Mlada (Various)

Collaborative Work
This work was co-authored by César Cui, Modest Mussorgsky, Nikolay Rimsky-Korsakov, Aleksandr Borodin and Ludwig Minkus
(For the later opera-ballet of the same name by Nikolay Rimsky-Korsakov alone, see Mlada (opera-ballet))
Movements/SectionsMov'ts/Sec's 4 acts [unfinished]
Composition Year 1872
Genre Categories Opera-ballets; Theatrical Works; Ballets; Operas; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; For piano 4 hands (arr); Scores featuring the piano (arr); Scores featuring the piano 4 hands (arr); For 2 players (arr); For orchestra (arr); Scores featuring the orchestra (arr)
Related Works Most of the music was recycled into other works by its composers:

Sheet Music

Full Scores

 Act 1, by Cesar Cui
#243897 - 8.78MB, 71 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 377×⇩ - Lyle Neff

PDF scanned by RUS-Mrg
Lyle Neff (2012/7/25)

Publisher. Info. Leipzig: M.P. Belaieff, 1911. Plate 2901.
Copyright
Public Domain [tag/del]
Misc. Notes Missing from this edition of Act I are a terzetto (which was re-used by Cui in the revision of his first opera Prisoner of the Caucasus) and the ballet music by Minkus.
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 Festive March, by Modest Mussorgsky
#610246 - 71.33MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V*/V* - 45×⇩ - IgorCello

PDF scanned by Unknown
IgorCello (2020/2/21)

Editor Pavel Lamm (1882-1951)
Publisher. Info. Moscow: Muzgiz, 1931. Plate М. 12018 Г.
Copyright
Public Domain [tag/del]
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Vocal Scores

Act I (Cui)

 Complete Score
#517387 - 7.95MB, 50 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 34×⇩ - Music Addict

PDF scanned by Lyle Neff
Music Addict (2018/3/31)

⇒ 5 more: Title page and preliminaries • Part 1 of 4 • Part 2 of 4 • Part 3 of 4 • Part 4 of 4

 Title page and preliminaries
#14422 - 0.37MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 393×⇩ - Lyle Neff

PDF scanned by Lyle Neff
Lyle Neff (2007/9/23)

 Part 1 of 4
#14427 - 2.41MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 443×⇩ - Lyle Neff

PDF scanned by Lyle Neff
Lyle Neff (2007/9/23)

 Part 2 of 4
#14428 - 1.62MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 294×⇩ - Lyle Neff

PDF scanned by Lyle Neff
Lyle Neff (2007/9/23)

 Part 3 of 4
#14429 - 1.47MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 289×⇩ - Lyle Neff

PDF scanned by Lyle Neff
Lyle Neff (2007/9/23)

 Part 4 of 4
#14430 - 2.10MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 298×⇩ - Lyle Neff

PDF scanned by Lyle Neff
Lyle Neff (2007/9/23)

Publisher. Info. Leipzig: M.P. Belaieff, 1911. Plate 2905.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Missing from this edition of Act I are a terzetto (which was re-used by Cui in the revision of his first opera Prisoner of the Caucasus) and the ballet music by Minkus.
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Act II (Mussorgsky)

 Market Scene and March of Princes and Priests
#21910 - 5.10MB, 39 pp. -  0.0/10 2 4 6 8 10 (-) - V/V*/V* - 824×⇩ - Lyle Neff

PDF scanned by Lyle Neff
Lyle Neff (2008/9/12)

Editor Pavel Lamm (1882-1951)
Language Russian / German
Translator Dmitry Usov (1896–1944), German text
Publisher. Info. Complete Collected Works (Полное собрание сочинений), Vol.IV, ser.3
Moscow: Muzgiz, 1932.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). (vol. VII)
Copyright
Public Domain [tag/del]
Misc. Notes Includes editorial introduction and title pages
Original plate number. and publisher omitted in reprint.
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Arrangements and Transcriptions

Selections

For Piano 4 Hands (Mussorgsky)

 1. Сцена торга
#591326 - 36.70MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - V/C/22 - 26×⇩ - IgorCello

PDF scanned by Unknown
IgorCello (2019/9/28)

 2. Марш князей и жрецов
#591327 - 28.94MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - V/C/22 - 22×⇩ - IgorCello

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IgorCello (2019/9/28)

Arranger Modest Mussorgsky (1839-1881)
Editor Pavel Lamm (1882-1951)
Publisher. Info. Moscow: Muzgiz, 1931. Plate М. 11728 Г., М. 11867 Г.
Copyright
Public Domain [tag/del/mrg]
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Finale (Act IV, Nos.5-7)

For Orchestra (Borodin-Rimsky-Korsakov)

 Complete Score
#20924 - 2.64MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 916×⇩ - Lyle Neff

PDF scanned by Lyle Neff
Lyle Neff (2008/8/15)

Arranger Nikolay Rimsky-Korsakov (1844-1908), after Aleksandr Borodin (1833-1887)
Publisher. Info. Leipzig: M.P. Belaieff, n.d.(1892). Plate 439.
Reprinted Frankfurt: M.P. Belaieff, 1972 (with fraudulent 1972 copyright notice).
Copyright
Public Domain [tag/del]
Misc. Notes Adapted by Nikolay Rimsky-Korsakov from 3 of the 8 numbers written for Act IV by Aleksandr Borodin.
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 Complete Score
#687346 - 4.83MB, 42 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 20×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/4/1)

⇒ 15 more: Piccolo, Flute 1, 2 • Oboe 1, 2 • Clarinet 1, 2 (A/B♭) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (A/B♭) • Trombone 1, 2, 3, Tuba • Timpani • Bass Drum/Cymbals, Tam-Tam • Harp • Violins I • Violins II • Violas • Cellos • Basses

 Piccolo, Flute 1, 2
#687347 - 0.74MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 18×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Oboe 1, 2
#687348 - 0.45MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 15×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Clarinet 1, 2 (A/B♭)
#687349 - 0.67MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Bassoon 1, 2
#687350 - 0.56MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 12×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Horn 1, 2, 3, 4 (F)
#687351 - 0.75MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Trumpet 1, 2 (A/B♭)
#687352 - 0.21MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 12×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Trombone 1, 2, 3, Tuba
#687353 - 0.48MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 12×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Timpani
#687354 - 0.12MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Bass Drum/Cymbals, Tam-Tam
#687355 - 0.15MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Harp
#687356 - 0.21MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Violins I
#687357 - 0.30MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Violins II
#687358 - 0.33MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Violas
#687359 - 0.39MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/4/1)

 Cellos
#687360 - 0.39MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Sallen112

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Sallen112 (2021/4/1)

 Basses
#687361 - 0.25MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 10×⇩ - Sallen112

PDF scanned by Unknown
Sallen112 (2021/4/1)

Arranger Nikolay Rimsky-Korsakov (1844-1908), after Aleksandr Borodin (1833-1887)
Publisher. Info. Leipzig: M.P. Belaieff, n.d.(1892). Plate 439.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A5808.
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Mlada
Alternative. Title Млада
Name Translations Mladá; ムラダ
Authorities Wikipedia
Composer Various
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 4 acts [unfinished]
Year/Date of CompositionY/D of Comp. 1872
First Publication. 1892 – Leipzig: M.P. Belaieff.
Act IV, extracts arranged for orchestra (Aleksandr Borodin arr. Rimsky-Korsakov)

1911 – Leipzig: M.P. Belaieff. Act I, vocal score (César Cui).
1932 – Moscow: Muzgiz.

Extracts from Act II and III, vocal score (Modest Mussorgsky)
(in vols.4, 7 and 8 of Complete Collected Works).
Librettist Viktor Krylov (1838–1908)
Language Russian
Piece Style Romantic
Instrumentation voices, chorus, orchestra
Voices
Mixed Chorus (SATB)
Orchestra
piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons
4 horns, 2 trumpets, 3 trombones, tuba
timpani, percussion, harp, strings
Related Works Most of the music was recycled into other works by its composers:
External Links Wikipedia article
Extra Information This collaborative opera-ballet was composed by César Cui (Act I), Modest Mussorgsky and Nikolay Rimsky-Korsakov (Acts II and III), and Aleksandr Borodin (Acts IV), with additional ballet music by Ludwig Minkus. However, it was never staged, and only fragments of the original score have survived. Ludwig Minkus in 1879 composed his own full-length, 4-act ballet on the subject in 1879.

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