Symphony No.2, Op.52 (Mendelssohn, Felix)

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Publisher. Info. Holograph manuscript, 1840 (November 27).
Copyright
Misc. Notes Biblioteka Jagiellońska, Kraków (PL-Kj): Mendelssohn Aut. 34/2
This file is part of the Submission Project.
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Editor First edition (later printing)
Language German / English
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1841]. Plate 6563.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
The first edition was issued with German and English text.
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Feduol (2024/9/11)

Editor Wulf Konold (1946–2010)
Publisher. Info. Breitkopf & Härtels Partitur-Bibliothek, No.5102
Wiesbaden: Breitkopf & Härtel, 1996. Plate Wq. 2111.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Lobgesang

Editor Julius Rietz (1812–1877)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate Part.B. 555.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Parts

11 more: Oboe 1/2 • Clarinet 1/2 (B♭, A, C) • Bassoon 1/2 • Horn 1/2 (F, G, E♭, C, D), 3/4 (B♭, C, D) • Trumpet 1/2 (B♭, D), Cornet 1/2* (B♭, A) • Trombone 1/2 (Alto/Tenor), Bass • Timpani • Violins I • Violins II • Violas • Cellos / Basses

Publisher. Info. London: Novello, n.d.(ca.1870).
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
Copyright
Misc. Notes [*] Cornets are merely transposed trumpet parts and were not original to the instrumentation.
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Feduol (2024/9/11)

22 more: Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 (B♭, A, C) • Clarinet 2 (B♭, A, C) • Bassoon 1 • Bassoon 2 • Horn 1 (F, G, A, E♭, C, D) • Horn 2 (F, G, A, E♭, C, D) • Horn 3 (B♭, C, D) • Horn 4 (B♭, C, D) • Trumpet 1 (B♭, D, E♭) • Trumpet 2 (B♭, D, E♭) • Trombone 1 • Trombone 2 • Trombone 3 • Timpani • Violins I • Violins II • Violas • Cellos • Basses

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Feduol (2024/9/11)

Editor Wulf Konold (1946–2010)
Publisher. Info. Breitkopf & Härtels Orchester-Bibliothek, No.5102
Wiesbaden: Breitkopf & Härtel, 1996. Plate Wq. 2361.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Vocal Scores

Complete

Language English
Translator Alfred Novello (1810–1896), English text
Publisher. Info. London: Novello, Ewer and Co., n.d.(ca.1867, 1892). Plate 8069*.
Copyright
Misc. Notes *Discussion of Novello and Schirmer vocal scores
Monochrome; scanned different ways. Tenor: Extensive ink marking. (#92012)
This file is part of the Sibley Mirroring Project. (#936538)
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Language English
Translator Alfred Novello (1810–1896), English text
Publisher. Info. New York: Schirmer, No.344, n.d.(ca.1887). Plate 5187.
Copyright
Misc. Notes Foliation (xxvi, 83). Much later printing. Schirmer seems to have offered two versions of this: one with 26 pages of piano reduction of the 'Sinfonia' added; the other confined only to the choral movements (2-10). Still in print, apparently.
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Editor Johanna Cornelis (?–?)
Publisher. Info. Leipzig: C.F. Peters, No.1750, n.d.(ca.1925). Plate 8627.
Reprinted Leipzig: C.F. Peters, 1998.
Copyright
Misc. Notes The 1998 claim on this is a bogus claim since this is a reprinted engraving from the 1925 edition seen here, thereby the edition itself is in the public domain, despite the supposed "additions" made by Cornelis.
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Feduol (2024/9/11)

Editor Wulf Konold (1946–2010)
Language German / English
Translator Alfred Novello (1810–1896), English text
Publisher. Info. Edition Breitkopf, No.8676
Wiesbaden: Breitkopf & Härtel, 1998. Plate EB 8676.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Feduol (2024/9/11)

Editor Wulf Konold (1946–2010)
Language German / English
Translator Alfred Novello (1810-1896), English text
Publisher. Info. Breitkopf & Härtels Chor-Bibliothek, No.5296
Wiesbaden: Breitkopf & Härtel, 1998. Plate ChB 5296.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Selections

Language English
Publisher. Info. The Music-Lovers' Library, No.85
London: George Newnes. Ascherberg, Hopwood & Crew, n.d. Plate M.L.L. 85.
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Misc. Notes Edition in the uploader's family archives
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Drum sing' ich mit meinem Liede (No.9)

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate 9973.
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Misc. Notes This file is part of the Submission Project.
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Arrangements and Transcriptions

Sinfonia (No.1)

For Piano Trio (Vilbac, Schulz, Plock)
For Piano 4 Hands (Rietz)
Editor Julius Rietz (1812–1877)
Publisher. Info. Leipzig: C.F. Peters, n.d.(1870). Plate 6060.6115.
Copyright
Misc. Notes Only the Sinfonia (movements for orchestra) has been transcribed.
This file is part of the Sibley Mirroring Project.
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For Organ (Cruickshank)

4 more: Complete Sinfonia (Letter) • a. Maestoso con moto • b. Allegretto, un poco agitato • c. Adagio religioso

Arranger William Alexander Campbell Cruickshank (1854–1934)
Editor George Clement Martin (1844–1916)
Publisher. Info. London: Novello and Company, n.d. Plate 10258, 10431, 10576.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
The first two files are re-renderings of the former for printing, made using Scantailor.
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For Organ (Best)
For Piano
For Piano (Foster)
Arranger Myles Birket Foster (1851–1922)
Publisher. Info. The Cavendish Music Books, No.120 (pp.30-32)
London: Boosey & Co., n.d.(ca.1899). Plate H.707.
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Misc. Notes From uploader's collection.
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For Piano (Winkler)
Arranger Louis Winkler (1813–1886)
Publisher. Info. Braunschweig: Litolff, n.d. Plate 7536.
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Misc. Notes color
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For Piano (Pauer)
See: Sonntagsmusik (No.96)

Allegretto un poco agitato (No.1b)

For 8 Accordions and Bass Accordion (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2024.
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Misc. Notes There is also an arrangement for 4 Accordions and Bass Accordion
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For 4 Accordions and Bass Accordion (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2024.
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Misc. Notes There is also an arrangement for 8 Accordions and Bass Accordion
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Ich harrete des Herrn (No.5)

For 2 Voices
Language English
Publisher. Info. New York: G. Schirmer, n.d.(ca.1900).
Copyright
Misc. Notes 102 bars vs. 109 in the original.
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Language English
Publisher. Info. Novello's Octavo Edition of Two-part Songs for Female Voices, No.204.
London: Novello & Co. Ltd., n.d.(ca.1923).
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Misc. Notes 85 bars vs. 109 in the original. From uploader's collection. In D major.
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See: Duette für zwei Singstimmen
For Piano (Austin)
Arranger Ernest Austin (1874–1947)
Publisher. Info. Sunday at Home (p.24)
London: Ascherberg, Hopwood & Crew, n.d.[1943]. Plate A.H. & C. Ltd. 11774.
Copyright
Misc. Notes 30 bars vs. 109 in the original. From uploader's collection.
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For Piano (Foster)
Arranger Myles Birket Foster (1851–1922)
Publisher. Info. The Cavendish Music Books, No.120 (pp.1-3)
London: Boosey & Co., n.d.(ca.1899). Plate H.707.
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Misc. Notes 85 bars vs. 109 in the original. From uploader's collection.
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Strick des Todes hatten uns umfangen (No.6)

For Organ (Best)
For Organ (Prout)
Arranger Ebenezer Prout (1835–1909)
Publisher. Info. London: Augener & Co., n.d.(ca.1870). Plate 2522.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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For Piano (Foster)
Arranger Myles Birket Foster (1851–1922)
Publisher. Info. The Cavendish Music Books, No.120 (pp.4-5)
London: Boosey & Co., n.d.(ca.1899). Plate H.707.
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Misc. Notes From uploader's collection.
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Free Recordings

Nov. 13, 2011, Trinity Chapel.

General Information

Work Title Lobgesang ; Symphony No.2
Alternative. Title Symphonie-Kantate nach Worten der Heiligen Schrift
Name Translations Симфония № 2; Symphonie nº 2 de Mendelssohn; Symphony No. 2; Simfonia núm. 2; Lobgesang; [12 more...]Sinfonia n. 2; Sinfonía n.º 2; Симфонія № 2; Sinfonia nro 2; 交響曲第2番; II symfonia Mendelssohna; Sinfonia n.º 2; 교향곡 2번 (멘델스존); Giao hưởng số 2; 第2號交響曲 (門德爾鬆); 第2号交响曲 (门德尔松); 第2号交响曲
Name Aliases 2. Sinfonie; Hymn of Praise; Sinfonía n.º 2 en si bemol mayor, Op. 52; Canto de alabanza; Himno de alabanza
Authorities WorldCat; Wikipedia; VIAF: 181426827; LCCN: n81063194; GND: 300102194; [3 more...]SELIBR: 171743; BNF: 139161618; BNE: XX2424140
Composer Mendelssohn, Felix
Opus/Catalogue NumberOp./Cat. No. Op.52 ; MWV A 18
Internal Reference NumberInternal Ref. No. IFM 179
Key B-flat major
Movements/SectionsMov'ts/Sec's Sinfonia and 9 numbers:
  1. Sinfonia. (orchestra alone; 672 bars)
    Maestoso con moto (B major)
    Allegretto un poco agitato (G minor)
    Adagio religioso (D major)
  2. Alles was Odem hat lobe den Herrn (soprano, chorus)
    Allegro moderato maestoso (B major, 185 bars)
  3. Saget es, die ihr erlöst seid durch den Herrn (tenor)
    Recitativ – Allegro moderato. (G minor, 82 bars)
  4. Sagt es, die ihr erlöst seid vor dem Herrn (chorus)
    A tempo moderato. (G minor, 56 bars)
  5. Ich harrete des Herrn. (2 sopranos, chorus)
    Andante (E major, 109 bars)
  6. Strick des Todes hatten uns umfangen. (soprano, tenor)
    Allegro un poco agitato – Allegro assai agitato (C minor, 129 bars)
  7. Die Nacht ist vergangen (chorus)
    Allegro maestoso e molto vivace. (D major, 215 bars)
  8. Nun danket alle Gott. (chorus)
    Andante con moto (G major, 47 bars)
  9. Drum sing’ ich mit meinem Liede (soprano, tenor)
    Andante sostenuto assai. (B major, 99 bars)
  10. Ihr Völker! bringet her dem Herrn Ehre und Macht (chorus)
    Allegro non troppo (B major, 196 bars)
Year/Date of CompositionY/D of Comp. 1840
First Performance. 1840-06-25 in Leipzig, Thomaskirche
voices, chorus, orchestra, Felix Mendelssohn (conductor)
First Publication. 1841 – Leipzig: Breitkopf und Härtel
Librettist Bible. Martin Luther (1483–1546), German translation
Martin Rinckart (1586–1649) – Nun danket alle Gott (No.8)
Language German
Dedication Friedrich August II, König von Sachsen (1797–1854)
Average DurationAvg. Duration 60-75 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation 2 sopranos, tenor, mixed chorus (SSATTB), orchestra
InstrDetail [more...]
2 flutes, 2 oboes, 2 clarinets, 2 bassoons
4 horns, 2 trumpets, 3 trombones, timpani, organ, strings
External Links Wikipedia article
All Music Guide
Scores at Sheet Music Plus
Extra Information Adapted from verses from Psalms 150, 33, 145, 103, 107, 56, 40, 116, and 96;
and Ephesians 5, Isaiah 21, Romans 13, 1 Chronicles 16.

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