Performances
Recordings
Performer Pages
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Ivan Ilić (piano)
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Publisher Info.
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Paris: Ivan Ilić
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Copyright
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Misc. Notes
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Studio recording, December 2006 , Manchester (UK)
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Naxos
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Sheet Music
Scores
Editor
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Emil von Sauer (1862–1942)
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Publisher. Info.
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Klavierwerke, Band 10: Werke für Klavier zu 2 Händen. Bearbeitungen (pp.166-83) Leipzig: Edition Peters, No.3602b, n.d.[1917]. Plate 9884.
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Copyright
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Misc. Notes
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scan: score scanned at 600dpi (High Quality Scanning)
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Editor
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Ignaz Friedman (1882–1948)
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Publisher. Info.
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Vienna: Universal Edition, n.d.(ca.1920). Plate U.E. 5902, 5988, 6941.
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Copyright
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Misc. Notes
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Apparently issued in two different collections in addition to a single work. (pp.16-31/#106-121)
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Editor
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Moriz Rosenthal (1862-1946)
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Publisher. Info.
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Tonemeister-Ausgabe, Nr. 317 Berlin: Ullstein, 1927. Plate T.A.Nr. 317.
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Copyright
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Misc. Notes
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This file is part of the Sibley Mirroring Project.
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Editor
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Imre Mező (b. 1932) Imre Sulyok (1912-2008)
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Publisher. Info.
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Neue Liszt-Ausgabe, Serie 2, Band 12 Budapest: Editio Musica, 1993. Plate Z.12401. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Copyright
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Misc. Notes
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scan: score scanned at 600dpi (High Quality Scanning)URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Arrangements and Transcriptions
For Organ (Liszt)
Arranger
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Composer
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Editor
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Gyula Pfeiffer
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Publisher. Info.
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Gyula Pfeiffer
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Copyright
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Braille Scores
Editor
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Imre Mező (b. 1932) Imre Sulyok (1912-2008) Hu Haipeng (b. 1984)
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Publisher. Info.
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Hu Haipeng, 2024.
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Copyright
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Misc. Notes
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Braille score in bar-over-bar format, 40 cells per line, not paginated (optimized for refreshable braille displays). See here for additional information on Braille scores.
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General Information
Work Title
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Variationen über das Motiv von Bach
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Alternative. Title
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Variations on a Theme of Bach Variationen über ein Motiv (basso ostinato) aus der Kantate "Weinen, Klagen, Sorgen, Zageni", und dem "Crucifixus", der h-Moll Messe von J. S. Bach (basically the same theme)
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Name Translations
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Változatok Johann Sebastian Bach Weinen, Klagen, Sorgen, Zagen című kantátája témájára; Variations on Weinen, Klagen, Sorgen, Zagen; Variation on Weinen, Klagen, Sorgen, Zagen; Variationen über 'Weinen, Klagen, Sorgen, Zagen' von J. S. Bach
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Name Aliases
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Variations on a Theme of Bach
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Composer
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Liszt, Franz
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Opus/Catalogue NumberOp./Cat. No.
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S.180 ; LW.A214
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I-Catalogue NumberI-Cat. No.
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IFL 404
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Year/Date of CompositionY/D of Comp.
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1862
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First Performance.
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1875-04-28, Hanover (or earlier?)
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First Publication.
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1865 (see below)
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Dedication
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Anton Rubinstein (1829–1894) [S.180] Alexander Wilhelm Gottschalg (1827–1908) [S.673]
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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piano
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Related Works
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Based on Weinen, Klagen, Sorgen, Zagen, BWV 12, by Johann Sebastian Bach
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External Links
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Wikipedia article (Hungarian) Hyperion Records
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Navigation etc.
Version History
- Published 1875 by Robert Lienau (Berlin)
- Arranged for organ, 1862–63? (= S.673)
- Published 1865 by Körner (Leipzig)
"Composed after the death of Liszt's daughter, Blandine, on 9 September 1862" — Grove Music Online.