Piano Concerto No.2, Op.44 (Tchaikovsky, Pyotr)

Movements/SectionsMov'ts/Sec's 3 movements
Composition Year 1879–80 A ; 1897 B (revised by Alexander Siloti)
Genre Categories Concertos; For piano, orchestra; Scores featuring the piano; Scores featuring the orchestra; For orchestra with soloists; For 2 pianos (arr); Scores featuring the piano (arr); For 2 players (arr)

Contents

Performances

Recordings

 Complete Recording (EU)
#563320 - 80.88MB - 35:20 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 795×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2019/3/2)

Publisher Info. Deutsche Grammophon, 1956. DG 18292.
Performers Shura Cherkassky
Copyright
Public Domain - Non-PD US [tag/del]
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Naxos

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Sheet Music

Full Scores

Version A

 Complete Score
#441863 - 40.68MB, 132 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 400×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2016/10/5)

Editor Fritz Oeser (1912-1982) [preface omitted]
Publisher. Info. Wiesbaden: Brucknerverlag, 1949.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
Public Domain [tag/del]
Misc. Notes 600 dpi. Heavily marked. Needs to be cleaned for the score to be serviceable in performance and personal study. Editor's preface removed as under copyright in Canada. Public domain in USA due to fatal error in notice location.
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 1. Allegro brillante
#00878 - 7.12MB, 82 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 7587×⇩ - Feldmahler

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Feldmahler (2006/4/08)

 2. Andante non troppo
#00879 - 2.97MB, 35 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 4474×⇩ - Feldmahler

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Feldmahler (2006/4/08)

 3. Allegro con fuoco
#00880 - 5.23MB, 64 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 3416×⇩ - Feldmahler

PDF scanned by Unknown
Feldmahler (2006/4/08)

Editor Aleksandr Goldenweiser (1875–1961)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.28
Moscow: Muzgiz, 1955. Plate M. 24321 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
Public Domain [tag/del/mrg]
Misc. Notes Original publisher info, plate numbers and footnotes omitted.
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Version B

 Complete Score
#105381 - 11.96MB, 156 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5103×⇩ - Caprotti

PDF scanned by RUS-Mrg
Caprotti (2011/6/14)

Editor Alexander Siloti (1863-1945)
Publisher. Info. Moscow: P. Jurgenson, n.d.(ca.1897). Plate 20899.
Copyright
Public Domain [tag/del]
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Parts

Version A

 Flute 1/2
#441864 - 2.00MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 186×⇩ - Sallen112

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⇒ 11 more: Oboe 1, 2 • Clarinet 1, 2 (B♭/A) • Bassoon 1/2 • Horn 1, 2, 3, 4 (F) • Trumpet 1/2 (D) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

 Oboe 1, 2
#441865 - 2.65MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 152×⇩ - Sallen112

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 Clarinet 1, 2 (B♭/A)
#441866 - 3.14MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 159×⇩ - Sallen112

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Sallen112 (2016/10/5)

 Bassoon 1/2
#441867 - 1.66MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 157×⇩ - Sallen112

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 Horn 1, 2, 3, 4 (F)
#441868 - 5.78MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 164×⇩ - Sallen112

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 Trumpet 1/2 (D)
#441869 - 0.99MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 151×⇩ - Sallen112

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Sallen112 (2016/10/5)

 Timpani
#441870 - 0.82MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 148×⇩ - Sallen112

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Sallen112 (2016/10/5)

 Violins I
#441871 - 2.29MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 196×⇩ - Sallen112

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Sallen112 (2016/10/5)

 Violins II
#441872 - 2.27MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 137×⇩ - Sallen112

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Sallen112 (2016/10/5)

 Violas
#441873 - 2.14MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 146×⇩ - Sallen112

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Sallen112 (2016/10/5)

 Cellos
#441874 - 2.54MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 163×⇩ - Sallen112

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Sallen112 (2016/10/5)

 Basses
#441875 - 2.12MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 146×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2016/10/5)

Editor Fritz Oeser (1912-1982)
Publisher. Info. Wiesbaden: Brucknerverlag, 1949.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes 600 dpi. Lightly marked. Handwritten engraving. Needs to be cleaned for the parts to be serviceable in performance and personal study.
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 Solo Violin (2. Andante non troppo)
#441876 - 0.65MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 118×⇩ - Sallen112

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 Solo Cello (2. Andante non troppo)
#441877 - 0.54MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - C*/C*/V* - 96×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2016/10/5)

Editor Fritz Oeser (1912-1982)
Publisher. Info. Wiesbaden: Brucknerverlag, 1949.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes 600 dpi. Lightly marked. Printed engraving. Needs to be cleaned for the parts to be serviceable in performance and personal study.
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 1. Allegro brillante - insert
#97293 - 0.22MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1572×⇩ - Kerikan

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Kerikan (2011/3/26)

 2. Andante non troppo
#97178 - 0.54MB, 59 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1460×⇩ - Kerikan

PDF typeset by Kerikan
Kerikan (2011/3/25)

Editor Jeff Manookian
Publisher. Info. Windsor Editions
Copyright
Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del/mrg]
Misc. Notes 1st movement insert goes between rehearsal numbers 15 and 16 of the Siloti Version (Version B)
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Version B

 Flute 1, 2
#40862 - 1.02MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 881×⇩ - Ottaviano

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Ottaviano (2009/10/8)

⇒ 11 more: Oboe 1, 2 • Clarinet 1, 2 (B♭, A) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (D) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

 Oboe 1, 2
#40863 - 0.86MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 619×⇩ - Ottaviano

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Ottaviano (2009/10/8)

 Clarinet 1, 2 (B♭, A)
#40864 - 1.09MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 766×⇩ - Ottaviano

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Ottaviano (2009/10/8)

 Bassoon 1, 2
#40865 - 1.00MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 610×⇩ - Ottaviano

PDF scanned by Unknown
Ottaviano (2009/10/8)

 Horn 1, 2, 3, 4 (F)
#40866 - 1.70MB, 22 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 814×⇩ - Ottaviano

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Ottaviano (2009/10/8)

 Trumpet 1, 2 (D)
#40867 - 0.55MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 598×⇩ - Ottaviano

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Ottaviano (2009/10/8)

 Timpani
#40868 - 0.29MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 554×⇩ - Ottaviano

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Ottaviano (2009/10/8)

 Violins I
#40869 - 0.94MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1450×⇩ - Ottaviano

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Ottaviano (2009/10/8)

 Violins II
#40870 - 0.85MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 641×⇩ - Ottaviano

PDF scanned by Unknown
Ottaviano (2009/10/8)

 Violas
#40871 - 0.85MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 624×⇩ - Ottaviano

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Ottaviano (2009/10/8)

 Cellos
#26913 - 1.11MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1183×⇩ - Generoso

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Generoso (2009/1/18)

 Basses
#40872 - 0.94MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 583×⇩ - Ottaviano

PDF scanned by Unknown
Ottaviano (2009/10/8)

Editor Alexander Siloti (1863-1945)
Publisher. Info. Moscow: P. Jurgenson, n.d.(1897). Plate 20900.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A4247.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes These files are part of the Orchestra Parts Project.
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Arrangements and Transcriptions

Version A

For 2 Pianos (Tchaikovsky)

 Complete Score
#27032 - 6.32MB, 116 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 5093×⇩ - Carolus

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Carolus (2009/1/21)

Editor Aleksandr Goldenweiser (1875–1961)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.48А
Moscow: Muzgiz, 1954. Plate M. 24360 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Moscow: Muzgiz, 1957. Plate 26247.(offprint)
Copyright
Public Domain [tag/del]
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Version B

For 2 Pianos (Tchaikovsky)

 Complete Score
#105394 - 8.31MB, 86 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 2262×⇩ - Caprotti

PDF scanned by RUS-Mrg
Caprotti (2011/6/14)

Arranger [Composer]
Editor Alexander Siloti (1863-1945)
Publisher. Info. Moscow: P. Jurgenson, n.d.(1897). Plate 20901.
Copyright
Public Domain [tag/del]
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 Complete Score
#140996 - 5.59MB, 82 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 933×⇩ - Morel

PDF scanned by US-R
Morel (2011/10/24)

Editor Alexander Siloti (1863-1945)
Publisher. Info. Hamburg: D. Rahter, n.d. Plate 451.
Copyright
Public Domain [tag/del]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 Complete Score
#57341 - 5.40MB, 93 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1847×⇩ - Peter

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Peter (2010/2/25)

Editor Alexander Siloti (1863-1945)
Rafael Joseffy (1852-1915) ?
Publisher. Info. New York: G. Schirmer, 1915.
Copyright
Public Domain [tag/del]
Misc. Notes This file is from the MIT archive project.
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General Information

Work Title Piano Concerto No.2, Op.44
Alternative. Title
Name Translations Концерт для фортепиано с оркестром № 2 (Чайковский); Concerto pour piano nº 2 de Tchaïkovski; Piano Concerto No. 2; Pianoconcert nr. 2; Concerto para piano e orquestra n.º 2 (Tchaikovsky); 2. Klavierkonzert; Концерт для фортепіано з оркестром № 2 (Чайковський); Pianokonsertto nro 2 (Tšaikovski); Concertul pentru pian nr. 2 (Ceaikovski); ピアノ協奏曲第2番 (チャイコフスキー); II Koncert fortepianowy Czajkowskiego; קונצ'רטו לפסנתר מס' 2 של צ'ייקובסקי; Concerto per pianoforte e orchestra n. 2 (Čajkovskij)
Name Aliases Klavierkonzert Nr. 2; Klavierkonzert G-Dur; Klavierkonzert in G-Dur; Piano Concerto No. 2 in G Major, Op. 44; Pianoconcert nr. 2 (Tsjajkovski); Pianoconcert nr. 2 (Tsjaikovski)
Authorities WorldCat; Wikipedia; LCCN: no96025895
Composer Tchaikovsky, Pyotr
Opus/Catalogue NumberOp./Cat. No. Op.44 ; TH 60
I-Catalogue NumberI-Cat. No. IPT 75
Key G major
Movements/SectionsMov'ts/Sec's A 3 movements:
  1. Allegro brillante e molto vivace (G major, 668 bars)
  2. Andante non troppo (D major, 332 bars)
  3. Allegro con fuoco (G major 560 bars)

B 3 movements:

  1. Allegro brillante (G major, 515 bars)
  2. Andante non troppo (D major, 141 bars)
  3. Allegro con fuoco (G major, 560 bars)
Year/Date of CompositionY/D of Comp. 1879–80 A ; 1897 B (revised by Alexander Siloti)
First Performance. 1881-11-12 A in New York, Academy of Music
Madeline Schiller (piano), New York Philharomic, Theodore Thomas (conductor)
First Publication. 1880-81 A — Moscow: P. Jurgenson
Full score. Plate 4053, 181 pages (1881)
2 piano arr. Plate 4055, 95 pages (1880).

1897 B — Moscow: P. Jurgenson
Full score. Plate 20899, 155 pages.
2 piano arr. Plate 20901, 86 pages.
Dedication Nikolay Rubinstein (1835–1881)
Average DurationAvg. Duration A 47 minutes ; B 40 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Solo: piano
Orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, strings
External Links Tchaikovsky Research
Wikipedia article
Extra Information Also arranged for 2 pianos by Tchaikovsky, 1880.
For many years this concerto was known mainly in version B, prepared by Alexander Siloti after Tchaikovsky's death.
Retrieved from "http://imslp.org/index.php?title=Piano_Concerto_No.2,_Op.44_(Tchaikovsky,_Pyotr)&oldid=3727221"