosa’s L'infedeltà fedele.
• The first edition of Walter Donaldson's Oh! The Woman in Room 13, published by Waterson, Berlin & Snyder Co.
• The first edition of Strauss’s Tanzsuite aus Klavierstücken von François Couperin, TrV 245, published by Fürstner.
• The first edition of Coleridge-Taylor’s The Soul's Expression, Op.42, published by Novello.
• The holograph manuscript of Cimarosa’s L'imprudente fortunato.
• The first edition of Walter Donaldson's Oh Baby, published by Irving Berlin.
• The first edition of Strauss’s Taillefer, Op.52, published by Fürstner.
• The first edition of Coleridge-Taylor’s 6 Sorrow Songs, Op.57, published by Augener.
• The first edition of Duchambge’s Le matelot, published by Pleyel.
• The holograph manuscript of Cimarosa’s L'impresario in angustie.
• The first edition of Walter Donaldson's My Papa Doesn't Two-Time No Time, published by Irving Berlin.
• The first edition of Strauss’s Symphony No.2, Op.12 , published by Aibl.
• The first edition of Coleridge-Taylor’s Songs of Sun and Shade, published by Boosey.
• The first edition of Duchambge’s Guitare, published by Launer.
• The holograph manuscript of Cimarosa’s Giunio Bruto.
• The first edition of Walter Donaldson's My Buddy, published by Jerome Remick.
• The first edition of Strauss’s Symphonisches Fragment aus 'Josephs-Legende', TrV 231a, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s 3 Silhouettes, Op.38, published by Edwin Ashdown.
• The first edition of Gail’s Les deux Jaloux, published by P. Gaveaux.
• The holograph manuscript of Cimarosa’s Giannina e Bernardone.
• The first edition of Walter Donaldson's My Best Girl, published by Jerome Remick.
• The first edition of Strauss’s Suite in B-flat major, Op.4, published by Adolph Fürstner.
• The holograph manuscript and a copyist's manuscript of Coleridge-Taylor’s The Atonement, Op.53.
• The first edition of Sophia Dussek's Variations on In my cottage in a wood, published by Chappell.
• The holograph manuscript of Cimarosa’s La frascatana nobile.
• The first edition of Walter Donaldson's Mindin' My Bus'ness, published by Irving Berlin.
• The first edition of Strauss’s String Quartet in A major, Op.2, published by Aibl.
• The first edition of Coleridge-Taylor’s The Shoshone's Adieu, published by Boosey.
• The first edition of Sophia Dussek's Variations on Beauty in Tears, published by Chappell.
• The holograph manuscript of Cimarosa’s I finti nobili.
• The first edition of Walter Donaldson's I've Got the Sweetest Girl in Maryland, published by M. Witmark.
• The first edition of Strauss’s Stimmungsbilder, Op.9, published by Aibl.
• The first edition of Coleridge-Taylor’s Sea Drift, Op.69, published by Novello.
• The first edition of Sophia Dussek's Variations on Ah! que l'amour, published by Chappell.
• The holograph manuscript of Cimarosa’s La finta parigina.
• The first edition of Walter Donaldson's I Wish that I'd Been Born in Borneo, published by Irving Berlin.
• The first edition score and parts of Strauss’s Serenade in E-flat major, Op.7, published by Aibl.
• The first edition of Coleridge-Taylor’s 4 Scenes de Ballet, Op.64, published by Augener.
• The first edition of Sophia Dussek's Variations on a Tyrolean Air, published by Chappell.
• The holograph manuscript of Cimarosa’s La felicità inaspettata.
• The first edition of Walter Donaldson's I Love the Land of Old Black Joe, published by Irving Berlin.
• The first edition of Strauss’s Das Schloss am Meere, TrV 191, published by Fürstner.
• The first edition of Coleridge-Taylor’s 2 Romantic Pieces, Op.9, published by Augener.
• The first edition of Sophia Dussek's Variations on 'Pray Goody', published by Chappell.
• The holograph manuscript of Cimarosa’s Il fanatico per gli antichi romani.
• The first edition of Walter Donaldson's Goodbye, Slim, published by Schapiro, Bernstein & Co.
• The first edition of Strauss’s Schlichte Weisen, Op.21, published by Aibl.
• The first edition of Coleridge-Taylor’s Petite Suite de Concert, Op.77, published by Hawkes & Son.
• The first edition of Sophia Dussek's The New German Waltz, published by Chappell.
• The holograph manuscript of Cimarosa’s Il fanatico burlato.
• The first edition of Walter Donaldson's Feeling the Way I Do, published by Irving Berlin.
• The first edition of Strauss’s Schlagobers, suite, TrV 243a, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Papillon, published by Augener.
• The first edition of Sophia Dussek's The New German Waltz, published by Cori, Dussek, and Co.
• The holograph manuscript of Cimarosa’s Il falegname.
• The first edition of Walter Donaldson's Down Around the 'Sip 'Sip 'Sippy Shore, published by Irving Berlin.
• The first edition of Strauss’s Schlagobers, ballet, Op.70, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Oh, the Summer, published by J. Curwen.
• The first edition of Sophia Dussek's 3 Scotch Airs, Book 2, published by Birchall.
• The holograph manuscript of Cimarosa’s L'eroe cinese.
• The first edition of Walter Donaldson's Dixie Highway, published by Jerome Remnick & Co.
• The first edition of Strauss’s Piano Sonata, Op.5, published by Aibl.
• The first edition of Coleridge-Taylor’s O Ye that Love the Lord, published by Novello.
• The first edition of Sophia Dussek's 3 Italian Airs with Variations, published by Naderman.
• The holograph manuscript of Cimarosa’s I due supposti conti.
• The first edition of Walter Donaldson's Carolina in the Morning, published by Jerome Remnick & Co.
• The first edition of Strauss’s Piano Quartet, Op.13, published by Aibl.
• The first edition of Coleridge-Taylor’s Now Late on the Sabbath Day, published by Novello.
• The first edition of Sophia Dussek's 3 Harp Sonatas, Op.2 , published by Cori Dussek & Co.
• The holograph manuscript of Cimarosa’s I due baroni di Rocca Azzurra.
• The first edition of Walter Donaldson's Beside a Babbling Brook, published by Jerome Remnick & Co.
• The first edition of Strauss’s 2 Militärmärsche, Op.57, published by Peters.
• The first edition of Coleridge-Taylor’s 24 Negro Melodies, Op.59, published by Ditson.
• The first edition of Sophia Dussek's Favorite Airs, Book 10, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s La donna sempre al suo peggior s'appiglia.
• The first edition of Walter Donaldson's Away Down East in Maine, published by Schapiro, Bernstein, & Co.
• The autograph manuscript of Strauss’s 3 Männerchöre, Op.45.
• The first edition of Coleridge-Taylor’s Moorish Tone-Pictures, Op.19, published by Augener.
• The first edition of Sophia Dussek's Favorite Airs, Book 9, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Il credulo.
• The first edition of Gussie Davis's We Sat Beneath the Maple on the Hill, published by F.B. Haviland.
• The first edition of Strauss’s Mädchenblumen, Op.22, published by Joseph Aibl.
• The first edition of Coleridge-Taylor’s Moorish Dance, Op.55, published by Augener.
• The first edition of Sophia Dussek's Favorite Airs, Book 7, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Il convito.
• The first edition of Gussie Davis's Sing Again that Sweet Refrain, published by Spaulding, Gray, and Co.
• The first edition of Strauss’s 6 Lieder, Op.68, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s The Lord is My Strength, published by Novello.
• The first edition of Sophia Dussek's Favorite Airs, Book 6, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s La Cleopatra.
• The first edition of Gussie Davis's Irene, Good Night, published by Geo. Propheter.
• The first edition of Strauss’s 6 Lieder, Op.67, published by Bote & Bock.
• The first edition of Coleridge-Taylor’s Life and Death, published by Augener.
• The first edition of Sophia Dussek's Favorite Airs, Book 4, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Circe.
• The first edition of Gussie Davis's In the Baggage Coach Ahead, published by Howley, Haviland & Co.
• The first edition of Coleridge-Taylor’s A Lament, published by Ricordi.
• The first edition of Sophia Dussek's Favorite Airs, Book 2, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Chi dell'altrui si veste presto si spoglia.
• The first edition of Gussie Davis's I've Been Hoodoo'd, published by Spaulding.
• The first edition of Strauss’s 8 Lieder, Op.49, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s A King There Lived in Thule, published by Boosey.
• The first edition of Sophia Dussek's Favorite Airs, Book 1, published by Monzani & Co.
• The holograph manuscript of Cimarosa’s Caio Mario.
• The first edition of Gussie Davis's The Fatal Wedding, published by Spaulding, Kornder & Co.
• The first edition of Strauss’s 5 Lieder, Op.48, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s 3 Humoresques, Op.31, published by Augener.
• The first edition of Lucile Grétry's Le mariage d’Antonio, published by Houbaut.
• The holograph manuscript of Cimarosa’s La ballerina amante.
• The first edition of Gussie Davis's The Dear Old Folks at Home, published by John Church.
• The first edition of Strauss’s 5 Lieder, Op.47, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Hiawathan Sketches, Op.16, published by Augener.
• The first edition of Candeille’s Grand Fantasia with 6 Variations, Op.10.
• The holograph manuscript of Cimarosa’s Atene edificata.
• The first edition of Con Conrad's You've Got to See Mamma Ev'ry Night, published by Leo Feist.
• The first edition of Strauss’s 5 Lieder, Op.41, published by F.E.C. Leuckart.
• The first edition of Coleridge-Taylor’s Gipsy Suite, Op.20, published by Augener.
• The first edition of Candeille’s L'enfant fidèle, Op.10.
• A partial holograph manuscript of Cimarosa’s Le astuzie femminili.
• The first edition of Con Conrad's Margie, published by Waterson, Berlin & Snyder.
• The first edition of Strauss’s 5 Lieder, Op.39, published by Robert Forberg.
• The first edition of Coleridge-Taylor’s Forest Scenes, Op.66, published by Augener.
• The first edition of Candeille’s 2 Keyboard Sonatas, Op.8, published by J.H. Nadermann.
• A partial holograph manuscript of Cimarosa’s Artemisia.
• The first edition of Con Conrad's Down in Dear Old New Orleans, published by Jerome Remick.
• The first edition of Strauss’s 6 Lieder, Op.37, published by Aibl.
• The first edition of Coleridge-Taylor’s Five and Twenty Sailormen, published by John Church.
• The first edition of Candeille’s Piano Sonata in E-flat major, Op.5, published by Imbault.
• A partial holograph manuscript of Cimarosa’s Artemisia regina di Caria.
• The first edition of Nacio Herb Brown's Beedy-Boo, published by Wright Music.
• The first edition of Strauss’s 4 Lieder, Op.36, published by Aibl.
• The first edition of Coleridge-Taylor’s 5 Fantasiestücke, Op.5, published by Boosey.
• The first edition of Candeille’s Keyboard Concerto in D major, Op.2, published by the composer.
• A partial holograph manuscript of Cimarosa’s Artaserse.
• The first edition of George Botsford's The Grizzly Bear, published by Ted Snyder.
• The first edition of Strauss’s 5 Lieder, Op.32, published by Aibl.
• The first edition of Coleridge-Taylor’s 5 Fairy Ballads, published by Boosey.
• The first edition of Candeille’s 3 Sonatas, Op.1, published by the composer.
• A partial holograph manuscript of Cimarosa’s L'Armida immaginaria.
• The first edition of George Botsford's Chatterbox Rag, published by Jerome H. Remick.
• The first edition of Strauss’s 4 Lieder, Op.31, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Eulalie, published by Boosey.
• The first edition of Barthélemon’s Keyboard Sonata, Op.3, published by J. Bland.
• A partial holograph manuscript of Cimarosa’s L'apparenza inganna.
• The first edition of George Botsford's Boomerang Rag, published by Jerome H. Remick.
• The first edition of Strauss’s 3 Lieder, Op.29, published by Aibl.
• The first edition (parts) of Coleridge-Taylor’s Endymion's Dream, Op.65, published by Novello.
• The autograph manuscript of Guest’s 6 Sonatas, Op.1.
• A partial holograph manuscript of Cimarosa’s L'amor costante.
• The first edition of George Botsford's Black and White, published by Jerome H. Remick.
• The first edition of Strauss’s 4 Lieder, Op.27, published by Aibl.
• The first edition (parts) of Coleridge-Taylor’s Encinctured with a Twine of Leaves, published by J. Curwen & Sons.
• The autograph manuscript of Cléry’s 3 Harp Sonatas, Op.1, published by the composer.
• A partial holograph manuscript of Cimarosa’s L'amante combattuto dalle donne di punto.
• The first edition of George Botsford's Baby Mine Rag, published by Jerome H. Remick.
• The first edition of Strauss’s 2 Lieder, Op.26, published by Aibl.
• The first edition (parts) of Coleridge-Taylor’s Drake's Drum, published by J. Curwen & Sons.
• The autograph manuscript of Park’s 2 Keyboard Sonatas, Op.13, published by Birchall.
• The holograph manuscript of Cherubini’s Udite lacrimosi spiriti d'averno.
• The first edition of Ernest Ball's You're Hitting a Thousand in the Game of Love, published by M. Witmark.
• The first edition of Strauss’s 6 Lieder, Op.17, published by D. Rahter.
• The first edition (parts) of Coleridge-Taylor’s Clarinet Quintet, Op.10, published by Breitkopf.
• The autograph manuscript of Park’s Piano Sonata, Op.7, published by L. Lavenu.
• The holograph manuscript of Cherubini’s Tantum ergo in B-flat major.
• The first edition of Ernest Ball's Who Knows?, published by M. Witmark.
• The first edition score and parts of Strauss’s 5 Lieder, Op.15 , published by D. Rahter.
• The first edition of Coleridge-Taylor’s 4 Characteristic Waltzes, Op.22, published by Novello.
• The autograph manuscript of Park’s Keyboard Concerto in E-flat Major, Op.6, published by Longman and Broderip.
• The holograph manuscript of Cherubini’s Tantum ergo in A minor.
• The first edition of Ernest Ball's Watching The World Go By, published by M. Witmark.
• The first edition of Strauss’s 6 Lieder aus 'Lotosblätter', Op.19 , published by Aibl.
• The first edition of Coleridge-Taylor’s Candle Lightin' Time, published by Church.
• The autograph manuscript of Park’s 2 Keyboard Sonatas, Op.4, published by Longman and Broderip.
• The holograph manuscript of Cherubini’s Regina coeli.
• The first edition of Ernest Ball's Time After Time, published by M. Witmark.
• The first edition score and parts of Strauss’s Krämerspiegel, Op.66, published by Paul Cassirer.
• The first edition of Coleridge-Taylor’s 3 Cameos for Piano, Op.56, published by Augener.
• The autograph manuscript of Park’s A Set of Glees with the Dirge in Cymbeline, Op.3, published by Robert Birchall.
• The holograph manuscript of Cherubini’s O salutaris hostia No.2 in G major.
• The first edition of Ernest Ball's My Dear, published by M. Witmark.
• The first edition score and parts of Strauss’s 5 Kleine Lieder, Op.69, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Bon-Bon Suite, Op.68, published by Novello.
• The autograph manuscript of Park’s 3 Keyboard Sonatas, Op.2, published by Longman.
• The holograph manuscript of Cherubini’s O salutaris hostia No.1 in G major.
• The first edition of Ernest Ball's A Little Bit of Heaven, published by M. Witmark.
• The first edition score and parts of Strauss’s 5 Klavierstücke, Op.3, published by Aibl.
• The first edition of Coleridge-Taylor’s The Blind Girl of Castél-Cuillé, Op.43, published by Novello.
• The autograph manuscript of Westenholz’s 2 Sonatinas.
• The first edition of Ernest Ball's The Isle of Afterwhile, published by M. Witmark.
• The first edition score and parts of Strauss’s Josephs-Legende, Op.63, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s The Bamboula, Op.75, published by Hawkes and Son.
• The autograph manuscript of Westenholz’s 3 Lieder.
• The holograph manuscript of Cherubini’s O salutaris hostia in D major.
• The first edition of Ernest Ball's Down the Trail to Home Sweet Home, published by M. Witmark.
• The first edition score and parts of Strauss’s 3 Hymnen von Friedrich Hölderlin, Op.71, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s Ballade, Op.73, published by Augener.
• The autograph manuscript of Westenholz’s Capriccio and 2 Waltzes.
• The holograph manuscript of Cherubini’s O salutaris hostia in B-flat major.
• The first edition of Thomas S. Allen's You Can't Jolly Molly Anymore, published by Daly.
• The first edition score and parts of Strauss’s Horn Concerto No.1, Op.11, published by Aibl.
• The first edition of Coleridge-Taylor’s Ballade, Op.73, published by Augener.
• The autograph manuscript of Westenholz’s Piano Sonata in F minor.
• The holograph manuscript of Cherubini’s O fons amoris.
• The first edition of Thomas S. Allen's Whip and Spur, published by Walter Jacobs.
• The first edition of Strauss’s 2 Größere Gesänge, Op.44, published by Robert Forberg.
• The first edition of Coleridge-Taylor’s The Atonement, Op.53, published by Novello.
• The first edition of Westenholz’s 12 Deutsche Lieder, Op.4, published by Rodolphe Werckmeister.
• The holograph manuscript of Cherubini’s Ninfa crudel.
• The first edition of Thomas S. Allen's Where Are the Scenes of Yesterday?, published by Daly.
• The first edition of Strauss’s 2 Gesänge, Op.51, published by Adolph Fürstner.
• The first edition of Coleridge-Taylor’s African Suite, Op.35, published by Augener.
• The first edition of Westenholz’s Sonata for Piano 4 Hands, Op.3, published by Rodolphe Werckmeister.
• The holograph manuscript of Cherubini’s Kyrie et Pater noster.
• The first edition of Thomas S. Allen's When a Boy Says "Will You?" and a Girl Says "Yes", published by the composer.
• The manuscript of Lusitano’s Tratado de canto de organo.
• The first edition of Westenholz’s Theme and 12 Variations, Op.2, published by Rodolphe Werckmeister.
• The holograph manuscript of Cherubini’s Iste die observabilis est Domini.
• The first edition of Thomas S. Allen's Under the Spell, published by Walter Jacobs.
• The first edition of Strauss’s 4 Gesänge, Op.33, published by Bote & Bock.
• The first edition (parts) of Lusitano’s Liber primus epigramatum, published by Valerium Doricum and Ludouicum Fratres Brixienses.
• The first edition of Westenholz’s Rondo in B-flat major, Op.1, published by Rodolphe Werckmeister.
• The holograph manuscript of Cherubini’s In paradisum deducant te angeli.
• The first edition of Thomas S. Allen's The Plunger, published by Hub Music Co.
• The first edition of Strauss’s 3 Gesänge älterer deutscher Dichter, Op.43, published by C.A. Challier.
• The holograph manuscript of Saint-Georges’s Sonata for Flute and Harp in E-flat major.
• The first edition of Auenbrugger’s Keyboard Sonata in E-flat major, published by Artaria.
• The holograph manuscript of Cherubini’s Hymne à la Fraternité.
• The first edition of Thomas S. Allen's Never-No More, published by the composer.
• The first edition of Strauss’s 5 Gedichte von Friedrich Rückert, Op.46, published by Fürstner.
• The holograph manuscript of Saint-Georges’s L'Amant anonime.
• The first edition of Abrams’s The Three Sighs - Sorrow, Hope & Bliss, published by Lavenu.
• The holograph manuscript of Cherubini’s Esto mihi in Deum protectorem.
• The first edition of Thomas S. Allen's My Heart is Hungry for You, published by Lew Berk.
• The first edition of Strauss’s 8 Gedichte aus 'Letzte Blätter', Op.10, published by Aibl.
• The first edition (parts) of Saint-Georges’s 6 Sonatas for 2 Violins, published by Pleyel.
• The first edition of Abrams’s A Smile and a Tear, published by Lavenu.
• The holograph manuscript of Cherubini’s Ecce panis angelorum.
• The first edition of Thomas S. Allen's My Georgiana Lou, published by Daly.
• The first edition score and parts of Strauss’s Festmarsch, Op.1, published by Breitkopf.
• The first edition (parts) of Saint-Georges’s 2 Symphonies concertantes, Op.13, published by Sieber.
• The first edition of Abrams’s The Orphan's Prayer, published by Lavenu.
• The holograph manuscript of Cherubini’s Domine Dominus noster.
• The first edition of Thomas S. Allen's My Dusky Rose, published by Walter Jacobs.
• The first edition score and parts of Strauss’s Festliches Präludium, Op.61, published by Fürstner.
• The first edition (parts) of Saint-Georges’s 2 Symphonies, Op.11, published by De la Chevardiere.
• The first edition of Abrams’s The Friend of my Heart, published by Lavenu.
• The holograph manuscript of Cherubini’s Credo a 8 voci.
• The first edition of Thomas S. Allen's I'm Going Crazy, published by Daly.
• The first edition score and parts of Strauss’s Feierlicher Einzug, TrV 224, published by Schlesinger.
• The first edition (parts) of Saint-Georges’s 2 Violin Concertos, Op.7, published by Bailleux.

The first edition of Abrams’s Crazy Jane, published by Lavenu.

• The holograph manuscript of Cherubini’s Chant republicain pour la fête du 10 août.
• The first edition of Thomas S. Allen's I'll Wait for You 'Till the Cows Come Home, published by Daly.
• The first edition of Strauss’s Enoch Arden, Op.38, published by Robert Forberg.
• The first edition (parts) of Saint-Georges’s 2 Violin Concertos, Op.5, published by Bailleux.
• The first edition of Francesca Lebrun’s 6 Violin Sonatas, Op.2, published by Götz.
• The holograph manuscript of Cherubini’s Capriccio in C major.
• The first edition of Thomas S. Allen's I'll Put Mine against Yours Anytime, published by Daly.
• The first edition of Strauss’s Divertimento aus Klavierstücke von François Couperin, Op.86, published by Johannes Oertel.
• The first edition (parts) of Saint-Georges’s 2 Violin Concertos, Op.2, published by Bailleux.
• The first edition of Francesca Lebrun’s 6 Violin Sonatas, Op.1, published by Sieber.
• The holograph manuscript of Cherubini’s Ave Maria.
• The first edition of Thomas S. Allen's Girl of the Orient, published by Walter Jacobs.
• The first edition of Strauss’s Deutsche Motette, Op.62 , published by Adolf Fürstner.
• The first edition (parts) of Saint-Georges’s 6 String Quartets, Op.1, published by Sieber.
• The first edition of Savage’s Keyboard Duet in C major, Op.6, published by Longman & Broderip.
• The holograph manuscript of Cherubini’s Alleluia O filii et filiae.
• The first edition of Thomas S. Allen's Dance of the Skeletons, published by Walter Jacobs.
• The first edition of Strauss’s Cello Sonata, Op.6, published by Aibl.
• The second edition of Herbst’s Musica practica, published by Jeremias Dümler.
• The first edition of Savage’s Strephan and Flavia, Op.4, published by Longman & Broderip.
• The holograph manuscript of Cherubini’s Adoremus in aeternum.
• The first edition of Thomas S. Allen's Dance of the Lunatics, published by Walter Jacobs.
• The first edition full score and parts for Strauss’s Burleske, TrV 145, published by Steingräber.
• The second edition of Herbst’s Musica poëtica, published by Jeremias Dümler.
• The first edition of Savage’s 6 Rondos, Op.3, published by Longman & Broderip.
• The holograph manuscript of Cherubini’s Adjutor in opportunitatibus.
• The first edition of Thomas S. Allen's Any Rags?, published by George M. Krey.
• The first edition of Strauss’s Der Bürger als Edelmann, TrV 228b, published by Adolph Fürstner.
• The second edition of Herbst’s Arte prattica & poëtica, published by Anthonio Humme and Thomae Matthiae Götze.
• The first edition of Savage’s 6 Easy Keyboard Lessons or Sonatas, Op.2, published by the composer.
• The holograph manuscript of Cherubini’s Adjutor et susceptor meus.
• The first edition of selections from George M. Cohan's The Yankee Prince, published by Cohan & Harris.
• The first edition of Strauss’s Bardengesang, Op.55, published by Adolph Fürstner.
• The second edition of Werckmeister’s Orgel-Probe, published by Theodor Philipp Calvisius.
• The first edition of Schröter’s 25 Lieder, published by Hoffmann.
• The holograph manuscript of Cherubini’s String Quartet No.1.
• The first edition of George M. Cohan's I Want to Go to Paree, Papa, published by Hearst's Chicago American.
• The full score for Strauss’s Intermezzo, Op.72, published by Adolph Fürstner.
• The first edition of Werckmeister’s Musicalische Paradoxal-Discourse, published by Theodor Philipp Calvisius.
• The first edition of Barthélemon’s Keyboard Sonata, Op.3, published by J. Blanc.
• The holograph manuscript of Cherubini’s Symphony in D major.
• The first edition of George M. Cohan's Popularity, published by F.A. Mills.
• The full score and parts for Strauss’s Die Frau ohne Schatten, Op.65, published by Adolph Fürstner.
• The first edition of Werckmeister’s Musicæ Mathematicæ Hodegus Curiosus, published by Theodor Philipp Calvisius.
• The first edition of Barthélemon’s 6 English and Italian Songs, Op.2, published by the composer.
• The holograph manuscript of C.P.E. Bach’s Symphony in D major, H.663.
• The first edition of George M. Cohan's You Remind Me Of My Mother, published by M. Witmark & Sons.
• The full score and parts for Strauss’s Ariadne auf Naxos, Op.60, published by Adolph Fürstner.
• The first edition of Werckmeister’s Hypomnemata Musica, published by Theodor Philipp Calvisius.
• The first edition of Sirmen’s 6 Duets, Op.5, published by Venier.
• The first edition (parts) of C.P.E. Bach’s Sonatina in E-flat major, H.462, published by Georg Ludwig Winter.
• The first edition of George M. Cohan's I Told Them That I Saw You, published by Spaulding & Gray.
• The full score and parts for Strauss’s Der Rosenkavalier, Op.59, published by Adolph Fürstner.
• The first edition of Werckmeister’s Cribrum Musicum, published by Theodor Philipp Calvisius.
• The first edition of Sirmen’s 6 Violin Concertos, Op.3, published by William Napier.
• The first edition of C.P.E. Bach’s Sonatina in D minor, H.461, published by Georg Ludwig Winter.
• The first edition of George M. Cohan's I Guess I'll Have to Telegraph My Baby, published by George Spaulding.
• The full score and parts for Strauss’s Salome, Op.54, published by Adolph Fürstner.
• The first edition of Werckmeister’s Die nothwendigsten Anmerckungen und Regeln des General-Bass, published by Gottlob Ernst Struntze.
• The first edition of Sirmen’s 3 Violin Concertos, Op.2, published by J.J. Hummel.
• The holograph manuscript of C.P.E. Bach’s Sonatina in D major, H.449.
• The first edition of George M. Cohan's Maudie, published by Hearst's Chicago American.
• The full score and parts for Strauss’s Feuersnot, Op.50, published by Adolph Fürstner.
• The first English edition of Weber’s Versuch einer geordneten Theorie der Tonsetzkunst, published by J.H. Wilkins & R.B. Carter.
• The holograph manuscript of Sirmen’s 6 String Trios, Op.1.
• The holograph manuscript of C.P.E. Bach’s Quartet in G major, H.539.
• The first edition of George M. Cohan's Forty-five Minutes From Broadway, published by F.A. Mills.
• The full score and parts for Strauss’s Guntram, Op.25 , published by Adolph Fürstner.
• The first edition of Gevaert’s La mélopée antique, published by Adrian Hoste.
• The holograph manuscript of Martinez’s Scelta d'Arie Composte per suo diletto.
• The holograph manuscript of C.P.E. Bach’s Quartet in D major, H.538.
• The first edition of George M. Cohan's Father of the Land We Love, published by Sol Bloom.
• The full score and parts for Strauss’s Eine Alpensinfonie, Op.64, published by Leuckart.
• The first edition of Gevaert’s Traité général d'instrumentation, published by the composer.
• The first edition of Gambarini’s Lessons and Songs, Op.2, published by the composer.
• The holograph manuscript of C.P.E. Bach’s Oboe Concerto in E-flat major, H.468.
• The first edition of Kerry Mill's Whistling Rufus, published by F.A. Mills.
• The full score and parts for Strauss’s Sinfonia Domestica, Op.53, published by Bote & Bock.
• The first edition of Gevaert’s Traité d'harmonie, published by Lemoine.
• The first edition of Gambarini’s Six Sets of Lessons for the Harpsichord, Op.1, published by the composer.
• The holograph manuscript of C.P.E. Bach’s Oboe Concerto in B-flat major, H.466.
• The first edition of Kerry Mill's Red Wing, published by F.A. Mills.
• The full score and parts for Strauss’s Ein Heldenleben, Op.40, published by Leuckart.
• The first edition of Gevaert’s Nouveau traité d’instrumentation, published by Lemoine.
• The first edition of Ménétou’s Airs sérieux, published by Christophe Ballard.
• The holograph manuscript of C.P.E. Bach’s Menuet con 5 Variazioni, H.44.
• The first edition of Kerry Mill's Rastus on Parade, published by F.A. Mills.
• The full score and parts for Strauss’s Also sprach Zarathustra, Op.30, published by Aibl.
• The first edition of Gevaert’s Cours méthodique d'orchestration, published by Lemoine.
• The first edition of Anna Bon's 6 Harpsichord Sonatas, Op.2, published by Balthasar Schmid.
• The holograph manuscript of C.P.E. Bach’s Matthäus-Passion, H.802.
• The first edition of Kerry Mill's Kerry Mills Ragtime Dance, published by F.A. Mills.
• The full score and parts for Strauss’s Till Eulenspiegels lustige Streiche, Op.28, published by Aibl.
• The first edition of Gevaert’s Histoire et théorie de la musique de l'antiquité, published by C. Annoot-Braeckman.
• The first edition (parts) of Maddalena Casulana's Madrigali a 4 voci, Libro 2, published by Girolamo Scotto.
• The first edition of Kerry Mill's At a Georgia Campmeeting, published by F.A. Mills.
• The full score and parts for Strauss’s Macbeth, Op.23, published by Aibl.
• The first edition of Haberl’s Magister choralis, published by Friedrich Pustet.
• The first edition (parts) of Vittoria Aleotti's Ghirlanda de Madrigali a 4 voci , published by Giacomo Vincenti.
• The holograph manuscript of C.P.E. Bach’s Magnificat in D major, H.772.
• The first edition of Charles Kassell Harris's Yesterday, published by the composer.
• The full score and parts for Strauss’s Tod und Verklärung, Op.24, published by Aibl.
• The first edition of Fétis’s Antoine Stradivari, published by Vuillaume.
• The first edition (parts) of Isabella Leonarda's Motetti a voce sola con istromenti, Op.20, published by Marino Silvani.
• The holograph manuscript of C.P.E. Bach’s Lukas-Passion, H.800.
• The first edition of Charles Kassell Harris's While the Dance Goes On, published by Charles Sheard.
• The full score and parts for Strauss’s Don Quixote, Op.35, published by Aibl.
• The first edition of Momigny’s Exposé succinct du seul système musical, published by the author.
• The first edition (parts) of Isabella Leonarda's Messe e motetti concertate, Op.18, published by Pier-Maria Monti.
• The holograph manuscript of C.P.E. Bach’s Die letzten Leiden des Erlösers, H.776.
• The first edition of Charles Kassell Harris's Fairy Moon, published by the composer.
• The full score and parts for Strauss’s Don Juan, Op.20, published by Aibl.
• The first edition of Momigny’s Cours complet d'harmonie et de composition, published by the author.
• The second edition (parts) of Isabella Leonarda's 12 Sonatas, Op.16, published by Pier-Maria Monti.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in G major, H.523.
• The first edition of Charles Kassell Harris's Break the News to Mother, published by the composer.
• The full score and parts for Strauss’s Aus Italien, Op.16, published by Aibl.
• The first edition of Riepel’s Baßschlüssel, published by Johann Leopold Montag.
• The first edition of Isabella Leonarda's Motetti a voce sola, Op.6, published by Gardano.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in F major, H.533.
• The first edition of Charles Kassell Harris's After the Ball, published by the composer.
• The holograph manuscript of Tchaikovsky’s Violin Concerto, Op.35.
• The first edition of Brymn’s By Wireless Telephone, published by Shapiro, Bernstein & Von Tilzer.