Orlando Paladino, Hob.XXVIII:11 (Haydn, Joseph)



Sheet Music

Arrangements and Transcriptions


For Piano 4 hands (Ulrich)

PDF scanned by US-R
Morel (2011/11/7)

Arranger Hugo Ulrich (1827-1872)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 5382.
Misc. Notes This file is part of the Sibley Mirroring Project.
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For 2 Pianos (Sielemann)

PDF typeset by arranger
Sielemann (2019/2/17)

Arranger Jan Sielemann (b. 1970)
Publisher. Info. Jan Sielemann, 2019.
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General Information

Work Title Orlando Paladino
Alternative. Title Dramma eroicomico in tre atti
Name Translations Orlando paladino; Orlando lovag; 奧蘭多·帕拉第諾; 騎士オルランド
Name Aliases Ritter Roland
Authorities WorldCat; Wikipedia; VIAF: 177022332; LCCN: no98082546; GND: 300349270; BNF: 139626595
Composer Haydn, Joseph
Opus/Catalogue NumberOp./Cat. No. Hob.XXVIII:11 ; Hob.Ia:16 (overture)
I-Catalogue NumberI-Cat. No. IJH 325
Movements/SectionsMov'ts/Sec's 3 acts:
Sinfonia. Vivace assai (B major)
  • Act 1
Introduction: Eurilla, Licone. Allegretto (E major)
Aria: Eurilla. Andantino (G major)
Aria: Rodomonte. Vivace (B major)
Aria: Angelica. Adagio (A major)
Auftritt: Alcina. [Allegro] (C minor)
Aria: Alcina. [Allegro moderato] (C major)
Aria: Medoro. [Allegretto] (F minor)
Cavatina: Pasquale. Andantino (E major)
Aria: Pasquale. [Allegro] (G major)
Aria: Angelica. Adagio (D major)
Accompanied recit: Orlando. Adagio (E major)
Aria: Orlando. Allegretto (E major)
Finale I: All except Licone, Caronte. (A major)
  • Act 2
Aria: Rodomonte. Presto (D minor)
Aria: Medoro. Adagio-Vivace (E major)
Auftritt and Aria: Pasquale. Allegro spiritoso (C major)
Duet: Eurilla, Pasquale. Allegretto (B major)
Aria: Angelica. Adagio (D major)
Accompanied recit: Angelica. Poco adagio (F major)
Duet: Medoro, Angelica. Andantino (A major)
Accompanied recit: Orlando. (E major)
Aria: Orlando. [Allegro] (E major)
Aria: Pasquale. [Allegro molto] (D major)
Finale II: All except Licone, Caronte. Poco adagio (C major)
  • Act 3
Aria: Caronte. [Maestoso] (D major)
Accompanied recit: Orlando. Adagio (A major)
Aria: Orlando. Adagio (E major)
Combat: Orchestra (D major)
Accompanied recit: Angelica. Adagio ma non troppo (B major)
Aria: Angelica. Largo (B major)
Chorus and soloists: (A major)
Year/Date of CompositionY/D of Comp. 1782
First Performance. 1782-12-06 in Esterháza: Hoftheatre
First Publication. 1796 (excerpts)

1798 ca. (overture)

Librettist Nunziato Porta (before 1770 - after 1790)
Language Italian
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voices, chorus, orchestra
Alcina, a sorceress (soprano)
Angelica, Queen of Cathay (soprano)
Medoro, in love with Angelica (tenor)
Caronte [Charon], ferryman to the underworld (bass)
Eurilla, a shepherdess (soprano)
Licone, a shepherd (tenor)
Orlando, Paladin of France (tenor)
Pasquale, Orlando's squire (tenor)
Rodomonte, King of Barbaria (bass)
Mixed Chorus (SATB)
Shepherds, Shepherdesses, Spectres, Savages, Saracens
flute, 2 oboes, 2 clarinets?, 2 bassoons
2 horns, 2 trumpets, timpani, strings, continuo
External Links Wikipedia article

Misc. Comments

Operas by Joseph Haydn (Hob.XXVIII )

 Acide, Hob.XXVIII:1

 La Canterina, Hob.XXVIII:2

 Lo Speziale, Hob.XXVIII:3

 Le Pescatrici, Hob.XXVIII:4

 L'Infedeltà delusa, Hob.XXVIII:5

 L'incontro improvviso, Hob.XXVIII:6

 Il mondo della luna, Hob.XXVIII:7

 La vera Costanza, Hob.XXVIII:8

 Laurette, Hob.XXVIII:8a

 L'isola disabitata, Hob.XXVIII:9

 La Fedeltà premiata, Hob.XXVIII:10

 L'infedeltà fedele, Hob.XXVIII:10bis

actually by Domenico Cimarosa

 Orlando Paladino, Hob.XXVIII:11

 Armida, Hob.XXVIII:12

 L'Anima del Filosofo, Hob.XXVIII:13