Die Oper von ihren ersten Anfängen bis zur Mitte des 18. Jahrhunderts (Various)

Movements/SectionsMov'ts/Sec's 5 volumes
  • Erster Theil
  1. Rebhun: Marienklage
  2. Caccini: Euridice
  3. Gagliano: Dafne
  4. Monteverdi: L'Orfeo, SV 318
  • Zweiter Theil
  1. Cavalli: Il Giasone
  2. Cesti: La Dori
  • Dritter Theil
  1. Lully: Armide, LWV 71
  2. Scarlatti: Gli equivoci in amore
  • Vierter Theil
  1. Schürmann: Ludovicus Pius
  • Fünfter Theil
  1. Keiser: Der lächerliche Printz Jodelet
Genre Categories Passions; Religious works; Lamentations; Incidental music; Theatrical Works; Operas; Tragedies en musique; Revues; Singspiele; For 2 voices; For unaccompanied voices; Scores featuring the voice; For voices, mixed chorus, harpsichord; Scores featuring mixed chorus; Scores featuring the harpsichord; For voices and chorus with keyboard; For voices, mixed chorus, piano (arr); Scores featuring the voice (arr); Scores featuring mixed chorus (arr); Scores featuring the piano (arr); For voices and chorus with keyboard (arr); For voices, piano (arr); For voices with keyboard (arr); Italian language; French language; German language

Sheet Music

Scores

 Erster Theil
#336789 - 14.63MB, 216 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 615×⇩ - Carolus

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Carolus (2014/7/29)

 Zweite Theil
#336790 - 17.67MB, 206 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 670×⇩ - Carolus

PDF scanned by US-R
Carolus (2014/7/29)

Editor Robert Eitner (1832-1905)
Publisher. Info. Publikation älterer praktischer und theoretischer Musik-Werke, 10, 12 Band
Berlin: T. Trautwein'sche Buch- und Musikalienhandlung, 1881, 1883.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 Dritter Theil (entire)
#336791 - 18.50MB, 228 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 283×⇩ - Carolus

PDF scanned by US-R
Carolus (2014/7/29)

 Dritter Theil (part 2)
#336792 - 9.67MB, 118 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 223×⇩ - Carolus

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Carolus (2014/7/29)

 Vierter Theil
#336793 - 15.83MB, 210 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 221×⇩ - Carolus

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Carolus (2014/7/29)

 Fünfter Theil
#336794 - 21.45MB, 297 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 221×⇩ - Carolus

PDF scanned by US-R
Carolus (2014/7/29)

Editor Robert Eitner (1832-1905) - vol.3
Hans Sommer (1837-1922) - vol.4
Friedrich Zelle (1845-1927) - vol.5
Publisher. Info. Publikation älterer praktischer und theoretischer Musik-Werke, Bd.14, 17-18
Leipzig: Breitkopf und Härtel, 1885, 1890, 1892.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
Purchase
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General Information

Work Title Die Oper von ihren ersten Anfängen bis zur Mitte des 18. Jahrhunderts
Alternative. Title
Composer Various
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 5 volumes
  • Erster Theil
  1. Rebhun: Marienklage
  2. Caccini: Euridice
  3. Gagliano: Dafne
  4. Monteverdi: L'Orfeo, SV 318
  • Zweiter Theil
  1. Cavalli: Il Giasone
  2. Cesti: La Dori
  • Dritter Theil
  1. Lully: Armide, LWV 71
  2. Scarlatti: Gli equivoci in amore
  • Vierter Theil
  1. Schürmann: Ludovicus Pius
  • Fünfter Theil
  1. Keiser: Der lächerliche Printz Jodelet
Piece Style Baroque
Instrumentation This is mostly vocal scores, see the original opera pages for the original instrumentations.

Navigation etc.

Rebhun's Geistlich Spiel/Marianklage is tagged as a passion, lamentation, and incidental music. It seems these four short choruses are the only music in the whole work, so they function more like incidental music, but the work is "Mary's lament", and according to Grove Music, the Marianklage were a "unique form of Medieval passion play".
Pier Francesco Cavalli (1602-1676) [Composer], Antonio Cesti (1623-1669) [Composer], Jean-Baptiste Lully (1632-1687) [Composer], Alessandro Scarlatti (1660-1725) [Composer], Georg Caspar Schürmann (?-1751) [Composer], Reinhard Keiser (1674-1739) [Composer]

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