Historical Publication Info
typical Carnegie Collection cover 1929
History
Founded in 1907 by a group of English composers to promote British music (the name was an arbitrary decision). The firm quickly became a significant force with the publication of works by composers such as Holst, Vaughan Williams, and Stanford.
Major scholarly series include the Carnegie Collection of British Music (1917-28), The English Madrigal School (1913–24), William Byrd: Complete Works (1937–50), The English School of Lutenist Song Writers (1920-31), Early English Church Music (from 1963) and Musica Britannica (from 1951). The publishing group Galliard, Ltd., which included Augener, Joseph Williams, and Weekes, was purchased in 1972.
Editions
Imprints, Agencies, Addresses
- London, 58 Berners St. W1 (in 1912)
Plate Numbers
| Plate |
Composer |
Work |
Year
|
| 0160 |
Stanford |
6 Short Preludes and Postludes - Set 1, Op.101 |
1907
|
| 0169 |
Noble |
Intermezzo in A-flat major |
1907
|
| 0187 |
Stanford |
String Quartet No.5, Op.104 (parts) |
1908
|
| 0195 |
Bridge |
Allegro appassionato, H.82 |
1908
|
| 0214 |
Stanford |
6 Short Preludes and Postludes - Set 2, Op.105 |
1908
|
| 0531 |
Stanford |
Bible Songs, Op.113 (No.6) |
1909
|
| 0615 |
Stanford |
Cushendall, Op.118 |
1910
|
| 0936 |
Hinton |
Pieces for Piano, Op.29 (No.2) |
1911
|
| 1035 |
Hinton |
Pieces for Piano, Op.29 (No.1) |
1911
|
| 1213 |
Holst |
Choral Hymns from the Rig Veda, Op.26 (vocal score, no.2) |
1912
|
| 1244 |
Dunhill |
Phantasy Trio for Violin, Viola, and Piano, Op.36 |
1912
|
| 1559-1563 |
Vaughan Williams |
5 English Folk Songs |
1913
|
| 1860 |
Stanford |
Piano Concerto No.2, Op.126 (orch. parts) |
1916
|
| 1917 |
Stanford |
Organ Sonata No.2, Op.151 |
1917
|
| 1923 |
Stanford |
Organ Sonata No.3, Op.152 |
1918
|
| 1957 |
Howells |
Piano Quartet, Op.21 |
1918
|
| 2000 |
Bantock |
Hebridean Symphony (score) |
1920
|
| 2002 |
Stanford |
The Travelling Companion, Op.146 (vocal score) |
1919
|
| 2014 |
Howells |
Rhapsodic Quintet, Op.31 (score and parts) |
1921
|
| 2031 |
Vaughan Williams |
Suite of 6 Short Pieces |
1921
|
| 2148 |
Stanford |
Organ Sonata No.4, Op.153 |
1920
|
| 2155 |
Vaughan Williams |
3 Preludes Founded on Welsh Hymn Tunes |
1920
|
| 2158 |
Miles |
3 Pieces for Violin with Pianoforte Accompaniment |
1920
|
| 2195-2196 |
Bridge |
4 Short Pieces for Violin and Piano, H.104 (Nos.1 and 2 for cello and piano) |
1920
|
| 2226 |
Miles |
String Sextet in G minor (score) |
1920
|
| 2230 |
Vaughan Williams |
A London Symphony (Symphony No.2) |
1920
|
| 2275 |
Vaughan Williams |
Phantasy Quintet (f.s.) |
1921
|
| 2282 |
Boughton |
The Immortal Hour (vocal score) |
1920
|
| 2438 |
Farjeon |
Tunes without Tales, Op.53 |
1923
|
| 3257 |
Gibbons |
19 Fancies (ed. Glyn) |
1925
|
| 3360 |
Bedford |
Night piece: The shepherd |
1925
|
| Plate # | Full Plate | Composer | Work | IMSLP # | Full Year | Year |
|---|
Sources Consulted
- 1. The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie.
- New York and London: Macmillan Publications, 1980.
See also the Wikipedia article.
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