Novus partus (Besard, Jean-Baptiste)

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Movements/SectionsMov'ts/Sec's 3 parts
First Publication 1617
Genre Categories Passamezzos; Dances; Miserere; Religious works; Psalms; Sinfonias; Courantes; Volte; Praeambula; Toccatas; Ricercars; Galliards; Works with undetermined instrumentation; For lute; Scores featuring the lute; For 1 player

Contents

Performances

Sheet Music

Scores

 Complete Score
#862868 - 362.79MB, 120 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 36×⇩ - Stefan Apke

PDF scanned by D-Mbs
Stefan Apke (2023/7/4)

Publisher. Info. Augustae Vindelicorum (Augsburg): Davidem Francum, 1617.
Copyright
Public Domain [tag/del]
Misc. Notes 34 pages rotated 180°: p1 (2nd),...,p40
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 Complete Book
#489219 - 69.57MB, 124 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 103×⇩ - Stefan Apke

PDF scanned by US-Wc
Stefan Apke (2017/8/18)

Publisher. Info. Augsburg: Davidem Francum, 1617.
Copyright
Public Domain [tag/del]
Misc. Notes Music Division of the Library of Congress, Washington (US-Wc): 2011567025
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 Incomplete Book
#489218 - 50.16MB, 119 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 22×⇩ - Stefan Apke

PDF scanned by A-Wn
Stefan Apke (2017/8/18)

Publisher. Info. Augsburg: Davidem Francum, 1617.
Copyright
Public Domain [tag/del]
Misc. Notes Österreichische Nationalbibliothek, Vienna (A-Wn): MS75192-4° Uploader's remarks
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General Information

Work Title Novus partus
Alternative. Title Ioan. Bapt. Besardi Vesontini. Novus partus sive concertationes musicae, duodena trium, ac totidem binarum testudinum (quibus & notæ musicæ adduntur) singulari ordine modulamina continentes. His addidita uthor, lectissimi stili partes aliquot seorsim, tam proprias, quam alienas; atque in gratiam Philomusi, et tenebris in meliorem lucem liberaliter eduxit: necnon. Ad artem testudinis brevi, citraque magnum fastidium capescendam, facilem & methodicam institutionem hisce subiecit. Ut emendatissimum prodiret opus, Stephanus Michelspacherus Tirolensis, ex authoris manuscripto, suis sumptibus totum curavit incidi & excudi.
Composer Besard, Jean-Baptiste
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 3 parts
  • I.B.B. / IBB / J.B.B. = Ioannes Ba[p/b]tista Besardus Vesontinus [Vesontinus: from Besançon] as composer or arranger.
  • Testudo = turtle (Latin), synonym for lute.
  • Page numering is not as usually (1,2,...) but it was meant to place the instuments belonging together at the same page no., if the piece is not too long. Large items like the one at pp.13-15 (13,13,14,14,15,15) are marked "continuario ..."
  • Pars 1. [trio parts]

In qua, insignes aliquot moduli, quorum plerique spirituales, a tribus testudinibus, eo quo dictum est in præfatione modo instructis, perquam iucunde decantantur. Hisce adduntur notæ musicæ, ita ut binis vocibus, ac pluribus aliis instrumentis musicis pateat & adhuc accessus.

  1. Passemezo. Nova testudo. I.B.B., accordetui x chorus in b fa b mi, p.1
  2. ", Testudo maior, p.1
  3. ", Testudo minor, p.1
  4. 2 pars Passemezo. Nova testudo, p.2
  5. ", Testudo maior [​Robert Ballard II​], p.2
  6. ", Testudo minor, p.2
  7. 3 pars Passemezo. Nova testudo, p.3
  8. ", Testudo maior, p.3
  9. ", Testudo minor, p.3
  10. Une jeune fillette [​a popular tune​]. I.B.B. Nova testudo, accordetur x chorus in b fa b mi, p.4
  11. ", Testudo maior, p.4
  12. ", Testudo minor, p.4
  13. 2 pars precedentis mod. (Une jeune fillette) Nova testudo, p.5
  14. ", Testudo maior, p.5
  15. ", Testudo minor, p.5
  16. 3 pars superioris mod: (Une jeune fillette) Nova testudo, p.6
  17. ", Testudo maior, p.6
  18. ", Testudo minor, p.6
  19. Lachrimae J.Dooland (John Dowland) à I.B.B. in hanc concert. Accommodatae. Nova testudo, accordetur x chorus in B fa b mi, pp.7+8
  20. ", Testudo maior, pp.7+8
  21. ", Testudo minor, pp.7+8
  22. En Revenant de Saint Nicolas. I.B.B. [​Daniel Bacheler​] Nova testudo, p.9
  23. ", Testudo maior [​Daniel Bacheler​], accordetur x chorus in B fa b mi, p.9
  24. ", Testudo minor [​Daniel Bacheler​], p.9
  25. Ballo del gran Duca. I.B.B. Nova testudo, p.10
  26. ", Testudo maior, accordetur x chorus in B fa b mi, p.10
  27. ", Testudo minor, p.10
  28. La follie saltus Hispanicus. I.B.B. Nova testudo, p.11
  29. ", Testudo maior. Accordetur x chorus in b fa b mi, p.11
  30. ", Testudo minor, p.11
  31. Saltus German. I.B.B. Nova testudo, accordetur x chor. in E la my duro, p.12
  32. ", Testudo maior. Accordetur x chorus in b fa b mi, p.12
  33. ", Testudo minor, p.12
  34. Miserere mei Deus. Psalm. I.B.B. Nova testudo, accordetur 8a in E LA MI duro, pp.13-15
  35. ", Testudo maior, pp.13-15
  36. ", Testudo minor, pp.13-15
  37. In exitu Israel. Psalm. I.B.B. Nova testudo, accordetur x chorus in B fa b mi, pp.16-18
  38. ", Testudo maior, accordetur 9 chor in d la sol re molli, pp.16-18
  39. ", Testudo minor, accordetur x chorus in b fa b mi, pp.16-18
  40. Laudate Dominum omnes gentes. Psalm. I.B.B. Nova testudo, p.19
  41. ", Testudo maior, accordetur x in B fa B mi, p.19
  42. ", Testudo minor, p.19
  43. Simphonia I.B.B. Nova testudo, pp.20-23
  44. ", Testudo maior, pp.20-23
  45. ", Testudo minor, pp.20-23
  • Pars 2. [duet parts]

Recentes aliquot moduli binis saltem testudinibus maiore scilicet, et minore eo quo supra modo instructis concertati concertationum musicarum I.B.Besardi Vesontini.

  1. Courante. Testudo maior [Besard / Jacob Reys​], p.24
  2. ", Courante. I.B.B. Testudo minor, accordetur in omnibus hisce modulis x chorus in b fa b mi, p.24
  3. Courante. Testudo maior (Besard), p.25
  4. Courante (Besard), p.25
  5. ", Courante I.B.B. Testudo minor, p.25
  6. ", Courante I.B.B., p.25
  7. Courante Philis. Testudo maior, p.26
  8. Courante [Courante Le Testament] [​Julien Perrichon​] / (Besard), p.26
  9. ", Courante I.B.B. Testudo minor, p.26
  10. ", Courante I.B.B., p.26
  11. Volte du tambour. Testudo maior [Besard?], accordetur 8 in e la mi duro, p.27
  12. Canaries, p.27
  13. Ballet in forma echo qui primo totus ad finem, p.27
  14. ", Volte du tambour I.B.B. Testudo minor, p.27
  15. ", Canaries, p.27
  16. ", Ballet in forma echo qui primo totus ad finem, p.27
  17. Branles de village. Testudo maior, p.28
  18. 2 [pars], p.28
  19. 3 [pars], p.28
  20. 4 [pars], p.28
  21. ", Branles de village. Testudo minor, p.28
  22. ", 2 [pars], p.28
  23. ", 3 [pars], p.28
  24. ", 4 [pars], p.28
  • Pars 3. [solo]

Tertia pars huius operis lectissimi stili partes aliquot ad unius saltem testudinis usum, quibus et aliarum etiam celebratissimarum authorum pleraque adduntur seorsim continens.

  1. Praeambulum. I.B.B., p.29
  2. Praeambulum. (Besard), p.29
  3. Toccata del Signor MichelAngelo Galilei fiorentino (Michelangelo Galilei), p.30
  4. Toccata dellistesso (Michelangelo Galilei), p.31
  5. Toccata Cromatica del Signor Vicenzo Bernia Bollognese (Vincenzo Bernia), p.32
  6. Ricercar dell'istesso sopra ut re mi fa sol la, pp.33+34
  7. Ricercar del Signor Stefano da Pesaro gia Musico del Serenissimo Duca di Urbino, p.35
  8. Gagliarda del Signor Pietro Paulo Meli musico Cesareo (Pietro Paolo Melli), p.36
  9. Gagliarda del Signor Jacob gia chiamato il Polloneze (Jacob Reys), p.37
  10. Galliarda eiusdem authoris (Jacob Reys), p.37
  11. Courante du Sieur de la Barre (Pierre de La Barre III), p.38
  12. Courante mise par I.B.B., p.39
  13. Courante appelleé Cloris, p.40
  14. Volte appelleé La Samaritainne, p.40
  15. Courante du Sieur de la Grotte (Nicolas de La Grotte), p.41
  16. Courante du Sieur Samand (René Saman), accordetur 8 chorus in e la mi duro, p.42
  17. Courante (Besard), p.42
  18. Courante de I.B.B. pour le nouveau lhut, accordetur 10 chor. in b fa b mi, p.42
  19. Courante du Sieur Mesangeau (René Mesangeau). Hanc choream Gallicam peritissimus Mus. Col.niæ vl. in gratia auth. composuit, p.43
  20. Ballet, p.43
  21. Volte de J.B.B., accordetur in hisce 2 mod. octavus chorus in e la mi duro, p.44
  22. Ballet de I.B.B., p.44
  23. Branles nouveaux de I.B.B., p.45
  24. 2 [Branles nouveaux de I.B.B.], p.45
  25. 3 [Branles nouveaux de I.B.B.], p.45
  26. 4 [Branles nouveaux de I.B.B.], p.45
  27. Canzonetta del Sig: Marco Antonio Ballek (Marc Antonio Ballek) fatta sopra il ballo concertato a 3 liuti fol.12, accordetur 8 chorus in E La mi duro, p.46
  28. Gallus et Gallina D. Vicent. Bernia (Vincenzo Bernia), p.47
  29. Campanae Parisienses Incerti authoris ([Ennemond?] Gautier), p.47
  30. Branle quondam Laurencini nunctipatum, nunc vero a IBB ad usum novae suae Testudinis accomodatum, p.48
  31. Bergamasco I.B.B. ad usum novae Testudinis, accord. 8 in E LA MI duro, ubicumque tale signum vides ibi scias unicam esse manus dextrae percussionem, p.49
  32. Canaria, accord. x in b fa b mi, p.49
  33. Simphonia I.B.B., p.50
  34. Volte de guerre. I.B.B., p.51
  35. Passemezo, in C sol fa ut duro, pro nova testudine. I.B.B., p.52
  36. Secunda pars (Besard), p.52
First Publication. 1617
Dedication Illustrissimo excellentissimo, et generosissimo Heroi, ac Domino Dom. Ernesto, Holsatiæ, Schauuenburgi, & Sternbergæ Comiti, Ghemæ Domino, &c. Domino clementissimo. [​Ernst III. von Holstein-Schaumburg (1569-1622).​]
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 3 lutes; 2 lutes; lute solo
External Links RISM 993121461
Extra Information ​
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