Prelude in D minor, BuxWV 140 (Buxtehude, Dietrich)

Contents

Performances

Recordings

MP3 file (audio)
Vangi (2018/5/21)

Publisher Info. Harmonia Mundi HM 30.523, 1959.
Performers Arno Schonstedt (organ)
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Misc. Notes Disque microsillon
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TN-PMLP849108-Praeludium in D minor, BuxWV 140 (Dietrich Buxtehude) HM 30.523-30.jpg

Naxos

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Sheet Music

Scores

PDF scanned by D-B
BachFan (2024/7/15)

Copyist Unknown Scribe(s)
Publisher. Info. Manuscript, 1750.
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus. ms. 2681 (4)
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PDF scanned by US-R
IS (2017/7/21)

Editor Philipp Spitta (1841-1894)
Max Seiffert (1868-1948), revision
Publisher. Info. Orgelcompositionen, Band I, No.10 (pp.53-57)
Leipzig: Breitkopf und Härtel, 1903. Plate D.B. I.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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IS (2017/7/21)

Editor Philipp Spitta (1841-1894)
Max Seiffert (1868-1948), revision
Publisher. Info. Orgelcompositionen, Band I, No.10 (pp.53-57)
Leipzig: Breitkopf und Härtel, 1903. Plate D.B. I.
Reprinted Organ Works (pp.16-21)
Mineola: Dover Publications, 1988.
Copyright
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IS (2017/7/25)

Editor Charles Tournemire (1870-1939)
Publisher. Info. Passacaile, chacones, préludes et fugues, toccatas, canzonette, No.10 (pp.53-57)
Paris: Éditions Maurice Senart, 1923*. Plate E.M.S. 5272.
Copyright
Misc. Notes *Editor's preface is dated 1915. Senart's copyright claim is 1923.
This file is part of the Sibley Mirroring Project.
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IS (2017/7/26)

Editor Josef Hedar (1894-1960)
Publisher. Info. Sämtliche Orgelwerke, Volume II, No.19 (pp.108-12)
Copenhagen: Wilhelm Hansen, No.3922, 1952. Plate 26900.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Fugalicious (2023/1/18)

Editor Klaus Beckmann (b. 1935)
Publisher. Info. Buxtehude: Complete Organ Works, Volume 1, No.5 (pp.30-34)
Wiesbaden: Breitkopf & Härtel, 1997. Plate EB 6661.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi, monochrome. Landscape layout, three staves.
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Fugalicious (2024/7/31)

Editor Michael Belotti (b. 1957)
Christoph Wolff (b. 1940), general editor
Publisher. Info. Dieterich Buxtehude: The Collected Works
Volume 15: Preludes, Toccatas, Ciacconas for Organ, Section A (pp.37–43)
New York: The Broude Trust, 1998.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
Misc. Notes 600 dpi, monochrome. Portrait layout, two staves. Belotti's editorial approach is more conservative than that of Klaus Beckmann in the Breitkopf & Härtel edition.
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Arrangements and Transcriptions

For 4 Accordions and Double Bass (Pasztor)

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Sonoptikon (2021/4/4)

Arranger Ernö Pasztor (b. 1946)
Publisher. Info. SONOPTIKON, 2020.
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Misc. Notes Parts and Feedback
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For Guitar (Beuming)

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Benbeuming (2022/5/17)

Arranger Ben Beuming (b. 1947)
Publisher. Info. beumingguitar, 2022.
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For Pianov (Prokofiev)

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Madcapellan (2011/11/18)

Arranger Sergey Prokofiev (1891-1953)
Editor Levon Atovmyan (1901-1973)
Publisher. Info. Collected Works (Собрание сочинений), Vol.3 (pp.243-46)
Moscow: Muzgiz, 1956. Plate M. 25443 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted New York: E.F. Kalmus, n.d.(ca.1960). (later Belwin-Mills, Alfred)
Copyright
Misc. Notes First published by Moscow: A. Gutheil, 1923. Plate A. 10366 G.
Scanned at 600dpi.
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JacopoTore (2016/1/11)

Arranger Sergey Prokofiev (1891-1953)
Editor Pavel Lukyanchenko
Publisher. Info. Сочинения в фортепиано в 5-ти томах, т.3 (pp.271-73)
Moscow: Muzyka, 1984. Plate 12475.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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For Piano (Stradal)

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Caprotti (2009/3/19)

Arranger August Stradal (1860-1930)
Publisher. Info. Hamburg: J. Schuberth & Co., n.d.
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General Information

Work Title Prelude in D minor
Alternative. Title Prelude and Fugue in D minor
Composer Buxtehude, Dietrich
Opus/Catalogue NumberOp./Cat. No. BuxWV 140
I-Catalogue NumberI-Cat. No. IDB 138
Key D minor
Movements/SectionsMov'ts/Sec's 1 movement in 5 sections (120 bars)
First Publication. 1875-76
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation organ

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Organ Works by Dietrich Buxtehude (BuxWV 136-176, 225)