Missa brevis in B-flat major, K.275/272b (Mozart, Wolfgang Amadeus)

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Performances

Recordings

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Vangi (2018/5/17)

Performer Pages Hans Wilbrink (tenor)
Publisher Info. Erato STE 50124, 1962.
Performers Barbara Wittelsberger (soprano), August Messthaler (basse), Dagmar Naaff (alto), Chœur et orchestre de l’École de Musique de Fribourg en Brusgau, Hans Musch (orgue), Herbert Froitzheim (dir.)
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Misc. Notes Disque microsillon
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TN-PMLP161692-Missa brevis in B-Flat Major, K. 275 (Wolfgang Amadeus Mozart) Erato STE 50124-3633.jpg

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Stenov (2019/5/18)

5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei

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Stenov (2019/5/18)

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Stenov (2019/5/18)

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Stenov (2019/5/18)

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Stenov (2019/5/18)

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Stenov (2019/5/18)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director)
Publisher Info. Michael Stenov
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Misc. Notes Live recording from the Karmelitenkirche Linz 2012
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Naxos

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Sheet Music

Scores

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piupianissimo (2010/9/25)

Editor Gustav Nottebohm (1817–1882)
Publisher. Info. Mozarts Werke, Serie I: Messen, Bd.2, No.13 (pp.183-206)
Leipzig: Breitkopf & Härtel, 1878. Plate W.A.M. 275.
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Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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Feduol (2025/1/1)

Editor Franz Beyer (1922–2018)
Publisher. Info. Breitkopf & Härtels Partitur-Bibliothek, No.5281
Wiesbaden: Breitkopf & Härtel, 1997. Plate Wb. 1892.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Parts

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Feduol (2025/1/1)

6 more: Trombone 1 • Trombone 2 • Trombone 3 • Violins I • Violins II • Cellos/Basses

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Feduol (2025/1/1)

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Feduol (2025/1/1)

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Feduol (2025/1/1)

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Feduol (2025/1/1)

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Feduol (2025/1/1)

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Feduol (2025/1/1)

Editor Franz Beyer (1922–2018)
Publisher. Info. Breitkopf & Härtels Orchester-Bibliothek, No.5281
Wiesbaden: Breitkopf & Härtel, 1997. Plate OB 5281.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Ezequiel Diz (2016/4/12)

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Ezequiel Diz (2016/4/12)

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Ezequiel Diz (2016/4/12)

Editor Ezequiel Diz
Publisher. Info. Ezequiel Diz
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Vocal Scores

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Carolus (2010/11/19)

Arranger Vincent Novello (1781-1861), organ reduction
Publisher. Info. Masses, with Organ Accompaniment, Vol.1
London: Novello, Ewer & Co., n.d.(ca.1860).
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Misc. Notes This file is part of the Sibley Mirroring Project. Is this the Novello publication that Yale estimates as ca.1840?
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Carolus (2015/9/20)

Arranger Carl Rouland (1865-1935), reduction
Editor Alfred Schnerich (1859-1944)
Publisher. Info. Augsburg: Anton Böhm, n.d.
Copyright
Misc. Notes Looks like a reprint- Kalmus? - with a reprint-erased plate? (At a time when the score reprinted may not have been in the public domain, depending.) According to HOLLIS, plate might be 6802, which would mean this may be a 1927 or ca.1927 publication (perhaps HMB from around that date should be consulted, I will do that...)
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Feduol (2025/1/1)

Editor Franz Beyer (1922–2018)
Publisher. Info. Breitkopf & Härtels Chor-Bibliothek, No.5264
Wiesbaden: Breitkopf & Härtel, 1997. Plate ChB 5264.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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General Information

Work Title Missa brevis
Alternative. Title Mass No.14
Name Translations Missa Brevis nr. 9 av Mozart; Missa brevis n.º 9; Missa brevis No. 9; Missa brevis n° 9
Name Aliases Misa n 14; Missa brevis n. 9; Misa n º 14; Missa brevis n 9; KV 275; Missa brevis n º 9; KV 272b; Misa n. 14; Misa n.º 14
Authorities Wikipedia; BNF: 13936358b
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.275 ; K⁶.272b
I-Catalogue NumberI-Cat. No. IWM 328
Key B-flat major
Year/Date of CompositionY/D of Comp. 1772 or 1777
First Publication. 1840 (Novello vocal score) or earlier
Language Latin
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation 4 voices (SATB), mixed chorus (SATB), 2 violins, continuo
External Links Wikipedia article
NMA score
NMA report (German)
Extra Information Autograph lost. NMA notes that earliest known (NMA has originales) performance material is dated 1777.

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Masses by Wolfgang Amadeus Mozart