The following information is given for each work, where available:
Opus | Title | Forces | Key | Date | Genre | Published | Notes |
---|---|---|---|---|---|---|---|
Op. | 1Piano Sonata No.1 | pf | F minor | 1907, rev. 1909 | Keyboard | 1911 | |
Op. | 2 Etudes (4):
|
pf | 1909 | Keyboard | 1912 | ||
Op. | 3 Pieces (4):
|
pf | 1907–08, rev. 1911 | Keyboard | 1911 | ||
Op. | 4 Pieces for Piano (4):
|
pf | 1908, rev. 1910–12 | Keyboard | 1913 | ||
Op. | 5Sinfonietta | orch | A major | 1909, rev. 1914–15 | Orchestral | — | 1st version of Op.48. |
Op. | 6Dreams (Сны) | orch | 1910 | Orchestral | — | Symphonic picture. | |
Op. | 7 Poems (Стихотворения) (2):
|
fch orch | 1909–10 | Vocal | — | ||
Op. | 8Autumnal (Осеннее) | orch | 1910, rev. 1915, 1934 | Orchestral | 1960 | Symphonic sketches. | |
Op. | 9 Poems (Стихотворения) (2):
|
v pf | 1910–11 | Vocal | 1917 | ||
Op. | 10Piano Concerto No.1 | pf orch | D♭ major | 1911–12 | Orchestral | 1913 | |
Op. | 11Toccata | pf | D minor | 1912 | Keyboard | 1913 | |
Op. | 12 Pieces (10):
|
pf | 1906–13 | Keyboard | 1914 | No.1 based on No.6 of the Little Songs, series V (1906). No. 9 arranged for 4bn as Humoresque Scherzo, Op.12bis. | |
Op. | 12bisScherzo humoristique (Юмористическое скерцо) | 4bn | 1915 | Chamber | 1915 | Arrangement of No.9 of 10 Pieces, Op.12. | |
Op. | 13Maddalena (Маддалена) | vv mch orch | 1911–13 | Stage | 1987 | Unfinished opera in 1 act. | |
Op. | 14Piano Sonata No.2 | pf | D minor | 1912 | Keyboard | 1913 | |
Op. | 15Ballade (Баллада) | vc pf | C minor | 1912 | Chamber | 1915 | |
Op. | 16Piano Concerto No.2 | pf orch | G minor | 1912–13, rev.1923 | Orchestral | 1925 | |
Op. | 17 Sarcasms ((Сарказмы):
|
pf | 1912–14 | Keyboard | 1916 | ||
Op. | 18The Ugly Duckling (Гадкий утëнок) | v pf | 1914 | Vocal | 1917 | Also arranged for v orch (1932). The text for this work is protected for the copyright term for librettist Nina Meshcherskaya (1889–1981) | |
Op. | 19Violin Concerto No.1 | vn orch | D major | 1916–17 | Orchestral | 1921 | |
Op. | 20 Scythian Suite (Скифская сюита):
|
orch | 1914–15 | Orchestral | 1923 | Concert suite of 4 extracts from the ballet Ala and Lolly. | |
Op. | 21Chout (The Tale of the Buffoon) (Сказка про шута) | orch | 1915, rev. 1920 | Stage | 1922 | Ballet in 6 scenes. See also the symphonic suite, Op.21bis. | |
Op. | 21bis Chout (The Tale of the Buffoon) (Шут), suite from the ballet:
|
orch | 1920 | Orchestral | 1924 | Symphonic suite from the ballet, Op.21. | |
Op. | 22 Visions fugitives (Мимолётности):
|
pf | 1915–17 | Keyboard | 1917 | ||
Op. | 23 Poems (Стихотворения) (5):
|
v pf | 1915 | Vocal | 1917 | ||
Op. | 24The Gambler (Игрок) | v ch orch | 1915–17, rev. 1927–28 | Stage | 1917 | Opera in 4 acts. See also the symphonic suite, Op.49. | |
Op. | 25Symphony No.1 ("Classical") («Классическая») | orch | D major | 1916–17 | Orchestral | 1925 | |
Op. | 26Piano Concerto No.3 | pf orch | C major | 1917–21 | Orchestral | 1923 | |
Op. | 27 Poems ((Стихотворения) (5):
|
v pf | 1916 | Vocal | 1917 | This text of work is protected for the copyright term of librettist Anna Akhmatova (1889–1966). | |
Op. | 28Piano Sonata No.3 ("From Old Notebooks") («Из старых тетрадей») | pf | A minor | 1907, rev. 1917 | Keyboard | 1918 | |
Op. | 29Piano Sonata No.4 ("From Old Notebooks") («Из старых тетрадей») | pf | C minor | 1908–17 | Keyboard | 1918 | Includes material from the Symphony in E minor (1908); 2nd movement arranged for orch as Andante, Op.29bis. |
Op. | 29bisAndante | orch | 1934 | Orchestral | Arrangement of the 2nd movement of the Piano Sonata No.4, Op.29. | ||
Op. | 30They Are Seven (Семеро их) | ten ch orch | 1917–18, rev. 1933 | Vocal | 1922 | Cantata. | |
Op. | 31 Tales of an Old Grandmother (Сказки старой бабушки):
|
pf | 1918 | Keyboard | 1922 | ||
Op. | 32 Pieces (4):
|
pf | 1918 | Keyboard | 1922 | ||
Op. | 33The Love for Three Oranges (L'amour des trois oranges) (Любовь к трëм апельсинам) | vv ch orch | 1919 | Stage | 1922 | Opera in 4 acts with prologue. Extracts used in Op.33bis and Op.33ter, and Cinderella (3rd suite), Op.109. The French translation is subject to the copyright term for translator Vera Janacopoulos (1896–1956). | |
Op. | 33bis The Love for Three Oranges (L'amour des trois oranges) (Любовь к трëм апельсинам)
|
orch | 1919, rev. 1924 | Orchestral | 1922 | Symphonic suite from the opera, Op.33. | |
Op. | 33ter The Love for Three Oranges (L'amour des trois oranges) (Любовь к трëм апельсинам)
|
pf | 1922 | Keyboard | 1922 | Arrangements of two extracts from the opera The Love for Three Oranges, Op.33. | |
Op. | 34Overture on Hebrew Themes (Увертюра на еврейские темы) | cl 2vn va vc pf | C minor | 1919 | Chamber | 1922 | 1st version of Op.34bis. |
Op. | 34bisOverture on Hebrew Themes (Увертюра на еврейские темы) | orch | C minor | 1934 | Orchestral | 1935 | 2nd version of Op.34. |
Op. | 35 Songs Without Words (Песен без слов) (5):
|
v pf | 1920 | Vocal | 1922 | Arranged for vn pf as 5 Mélodies, Op.35bis. No.2 also arranged for v orch as Mélodie (1920?). No. 4 also arranged for pf as No.4 of 6 Pieces, Op.52. | |
Op. | 35bis Mélodies (Мелодий) (5):
|
vn pf | 1925 | Vocal | 1925 | Arrangements of the 5 Songs Without Words, Op.35 | |
Op. | 36 Poems by Balmont (Стихотворения) (5):
|
v pf | 1921 | Vocal | 1923 | ||
Op. | 37The Fiery Angel (L'ange de feu) (Огенный ангел) | vv ch orch | 1919–23, rev. 1926–27 | Stage | 1927 | Opera in 5 acts. Music re-used in the Symphony No.3, Op.44, and the unrealized suite, Op.37bis. | |
Op. | 37bisThe Fiery Angel (L'ange de feu) (Огенный ангел) | vv orch | 1923 | Vocal | — | Projected concert suite of extracts from the opera, Op.37. Incomplete. | |
Op. | 38Piano Sonata No.5 | pf | C major | 1923 | Keyboard | 1925 | 1st version of Op.135. |
Op. | 39Quintet | ob cl vn va db | G minor | 1924 | Chamber | 1927 | Arranged from the ballet Trapeze, Op.39. |
Op. | 40Symphony No.2 | orch | D minor | 1924–25 | Orchestral | 1925 | Projected 2nd version as Op.136 unrealised. |
Op. | 41The Steel Step (Le pas d'acier) (Стальной скок) | orch | 1925–26 | Stage | 1928 | Ballet in 2 acts. See also the symphonic suite, Op.41. | |
Op. | 41bis The Steel Step (Le pas d'acier) (Стальной скок)
|
orch | 1926 | Orchestral | 1927 | Symphonic suite from the ballet, Op.41. | |
Op. | 42Overture ("American") | fl ob 2cl bn 2tpt tbn perc cel 2hp 2pf vc 2db | B♭ major | 1926 | Chamber | 1st version of Op.42bis. | |
Op. | 42bisOverture ("American") | orch | B♭ major | 1928 | Orchestral | 2nd version of Op.42. | |
Op. | 43Divertissement (Дивертисмент) | orch | 1925–29 | Orchestral | 1930 | Also arranged for pf as Op.43bis (1938). | |
Op. | 44Symphony No.3 | orch | C minor | 1928 | Orchestral | 1931 | Includes music from the opera The Fiery Angel, Op.37. |
Op. | 45 Things in Themselves (Choses en soi) (Вещи в себе):
|
pf | 1928 | Keyboard | 1928 | ||
Op. | 46The Prodigal Son (L'enfant prodigue) (Блудный сын) | orch | 1928–29 | Stage | 1929 | Ballet in 3 acts. See also the symphonic suite, Op.46bis, and Nos.1 to 3 of 6 Pieces, Op.52. | |
Op. | 46bis The Prodigal Son (L'enfant prodigue) (Блудный сын)
|
orch | 1929 | Orchestral | 1930 | Symphonic suite from the ballet, Op.46. | |
Op. | 47Symphony No.4 | orch | C major | 1929–30 | Orchestral | Including music from the ballet The Prodigal Son, Op.46. 1st version of Op.112. | |
Op. | 48Sinfonietta | orch | A major | 1929 | Orchestral | 1931 | 2nd version of Op.5. 4th movement arranged for pf as No.6 of 6 Pieces, Op.52. |
Op. | 49 The Gambler (Игрок), 4 portraits and dénouement
|
orch | 1931 | Orchestral | 1970 | Symphonic suite of 4 portraits and dénouement from the opera The Gambler, Op.24. | |
Op. | 50String Quartet No.1 | 2vn va vc | B minor | 1930 | Chamber | 1931 | 3rd movement arranged for str as the Andante, Op.50bis, and for pf as No.5 of 6 Pieces, Op.52. |
Op. | 50bisAndante | str | 1930 | Orchestral | — | Arrangement of the 3rd movement of the String Quartet No.1, Op.50. Also arranged for pf as No.5 of 6 Pieces, Op.52. | |
Op. | 51On the Dnieper (Sur le Borysthène) (На Днепре) | orch | 1930–31 | Stage | 1932 | Ballet in 2 scenes. See also the symphonic suite , Op.51bis. | |
Op. | 51bis On the Dnieper (Sur le Borysthène) (На Днепре)
|
orch | 1933 | Orchestral | 1930 | Symphonic suite from the ballet, Op.51. | |
Op. | 52 Pieces (6):
|
pf | 1930–31 | Keyboard | 1931 | Nos.1, 2 and 3 arranged from the ballet The Prodigal Son, Op.46. No.4 arranged from the 5 Songs Without Words, Op.35. No.5 arranged from the String Quartet No.1, Op.50. No.6 arranged from the 4th movement of the Sinfonietta, Op.48. | |
Op. | 53Piano Concerto No.4 | pflh orch | B♭ major | 1931 | Orchestral | 1963 | |
Op. | 54 Sonatinas (2):
|
pf | 1931–32 | Keyboard | 1932 | ||
Op. | 55Piano Concerto No.5 | pf orch | G major | 1931–32 | Orchestral | 1933 | |
Op. | 56Sonata for 2 Violins | 2vn | C major | 1932 | Chamber | 1932 | |
Op. | 57Symphonic Song (Симфоническая песнь) | orch | 1933 | Vocal | — | ||
Op. | 58Cello Concerto | vc orch | E minor | 1933–38 | Orchestral | 1951 | 1st version of the Sinfonia concertante, Op.125. |
Op. | 59 Pieces (3):
|
pf | 1933–34 | Keyboard | 1935 | ||
Op. | 60 Lieutenant Kijé (Поручник Киже):
|
orch (+ v) | 1934 | Orchestral | 1935 | Symphonic suite from the film score (1933) | |
Op. | 60bis Lieutenany Kijé (Поручик Киже)
|
v pf | 1934 | Vocal | 1935 | Two songs taken from the film score to Lieutenant Kijé (1933) | |
Op. | 61 Egyptian Nights ((Евипетские ночи):
|
orch | 1938 | Orchestral | 1934 | Symphonic suite from the incidental music to the play (1934). | |
Op. | 62 Pensées (Мислы):
|
pf | 1933–34 | Keyboard | 1935 | ||
Op. | 63Violin Concerto No.2 | vn orch | G minor | 1935 | Orchestral | 1937 | |
Op. | 64Romeo and Juliet (Ромео и Джульетта) | orch | 1935–36 | Stage | 1944 | Ballet in 4 acts with prologue. See also the three symphonic suites Op.64bis, Op.64ter and Op.101; and the 10 Pieces from Romeo and Juliet, Op.75. | |
Op. | 64bis Romeo and Juliet (Ромео и Джульетта):
|
orch | 1936 | Orchestral | 1938 | First symphonic suite of extracts from the ballet, Op.64. Nos. 1, 2, 4 and 5 were also arranged for pf in 10 Pieces from Romeo and Juliet, Op.75. | |
Op. | 64ter Romeo and Juliet (Ромео и Джульетта):
|
orch | 1936 | Orchestral | 1938 | Second symphonic suite of extracts from the ballet, Op.64. Nos. 1, 2, 3, 5 and 6 were also arranged for pf in 10 Pieces from Romeo and Juliet, Op.75. | |
Op. | 65 Music for Children (Детская музыка):
|
pf | 1935 | Keyboard | 1936 | Twelve easy pieces. Extracts arranged for orch in the suite Summer Day, Op.65bis. | |
Op. | 65bis Summer Day (Летний день):
|
orch | 1941 | Orchestral | 1947 | Suite for children, arranged from Nos.1, 9, 6, 5, 10, 11 and 12 of the Music for Children, Op.65. | |
Op. | 66a Choral Songs (Массовые песни) (2):
|
ch pf | 1935 | Vocal | 1935 | ||
Op. | 66b Songs (4):
|
v/ch pf | 1935 | Vocal | 1939 | ||
Op. | 67Peter and the Wolf (Петя и волк) | nar orch | 1936 | Orchestral | 1937 | Symphonic story for children. | |
Op. | 68 Children's Songs (Детские песни) (3):
|
v pf | 1936 | Vocal | 1937 (Nos.1–2), 1946 (No.3) | The text of No.1 is subject to the copyright term for librettist Agniya Barto (1906–1981). | |
Op. | 69 Marches (4):
|
ww br | 1935–37 | Orchestral | 1937 (No.1) | ||
Op. | 70The Queen of Spades (Pique Dame) (Пиковая дама) | orch | 1936 | Stage | 1963 | Music to an unrealised film. | |
Op. | 70bisBoris Godunov (Борис Годунов) | orch | 1936 | Stage | 1963 | Incidental music to the play. | |
Op. | 71Eugene Onegin (Евгений Онегин) | orch | 1936 | Stage | by 1973 | Incidental music to the play. | |
Op. | 72Russian Overture (Русская увертюра) | orch | 1936 , rev. 1937 | Orchestral | 1936 | ||
Op. | 73 Romances (Романса) (3):
|
v pf | 1936 | Vocal | 1937 | ||
Op. | 74Cantata for the 20th Anniversary of the October Revolution (Кантата к двадцатилетию Октября) | 2ch ww br perc acc orch | 1936–37 | Vocal | — | ||
Op. | 75 Romeo and Juliet ((Ромео и Джульетта), 10 pieces for piano:
|
pf | 1937 | Keyboard | 1938 | Arrangements of 10 extracts from the ballet, Op.64. | |
Op. | 76 Songs of Our Times (Песни наших дней) (9):
|
2vv ch orch | 1937 | Vocal | 1939 | ||
Op. | 77Hamlet (Гамлет) | orch | 1937–38 | Stage | 1963 | Stage to the play. See also the Gavotte, Op.77bis. | |
Op. | 77bisGavotte (Гавот) | pf | 1938 | Keyboard | 1939 | Arranged from the incidental music to Hamlet, Op.77. | |
Op. | 78Alexander Nevsky (Александр Невский) | v ch orch | 1939 | Vocal | 1941 | Cantata, adapted from the film score (1938). The text of this work is subject to the copyright term of the librettist Vladimir Lugovskoy (1901–1957). | |
Op. | 78bis Aleksandr Nevsky (Александр Невский):
|
v pf | 1938 | Vocal | 1939 | 3 songs arranged from the film score (1938). The text of this work is subject to the copyright term of the librettist Vladimir Lugovskoy (1901–1957). | |
Op. | 79 Songs (7):
|
v pf | 1939 | Vocal | 1940 | ||
Op. | 80Violin Sonata No.1 | vn pf | F minor | 1938–46 | Chamber | 1947 | Violin part edited by David Oystrakh (1908–1974) |
Op. | 81Semyon Kotko (Семëн Котко) | vv ch orch | 1939 | Stage | 1960 | Opera in 5 acts. The text of this work is subject to the copyright term of the librettist Valentin Katayev (1897–1987). See also the symphonic suite, Op.81bis. | |
Op. | 81bis Semyon Kotko (Семëн Котко)
|
orch | 1941 | Orchestral | 1947 | Symphonic suite from the opera Op.81. | |
Op. | 82Piano Sonata No.6 | pf | A major | 1939–40 | Keyboard | 1941 | |
Op. | 83Piano Sonata No.7 ("Stalingrad") | pf | B♭ major | 1939–42 | Keyboard | 1943 | |
Op. | 84Piano Sonata No.8 | pf | B♭ major | 1939–44 | Keyboard | 1946 | |
Op. | 85Hail to Stalin, cantata (Здравица, кантата) | ch orch | 1939 | Vocal | 1941 | ||
Op. | 86Betrothal in a Monastery (Обручение в монастыре) | vv ch orch | 1940–41 | Stage | 1944 | Lyrical-comic opera in 4 acts. The text of this work is subject to the copyright term of the librettist Mira Mendelson-Prokofiev (1915–1968). Extracts re-used in the suite Summer Night, Op.123. | |
Op. | 87Cinderella (Золушка) | orch | 1940–44 | Stage | 1945 | Ballet in 3 acts. Extracts re-used in the symphonic suites Op.107, 108 and 109; the piano pieces Op.95, 97 and 102; the Waltz Suite, Op.110; and the Adagio, Op.97bis. | |
Op. | 88Symphonic March (Симфонический марш) | orch | B♭ major | 1941 | Orchestral | — | |
Op. | 89 Choral Songs (Массовых песен) (7):
|
ch pf | 1941–42 | Vocal | 1942 (Nos.3–6), 1966 (No.2) | No.2 arranged for military band as the March, Op.89bis. | |
Op. | 89bisMarch (Марш) | ww br perc | A♭ major | 1941? | Orchestral | Arrangement of No.2 of the 7 Songs, Op.79. | |
Op. | 90The Year 1941 (1941-й год) | orch | 1941 | Orchestral | 1973? | Symphonic suite. | |
Op. | 91War and Peace (Война и мир) | vv ch orch | 1941–43, rev. 1946–52 | Stage | 1958 | Opera in 5 acts. The text of this work is subject to the copyright term of the librettist Mira Mendelson-Prokofiev (1915–1968). Extracts re-used in the Waltz Suite, Op.110, and No.1 of the 3 Pieces, Op.95. | |
Op. | 92String Quartet No.2 ("Kabardinian") («на кабардинские темы»)) | 2vn va vc | F major | 1941 | Chamber | 1944 | |
Op. | 93Ballad of an Unknown Boy (Баллада о мальчике, оставшемся неизвестным) | sop ten ch orch | 1942–43 | Vocal | — | The text of this cantata is subject to the copyright term of the librettist Pavel Antolsky (1896–1978). | |
Op. | 94Flute Sonata | fl pf | D major | 1943 | Chamber | 1958? | Adapted for vn pf as the Violin Sonata, Op.94 bis. |
Op. | 94bisViolin Sonata No.2 | vn pf | D major | 1944 | Chamber | 1946 | Adated from the Flute Sonata, Op.94. |
Op. | 95 Cinderella (Золушка), pieces from the ballet (3):
|
pf | 1942 | Keyboard | 1943 | Arrangements of 3 pieces from the ballet, Op.87. | |
Op. | 96 Pieces (3):
|
pf | 1941–42 | Keyboard | 1943 | No.1 arranged from the opera War and Peace, Op.91; Nos.2 and 3 arranged from the film score to Lermontov (1941). | |
Op. | 97 Cinderella ((Золушка), pieces from the ballet (10):
|
pf | 1943 | Keyboard | 1944 | Arrangements of 3 pieces from the ballet, Op.87. | |
Op. | 97bisAdagio | vc pf | 1944 | Chamber | 1945 | Arranged from the ballet Cinderella, Op.87 | |
Op. | 98/1National Anthem of the USSR (Государственный гимн СССР) | ch | 1943 | Vocal | Unfinished sketches for a competition to write a new anthem for the Soviet Union. | ||
Op. | 98/2Anthem of the RSFSR (Гимну РСФСР) | ch | 1946 | Vocal | Unfinished sketches for the anthem of the Russian Soviet Federative Soviet Republic. | ||
Op. | 99March | ww br | B♭ major | 1943–44 | Orchestral | 1946 | |
Op.100 | Symphony No.5 | orch | B♭ major | 1944 | Orchestral | 1947 | |
Op.101 | Romeo and Juliet (Ромео и Джульетта):
|
orch | 1946 | Orchestral | 1949 | Third symphonic suite of extracts from the ballet, Op.64. | |
Op.102 | Cinderella (Золушка), pieces from the ballet (6):
|
pf | 1944 | Keyboard | 1944 | Arrangements of extracts from the ballet, Op.87. | |
Op.103 | Piano Sonata No.9 | pf | C major | 1947 | Chamber | 1955 | |
Op.104 | Russian Folksongs (12):
|
v pf | 1944 | Vocal | 1945 | ||
Op.105 | Ode to the End of the War (Ода на окончание войны) | orch | 1945 | Orchestral | 1969 | ||
Op.106 | Duets (2):
|
ten bar pf | 1945 | Vocal | 1946 | Arrangements of Russian folksongs. | |
Op.107 | Cinderella (Золушка), 1st suite:
|
orch | 1946 | Orchestral | 1949 | First symphonic suite of extracts from the ballet, Op.87. | |
Op.108 | Cinderella (Золушка), 2nd suite:
|
orch | 1946 | Orchestral | 1977? | Second symphonic suite of extracts from the ballet, Op.87. | |
Op.109 | Cinderella (Золушка), 3rd suite:
|
orch | 1946 | Orchestral | 1954 | Third symphonic suite of extracts from the ballet, Cinderella, Op.87 (Nos.1–2 and 4–8), and from the opera The Love for Three Oranges, Op.33 (No.3). | |
Op.110 | Waltz Suite (Вальсы сюита):
|
orch | 1946 | Orchestral | 1947 | Extracted from the ballet Cinderella, Op.87 (Nos.2, 4 and 6); the opera War and Peace, Op.91 (Nos.1 and 5); and the music to the film Lermontov (1941) (No.3). | |
Op.111 | Symphony No.6 | orch | E♭ minor | 1945–47 | Orchestral | 1949 | |
Op.112 | Symphony No.4 | orch | C major | 1947 | Orchestral | 1962 | 2nd version of Op.47 |
Op.113 | Thirty Years (Тридцать лет) | orch | 1947 | Orchestral | 1947 | Festive poem. | |
Op.114 | Flourish, Mighty Homeland (Расцветай, могучий край) | ch orch | 1947 | Vocal | 1947 | The text of this cantata is subject to the copyright term of the librettist Yevgeny Dolmatovsky (1915–1994). | |
Op.115 | Sonata for Solo Violin | vn | D major | 1947 | Chamber | 1952 | |
Op.116 | Ivan the Terrible (Иван Грозный) | ch orch | 1942–45 | Stage | 1963 | Music to the film. The text of this work is subject to the copyright term of the librettist Vladimir Lugovskoy (1901–1957). Adapted as an oratorio in 1961 by Abram Stasevich (1906–1971). | |
Op.117 | The Story of a Real Man (Повесть о настоящем человеке) | vv ch orch | 1947–48 | Stage | 1962? | Opera in 4 acts. The text of this work is subject to the copyright term of the librettist Boris Polevoy (1908–1981) | |
Op.118 | The Tale of the Stone Flower (Сказ о каменном цветке) | orch | 1948–53 | Stage | 1956 | Ballet in 4 acts. Extracts used in the Wedding Suite, Op.126; the Gypsy Fantasy, Op.127; the Urals Rhapsody, Op.128; and Lady of the Copper Mountain, Op.129. | |
Op.119 | Cello Sonata | vc pf | C major | 1949 | Chamber | 1951 | |
Op.120 | Pushkin Waltzes (Пушкинские вальсы) (2):
|
orch | 1949 | Orchestral | 1959? | ||
Op.121 | Soldiers' Marching Song (Песня солдатская походная) | ch pf | 1950 | Vocal | 1960 | The text of this work is subject to the copyright term of the librettist Vladimir Lugovskoy (1901–1957). | |
Op.122 | Winter Bonfire (Зимний костер) | nar cch orch | 1949–50 | Vocal | 1951 | Suite. The text of this work is subject to the copyright term of the librettist Samuil Marshak (1887–1964), | |
Op.123 | Summer Night ((Летняя ночь)
|
orch | 1950 | Orchestral | 1965 | Symphonic suite based on music from the opera Betrothal in a Monastery, Op.86. | |
Op.124 | On Guard for Peace (На страже мира) | mez nar cch ch orch | 1950 | Vocal | 1952 | The text of this oratorio is subject to the copyright term of the librettist Samuil Marshak (1887–1964), | |
Op.125 | Sinfonia concertante | vc orch | E minor | 1950–52 | Orchestral | 1959 | Adapted from the Cello Concerto, Op.58. |
Op.126 | Wedding Suite (Свадебная сюита):
|
orch | 1951 | Orchestral | 1971? | Suite of 5 extracts from the ballet The Tale of the Stone Flower, Op.118. | |
Op.127 | Gypsy Fantasy (Цыганская фантазия) | orch | 1951 | Orchestral | — | Using music from the ballet The Tale of the Stone Flower, Op.118. | |
Op.128 | Urals Rhapsody (Уральская рапсодия) | orch | 1951 | Orchestral | Using music from the ballet The Tale of the Stone Flower, Op.118. | ||
Op.129 | Lady of the Copper Mountain (Хозяйка медной горы) | orch | 1951 | Orchestral | Symphonic suite from the ballet The Tale of the Stone Flower, Op.118. Unfinished. | ||
Op.130 | The Meeting of the Volga and the Don (Встреча Волги с Доном) | orch | 1951 | Orchestral | 1956 | Festive poem. | |
Op.131 | Symphony No.7 | orch | C♯ minor | 1951–52 | Orchestral | 1953 | |
Op.132 | Concertino | vc orch | G minor | 1952 | Orchestral | 1960 | Unfinished. Completed by Mstislav Rostropovich (1927–2007) and Dmitry Kabalevsky (1904–1987). |
Op.133 | Piano Concerto No.6 | 2pf str | 1952 | Orchestral | Unfinished. | ||
Op.134 | Cello Sonata | vc | C♯ minor | 1953? | Chamber | Unfinished. Completed by Vladimir Blok (1932–1996) | |
Op.135 | Piano Sonata No.5 | pf | C major | 1952–53 | Keyboard | 1955 | 2nd version of Op.38. |
Op.136 | Symphony No.2 | orch | D minor | 1953 | Orchestral | Projected new version of Op.40 in 3 movement. Unrealised. | |
Op.137 | Piano Sonata No.10 | pf | C minor | 1953? | Keyboard | — | One movement begun, incomplete. |
— | A Feast in Time of Plague (Пир во время чумы) | vv ch orch | 1903, rev. 1908–09 | Stage | Unfinished | ||
— | Ala et Lolly (Ала и Лоллий) | orch | 1914–15 | Stage | Unfinished ballet. Extracts re-used in Scythian Suite, Op.20. | ||
— | Alexander Nevsky (Александр Невский) | v ch orch | 1938 | Stage | — | Music to the film. Music re-used in the cantata, Op.78 and the 3 songs, Op.78bis. | |
— | Allegretto | pf | A minor | 1904–05 | Keyboard | ||
— | Ancient, Gnarled Oaks (Маститые, ветвистые дубы) | v pf | 1906–07 | Vocal | |||
— | Andante | pf | C minor | 1908 | Keyboard | Unfinished. | |
— | Bagatelle No.1 | pf4h | C minor | 1901 | Keyboard | ||
— | Bagatelle No.2 | pf | A minor | 1902 | Keyboard | ||
— | Broad and Deep the River Flows («Широка и глубока под мостом течет река») | v pf | ? | Vocal | — | Incomplete. | |
— | Distant Seas (Далëкие моря) | vv ch orch | 1948–53 | Stage | — | Unfinished lyrical-comic opera. The text of this work is subject to the copyrigt term of the librettist Vladimir Dykhovichny (1911–1963). | |
— | Dumka (Думка) | pf | 1933–53? | Keyboard | |||
— | Egyptian Nights (Египетские ночи) | orch | 1934 | Stage | 1963 | Stage to the play. See also the symphonic suite, Op.61. | |
— | Etude | pf | C minor | 1908 | Keyboard | ||
— | Fantasia on Themes from Scheherazade (Фантазия на тему Шехерезады) | pf | 1923 | Keyboard | Based on the symphonic suite Scheherazade, Op.35, by Nikolay Rimsky-Korsakov. Transcription of piano roll recording. | ||
— | Fugue (Фуга) | pf | 1908 | Keyboard | |||
— | Humoresque | pf | F minor | 1907 | Keyboard | ||
— | Indian Galop (Индийский галоп) | pf | F major | 1896 | Keyboard | ||
— | Intermezzo | pf | A major | 1907 | Keyboard | ||
— | I'm No Longer the Same (Уж я не тот) | v pf | 1903 | Vocal | |||
— | Kazkah Popular Songs (Казахских народных напевов) (5):
|
v pf | 1927 | Vocal | |||
— | Khan Buzary (Хан бузары) | v ch pf | 1942 | Stage | — | Unfinished. The text of this work is subject to the copyright term of the librettist Mira Mendelson-Prokofiev (1915–1968), | |
— | Kotovsky (Котовский) | orch | 1942 | Stage | — | Music to the film. | |
— | Lermontov (Лермонтов) | orch | 1941 | Stage | 1963 | Music to the film. Extracts re-used in the Waltz Suite, Op.110, and Nos.2 and 3 of the 3 Pieces, Op.96. | |
— | Lieutenant Kijé (Поручик Киже) | v orch | 1933 | Stage | 1935? | Music to the film. See also the symphonic suite, Op.60, and 2 Songs from Lieutenant Kijé, Op.60bis. | |
— | Little Songs (Песенки) (I) | pf | 1902 | Keyboard | |||
— | Little Songs (Песенки) (II) | pf | 1903 | Keyboard | |||
— | Little Songs (Песенки) (III) | pf | 1903–04 | Keyboard | |||
— | Little Songs (Песенки) (IV) | pf | 1905 | Keyboard | |||
— | Little Songs (Песенки) (V) | pf | 1906 | Keyboard | No.6 revised as No.1 of 10 Pieces, Op.12. | ||
— | Look, the Down (Смотри, пушинки) | v pf | 1903 | Keyboard | |||
— | March | pf4h | C major | 1896 | Keyboard | ||
— | March | pf | B minor–D major | 1897 | Keyboard | ||
— | March | pf4h | C major | 1897 | Keyboard | ||
— | March | pf4h | C major | 1899 | Keyboard | ||
— | March | pf4h | F major | 1899 | Keyboard | ||
— | March | pf | 1900 | Keyboard | |||
— | Mélodie (Мелодия) | v orch | 1920 | Vocal | Arrangement of No.2 from the 5 Songs Without Words, Op.35. Also arranged for vn pf as No.2 of 5 Mélodies, Op.35bis | ||
— | Music for Gymnastic Exercises (Музыка для физкультурных упражнений) | ? | 1936? | Stage | — | Unfinished. | |
— | On Desert Islands (На пустынных островах) | vv ch orch | 1900–02 | Stage | — | Unfinished (Overture and 3 scenes of Act I only). | |
— | Oh No, Not Figner (О нет, не Фигнер) | v pf | 1903 | Vocal | |||
— | Oriental Piece (Ориенталь) | pf | G minor | 1907 | Keyboard | ||
— | Piano Sonata | pf | B♭ minor | 1904 | Chamber | ||
— | Piano Sonata | pf | 1907–08? | Chamber | — | Lost | |
— | Piano Sonata | pf | 1908–09? | Chamber | — | Lost | |
— | Piece | pf4h | D minor | 1900 | Keyboard | ||
— | Piece | zith pf4h | 1900 | Chamber | Incomplete. | ||
— | Piece | pf | B♭ minor | 1907 | Keyboard | ||
— | Piece | pf | C minor | 1907 | Keyboard | ||
— | Piece on the Theme 'Es-C-H-E' (Пьеса на тему Es-C-H-E) | pf | 1908 | Keyboard | |||
— | Pieces (7) | pf | 1901 | Keyboard | |||
— | Pieces (2) | pf | 1908 | Keyboard | |||
— | Polka | pf | G major | 1899 | Keyboard | ||
— | Polka mélancolique (Меланхолическая полька) | pf | F♯ minor | 1905 | Keyboard | ||
— | Prelude and Fugue | pf | D minor | 1920 | Keyboard | 1923 | Arrangement of the Prelude in D minor, BuxWV 140, by Dietrich Buxtehude |
— | Rondo | pf | C major | 1896 | Keyboard | ||
— | Schubert Waltzes (Вальсы Шуберта) | pf | 1920 | Keyboard | 1923 | Arrangement of themes from various works by Franz Schubert. Also arranged for pf4h (1923) | |
— | Song Without Words (Песнь без слов) | pf | D♭ major | 1907 | Vocal | ||
— | Symphony | orch | G major | 1902 | Orchestral | — | |
— | Symphony | orch | E minor | 1908 | Orchestral | — | Music reused in the Piano Sonata No.4, Op.29. |
— | Tell Me (Скажи мне) | v pf | 1903 | Vocal | |||
— | The Giant (Великан), opera in 3 acts | vv ch pf | 1900 | Stage | — | Vocal score only. | |
— | The Partisans in the Ukrainian Steppes (Партизаны в степях украины) | orch | 1942 | Stage | 1963 | Music to the film. | |
— | Tonya (Тоня) | orch | 1942 | Stage | 1963 | Music to the film. | |
— | Trapeze (Трапеция) | ob cl vn va db | 1924 | Stage | Circus ballet in 1 act. Music re-used in the Quintet, Op.39. | ||
— | Undina (Ундина) | vv ch orch | 1904–07 | Stage | — | Opera in 4 acts. | |
— | Variations on 'Chizhika' (Вариации на «Чижика») | pf | 1904 | Keyboard | |||
— | Violin Sonata | vn pf | C minor | 1903 | Chamber | — | |
— | Waltz | pf | C major | 1896 | Keyboard | ||
— | Waltz | pf | C major–G major | 1899 | Keyboard | ||
— | Waltz | pf | G major | 1899 | Keyboard |
This section lists works by other composers that were arranged, transcribed, edited, translated or otherwise adapted by Sergey Prokofiev. The name of the original composer and title of the original works are shown first, followed by details of Prokofiev's adaptation.