Gli equivoci in amore (Scarlatti, Alessandro)

Movements/SectionsMov'ts/Sec's 3 acts
Genre Categories Operas; Theatrical Works; For voices, orchestra; Scores featuring the voice; Scores featuring the orchestra; For voices with orchestra; Italian language

Contents

Performances

Sheet Music

Scores

 Incomplete Score
#802099 - 26.18MB, 199 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 25×⇩ - Tito Manlio

PDF scanned by F-Pn
Tito Manlio (2022/7/28)

Publisher. Info. Manuscript, n.d.(ca.1691).
Copyright
Public Domain [tag/del]
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): D-11901
Without sinfonia.
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Vocal Scores

 Complete Score
#336954 - 9.54MB, 118 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 663×⇩ - Bassani

PDF scanned by US-R
Bassani (2014/7/31)

Editor Robert Eitner (1832-1905)
Publisher. Info. Publikation älterer praktischer und theoretischer Musik-Werke, Bd.14
Die Oper von ihren ersten Anfängen bis zur Mitte des 18. Jahrhunderts, Th.3
Leipzig: Breitkopf und Härtel, 1885.
Copyright
Public Domain [tag/del]
Misc. Notes In this edition, the opera is called La Rosaura
This file is part of the Sibley Mirroring Project.
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Non han core

 Complete Score
#720594 - 3.89MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 8×⇩ - Royal College o...

PDF scanned by Royal College of Music Library
Royal College o... (2021/7/30)

Publisher. Info. Manuscript, n.d.(ca.1700s).
Copyright
Public Domain [tag/del]
Misc. Notes Royal College of Music Library, London (GB-Lcm): MS 581/13
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General Information

Work Title Gli equivoci in amore, o vero La Rosaura
Alternative. Title Melodramma
Composer Scarlatti, Alessandro
I-Catalogue NumberI-Cat. No. IAS 121
Movements/SectionsMov'ts/Sec's 3 acts
First Performance. 1690 (December) in Rome, Palazzo Cancellaria
Librettist Giovanni Battista Lucini (1639–1709)
Language Italian
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, orchestra

Navigation etc.

According to the Eitner edition, the Sinfonia is "Ohne Bezeichnung der Instrumente", i.e. without indication of instruments. A later aria is marked "Violino solo con leuto o Violoncino, senza Cimbalo". Tagged as orchestra, as the orchestration is obviously flexible, but this could conceivably also be done with strings and continuo alone.

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