Christus factus est, WAB 10 (Bruckner, Anton)

Movements/SectionsMov'ts/Sec's 1 gradual (Andante)
Composition Year 1873 or before
Genre Categories Graduals; Religious works; Masses; For mixed chorus, 3 trombones, 2 violins; Scores featuring mixed chorus; Scores featuring the trombone; Scores featuring the violin; For chorus with solo instruments; Latin language; For mixed chorus (arr); Scores featuring mixed chorus (arr); For unaccompanied chorus (arr)

Contents

Performances

Recordings

 Complete Recording
#575126 - 2.26MB - 2:28 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 281×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/31)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director/organist)
Publisher Info. Michael Stenov
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Live recording from the Karmelitenkirche Linz 2019 - with organ accompaniment
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Sheet Music

Scores and Parts

 Complete Score
#425969 - 16.09MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 117×⇩ - Sallen112

PDF scanned by A-Wn
Sallen112 (2016/6/8)

Publisher. Info. Holograph manuscript, n.d.(ca.1873)..
Copyright
Public Domain [tag/del]
Misc. Notes ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Composer's manuscript with autograph. Source: Österreichische Nationalbibliothek, Mus.Hs.44227. Contains comment by Bruckner with respect to the performance of Graduales ("better without violins") and penciled notes of Rudolf Weinwurm (1835-1911) concerning the provenance of the autograph. Scored for SSAATTBB, 2 violins, and 3 trombones. See also: Bruckner-online. Catalog entries claim a date of 1873 but no date appears to be visible on the score.
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 Violas, Cellos, Bass
#435674 - 6.12MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 26×⇩ - Cypressdome

PDF scanned by Bruckner-online
Cypressdome (2016/8/17)

Publisher. Info. Holograph manuscript, n.d.(ca.1873)..
Copyright
Public Domain [tag/del]
Misc. Notes ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Stift St. Florian, A-SF20-42.
Bar 22 to bar 51: score for additional string kwintet (2 Violas, 2 Cellos, 1 Bass).
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 Complete Score (without text)
#435669 - 7.92MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 43×⇩ - Cypressdome

PDF scanned by Bruckner-online
Cypressdome (2016/8/17)

 Complete Vocal Parts
#425718 - 9.39MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 39×⇩ - Cypressdome

PDF scanned by A-Wn
Cypressdome (2016/6/6)

Publisher. Info. Manuscript, n.d. (copyists' manuscripts)
Copyright
Public Domain [tag/del/mrg]
Misc. Notes ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Copyist manuscript from the Akademischen Gesangvereins Wien. Source: Österreichische Nationalbibliothek, Mus.Hs.33181. See also: Bruckner-online.
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 Complete Score
#425717 - 4.85MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 51×⇩ - Cypressdome

PDF scanned by A-Wn
Cypressdome (2016/6/6)

Copyist K. Maaß
Publisher. Info. Manuscript, 1923. (Vöcklabruck, 23. 4. 1923)
Copyright
Public Domain [tag/del]
Misc. Notes ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Copyist manuscript. Source: Österreichische Nationalbibliothek, Mus.Hs.33200. See also: Bruckner-online.
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 Complete Score (EU)
#564136 - 0.66MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - C*/62*/V* - 810×⇩ - Christian.kraus

PDF scanned by Christian Kraus
Christian.kraus (2019/3/7)

Editor Hans Bauernfeind (1908-1985)
Leopold Nowak (1904-1991)
Publisher. Info. Neue Gesamtausgabe, Band XXI/XXI. Kleine Kirchenmusikwerke (pp.100-106)
Vienna: Musikwissenschaftlicher Verlag, 1984.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
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Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
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 Complete Score
#425471 - 0.11MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1809×⇩ - Alexander Reuter

PDF typeset by editor
Alexander Reuter (2016/6/5)

⇒ 4 more: Alto Trombone • Tenor Trombone • Bass Trombone • Violins I/II

 Alto Trombone
#427902 - 0.02MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 150×⇩ - Alexander Reuter

PDF typeset by editor
Alexander Reuter (2016/6/24)

 Tenor Trombone
#427903 - 0.02MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 140×⇩ - Alexander Reuter

PDF typeset by editor
Alexander Reuter (2016/6/24)

 Bass Trombone
#427904 - 0.02MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 129×⇩ - Alexander Reuter

PDF typeset by editor
Alexander Reuter (2016/6/24)

 Violins I/II
#427901 - 0.02MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 112×⇩ - Alexander Reuter

PDF typeset by editor
Alexander Reuter (2016/6/24)

Editor Alexander Reuter
Publisher. Info. Alexander Reuter
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
Misc. Notes Edited form manuscript stored at Austrian National Library under signatory A-Wn-Mus.Hs.44227.
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Arrangements and Transcriptions

For Mixed Chorus

 Complete Score
#426127 - 0.35MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/C/36 - 68×⇩ - Sallen112

PDF scanned by A-Wn
Sallen112 (2016/6/10)

Arranger Composer?
Editor Ludwig Berberich (1882-1965), Preface
Publisher. Info. Vienna: Musikwissenschaftlicher Verlag, 1934.
Copyright
Public Domain - Non-PD EU [tag/del]
Misc. Notes ca.160dpi color images. Converted to Black and White, deskewed, and resample to 600 dpi. This file is based on high-resolution images obtained from the source using a method explained on this page. Title page mentions this being a Op.Post(humous) work. This was probably used before the WAB catalogue system for Bruckner was created. In this arrangement the violins are replaced by the alto voice (bars 1-14). See also: Bruckner-online.
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Sketches and Drafts

 Manuscript Sketch
#425968 - 1.59MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 15×⇩ - Sallen112

PDF scanned by A-Wn
Sallen112 (2016/6/8)

Publisher. Info. Holograph manuscript, n.d.[1879].
Copyright
Public Domain [tag/del]
Misc. Notes ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Manuscript sketch by the composer. Source: Österreichische Nationalbibliothek, Mus.Hs.6021. See also: Bruckner-onlne.
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Free Recordings

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General Information

Work Title Christus factus est (II)
Alternative. Title
Name Translations キリストは従順であられた; Christus factus est (Bruckner, 1873)
Name Aliases クリストゥス・ファクトゥス・エスト（キリストは従順であられた）
Authorities WorldCat; Wikipedia; VIAF: 292549009; BNF: 14805619c
Composer Bruckner, Anton
Opus/Catalogue NumberOp./Cat. No. WAB 10
I-Catalogue NumberI-Cat. No. IAB 17
Key D minor
Movements/SectionsMov'ts/Sec's 1 gradual (Andante)
Year/Date of CompositionY/D of Comp. 1873 or before
First Performance. 1873-12-08
First Publication. 1934
Copyright Information
In the USA this work is most likely in the public domain because no renewal was found after a thorough search of the Catalog of Copyright Entries and it was ineligible for "restoration" under GATT/TRIPS due to being in the public domain its home country on the relevant restoration date.
Librettist Phil 2, 8-9
Language Latin
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: mixed chorus (SSAATTBB)
3 trombones, 2 violins (or string quintet: 2 violins, viola, cello, bass) [ad lib]
External Links Wikipedia article

Navigation etc.

  • Grove Music lists the instrumentation as "str 3tbn", and Bruckner-online as "Str. (Vl. I, Vl. II, Va., Vc., Kb.), Pos. (A-Pos., T-Pos., B-Pos.)". The Bruckner Gesamtausgabe lists indeed the instrumentation as a string quintet (2 violins, viola, cello and double bass) and 3 trombones, with Bruckner's annotation "Besser ohne Violinen". Ricardo Luna's recording follows the Bruckner Gesamtausgabe.
  • Sure but the original manuscript (Mus.Hs.44227) hosted on the Austrian National Library states the instrumentation he provided as being mixed chorus (SSAATTBB), 3 trombones and 2 violins. No mention of extra lower strings at all... remember the instrumentation provided in the General Information section has to be taken from what the manuscript states, thus being the original.
  • Bruckner-online claims manuscript A-SF20-42 string parts (for 2 violas, 2 cellos, and double bass) from the archive of St. Florian are in Bruckner's handwriting and are dated 1873 (although no date appears to be visible on the scanned images).


Motets by Anton Bruckner
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