Missa solemnis in C minor, K.139/47a (Mozart, Wolfgang Amadeus)

Contents

Performances

Recordings

MP3 file (audio)
Stenov (2019/5/27)

5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei

MP3 file (audio)
Stenov (2019/5/27)

MP3 file (audio)
Stenov (2019/5/27)

MP3 file (audio)
Stenov (2019/5/27)

MP3 file (audio)
Stenov (2019/5/27)

MP3 file (audio)
Stenov (2019/5/27)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director)
Publisher Info. Michael Stenov
Copyright
Misc. Notes Live recording from the Karmelitenkirche Linz 2016
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Naxos

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Sheet Music

Scores

PDF scanned by D-B
Irishmaestro (2020/10/23)

Publisher. Info. Holograph manuscript, 1768.
Copyright
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PDF scanned by PL-LZu
piupianissimo (2010/9/23)

Editor Franz Espagne (1828-1878)
Publisher. Info. Mozarts Werke, Serie I: Messen, Bd.1, No.4 (pp.117-178)
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 139.
Copyright
Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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PDF scanned by A-Wm
Gcjdavid (2016/5/21)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt. 1/1] (pp.37-158)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe.
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Parts

Complete

PDF typeset by editor
Kae (2017/7/11)

PDF typeset by editor
Kae (2017/7/11)

PDF typeset by editor
Kae (2017/7/11)

Editor Tobias Rey Käfer (b. 1998)
Publisher. Info. Tobias Rey Käfer, 2017.
Copyright
Misc. Notes The old Carus-Parts of the NMA-Edition are in violin-bass-bass clefs, i wrote it in alto-tenor-bass-clefs.
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Other

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt.1/1] (pp.317-318)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe. Contains eliminated original version of bars 24 to 35 of the Credo.
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PDF scanned by A-Wm
Gcjdavid (2016/6/9)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt.1/1] (pp.319)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe. This is an original deleted version of the ending of the Agnus Dei.
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General Information

Work Title Missa solemnis
Alternative. Title Mass No.4 ; Waisenhausmesse
Name Translations Messe in c-Moll KV 139; Misa del orfanato (Mozart); Missa solemnis in C minor; Missa solemnis in do minore K 139; Missa de l'orfenat; Messe en ut mineur K. 139 de Mozart; 孤児院ミサ (モーツァルト)
Name Aliases KV 139; KV 47a; Waisenhausmesse; Misa n.º 4 (Mozart)
Authorities WorldCat; Wikipedia; VIAF: 175793006; LCCN: n81124850; GND: 300109547; SELIBR: 169969; BNF: 13923526b; NLA: 35677591
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.139 ; K⁶.47a
I-Catalogue NumberI-Cat. No. IWM 338
Key C minor
Movements/SectionsMov'ts/Sec's 6 movements:
I. Kyrie
II. Gloria
III. Credo
IV. Sanctus
V. Benedictus
VI. Agnus Dei
Year/Date of CompositionY/D of Comp. 1768
First Performance. 1768-12-07 in Vienna
Language Latin
Dedication Father Ignaz Parhammer
Average DurationAvg. Duration 39 minutes?
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation soprano, alto, tenor bass; mixed chorus (SATB), orchestra
InstrDetail
2 flutes, 2 oboes, 2 horns, 2 clarini, 2 trumpets, 3 trombones (colla parte)
timpani, strings, continuo (organ)
External Links Wikipedia article

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Masses by Wolfgang Amadeus Mozart