Historical Publication Info
History
C.F. Schmidt of Heilbronn's instrumental works for amateurs, especially for wind players were famous from ca.1890 to 1930.
In 1855 Carl Friedrich Schmidt took over J. D. Claß's bookshop in Heilbronn am Markt and soon began specializing in the sale of music scores and books and publishing sheet music. Heilbronn is a small but historic town in south-west Germany, on the river Neckar between Stuttgart and Heidelberg.
The late nineteenth century and early twentieth centuries appear to have been the firm's most prosperous time; most of the C.F. Schmidt scores on this site date from the 1890s to the 1920s. In the 1890s the firm began using the imprint Cefes edition, perhaps to distinguish itself from the publishers Arthur P. Schmidt of Boston, with a branch in Leipzig, Schmid Nachfolger of Munich, and Wilhelm Schmid of Nuremberg.
As for the type of repertoire it published, instrumental works for amateurs were its speciality, while songs, piano pieces and operas are absent.
- Violin (see cover of Chopin's Etude, Op.10 No.3
- Cello (see cover of Ernst's elegy, Op.10)
- Doublebass (see cover of Simandl's arr of Mendelssohn's Violin Concerto), especially the works of Theodor Albin Findeisen and Franz Simandl
- Viola: an unusually large catalog of pieces (see the cover pages of Oscar Jüttner's Legende) with many arrangements by Ludwig Pagels.
A particularly rich part of the catalog was the set of collections for wind instruments, like A.E. Fischer of Bremen:
- Clarinet (see the cover of the clarinet part of Heidrich's Trio, Op.33), including most of Robert Stark's works
- Flute, especially works of Paul Wetzger, Friedrich Kuhlau, Jules Demersseman and Rudolf Tillmetz (see the cover of the piano score of Holzhaus' Tarentelle above)
- Oboe (see cover of Friedemann's Ehestandsgeplauder).
- Horn (see the cover of the Kudelski concertino).
- Trumpet (see the cover of the Kudelski horn concertino).
- Solobuch collections were published in the 1890s for Oboe, Flute, Horn, Cornet and Trombone. The same title was used by Fischer of Bremen, for example Solo-Buch for Trumpet.
In 1989 the Schmidt family sold the publishing company and in 2011 the firm was acquired by Thomas Eugene Schneider and the company headquarters was relocated to Bad Aibling, a spa resort in southern Bavaria.
Editions
Imprints, Agencies, Addresses
Imprints
- Verlag und Eigenthum von C.F. Schmidt, Heilbronn a\N.
- Cefes edition
Addresses
- Heilbronn am Markt or Heilbronn a.N. or Heilbronn a/N (i.e., Heilbronn am Neckar) (1855–1989)
- Renningen (1989–2011)
- Bad Aibling (2011– )
Plate Numbers
Schmidt's plate numbers were issued in a regular chronological fashion. Plate numbers are in the format of C.F.S. ####. Dates in italics are estimated.
Plate |
Composer |
Work |
Year
|
0012 |
Kross |
Die Kunst der Bogenführung, Op.40 |
1892
|
0052 |
Rudnick |
Lied ohne Worte, Op.33 |
1891
|
0090-91 |
Spohr |
Fantasy and Variations, Op.81 (parts) |
1892
|
0150 |
Stark |
Grosse theoretisch praktische Klarinett-Schule, Op.49 |
1892
|
0236 |
Beethoven |
Piano Sonata No.8, Op.13 (Adagio cantabile for violin/piano) |
|
0240 |
Haydn |
String Quartets, Op.50 (Adagio from No.5 for violin/piano) |
1893
|
0302 |
Holzhaus |
Tarentelle, Op.6 (violin/piano score) |
1893
|
0378 |
Schuppan |
Fantasiestück, Op.4 |
|
0403 |
Conradi |
Adagio e Rondo (flute/piano arr.) |
1895
|
0445 |
Bergson |
Im Norden im Süden (clarinet/piano arr.) |
1896
|
0454 |
Herold |
Serenade |
1893
|
0471-2 |
Müller |
22 Clarinet Etudes |
1893
|
0547-48 |
Kudelski |
Concertino for Horn and Orchestra (horn/piano arr.) |
1896
|
0572-73 |
Sachse |
Concertino (trombone/piano arr.) |
1896
|
0612 |
Szuk |
Serenade, Op.9 |
1894
|
0632 |
Beethoven |
Piano Sonata No.8, Op.13 (Adagio cantabile for flute/piano) |
1895
|
0710 |
Kross |
Die Kunst der Bogenführung, Op.40 (for viola) |
|
0750 |
Rubinstein |
2 Mélodies, Op.3 (no.1 arr. string quartet) |
1895
|
0769 |
Haydn |
String Quartets, Op.50 (Adagio from No.5 for flute/piano) |
1895
|
0825 |
Balfe |
Malibran's Favorite Aria (arr. for oboe & piano) |
1895
|
0825 |
Wetzger |
Am Waldesbach : Idylle, Op. 33 |
|
0915 |
Jüttner |
Legende, Op.8 (violin/piano score) |
|
0939 |
Klose |
Frühlingstraum, Op.42 (violin/piano score) |
1898 ?
|
1245 |
Beethoven |
Romance in G major, Op.40 (violin/piano) |
1896
|
1254-55 |
Spohr |
Clarinet Concerto No.4 (arr. of Larghetto) |
1896
|
1295 |
Beethoven |
Romance in G major, Op.40 (flute/piano) |
1896
|
1262 |
Jüttner |
Legende, Op.8 (viola part) |
1896
|
1267-70 |
Klose |
Frühlingstraum, Op.42 (flute part) |
1896
|
1275 |
Tillmetz |
Concertstück, Op.23 |
1896
|
1315 |
Heinemeyer |
Souvenir de la Russie, Op.3 (flute part) |
|
1316 |
Ciardi |
Andante und Variationen |
|
1423 |
Klose |
Frühlingstraum, Op.42 (violin 2 part) |
|
1430 |
Stark |
Grosse theoretisch praktische Klarinett-Schule, Op.49 (Bassoon part for Sonata in G minor) |
1897
|
1456 |
Boccherini |
6 String Quartets, G.201-206 (Op.32) (G.204 (Op.32 No.4)) |
1897
|
1466 |
Campagnoli |
Romanze in A major (piano score/violin part) |
1897
|
1469 |
Campagnoli |
Romanze in A major (viola part) |
1897
|
1631 |
Goepfart |
Trio for 2 Violins and Viola, Op.73 |
1897
|
1841 |
Sommer |
String Trio No.2, Op.5 (parts) |
1899
|
1842 |
Sommer |
String Trio No.3, Op.8 (parts) |
1899
|
1843 |
Sommer |
String Quartet No.3, Op.3 (parts) |
1899
|
1890 |
Mozart |
Oboe Concerto in E-flat major, K.Anh.C 14.06 (arr. for oboe and piano) |
1899
|
1940 |
Holzhaus |
Tarentelle, Op.6 (flute part) |
1899
|
2047 |
Schumann |
Albumblätter, Op.124 (no.18 arr. piano quintet) |
1899
|
2090 |
Simandl |
Fantasie über böhmische Nationallieder, Op.32 (double bass part) |
1899
|
2126 |
Simandl |
30 Etudes for the Double Bass |
1900
|
2136 |
Czibulka |
An Dich! Valse Serenade, Op.390 (arr. for piano trio) |
1899
|
2325-6 |
Wetzger |
Die Elfen, Op.30 |
1900
|
2341-2 |
Wallace |
Happy Birdling of the Forest, Op.63 (arr. for flute & piano) |
1900
|
2352-6 |
Wetzger |
Avant et Retour, Op.32 |
1900
|
2502-3 |
Demersseman |
Grand Air Varié No.1, Op.3 |
1900
|
2504-5 |
Demersseman |
Introduction et Variations sur le 'Carneval de Venise', Op.7 |
1900
|
2506-7 |
Demersseman |
Solo de Concert No.3, Op.21 |
1900
|
2511-2 |
Demersseman |
Grande fantaisie de concert sur 'Oberon', Op.52 |
1900
|
2515-6 |
Demersseman |
Solo de Concert No.6, Op.82 |
1900
|
2517 |
Sommer |
String Quintet, Op.12 (parts) |
1900
|
2564 |
Heinemeyer |
Souvenir de la Russie, Op.3 (piano score) |
|
2602-03 |
Balfe |
Malibran's Favorite Aria (arr. for flute & piano) |
|
2860 |
Wetzger |
Am Waldesbach, Op.33 |
n.d.
|
2862-64 |
Schumann |
Symphony No.4, Op.120 (Romanza arr. flute or violin and piano) |
|
3000 |
Heim |
Wind Quintet |
1903
|
3106 |
Winkler |
Flute Concerto, Op.5 (arr. for flute & piano) |
1904
|
3260-64 |
Wetzger |
Götterfunken, Op.34 |
1904
|
3265 |
Mückenberger |
Der Schäfer und die Schäferin |
1904
|
3266 |
Friedemann |
Ehestandsgeplauder, Op.54 |
1904
|
3331-02 |
Eichborn |
Die Fischer von Grado, Op.61 (arr. for flute & piano) |
|
3536-38 |
Eichborn |
Sérénade du jeune Werther, Op.63 |
|
3747/49 |
Guenther |
Romanze, Op.10 (arr.fl/pf) |
1907
|
3907 |
Palaschko |
10 Viola Studies, Op.49 |
1910
|
3940 |
Heidrich |
Trio, Op.33 (parts for clarinet edition) |
1911
|
3950 |
Heidrich |
Trio, Op.33 (parts for violin edition) |
1911/2
|
4318 |
Findeisen |
Elegie, Op.19 |
1922
|
4319 |
Findeisen |
Double Bass Concerto No.1, Op.15 (double bass/piano reduction) |
1922
|
4320 |
Findeisen |
Romantische Suite, Op.10 |
1922
|
4329-30 |
Stark |
Serenade, Op.55 |
1922
|
4391 |
Findeisen |
Double Bass Concerto No.2, Op.25 (double bass/piano reduction) |
1926
|
4442 |
Domansky |
Wind Quintet No.1 (parts) |
|
Sources Consulted
External Links