Performances
Sheet Music
Full Scores
Overture
Publisher. Info.
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Leipzig: D. Rahter, n.d.(ca.1900). Plate 1173.
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Reprinted
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Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A5809.
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Parts
Overture
⇒ 13 more: Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (B♭) • Trombone 1, 2, 3 • Timpani • Triangle, Cymbals, Bass Drum • Violins I • Violins II • Violas • Cellos • Basses
Publisher. Info.
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Leipzig: D. Rahter, n.d.(ca.1900). Plate 1174.
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Reprinted
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Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A5809.
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Vocal Scores
Language
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Russian / French
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Publisher. Info.
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Hamburg: D. Rahter, n.d.[1888]. Plate 1795.
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⇒ 11 more: Overture (piano four-hands) • 1. Duet (soprano and tenor) • 2. Comic Aria (bass) • 3. Quartet (soprano, tenor, baritone, and bass) • 4. Aria (soprano) • 5. March • 6. Duet (baritone and bass) • 7. Aria (bass) • 8. Duet and Trio (soprano, tenor and bass) • 9. Romance (baritone) • 10. Quintet (soprano, tenor, baritone, and the two basses)
Publisher. Info.
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Hamburg: D. Rahter, n.d.[1888]. 1795.1445
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General Information
Work Title
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The Mandarin's Son
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Alternative. Title
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Сын мандарина ; Le fils du Mandarin
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Composer
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Cui, César
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I-Catalogue NumberI-Cat. No.
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ICC 39
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Movements/SectionsMov'ts/Sec's
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1 act (overture + 10 numbers)
- Overture
- 1. Duet (soprano and tenor)
- 2. Comic Aria (bass)
- 3. Quartet (soprano, tenor, baritone, and bass)
- 4. Aria (soprano)
- 5. March
- 6. Duet (baritone and bass)
- 7. Aria (bass)
- 8. Duet and Trio (soprano, tenor and bass)
- 9. Romance (baritone)
- 10. Quintet (soprano, tenor, baritone, and the two basses)
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Year/Date of CompositionY/D of Comp.
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1859
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First Performance.
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1859-03-06 in St. Petersburg (private) 1878-12-19 in St. Petersburg, Artists' Club (public)
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First Publication.
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1859
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Librettist
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Viktor Krylov (1838–1906) [uncredited on score]
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Language
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Russian
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Dedication
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A Madame Malvina Cui
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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voices with orchestra
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External Links
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Wikipedia article
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Navigation etc.
Publication History
The original printing of the piano-vocal score (lacking the dialogue between numbers) was in St. Petersburg by Büttner, 1859; the bilingual version based on the same engraving was issued (with the dialogue added) from Leipzig by Rahter, [1879].
The overture was published in full score, the orchestration of which evidently owes much to Balakirev.