12 Contredanses, WoO 14 (Beethoven, Ludwig van)

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Performances

Naxos

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For Orchestra (Hernández Bellido)

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Joraher (2021/6/4)

6 more: No.2 • No.4 • No.6 • No.8 • No.11 • No.12

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Publisher Info. José Ramón Hernández Bellido, 2021.
Performers Midi recording
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Sheet Music

Scores

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Brodie h (2023/3/12)

Publisher. Info. Holograph manuscript, n.d.(ca.1791-1802).
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Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms.autogr. Beethoven, L. v., Artaria 140 (1)

One of the Contredanses is missing in the autograph. Did Beethoven write another one out later?

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CBo (2010/3/3)

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Cypressdome (2014/1/23)

Publisher. Info. Ludwig van Beethovens Werke, Serie 2: Orchester-Werke, Nr.17a
Leipzig: Breitkopf und Härtel, n.d.[1864]. Plate B.17a.
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Monatsbericht (1864), p.194
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Peter (2008/6/3)

Editor Imre Mező (b. 1932)
Publisher. Info. Budapest: Editio Musica Budapest, 1973. Plate Z.6541.
URTEXT EDITION 

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Reprinted Eulenburg Octavo Edition
Eulenburg, No.10038, n.d.
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ScoreUpdater (2024/2/29)

Editor Martin Staehelin (b. 1937)
Shin Augustinus Kojima (1929-1983)
Publisher. Info. Beethoven Werke, Abteilung II, Band 3 [II/3] (pp.65-76)
Munich: G. Henle Verlag, 1980. Plate HN 4062.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes Staehelin is the general editor, and may not have contributed to this edition.
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Parts

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8 more: Flute • Oboe 1, 2 • Clarinet 1, 2 (B♭/A) • Bassoon 1, 2 • Horn 1, 2 (G/E♭/D/C/B♭/A) • Violins I • Violins II • Cellos/Basses

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Publisher. Info. Breitkopf & Härtels Orchesterbibliothek (No. 253)
Leipzig: Breitkopf und Härtel, n.d. (ca.1890s). Plate Orch. B. 253.
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Arrangements and Transcriptions

For 2 Violins, Viola and Cello (Kinmonth)

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Bkinmonth (2021/2/28)

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Bkinmonth (2021/2/28)

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Arranger Bruce Kinmonth
Publisher. Info. Bruce Kinmonth (Heaven Publishing), 2013.
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Selections

For Orchestra (Hernández Bellido)

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Joraher (2021/6/4)

Arranger José Ramón Hernández Bellido (b. 1969)
Publisher. Info. José Ramón Hernández Bellido, 2021.
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For Bassoon and Piano (Bolek)

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Arranger Jan Bolek
Publisher. Info. Jan Bolek, 2018.
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For Piano (Seiss)

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Ralph Theo Misch (2010/11/5)

Arranger Isidor Wilhelm Seiss (1840-1905)
Editor New Edition
Engraver Leipzig: C.G. Röder.
Publisher. Info. Berlin: Schlesinger/Lienau, n.d.(ca.1892). Plate S. 8283.
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JacopoTore (2020/8/2)

Arranger Isidor Wilhelm Seiss (1840-1905)
Publisher. Info. Cöln: M. Schloss, n.d. Plate M. S. 674.
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General Information

Work Title 12 Contredanses for Orchestra
Alternative. Title Contredanse for Small Orchestra
Composer Beethoven, Ludwig van
Opus/Catalogue NumberOp./Cat. No. WoO 14 ; Hess 102 (piano version)
I-Catalogue NumberI-Cat. No. ILB 47
Key see below
Movements/SectionsMov'ts/Sec's 12 dances:
  1. [Contredanse] (C major, 16 bars)
  2. [Contredanse] (A major, 16 bars)
  3. [Contredanse] (D major, 16 bars) – Trio (D major, 8 bars)
  4. [Contredanse] (B major, 16 bars)
  5. [Contredanse] (E major, 16 bars) – Trio (E major, 8 bars)
  6. [Contredanse] (C major, 16 bars) – Trio (C major, 16 bars)
  7. [Contredanse] (E major, 16 bars)
  8. [Contredanse] (C major, 16 bars)
  9. [Contredanse] (A major, 16 bars)
  10. [Contredanse] (C major, 16 bars) – Trio (C major, 8 baars)
  11. [Contredanse] (G major, 16 bars)
  12. [Contredanse] (E major, 16 bars) – Trio (E major, 24 bars)
Year/Date of CompositionY/D of Comp. 1791-1802
First Publication. 1802
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation orchestra
InstrDetail see below
1. 2 oboes, 2 bassoons, 2 horns, violins, cellos, basses
2. flute, 2 clarinets, bassoon, 2 horns, violins, cellos, basses
3. flute, 2 oboes, 2 bassoons, 2 horns, violins, cellos, basses
4. flute, 2 clarinets, 2 bassoons, 2 horns, violins, cellos, basses
5. 2 clarinets, 2 bassoons, 2 horns, violins, cellos, basses
6. flute, 2 oboes, 2 bassoons, 2 horns, violins, cellos, basses
7. 2 clarinets, 2 horns, violins, cellos, basses
8. 2 oboes, 2 horns, tambourine, violins, cellos, basses
9. oboe, 2 horns, violins, cellos, basses
10. oboe, 2 horns, violins, cellos, basses
11. flute, bassoon, 2 horns, violins, cellos, basses
12. 2 clarinets, 2 bassoons, 2 horns, violins, cellos, basses