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Weekes & Co. (or A. Weekes & Co) of London was a long-lived firm with a fairly small output, operating from 1870 until 1960. It published many works for organ, but also songs and piano pieces, all by British composers.
In the 1870s the main composer was Gerard Francis Cobb (songs), then in the 1890s Somervell (songs), 1900s Coleridge-Taylor (organ) Easthope Martin, Hamish MaCunn, 1910s Goodhart-Rendell (songs) 1930s Margaret Fry (songs) 1940s Laurence Ager (1904-) (songs). In 1960 the firm was sold to Augener, which in turn was absorbed by Galliard, then Stainer & Bell in 1972.
Weekes' plate numbers are in the format of W. ####. Dates in italics are estimated.
Plate | Composer | Work | Year |
---|---|---|---|
800a | Hoyte | Andante | |
1690 | Wesley | 12 Voluntaries, Op.6 (vol.1) | |
1824 | Birch | Fantasias on Popular National Airs | |
1889 | Hollins | Concert Overture No.1 in C major | 1885 |
1916 | Sangster | Andante in D major | |
2353 | Anger | Impromptu | |
3306 | MacLean | Ballade in E-flat major | |
3386 | Matthay | Elves | 1911 |
3879 | McAlpin | The Penitent | 1902 |
4483 | Godfrey | Legend of the North, Op.23 (vocal score) | 1905 |
4943 | Martin | Evensong in E major | 1910 |
5114 | Merle | Ave Maria | 1912 |
5376 | Mellarde | 2 Morceaux (No.1) | 1907 |
5382 | Coleridge-Taylor | 3 Impromptus, Op.78 (arr. for piano) | 1914 |
5752 | Alcock | A Song of Dawn | 1917 |
6008 | Allitsen | Bindra the Minstrel (vocal score) | 1912 |
6054 | Elliott | Dream Visions | 1922 |
6110 | Elliott | The Lure of Arcady | 1923 |