This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 or life+70 years (including all EU countries). However, this work is probably still protected by copyright in the United States, unless an exception applies. See public domain for details. |
Movements/SectionsMov'ts/Sec's | 3 movements |
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Composition Year | 1948-49 |
Genre Categories | Symphonies; For orchestra; Scores featuring the orchestra |
⇒ 5 more: I. Andante sostenuto. Allegro (300dpi) • II. Andante quasi lento • II. Andante quasi lento (300dpi) • III. Adagio. Allegro maestoso • III. Adagio. Allegro maestoso (300dpi)
I. Andante sostenuto. Allegro (300dpi) (EU)
*#350185 - 10.74MB, 85 pp. - -) (- C*/44/21* - 415×⇩ - Cheap Imitation
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Cheap Imitation (2014/11/1)
II. Andante quasi lento (300dpi) (EU)
*#350186 - 5.99MB, 46 pp. - -) (- C*/44/21* - 328×⇩ - Cheap Imitation
PDF scanned by Unknown
Cheap Imitation (2014/11/1)
III. Adagio. Allegro maestoso (300dpi) (EU)
*#350187 - 5.68MB, 45 pp. - -) (- C*/44/21* - 351×⇩ - Cheap Imitation
PDF scanned by Unknown
Cheap Imitation (2014/11/1)
|
Work Title | Symphony No.26 |
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Alternative. Title | "On Russian Themes" |
Composer | Myaskovsky, Nikolay |
Opus/Catalogue NumberOp./Cat. No. | Op.79 |
I-Catalogue NumberI-Cat. No. | INM 81 |
Key | C major |
Movements/SectionsMov'ts/Sec's | 3 movements
|
Year/Date of CompositionY/D of Comp. | 1948-49 |
First Performance. | 1948-12-28 in Moscow
|
First Publication. | 1954 or earlier |
Copyright Information | This work is claimed to be under copyright in the USA due to "restoration" via the GATT/TRIPS amendment (Section 104). NIE-V8001P652 |
Average DurationAvg. Duration | 40 minutes |
Composer Time PeriodComp. Period | Early 20th century |
Piece Style | Early 20th century |
Instrumentation | orchestra |
External Links | Myaskovsky.ru Wikipedia article (Dutch) |
According to Tassie (p.288) Myaskovsky returned to this symphony in the Spring and Summer after the December 1948 premiere, tinkering with this and that but also "creating another, more moving culmination" (the composer's own words translated, it seems.)