Schirmer's plate numbering system was employed in a fairly consistent order. They are thus generally reliable as a guide to determining the date for a particular score.
Plate |
Composer |
Work |
Year
|
00555 |
Paine |
Mass in D minor, Op.10 (vocal score) |
1866
|
00926 |
Buck |
Impromptu Pastorale, Op.27 |
1868
|
01268 |
Schumann |
Frauenliebe und -leben, Op.42 (No.6, Eng. trans.) |
1871
|
01503–1505 |
Bargiel |
3 Frühlingslieder, Op.39 |
1873
|
01546 |
Saar |
Gloria Patri, Op.26 |
1873
|
01601 |
Mozart |
Le Nozze di Figaro: Voi che Sapete |
1870
|
01729 |
Liszt |
Mignons Lied, S.275 (unknown Eng. translator) |
1875
|
01686,1688, 1758 |
Reinecke |
Schneewittchen, Op.133 (English trans. by Cooper, nos.5,7, 8a) |
1875
|
01810 |
Liszt |
Es war ein König in Thule, S.278 (unknown Eng. translator) |
1876
|
01860 |
Comellas |
Sonate brillante, Op.21 |
1876
|
01882 |
Leschetizky |
2 Pieces for Piano, Op.2 (no.1, ed.Scharfenberg) |
1888
|
01890 |
Comellas |
Separation, Op.20 |
1877
|
01895 |
Saint-Saëns |
Bénédiction nuptiale, Op.9 (ed. Warren) |
1876
|
01927 |
Handel |
Serse (Xerxes), HWV 40 (Ombra mai fu arr. Parsons) |
1877
|
01941 |
Vogt |
2 Nocturnes, Op.10 (no.2 arr. organ by S.P.Warren) |
1877
|
02020 |
Gumbert |
Walzer-Rondo IV, Op.100 (with Eng. translation) |
1878
|
02049 |
Heller |
24 Preludes, Op.81 (Slumber Song, no.15) |
1878
|
02090 |
Goldbeck |
Autumn Song |
1878
|
02169 |
Bargiel |
8 Piano Pieces, Op.41 (no.1, Minuetto) |
1879
|
02237 |
Röckel |
A Little Mountain Lad (version for soprano or tenor) |
1879
|
02275 |
Horn |
Du wundersüsses Kind, Op.17 (translated by Rosier) |
1879
|
02294 |
Shelley |
Spring Song and Scherzo |
1879
|
02301–2302 |
Reinecke |
12 Studien in kanonischer Weise, Op.130 (J.H. Cornell edition) |
1879
|
02399 |
Erfolg |
Impromptu in A minor |
1880
|
02416 |
Moscheles |
24 Etudes, Op.70 (Book 1), Henselt ed. |
1880
|
02417–2428 |
Moscheles |
24 Etudes, Op.70 (Book 1 Nos.1-12 individually), Henselt ed. |
1880
|
02470 |
Carissimi |
"Vittoria, Mia Core!" Aria |
1880
|
02491 |
Shelley |
Echoes |
1881
|
02505 |
Zeise |
My Native Village Bells |
1881
|
02533 |
Raff |
2 Études mélodiques, Op.130 (No.2 ed. Scharfenberg) |
1881
|
02557 |
Raff |
Suite de morceaux pour les petites mains, Op.75 (No.2 ed. Scharfenberg) |
1881
|
02568 |
Wieniawski |
Valse de Concert, Op.30 |
1881
|
02637 |
Haberbier |
Modern Finger Gymnastics |
1881
|
02689 |
Loeschhorn |
6 Amusemens élégans, Op.37 (no.4, ed. Scharfenberg) |
1881
|
02748 |
Bendel |
Piano Pieces, Op.39 (No.3 ed. Scharfenberg) |
1881
|
02833 |
Maas |
Rêverie du soir, Op.20 |
1882
|
02865 |
Kullak |
Scherzo (ed. Scharfenberg) |
1882
|
02877 |
Gilchrist |
God is Our Refuge and Strength, Schleifer 79 (vocal score) |
1882
|
02898a |
Bach |
6 Violin Sonatas and Partitas, BWV 1001-1006 (Joseffy pf.arr. of selections from BWV1006) |
1882
|
02944 |
Lange |
Perles et diamants, Op.27 (ed. Scharfenberg) |
1882
|
02980 |
Parsons |
Rataplan |
1882
|
03012 |
Maas |
Valse Allemande, Op.21 |
1882
|
03080 |
Buck |
Rondo-caprice, Op.35 |
1883
|
03084 |
Damrosch |
Sulamith (vocal score) |
1882
|
03111 |
Gade |
10 Akvareller, Op.19 (Book 1 No.5) |
1882
|
03189 |
Gilchrist |
Te Dominum, Schleifer 174 |
1882
|
03205–3206 |
Becker |
3 Lieder, Op.3 (no.3, trans. by R.E.S.) |
1883
|
03236 |
Gilchrist |
Benedic anima mea, Schleifer 41 |
1883
|
03259 |
Sternberg |
Humoresque, Op.26 |
1883
|
03272 |
Herrmann |
5 Easy Pieces, Op.4 |
1883
|
03293 |
Raff |
2 Études mélodiques, Op.130 (No.1 ed. Scharfenberg) |
1883
|
03385 |
Liszt |
Valse-Impromptu, S.213 (ed. Scharfenberg) |
1883
|
03480 |
Gilchrist |
Blessed Morning, Schleifer 244 |
1883
|
03481 |
Gilchrist |
Angels from the Realms of Glory, Schleifer 238 |
1883
|
03482 |
Gilchrist |
Benedictus in G major |
1884
|
03511 |
Heller |
On Wings of Song |
1883
|
03550 |
Kontski |
Steluzza, Op.317 |
1884
|
03551 |
Kontski |
La sultana, Op.318 |
1884
|
03572 |
Moscheles |
La Gaieté, Op.85 (ed. Scharfenberg) |
1884
|
03591 |
Gilchrist |
A Song of Doubt and A Song of Faith, Schleifer 415 |
1884
|
03598 |
Herrmann |
Bolero, Op.3 |
1884
|
03599 |
Bennett |
Piano Concerto No.4, Op.19 (Barcarole, arr. Scharfenberg) |
1884
|
03637 |
Gilchrist |
A Dirge for Summer, Schleifer 272 |
1884
|
03663 |
Litolff |
Spinnlied, Op.81 (ed. Scharfenberg) |
1884
|
03668 |
Hiller |
Zur Guitarre, Op.97 (ed. Scharfenberg) |
1884
|
03740 |
Wagner |
To the Evening Star from Tannhauser |
|
03824 |
Scholz |
Ständchen an eine Verlassene, Op.58 (trans. English by Coursen, w.pf.) |
1884
|
03871 |
Bruch |
2 Cantatas, Op.31 (No.2 Morgenstunde vocal score) |
1884
|
03904–3905 |
Klein |
2 Morceaux, Op.32 |
1885
|
03913 |
Verdi |
Aida (Triumphal March for organ arr. Shelley) |
1885
|
04098 |
Bach |
Solfeggietto, Wq.117.1 (H.220) (arr. and ed. Parsons) |
1885
|
04124–4125 |
Becker |
Zwiegesäng, Op.8 (Vivian translation) |
1885
|
04290 |
Gilchrist |
Behold My Servant, Schleifer 38 |
1885
|
04441 |
Kontski |
Dream of love |
1885
|
05167–5173 |
MacDowell |
From an Old Garden, Op.26 |
1887
|
05323 |
Rubinstein |
Barcarolle No.4 |
1887
|
06128 |
Shepperd |
Christ Our Passover |
1888
|
06815d |
Klein |
2 Morceaux, Op.32 (No.1 arr. for string quartet) |
1888
|
06817 |
Klein |
2 Morceaux, Op.32 (No.1 arr. for cello and piano) |
1888
|
06960 |
Shelley |
Evening Prayer |
1889
|
07121 |
Vogrich |
Abide with Me |
1889
|
07281 |
Massenet |
Narcisse (vocal score in English, trans. Herbert Marr) |
1889
|
07596 |
Schnecker |
Magnificat in F major |
1890
|
07597 |
Schnecker |
Nunc dimittis in F major |
1889
|
07697 |
Kirchner |
4 Notturnos, Op.28 (©1877) |
1889
|
07809 |
Dressler |
Te Deum in C major |
1889
|
07810 |
Schnecker |
Another Six Days' Work Is Done |
1889
|
08000 |
Stewart |
Jubilate Deo |
1890
|
08003 |
Gilchrist |
Calm on the List'ning Ear of Night, Schleifer 50 |
1889
|
08280 |
Bartlett |
Hail the King!, Op.104 |
1889
|
08287 |
De Koven |
The Ferry for Shadowtown, Op.58 |
1890
|
08445 |
Vogrich |
The Day of Resurrection |
1890
|
08753 |
Vogrich |
Glory to Thee, My God, This Night |
1890
|
09085 |
Bartlett |
Thy Dear Eyes (for Mezzo-soprano) |
1890
|
09511–9515 |
Jadassohn |
Serenade, Op.108 |
1890
|
10046 |
Mozart |
Lullaby (Wiegenlied) |
1891
|
10219 |
Bartlett |
Thy Dear Eyes (for Soprano) |
1890
|
10400 |
Parker |
Idylle, Op.15 (vocal score) |
1891
|
10696 |
Gaul |
The Holy City, Op.36 (vocal score) |
1892
|
10743 |
Parker |
Dream-King and His Love, Op.31 (vocal score) |
1893
|
10775 |
Mietzke |
Psalm 130 |
1893
|
11061 |
Chopin |
Nocturne (G major) Op.37 No.2 |
1894
|
11077–11092 |
Chopin |
Complete Works for the Piano (1894) (ed. Mikuli, Vol.1) |
1894
|
11134–11152 |
Mozart |
19 Sonatas for the Piano (ed. Lebert/Scharfenberg) |
1893
|
11404–11454 |
Chopin |
Complete Works for the Piano (1894) (ed. Mikuli, Vol.2) |
1894
|
11470–11481 |
Chopin |
Complete Works for the Piano (1894) (ed. Mikuli, Vol.3) |
1894
|
11475 |
Chopin |
Polonaise in F-sharp minor, Op.44 (ed. Mikuli) |
1894
|
11476 |
Chopin |
Polonaise in A-flat major, Op.53 (ed. Mikuli) |
1894
|
11490 |
Chopin |
Fantaisie-Impromptu IV (Posthumous), Op.66 |
1894
|
11567–11596 |
Parisotti |
Anthology of Italian Song, Vol.2 |
1894
|
11604–11635 |
Beethoven |
Piano Sonatas (ed. von Bülow, Lebert, Baker) |
1894
|
11617 |
Beethoven |
Piano Sonata No.14, Op.27 No.2 |
1894
|
11623 |
Beethoven |
Piano Sonata No.20, Op.49 No.2 |
1894
|
11699 |
Various composers |
Sonata Album for the piano, book I |
|
11715 |
Kreutzer |
Caprices or Etudes (42 etudes, ed. Singer) |
1894
|
11742–11745 |
Chopin |
Complete Works for the Piano (ed. Mikuli) Vol.9 |
1894
|
11748 |
Chopin |
Complete Works for the Piano (ed. Mikuli) Vol.7 |
1894
|
11879 |
Bellini |
I puritani |
1895
|
12055 |
De Koven |
Rob Roy (vocal score) |
1894
|
12104 |
Paderewski |
Polish Fantasy, Op.19 (2-pf reduction) |
1895
|
12117 |
Bizet |
Carmen (vocal score ed. Guiraud) |
1895
|
12267 |
Dvořák |
The American Flag, Op.102 (vocal score) |
1895
|
12268 |
De Koven |
Rob Roy (selections for piano, arr. Bassford) |
1895
|
12295 |
Liszt |
Grandes études de Paganini, S.141 |
1890
|
12403 |
Liszt |
3 Études de concert, S.144, No. 3 Un Sospiro |
|
12418 |
Buck |
The Coming of the King |
1895
|
12445a |
Raff |
Suite No.3 for Piano, Op.72 (Nos.2 & 4 ed. Bassford) |
1896
|
12445a |
Raff |
Suite de morceaux pour les petites mains, Op.75 (Nos.1, 3, 5, & 6 ed. Bassford) |
1896
|
12445b |
Raff |
Vom Rhein, Op.134 (No.3 ed. Bassford) |
1896
|
12445b |
Raff |
Frühlingsboten, Op.55 (No.12 ed. Scharfenberg) |
1896
|
12445b |
Raff |
Album lyrique, Op.17 (Nocturne ed. Bassford) |
1896
|
12445b |
Raff |
6 Morceaux, Op.85 (No.3 ed. Pauer) |
1896
|
12445b |
Raff |
3 Sonatilles, Op.99 (Tarantella ed. Scharfenberg) |
1896
|
12445b |
Raff |
3 Piano Pieces, Op.125 (No.1 Gavotte) |
1896
|
12445b |
Raff |
Am Giessbach, Op.88 (ed. Bassford) |
1896
|
12476 |
Bizet |
L'Arlésienne Suite No.2 (de Vilbac/Bassford pf4h edition) |
1895
|
12531–12534 |
Klein |
Italian Suite, Op.50 |
1895
|
12559 |
Hawley |
Come Unto Me |
1895
|
12589 |
Various composers |
Sonata Album for the piano, book II |
|
12661 |
Bach |
Chromatic Fantasy and Fugue, Concerto in the Italian Style, Fantasy in C minor BWV 906, Prelude and Fugue in A minor BWV 944 (ed. von Bülow, Vogrich) |
1896
|
12714 |
Mozart |
Fantasy No.3, K.397 |
1896
|
12726 |
Czerny |
Schule des Virtuosen, Op.365 |
|
12943 |
Brahms |
4 Ballades, Op.10 (No.1) |
1896
|
13129 |
Czerny |
Six Octave Studies, Op.553 |
1897
|
13142 |
Ernst |
Fantasie brillante, Op.11 (Schradieck edition) |
1897
|
13154–13155 |
Miller |
2 Organ Pieces, Op.6 |
1897
|
13331 |
Reinecke |
Mädchenlieder, Op.88 |
1897
|
13339 |
Chopin |
Polish Songs, Op.74 (Baker trans., LMC Vol. 249) |
1897
|
13412 |
Tchaikovsky |
Troika en Traineaux, in E |
|
13434 |
Cowen |
The Rose Maiden, Op.3 (vocal score) |
1897
|
13435 |
Czerny |
40 tägliche Studien, Op.337 |
1897
|
13573 |
Verdi |
Aida (vocal score) |
1897
|
13748 |
Brahms |
Ein deutsches Requiem, Op.45 (vocal score) |
1898
|
13763 |
Grieg |
An den Fruhling (To Spring) |
1898
|
13818 |
Nápravník |
4 Pieces, Op.48 (No.3, Mélancolie) |
1894
|
13860 |
Gobbaerts |
12 Very Easy and Melodious Studies, Op.63 |
1898
|
13980 |
Glinka |
Zhavoronok (trans. by M. Balakirev) |
|
14001 |
Sullivan |
On Shore and Sea (vocal score) |
1898
|
14012 |
Arensky |
Nocturne, op.5, no.1 |
1898
|
14018 |
Rachmaninoff |
Polichinelle |
1898
|
14051 |
Hawley |
Daisies |
1898
|
14053 |
Hawley |
Greeting |
1898
|
14104 |
Burgmüller |
25 Études Faciles, Op.100 |
1903
|
14120–14121 |
Berens |
20 Etudes enfantines, Op.79 |
1898
|
14123–14125 |
Berens |
Die Schule der Tonleitern, Akkorde und Verzierungen, Op.88 |
1898
|
14200 |
Huss |
Piano Concerto, Op.10 (2-piano reduction) |
1898
|
14297 |
Sapelnikov |
Danse des Elfes, Op.3 (ed. Oesterle) |
1901
|
14396 |
Grieg |
Lyric Pieces, Op.54 (No.4, Notturno, ed. Louis Oesterle) |
1899
|
14601 |
Parker |
Adstant Angelorum Chori, Op.45 |
1899
|
14654 |
Reinecke |
Hausmusik, Op.77 (ed. Oesterle) |
1899
|
14878 |
Liszt |
2 Légendes, S.175 (no.2, Oesterle ed.) |
1899
|
14958 |
Reinecke |
Romanza (Op.77/8) |
1899
|
14975 |
Hummel |
Rondo, Op.11 |
1897
|
15073 |
Dvořák |
Gypsy Songs, Op.55 , No.4 |
1899
|
15253 |
Whiting |
Suite moderne, Op.15 |
1900
|
15288 |
Czerny |
Praktische Fingerübungen, Op.802 |
1900
|
15327 |
Rossini |
Barber of Seville (vocal score, Eng.trans.by Baker) |
1900
|
15331 |
Schubert |
Schwanengesang, D.957 (Serenade, Scharfenberg ed.) |
1900
|
15415 |
Beethoven |
Piano Concerto No.5, Op.73 (2 piano arr. Kullak) |
1901
|
15433 |
Weber |
Der Freischütz, Op.77 (German/English vocal score) |
1904
|
15453 |
Woodman |
Epithalamium |
1903
|
15538 |
Hanon |
The Virtuoso Pianist |
1900
|
15555 |
Chadwick |
Judith (vocal score) |
1901
|
15609 |
Henselt |
12 Études caractéristiques, Op.2 (Jonás ed.) |
1902
|
15739 |
Heller |
24 Preludes, Op.81 |
1901
|
15740 |
Wieck |
Piano Studies |
1901
|
15745 |
Wieniawski |
Fantasia on Themes from Gounod's 'Faust', Op.20 (Lichtenberg ed.) |
1901
|
15782 |
Mozart |
Piano Concerto No.26 (Kullak edition) |
1901
|
15802 |
Tchaikovsky |
Humoresque |
|
15840 |
Huss |
4 Préludes en forme d'études, Op.17 (No.1) |
1901
|
15985 |
Dvořák |
Moravian Duets, Op.32 |
1901
|
16029 |
Chadwick |
6 Songs, F.256 |
1902
|
16106 |
Hofmann |
Valse Caprice, Op.53 (Oesterle ed.) |
1902
|
16268 |
Joseffy |
School of Advanced Piano Playing |
1902
|
16287 |
Schulz, Leo |
Technical Studies for Violoncello |
1903
|
16329 |
Scarlatti |
Keyboard Sonatas, Kirkpatrick Catalogue 1-100 (Pastorale kk.9, arr.Tausig, ed. by Buonamici) |
1902
|
16370 |
Gibson |
Elegy in F minor |
1903
|
16466 |
Barnby |
The Lord is King (vocal score) |
1903
|
16518 |
Mozart |
Das Veilchen, K.476 (translation by Th. Baker) |
1904
|
16620 |
Chadwick |
Hark, Hark, My Soul (arr. for voice and organ) |
1903
|
16743 |
Olsen |
Papillons, Op.50, No.5 |
1903
|
16762–16763 |
Liszt |
Études d'Exécution Transcendante, S.139 |
1904
|
16835–16837 |
Huss |
3 Pieces for Piano, Op.20 |
1904
|
16840 |
Huss |
La Nuit, Op.21 |
1904
|
16843 |
Bruch |
Das Feuerkreuz, Op.52 (English vocal score) |
1903
|
16898 |
Gibson |
Fantasy and Fugue in F minor |
1904
|
16958 |
Shelley |
Fanfare d'Orgue |
1904
|
17192 |
Loeffler |
4 Poèmes, Op.5 |
1904
|
17328 |
Shelley |
Mélodie du soir |
1904
|
17355 |
Shelley |
Communion in E-flat major |
1904
|
17447 |
Tchaikovsky |
Piano Concerto No.1, Op.23 (arr. 2 pianos, Joseffy ed.) |
1905
|
17491 |
Liszt |
Grand Etudes after Paganini |
1906
|
17508 |
Demarest |
Cantilena in A major |
1904
|
17510 |
Rubinstein |
Piano Concerto No.4, Op.70 (arr. 2 pianos, Joseffy arr.) |
1905
|
17636 |
Hřímalý |
Scale-Studies for Violin |
1905
|
17698 |
Shelley |
Berceuse in G major |
1905
|
17846–17850 |
Chadwick |
5 Pieces |
1905
|
17860 |
Friml |
Concert Waltz, Op.12 |
1905
|
18042 |
Stebbins |
Festival Piece |
1905
|
18209 |
Chadwick |
Euterpe (full score) |
1906
|
18210 |
Chadwick |
Sinfonietta (full score) |
1906
|
18211 |
Chadwick |
Symphonic Sketches (full score) |
1907
|
18553 |
Smith |
God Our Life, Op.14 (vocal score) |
1906
|
18902 |
Cole |
King Robert of Sicily, Op.22 |
1906
|
19105 |
Accolay |
Violin Concerto No.1 in A minor (vn/pf reduction, Schill ed.) |
1907
|
19164 |
Dvořák |
Moravian Duets, Op.32 , No.2 |
1907
|
19236 |
Schulz-Evler |
Arabesken über 'An der schönen blauen Donau' von Johann Strauss (Gallico ed.) |
1906
|
19241 |
Scriabin |
Nocturne for the Left Hand, Op.9, No.2 |
1906
|
19271 |
Ysaÿe |
Piano Concerto, Op.9 (arr. 2-pianos) |
1907
|
19455 |
Capocci |
Organ Sonata No.6 |
1908
|
19480 |
Hiller |
Piano Concerto, Op.69 (arr. 2-pianos by Joseffy) |
1909
|
19630 |
Hofmann |
Skizzen, Op.77 (No.1 Oesterle ed.) |
1907
|
19718 |
MacDowell |
6 Poems after Heine, Op.31 (original version) |
1908
|
20331–20342 |
Chopin |
Etudes, Op.10 (Friedheim ed.) pub. date for entire set |
1916
|
20343–20354 |
Chopin |
Etudes, Op.25 (Friedheim ed.) pub. date for entire set |
1916
|
20565 |
Wollenhaupt |
11 Pieces (Album) |
1908
|
20668 |
Horrocks |
The Bird and the Rose (part of an album) |
1908
|
20840 |
Shelley |
Scherzo-mosaic |
1909
|
21031 |
Dvořák |
The Cunning Peasant, Op.37 (overture, piano 4 hands) |
1909
|
21149 |
Shelley |
Ave Maria |
1909
|
21561 |
Rogers |
Organ Sonata No.1 |
1910
|
21680 |
Dohnányi |
Winterreigen op.13, no.8 (Tolle Gesellschaft) |
1910
|
21994 |
Schubert |
Ständchen (Serenade), D.957 |
1910
|
22768 |
Brahms |
Rhapsody 2, Op. 79, No. 2 |
1911
|
22895 |
Matthews |
Paean |
1911
|
22945 |
Handel |
Messiah, HWV 56 (vocal score, Noble and Spicker eds.) |
1912
|
23473 |
Ashton |
2 Pieces for the Piano, Op.145 (No.2: Staccato Étude) |
1912
|
23703 |
Carpenter |
Violin Sonata |
1913
|
23829 |
Speaks |
Elysium (low voice) |
1913
|
23911 |
Schubert |
Four Impromptus, Op.90 |
1897
|
24037 |
Rachmaninoff |
Album for the Piano |
1913
|
24125 |
Gounod |
Ave Maria (arr. Gounod) |
1899
|
24157–24160 |
Friml |
Russian Suite, Op.83 |
1913
|
24218 |
Herbert |
Madeleine (vocal score) |
1914
|
24267 |
Smith |
String Quartet No.2, Op.19 (parts) |
1913
|
24974 |
Speaks |
Sylvia (medium voice) |
1914
|
25063 |
Farwell |
American Indian Melodies, Op.11 |
1914
|
25070 |
Frey |
Valse-intermezzo |
1914
|
25109 |
Rachmaninoff |
Elegie, Op.3 No.1 |
1913
|
25222 |
Dvořák |
8 Humoresques, Op.101 , No.7 (voice and piano by Frank Rix) |
1915
|
25255 |
Huss |
Sommernacht (for high voice) |
1914
|
25270 |
Beach |
Thou Knowest, Lord, Op.76 |
1915
|
25454 |
Chopin |
Preludes (Book Nine of Complete Works for the Pianoforte) |
1915
|
25496 |
Mendelssohn |
Lieder ohne Worte |
1915
|
25646 |
Chopin |
Ballades (Book Five of Complete Works for the Pianoforte) |
1916
|
25652–25654 |
Hofmann |
Trois Impressions |
1915
|
25878 |
Wright |
12 Preludes for Piano, Op.25 (No.1) |
1915
|
25938 |
Zucca, Mana |
If Flowers Could Speak |
1915
|
26106 |
Beach |
All Hail the Power of Jesus' Name, Op.74 |
1915
|
26383 |
Hofmann |
Old Dutch Songs |
1916
|
26426 |
Beach |
4 Canticles, Op.78 (No.1) |
1916
|
26536 |
Cassel (Mana-Zucca) |
Valse Brillante, Op.20 |
1916
|
26740 |
Vierne |
Symphonie No.4, Op.32 need source to confirm plate/date |
1917
|
27024–27026 |
Beach |
4 Canticles, Op.78 (nos.2–4) |
1916
|
27159 |
Chopin |
Ballade No.4, Op.52 |
1916
|
27161 |
Matthews |
Epithalamium |
1917
|
27374 |
Chopin |
Scherzo, op. 39 |
1915
|
27441 |
Griffes |
Roman Sketches, Op.7 (piano scores) |
1917
|
27953 |
Beethoven |
Die Ruinen von Athen, Op.113 (Turkish March arr. Rubinstein, ed. Deis) |
1917
|
28031 |
Bloch |
String Quartet No.1 (f.s.) |
1919
|
28340–28342 |
Mozart |
19 Sonatas for the Piano |
1918
|
28403 |
Loth |
5 Poetic Sketches for Trio Study (piano score and parts) |
1918
|
28516 |
Clifton |
Adagio in G major (full score) |
1918
|
28638 |
Willan |
Introduction, Passacaglia and Fugue, B.149 |
1919
|
28930 |
Handel |
Master Series for the Young, Vol. II Handel (ed. Hughes) |
1919
|
29008 |
Wright |
In Springtime, Op.36 |
1919
|
29230 |
Grieg |
Piano Concerto, Op.16 (2 piano arr. by Grainger) |
1920
|
29240 |
Guion, David W. |
Turkey in the Straw |
1919
|
29434 |
Saint-Saëns |
Second Concerto in G Minor, Op. 22 |
1920
|
29481–29482 |
Godowsky |
Triakontameron (nos.8, 11) |
1920
|
29496 |
Godowsky |
Triakontameron (no.27) |
1920
|
29508 |
Kozeluch |
La ritrovata figlia di Ottone II, Op.39 (Gavotte No.22 arr. piano 4-hands by Beethoven, ed. Bauer) |
1920
|
29509 |
Kozeluch |
La ritrovata figlia di Ottone II, Op.39 (Gavotte No.22 arr. piano solo by Bauer) |
1920
|
29635 |
Bach |
6 Partitas, BWV 825-830 (No.1 arr. piano solo by Bauer) |
1921
|
29655–29660 |
Godowsky |
Triakontameron |
1920
|
29691 |
Goldmark |
Requiem Suggested by Lincoln's Gettysburg Address |
1921
|
29987 |
Smith |
The Star-Spangled Banner (arr. piano solo by Godowsky) |
1921
|
30054 |
Franck |
Variations symphoniques (for 2 pianos ed. Hughes) |
1921
|
30153 |
MacFadyen |
Piano Sonata, Op.21 |
1921
|
30415 |
Rode |
12 Etudes for Violin (ed. Lichtenberg) |
1922
|
30702 |
Schütt |
Russian Folk-Song (arr. piano 4-hands) |
1922
|
31210 |
Grainger |
Nr. 1. Cradle-Song |
1923
|
31323 |
Schubert |
Piano Trio in B-flat major, D.898 (Op.99) (Adamowski ed.) |
1923
|
31342 |
Vivaldi |
Concerto for 2 Violins and Cello in D minor, RV 565 (arr. Franko) |
1923
|
31596 |
Bloch |
Piano Quintet No.1, B.43 (score&parts) |
1924
|
31630 |
Bauer |
Tunes from the 18th Century (Nos.2-4) |
1923
|
31851 |
Bauer |
Dolce far niente |
1924
|
31992 |
Kunits |
3 Etudes for Violin |
1924
|
32065 |
Schumann |
Andante and Variations, Op.46 (ed. Hughes) |
1924
|
32560 |
Brahms |
7 Fantasien, Op.116 |
1926
|
32595 |
Sibelius |
Valse Triste, from Kuolema, Op.44 |
1925
|
32614 |
Godowsky |
Triakontameron (No.11 arr. Press) |
1926
|
32641 |
Mozart |
Sonata in D and Fugue for Two Pianos (Four Hands) ed. Hughes |
1926
|
33371 |
Mozart |
Piano Concerto No.10, K.365 (for 2 pianos) |
1927
|
33517 |
Shelley |
Spring Song and Scherzo (Spring Song ed. Bonnet) |
1929
|
35056–35057 |
Godowsky |
Capriccio patetico |
1931
|
35507 |
Wagner |
Tristan und Isolde, WWV 90 (vorspiel arr. solo piano Schilling) |
1932
|
35777 |
Bach |
Herz und Mund und Tat und Leben, BWV 147 (Jesus bleibet meine Freude arr. for solo piano Bauer) |
1932
|
36512 |
Godowsky |
Triakontameron (No.11, Alt Wien), For Two Pianos, Four Hands |
1935
|
36830 |
Malotte |
The Lord's Prayer |
1935
|
37033 |
Gluck |
Orfeo ed Euridice, Wq.30 (Mélodie arr. Sgambati ed. Bauer) |
1936
|
37391 |
Godowsky |
Airs of the Eighteenth Century |
1937
|
38349 |
Rachmaninoff |
Second Concerto, Op.18 |
|
38629 |
Brahms |
Variations on a Theme by Haydn, Op.56 (No.7 for solo piano arr. Bauer) |
1939
|
38743 |
Schuman, W. |
Prologue (chorus/piano red.) |
1939
|
39434 |
Brahms |
4 Ballades, Op.10 |
|
39622 |
Rachmaninoff |
Third Concerto, Op. 30 (arr. 2 pianos) |
|
39680 |
Barber |
A stopwatch and an ordnance map, Op.15 |
1942
|
40029 |
Schuman, W. |
4 canonic choruses (mixed voices) |
1942
|
40118 |
Schuman, W. |
Newsreel, in five shots (full score) |
1943
|
40186 |
Schuman, W. |
A Free Song, Secular Cantata No.2 (Whitman) (v.s.) |
1943
|
40983 |
Schuman, W. |
Te Deum (chorus) |
1945
|
41085 |
Haydn |
Keyboard Concerto in D major (arr. 2 pf by Rudolph Ganz) |
1945
|
41167 |
Mozart |
Piano Concerto No.19 in F major, K.459 (for 2 pianos arr. Kullak, ed. Phillipp) |
1945
|
41235 |
Mozart |
Piano Concerto No.9, K.271 (ed. & arr. for 2 pf. by Isidore Philipp) |
1946
|
41733c |
Barber |
Concerto for violoncello and orchestra, Op.22 (arr. vc/pf. Cello part ed. by Garbousova) |
1950
|
42251–42254 |
Bernstein |
Brass music |
1950
|
42344 |
Bloch |
6 Preludes, B.79 |
1950
|
42736 |
Menotti |
Amahl and the night visitors |
1951
|
42884 |
Barber |
Concerto for violoncello and orchestra, Op.22 (study full score) |
1952
|
43142 |
Bloch |
String Quartet No.3, B.87 (score) |
1953
|
43195 |
Bloch |
Concerto Grosso No.2, B.84 (score) |
1953
|
43412 |
Bloch |
String Quartet No.4, B.88 (score) |
1956
|
43908 |
Bloch |
String Quartet No.4, B.88 (parts) |
1956
|
45691 |
Mozart |
Duet No. 1 (ed. Paul Doktor) |
1965
|
46940 |
Various |
Concert etudes |
1972
|
47541 |
Kokkonen |
Sinfonia IV (study score) |
1977
|
48523 |
Creston |
Symphony No.6, Op.118 (score) |
1984
|