Performances
Recordings
Performer Pages
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Cantores Carmeli Linz (chorus) Michael Stenov (director/organist)
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Publisher Info.
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Michael Stenov
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Copyright
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Misc. Notes
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Live recording from the Karmelitenkirche Linz 2006
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Naxos
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Synthesized/MIDI
Publisher Info.
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Fritz Brodersen
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Performers
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Synthesized MIDI
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Copyright
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Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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Sheet Music
Scores and Parts
Copyist
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Karl Aigner (1863–1935)
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Publisher. Info.
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Manuscript, n.d.(before 1897). (copyist's manuscript) with composer's autograph signature
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Stift Kremsmünster (OSB), A-KR-C57-3b. On last page are the autograph signatures of Anton Bruckner and Oddo Loidol.
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Publisher. Info.
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Manuscript, n.d. (copyist's manuscript)
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Stift Kremsmünster (OSB), A-KR-C57-3a.
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Copyist
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Franz Schimatschek (1812–1877)
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Publisher. Info.
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Manuscript, n.d.(before 1878). (copyist's manuscript)
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Stift St. Florian, A-SF19-10a and b.
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⇒ 5 more: Complete Parts (alternate copies) • Sopranos • Altos • Tenors • Basses
Copyist
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Franz Schimatschek (1812-1877) also a second unidentified copyist
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Publisher. Info.
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Manuscript, n.d.(before1878). (copyists' manuscripts)
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Copyright
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Misc. Notes
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ca.160dpi color images (#425903). ca.300dpi color images (#435133-37). This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Österreichische Nationalbibliothek, Mus.Hs.28269. See also: Bruckner-online.
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Copyist
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various copyists Johann Baptist Burgstaller (1840–1925)—second copy of score
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Publisher. Info.
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Manuscript, n.d. (copyists' manuscripts) Manuscript, 1905.—second copy of score
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Diözesanarchiv Linz, A-LId465_6_29.
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Publisher. Info.
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Manuscript, n.d. (copyist's manuscript)
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Copyright
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Misc. Notes
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ca.300dpi color images. This file is based on high-resolution images obtained from the source using a method explained on this page. Source: Stift Seitenstetten, A-SEI-Fxv3a1.
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Editor
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First edition
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Engraver
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Leipzig: Oscar Brandstetter
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Publisher. Info.
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2 Kirchen-Chöre Vienna: Emil Wetzler (Julius Englemann), n.d.[1887]. Plate J. 1006 E.
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Copyright
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Misc. Notes
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Original images: ca.150dpi, color jpg files approx. 1150 by 1920 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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Editor
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Clarence Dickinson (1873-1969)
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Translator
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Helen Adell Dickinson (1875-1957), English text
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Publisher. Info.
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New York: H.W. Gray, 1914. Plate S.C. No.34.
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Copyright
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Misc. Notes
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Uploaded originally by Rob Peters on 13 December 2013. Version with English text ('Lord Most Holy'), unrelated to the original Latin text. Found at John F. Berky's Bruckner site.
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Editor
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Hans Bauernfeind (1908-1985) Leopold Nowak (1904-1991)
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Publisher. Info.
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Neue Gesamtausgabe, Band XXI. XXI. Kleine Kirchenmusikwerke, (pp.82-85) Vienna: Musikwissenschaftlicher Verlag, 1984. URTEXT EDITION This "urtext" or "scholarly" (scientific) edition is in the public domain because it was published at least 25 years ago for most of the EU (20 years ago in Italy, 30 years ago in Poland) over 25 years ago for the former USSR. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Copyright
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Editor
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Fritz Brodersen
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Publisher. Info.
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Fritz Brodersen
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Copyright
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Misc. Notes
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These file(s) are part of the Werner Icking Music Collection. As always, it would be good to know what edition this typeset was based on- a manuscript, the first edition, the Böhm and Son (edited by E.F. Schmid) published in 1927, or a later edition.
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Editor
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Alexander Reuter
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Publisher. Info.
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Alexander Reuter
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Copyright
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Misc. Notes
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Edited from different manuscripts available at Bruckner-online
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PDF typeset by editor
Vangi (2016/12/15)
Editor
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Daniel Van Gilst
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Publisher. Info.
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Daniel Van Gilst (2016)
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Copyright
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Misc. Notes
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vor dem 12.Mai 1861.
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Arrangements and Transcriptions
For Organ (Sarić)
Arranger
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Valentin Sarić
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Publisher. Info.
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Valentin Sarić
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Copyright
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Free Recordings
A selection among the numerous recordings of this popular motet:
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General Information
Work Title
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Ave Maria (II)
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Alternative. Title
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Hail Mary
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Name Translations
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Ave Maria; アヴェ・マリア
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Authorities
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WorldCat; Wikipedia; LCCN: no98116559; BNF: 13920755r
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Composer
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Bruckner, Anton
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Opus/Catalogue NumberOp./Cat. No.
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WAB 6
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I-Catalogue NumberI-Cat. No.
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IAB 14
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Key
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F major
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Movements/SectionsMov'ts/Sec's
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1 hymn
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Year/Date of CompositionY/D of Comp.
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1861
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First Performance.
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1861-05-12 in Linz
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First Publication.
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1887 - Vienna: Emil Wetzler (Julius Engelmann)
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Librettist
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Traditional, modified by Council of Trent
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Language
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Latin
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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7-voice mixed chorus (SAATTBB)
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Related Works
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Ave Maria, WAB 5 Ave Maria, WAB 7
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Primary Sources
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Mss score and parts, 1861, with autograph corrections. (A-KR, C 57/3) Mss parts (incomplete), n.d. (D-MT, Mus.ms.4433) Mss parts (incomplete), n.d. (D-MT, Mus.ms.4430)
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External Links
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Wikipedia article
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Navigation etc.
Motets by Anton Bruckner
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- Pange lingua, WAB 31 (1835 ca./1891)
- Libera me, WAB 21 (1843 ca.)
- Asperges me, WAB 4 (1843-44 ca.)
- 2 Asperges me, WAB 3 (1845 ca.)
- Tantum ergo, WAB 32, (1845 ca.)
- Tantum ergo, WAB 43 (1845 ca.)
- Dir, Herr, dir will ich mich ergeben, WAB 12 (1845)
- O du liebes Jesu Kind, WAB 145 (1845-46 ca.)
- Herz-Jesu-Lied, WAB 144 (1845-46 ca.)
- 4 Tantum ergo, WAB 41 (1846/1888)
- Tantum ergo, WAB 42 (1846/1888)
- Aequale, WAB 114 (1847) for 3 trombones
- Aequale, WAB 149 (1847) for 3 trombones
- In jener letzten der Nächte, WAB 17 (1848 ca.)
- Totenlied No.1, WAB 47 (1852)
- Totenlied No.2, WAB 48 (1852)
- Libera me, WAB 22 (1854)
- Tantum ergo, WAB 44 (1854 ca.)
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- Ave Maria, WAB 5 (1856)
- Ave Maria, WAB 6 (1861)
- Afferentur regi, WAB 1 (1861)
- Pange lingua, WAB 33 (1868)
- Inveni David, WAB 19 (1868)
- Iam lucis orto sidere, WAB 18 (1868/1886)
- Locus iste, WAB 23 (1869)
- Christus factus est, WAB 10 (1873)
- Tota pulchra es, WAB 46 (1878)
- Os justi, WAB 30 (1879)
- Ave Maria, WAB 7 (1882)
- Christus factus est, WAB 11 (1884)
- Salvum fac populum, WAB 40 (1884)
- Veni creator spiritus, WAB 50 (1884 ca.)
- Ecce sacerdos magnus, WAB 13 (1885)
- Virga Jesse, WAB 52 (1885)
- Ave regina caelorum, WAB 8 (1885 ca.)
- Vexilla regis, WAB 51 (1892)
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