Symphony No.28 in C major, K.200/189k (Mozart, Wolfgang Amadeus)

Contents

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Performances

Recordings

Performer Pages Joseph Keilberth (conductor)
Bamberger Symphoniker (orchestra)
Publisher Info. Telefunken, 1962.
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Naxos

Synthesized/MIDI

For Piano (Novegno)

4 more: 2. Andante • 3. Menuetto • 4. Presto (full repeat) • 4. Presto (half repeat)

Publisher Info. Roberto Novegno
Performers Tomoe
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Sheet Music

Full Scores

Editor Series VIII editors (exact editor not specified) [more...]
Gustav Nottebohm, Carl Reinecke, Paul Waldersee

First edition as full score
Publisher. Info. Mozarts Werke, Serie VIII:
Symphonien, Bd.2, No.28
(pp.1-22 (95-116))
Leipzig: Breitkopf & Härtel, 1880. Plate W.A.M. 200.
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Editor Hermann Beck (1929–1980)
Publisher. Info. Neue Mozart-Ausgabe, Serie IV, Werkgruppe 11,
Sinfonien: Band 4 [NMA IV/11/4]
Kassel: Bärenreiter-Verlag, 1960. Plate BA 4522.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Editor Hermann Beck (1929–1980)
Publisher. Info. Neue Mozart-Ausgabe, Serie IV, Werkgruppe 11,
Sinfonien: Band 4 [NMA IV/11/4]
Kassel: Bärenreiter-Verlag, 1960. Plate BA 4522.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor Gory
Publisher. Info. Gory
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Editor Gaylon Babcock
Publisher. Info. Gaylon Babcock
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Parts

5 more: Horn 1, 2 (C/F) • Trumpet 1, 2 (C) • Violins I, II • Violas • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf & Härtel, n.d. Plate Orch.B. 90.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
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Misc. Notes These files are part of the Orchestra Parts Project.
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6 more: Horn 1/2 (C) • Trumpet 1/2 (B♭) • Violins I • Violins II • Violas • Cellos/Basses

Editor Gory
Publisher. Info. Gory
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7 more: Horn 1/2 (C/F) • Trumpet 1/2 (C) • Trumpet 1/2 (B♭, transposed) • Violins I • Violins II • Violas • Cellos/Basses

Editor Gaylon Babcock
Publisher. Info. Gaylon Babcock
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Arrangements and Transcriptions

For 2 Pianos (Babcock)
Arranger Gaylon Babcock
Publisher. Info. Gaylon Babcock
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Misc. Notes each part designed to be printed front and back
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For Piano (Novegno)
Arranger Roberto Novegno (b. 1981)
Publisher. Info. Roberto Novegno
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General Information

Work Title Symphony No.28
Alternative. Title
Name Translations Symphonie nº 28 de Mozart; Symphony No. 28; Symfonie nr. 28; Симфонія № 28 (Моцарт); Symfoni nr. 28 av Mozart; [12 more...]Sinfonia nro 28 (Mozart); 28. Sinfonie; 交響曲第28番 (モーツァルト); Sinfonía n.º 28; Sinfonia n. 28; Симфония № 28; Mozart: 28. szimfónia; Simfonia núm. 28; 28η Συμφωνία; Simfonio Numero 28; İyirmi səkkizinci simfoniya (Motsart); Symfoni nr. 28
Name Aliases Sinfonie C-Dur KV 200; Symfonie nr. 28 (Mozart); Symphony No. 28 in C Major, K. 200; Sinfonía n.º 28 en do mayor, K. 200/189k
Authorities WorldCat; Wikipedia; VIAF: 294256749; LCCN: n81079982; BNF: 139149761
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.200 ; K⁶.189k
I-Catalogue NumberI-Cat. No. IWM 562
Key C major
Movements/SectionsMov'ts/Sec's 4 movements:
  1. Allegro spiritoso
  2. Andante
  3. Menuetto e Trio
  4. Presto
Year/Date of CompositionY/D of Comp. 1774/11/17
First Publication. 1847 ca. – London : Ewer (arranged by Carl Czerny) (e.g. WorldCat)

1880 - Leipzig: Breitkopf und Härtel, in Wolfgang Amadeus Mozarts Werke, Ser.8, No.28

  • Score – Plate W.A.M. 200 (also Part.Bibl. 111), 22 pages
  • Parts – Plate Orch.Bibl. 90, 11 parts
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation orchestra
InstrDetail 2 oboes, 2 horns, 2 trumpets, strings
External Links Wikipedia article
NMA score
NMA report (German)
Mozart's Symphonies: Context, Performance Practice, Reception

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