Matthäuspassion, BWV 244 (Bach, Johann Sebastian)

Movements/SectionsMov'ts/Sec's 2 parts in 68 numbers
Composition Year 1736, revised 1742, 1743-46
Genre Categories Passions; Religious works; Sacred oratorios; [61 more...]Oratorios; For 9 voices, 2 mixed choruses, 2 orchestras; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; German language; For oboe, English horn, bass oboe, bassoon (arr); For 4 players (arr); Scores featuring the oboe (arr); Scores featuring the English horn (arr); Scores featuring the bass oboe (arr); Scores featuring the bassoon (arr); For 7 accordions (arr); For 7 players (arr); Scores featuring the accordion (arr); For flute, piano (arr); For 2 players (arr); Scores featuring the flute (arr); Scores featuring the piano (arr); For voice, piano (arr); For voices with keyboard (arr); Scores featuring the voice (arr); For voice, flute (arr); For voices with solo instruments (arr); For voice, organ (arr); Scores featuring the organ (arr); for bass voice and organ (arr); For piano 4 hands (arr); Scores featuring the piano 4 hands (arr); For piano (arr); For 1 player (arr); For organ (arr); For 3 violins, 2 violas, 2 cellos (arr); Scores featuring the violin (arr); Scores featuring the viola (arr); Scores featuring the cello (arr); For 2 pianos 8 hands (arr); For trumpet, organ (arr); Scores featuring the trumpet (arr); For male chorus (arr); Scores featuring male chorus (arr); For unaccompanied chorus (arr); For mixed chorus (arr); Scores featuring mixed chorus (arr); For cello, piano (arr); For harmonica, guitar (arr); Scores featuring the harmonica (arr); Scores featuring the guitar (arr); For 5 flutes (arr); For 5 players (arr); For 4 flutes (arr); For orchestra (arr); Scores featuring the orchestra (arr); For strings (arr); Scores featuring string ensemble (arr); For guitar (arr)

Contents

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Performances

Recordings

 Side 1: Nos.1-17 (EU)
#598898 - 72.54MB - 31:42 -  5.4/10 2 4 6 8 10 (10) - 4434×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2019/11/26)

⇒ 5 more: Side 2: Nos.18-31 • Side 3: Nos.32-41 • Side 4: Nos.42-57 • Side 5: Nos.58-68 • Side 6: Nos.69-End

 Side 2: Nos.18-31 (EU)
#598899 - 62.07MB - 27:07 -  0/10 2 4 6 8 10 (0) - 387×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2019/11/26)

 Side 3: Nos.32-41 (EU)
#598900 - 70.23MB - 30:41 -  0/10 2 4 6 8 10 (0) - 317×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2019/11/26)

 Side 4: Nos.42-57 (EU)
#598901 - 65.11MB - 28:27 -  0/10 2 4 6 8 10 (0) - 437×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2019/11/26)

 Side 5: Nos.58-68 (EU)
#598902 - 68.53MB - 29:56 -  0/10 2 4 6 8 10 (0) - 307×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2019/11/26)

 Side 6: Nos.69-End (EU)
#598903 - 64.89MB - 28:21 -  4/10 2 4 6 8 10 (1) - 322×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2019/11/26)

Performer Pages Erich Majkut (tenor)
Otto Wiener (bass)
Publisher Info. Club national du disque CND 833, 1963.
Performers Harold Buchsbaum, Laurence Dutoit, Maria Nussbaumer - Akademie Kammerchor - Wiener Kammerorchester - dir. Ferdinand Grossmann
Copyright
Public Domain - Non-PD US 
Misc. Notes Audio digital d'après microsillon - Collection personnelle
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Bach J.S., Passion selon St. Matthieu, BWV 244 - dir. Ferdinand Grossmann - CND 833 (1963).jpg

Aria: 'Erbarme dich, mein Gott' (Part II, No.47)

For Accordion Orchestra (De Bra)

 Complete Performance
#374123 - 10.13MB - 7:23 -  7.4117647058824/10 2 4 6 8 10 (17) - 14466×⇩ - MP3 - Pauldebra

MP3 file (audio)
Pauldebra (2015/4/15)

Publisher Info. Helmond: Accordeana Accordion Orchestra
Performers Accordeana Accordion Orchestra
Copyright
Creative Commons Attribution 4.0 
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For Harmonica and Guitar (Marcoux)

 Complete Performance
#460202 - 1.44MB - 1:11 -  8.875/10 2 4 6 8 10 (32) - 2904×⇩ - OGG - Ladesneffous

OGG file (audio)
Ladesneffous (2017/2/20)

Publisher Info. Jean-François Marcoux
Performers Clakos (harmonica chromatic in C)
Ladesneffous (guitar)
Copyright
Creative Commons Attribution 4.0 
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For Piano

 Complete Performance
#930305 - 35.21MB - 2:50 -  9.3333333333333/10 2 4 6 8 10 (3) - 477×⇩ - FLAC - Levkitkin

FLAC file (audio)
Levkitkin (2024/9/4)

Performer Pages German Kitkin (Piano)
Publisher Info. Lev Kitkin, 2024.
Copyright
Creative Commons Attribution 4.0 
Misc. Notes Sheet Music: patreon.com.
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TN-PMLP3301-German Kitkin - BWV 244-2036.jpg

Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)

For Harmonica and Guitar (Marcoux)

 Complete Performance
#460204 - 1.36MB - 1:07 -  8.9090909090909/10 2 4 6 8 10 (33) - 3053×⇩ - OGG - Ladesneffous

OGG file (audio)
Ladesneffous (2017/2/20)

Publisher Info. Jean-François Marcoux
Performers Clakos (harmonica chromatic in C)
Ladesneffous (guitar)
Copyright
Creative Commons Attribution 4.0 
Misc. Notes complete recording of transcription for harmonica and guitar
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Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)

For Guitar (Alink)

 Complete Performance
#261165 - 1.82MB - 1:35 -  7.3333333333333/10 2 4 6 8 10 (18) - 7035×⇩ - MP3 - Bert Alink

MP3 file (audio)
Bert Alink (2012/12/6)

Publisher Info. Bert Alink
Performers Bert Alink, guitar
Copyright
Creative Commons Attribution Share Alike 3.0 
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Naxos

Accompaniments

Piano

 12. Aria: Blute nur, du liebes Herz!
#446313 - 7.17MB - 5:12 -  8.4/10 2 4 6 8 10 (5) - 2864×⇩ - MP3 - Free Pianist

MP3 file (audio)
Free Pianist (2016/11/6)

Performer Pages Héctor Valls (Piano)
Publisher Info. Héctor Valls
Copyright
Creative Commons Attribution-NonCommercial 4.0 
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Continuo

 47. Aria: Erbarme dich, mein Gott
#277802 - 10.99MB - 6:44 -  7.6666666666667/10 2 4 6 8 10 (42) - 14946×⇩ - MP3 - Lyribox

MP3 file (audio)
Lyribox (2013/4/18)

Publisher Info. Lyribox.com
Performers Poeticall Musicke
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 3.0 
Misc. Notes Lyribox.com aims at providing learning tools for classical singers.
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Synthesized/MIDI

Selections

For Organ
Publisher Info. Marc Boniteau
Performers Marc Boniteau
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Publisher Info. Fabio M. Castellarin
Performers Fabio M. Castellarin
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Chorales

⇒ 11 more: Ich bin's, ich sollte büßen • Erkenne mich, mein Hüter • Ich will hier bei dir stehen • Was mein Gott will, das g'scheh' all Zeit • Mir hat die Welt trüglich gericht't mit Lügen • Wer hat dich so geschlagen • Bin ich gleich von dir gewichen • Befiehl du deine Wege • Wie wunderbarlich ist doch diese Strafe! • O Haupt voll Blut und Wunden • Wenn ich einmal soll scheiden

Publisher Info. André Van Ryckeghem
Performers Synthesized MIDI
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Ich will dir mein Herze schenken (Part I, No.19)

For Trumpet and Organ (Rondeau)

 Synthesized audio
#427184 - 2.29MB - 2:30 -  0/10 2 4 6 8 10 (0) - 288×⇩ - MP3 - Michrond

MP3 file (audio)
Michrond (2016/6/18)

Publisher Info. Michel Rondeau
Performers MIDI
Copyright
Creative Commons Attribution-ShareAlike 4.0 
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Recitative: Am Abend da es kühle war (Part II, No.74)

 Original version
#185150 - 0.00MB - 2:05 -  2/10 2 4 6 8 10 (1) - 708×⇩ - MID - Reccmo

MID file (audio/video)
Reccmo (2012/3/8)

 Piano reduction
#185151 - 0.00MB - 1:48 -  0/10 2 4 6 8 10 (0) - 683×⇩ - MID - Reccmo

MID file (audio/video)
Reccmo (2012/3/8)

Publisher Info. Srđan Depolo
Performers Synthesized MIDI
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

Complete

 Complete Score
#569101 - 61.90MB, 183 pp. -  6/10 2 4 6 8 10 (10) - V/V/V - 1212×⇩ - BachFan

PDF scanned by D-B
BachFan (2019/4/19)

Publisher. Info. Holograph manuscript, n.d.[1736-40].
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 25
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 Complete Score
#440860 - 62.03MB, 183 pp. -  6.5714285714286/10 2 4 6 8 10 (14) - V/V/V - 1804×⇩ - BachFan

PDF scanned by D-B
BachFan (2016/9/28)

Publisher. Info. Holograph manuscript, 1740.
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 25
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 Part 1
#26030 - 40.80MB, 40 pp. -  5.1074380165289/10 2 4 6 8 10 (121) - V/V/V - 44165×⇩ - Ivdruiz

PDF scanned by D-B
Ivdruiz (2008/12/30)

 Part 2
#26031 - 44.27MB, 46 pp. -  6.1320754716981/10 2 4 6 8 10 (53) - V/V/V - 20785×⇩ - Ivdruiz

PDF scanned by D-B
Ivdruiz (2008/12/30)

Publisher. Info. Holograph manuscript, 1743-46.
Copyright
Public Domain
Misc. Notes color scan, facing pages
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 Complete Score
#436776 - 130.63MB, 313 pp. -  6/10 2 4 6 8 10 (4) - V/V/V - 615×⇩ - BachFan

PDF scanned by D-B
BachFan (2016/8/26)

Copyist Palestrina II = Anon. V 19
Johann Friedrich Hering (1724–1810)
Publisher. Info. Manuscript, n.d.(ca.1750-68).
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 27
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Editor First edition (Score)
Publisher. Info. Berlin: A.M. Schlesinger, 1830. Plate 1570.
Copyright
Public Domain
Misc. Notes Universitäts- und Landesbibliothek Bonn (D-BNu): E 4' 756
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Editor Julius Rietz (1812–1877)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 4
Leipzig: Breitkopf und Härtel, 1854. Plate B.W. IV.
Copyright
Public Domain
Misc. Notes Chorus parts in old (Soprano, Alto, Tenor) clefs
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 Complete Score
#44964 - 21.89MB, 336 pp. -  6.3125/10 2 4 6 8 10 (48) - V/V/V* - 47216×⇩ - Carolus

PDF scanned by Carolus
Carolus (2009/11/1)

Editor Georg Schumann (1866–1952)
Publisher. Info. Leipzig: Ernst Eulenburg, No.953, n.d.(ca.1929). Plate E.E. 2654.
Copyright
Public Domain
Misc. Notes Based on BGA.
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 Complete Score (EU)
#580710 - 22.70MB, 300 pp. -  7.2307692307692/10 2 4 6 8 10 (13) - C*/68*/V* - 28909×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2019/7/9)

⇒ 6 more: Part 1 • Part 1 (lower quality) • Part 2 • Part 2 (lower quality) • Anhang: 29a. Jesum laß ich nich von mir • Anhang: 57. Komm süßes Kreuz, so will ich sagen

 Part 1 (EU)
#580711 - 10.66MB, 142 pp. -  7/10 2 4 6 8 10 (2) - C*/68*/V* - 3563×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2019/7/9)

 Part 1 (lower quality) (EU)
#478796 - 9.90MB, 144 pp. -  5.4/10 2 4 6 8 10 (10) - C*/68*/V* - 9540×⇩ - Albrights

PDF scanned by Albrights
Albrights (2017/6/26)

 Part 2 (EU)
#580712 - 12.01MB, 154 pp. -  6/10 2 4 6 8 10 (2) - C*/68*/V* - 4065×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2019/7/9)

 Part 2 (lower quality) (EU)
#478797 - 11.97MB, 168 pp. -  6.4/10 2 4 6 8 10 (5) - C*/68*/V* - 9114×⇩ - Albrights

PDF scanned by Albrights
Albrights (2017/6/26)

Editor Alfred Dürr (1918–2011)
Max Schneider (1875–1967)
Publisher. Info. Neue Bach-Ausgabe, Serie II, Band 5 (pp.1-309)
Kassel: Bärenreiter Verlag, 1972. Plate BA 5038.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches. This is one of the editions that shares the fortunes of both sufficient awareness of textual critique and fidelity and beautiful hand engraving of the highest quality. A rare treasure, completely worth purchasing the cloth-bound printed version. Max Schneider did some preliminary work for this volume during his lifetime before publication.
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Selections

 Selected Pages
#22994 - 105.60MB, 23 pp. -  6/10 2 4 6 8 10 (10) - V/V/V - 5126×⇩ - Perlnerd666

PDF scanned by Unknown
Perlnerd666 (2008/10/12)

Copyist Hermann Kretzschmar (1848–1924)
Publisher. Info. Holograph manuscript, 1740.
Reprinted Bach-Gesellschaft Ausgabe, Band 44
Leipzig: Breitkopf und Härtel, 1895. Plate B.W. XLIV.
Copyright
Public Domain
Misc. Notes Corresponds to pages 1-22; 168; 189-190; and 248-250 of the BGA score.
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 Selections (Nos.13-26)
#768677 - 50.73MB, 41 pp. -  10/10 2 4 6 8 10 (1) - V/V/V - 33×⇩ - Feduol

PDF scanned by D-Tu
Feduol (2022/3/7)

Publisher. Info. Manuscript, 1846.
Copyright
Public Domain
Misc. Notes Universitätsbibliothek der Eberhard Karls Universität (D-Tu): Mk 52-1
This file is part of the Submission Project.
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Aria: 'Erbarme dich, mein Gott' (Part II, No.47)

 Complete Score
#625883 - 0.19MB, 7 pp. -  10/10 2 4 6 8 10 (2) - !N/!N/!N - 14577×⇩ - Andreasschein

PDF typeset by editor
Andreasschein (2020/5/15)

Editor Andreas Schein (b. 1997)
Publisher. Info. Edition Andreas Schein, 2019.
Copyright
Creative Commons Attribution-NonCommercial 4.0
Misc. Notes Please inform the Composer about any Performance! Please contact the Composer for Full Material!
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Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)

 Engraving files (Finale)
#179447 - 0.07MB, ? pp. -  6.5/10 2 4 6 8 10 (8) - !N/!N/!N - 6372×⇩ - Reccmo

ZIP typeset by editor
Reccmo (2012/2/17)

Editor Fabio M. Castellarin
Publisher. Info. Fabio M. Castellarin
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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 Complete Score, all parts in G clefs
#373806 - 0.40MB, 3 pp. -  6.1333333333333/10 2 4 6 8 10 (15) - !N/!N/!N - 9764×⇩ - AlessandroV

PDF typeset by editor
AlessandroV (2015/4/12)

Editor Alexander E. Volkov (b. 1981)
Publisher. Info. Alexander E. Volkov
Copyright
Creative Commons Attribution-ShareAlike 4.0
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Aria: 'Mache dich, mein Herze, rein' (Part II, No.65)

 Engraving files (Sibelius)
#634959 - 0.08MB, ? pp. -  7.3333333333333/10 2 4 6 8 10 (3) - !N/!N/!N - 1315×⇩ - MimoS

ZIP typeset by editor
MimoS (2020/7/6)

Editor Bernhard Runge-Mutzke
Publisher. Info. Bernhard Runge-Mutzke
Copyright
Creative Commons Attribution-NonCommercial 4.0
Misc. Notes Version replacing 2 Oboes da caccia with 2 English Horns.
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Recitative: 'Am Abend da es kühle war' (Part II, No.74)

 Complete Score
#185135 - 0.05MB, 2 pp. -  6.2666666666667/10 2 4 6 8 10 (15) - !N/!N/!N - 7132×⇩ - Reccmo

PDF typeset by editor
Reccmo (2012/3/8)

 Engraving files (Encore)
#185136 - 0.02MB, ? pp. -  7.6/10 2 4 6 8 10 (5) - !N/!N/!N - 2105×⇩ - Reccmo

ZIP typeset by editor
Reccmo (2012/3/8)

Editor Srđan Depolo
Publisher. Info. Srđan Depolo
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Parts

Complete

 Complete Parts
#569115 - 177.78MB, 506 pp. -  4/10 2 4 6 8 10 (1) - V/V/V - 435×⇩ - BachFan

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BachFan (2019/4/19)

Copyist Anna Magdalena Bach (1701-1760)
Bernhard Dietrich Ludewig (1707-1740)
Samuel Gottlieb Heder (1713-?)
Gottfried Theodor Krauß (1714-1753)
Georg Heinrich Noah (1716-1762)
Friedrich Christian Samuel Mohrheim (1718-1780)
Johann Heinrich Michel (1739-1810)
Anon. L 113; Anon. L 114; Anon. L 115
Publisher. Info. Holograph manuscript, n.d.[1736-after 1768].
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 110
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 Organ Parts (both Choirs)
#454962 - 20.37MB, 52 pp. -  9/10 2 4 6 8 10 (2) - V/V/V - 256×⇩ - BachFan

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BachFan (2017/1/10)

Copyist Johann Heinrich Michel (1739-1810)
Publisher. Info. Manuscript, n.d.(ca.after 1768).
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 110
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Coro (Orchestra) 1

 Complete Parts
#454960 - 109.83MB, 256 pp. -  2/10 2 4 6 8 10 (2) - V/V/V - 615×⇩ - BachFan

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BachFan (2017/1/10)

Copyist Anna Magdalena Bach (1701-1760)
Samuel Gottlieb Heder (1713-?)
Friedrich Christian Samuel Mohrheim (1718-1780)
Bernhard Dietrich Ludewig (1707-1740)
Anon. L 113; L 114; L 115
Publisher. Info. Manuscript, n.d.(ca.1736-38).
Holograph manuscript, n.d.(ca.1736-38).
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 110
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⇒ 7 more: Oboe 1, 2 (both also Oboe d'amore, Oboe da caccia) • Bassoon • Violins I • Violins II • Violas • Cellos/Basses, Cello solo (for Viola da gamba solo) • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf und Härtel, No.Orch.-B. 4950, n.d.(ca.1910).
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2490.
Copyright
Public Domain
Misc. Notes These files are part of the Orchestra Parts Project.
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Coro (Orchestra) 2

 Complete Parts
#454961 - 85.17MB, 196 pp. -  4/10 2 4 6 8 10 (1) - V/V/V - 395×⇩ - BachFan

PDF scanned by D-B
BachFan (2017/1/10)

Copyist Anna Magdalena Bach (1701-1760)
Samuel Gottlieb Heder (1713-?)
Bernhard Dietrich Ludewig (1707-1740)
Georg Heinrich Noah (1716-1762)
Anon. L 113; Unknown Scribe
Publisher. Info. Manuscript, n.d.(ca.1736-38).
Holograph manuscript, n.d.(ca.1736-38).
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 110
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⇒ 6 more: Oboe 1, 2 (both double on Oboe d'amore) • Bassoon • Violins I • Violins II • Violas • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1910). Plate Orch.-B. 4950.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2490.
Copyright
Public Domain
Misc. Notes These files are part of the Orchestra Parts Project.
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Keyboard Continuo (Organ, Harpsichord)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1910). Plate Orch.-B. 4950.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A2490.
Copyright
Public Domain
Misc. Notes These files are part of the Orchestra Parts Project.
*Organ 1 is cued with the Organ 2/Harpsichord part to facilitate performance with a single instrument.
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Selections

 Selections (Nos.13-26)
#768678 - 70.29MB, 105 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 22×⇩ - Feduol

PDF scanned by D-Tu
Feduol (2022/3/7)

Publisher. Info. Manuscript, 1846.
Copyright
Public Domain
Misc. Notes Universitätsbibliothek der Eberhard Karls Universität (D-Tu): Mk 52-2
This file is part of the Submission Project.
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Aria: Aus Liebe will mein Heiland sterben (No.58)

 Soprano, C clef
#175416 - 0.07MB, 1 pp. -  7/10 2 4 6 8 10 (8) - !N/!N/!N - 2535×⇩ - Reccmo

PDF typeset by editor
Reccmo (2012/2/2)

⇒ 4 more: Soprano, G clef • Flute • Oboe da caccia 1/2 • Engraving files attached (Finale)

 Soprano, G clef
#175417 - 0.07MB, 1 pp. -  4.8888888888889/10 2 4 6 8 10 (9) - !N/!N/!N - 1949×⇩ - Reccmo

PDF typeset by editor
Reccmo (2012/2/2)

 Flute
#175418 - 0.12MB, 3 pp. -  6.6/10 2 4 6 8 10 (10) - !N/!N/!N - 2566×⇩ - Reccmo

PDF typeset by editor
Reccmo (2012/2/2)

 Oboe da caccia 1/2
#175419 - 0.10MB, 3 pp. -  6/10 2 4 6 8 10 (2) - !N/!N/!N - 1439×⇩ - Reccmo

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Reccmo (2012/2/2)

Editor Fabio M. Castellarin
Publisher. Info. Fabio M. Castellarin
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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 Flute
#373808 - 0.22MB, 1 pp. -  8/10 2 4 6 8 10 (2) - !N/!N/!N - 1816×⇩ - AlessandroV

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AlessandroV (2015/4/12)

Editor Alexander E. Volkov
Publisher. Info. Alexander E. Volkov
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Vocal Scores

Complete

Editor First edition
Publisher. Info. Berlin: Schlesinger, n.d.[1830]. Plate 1577.
Copyright
Public Domain
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Arranger Salomon Jadassohn (1831–1902), piano reduction
Language German
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1876). Plate V.A. 11.
Copyright
Public Domain
Misc. Notes Foliation: v, 217 (v, 93; 94-217)
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Arranger Julius Stern (1820–1883)
Language German
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1890). Plate 7644.
Copyright
Public Domain
Misc. Notes Bar numbers added via Python script using PyPdf
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 Complete Score
#27135 - 16.23MB, 268 pp. -  5.3333333333333/10 2 4 6 8 10 (9) - V/V/V - 8661×⇩ - Alaric

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Alaric (2009/1/23)

Arranger François-Auguste Gevaert (1828–1908)
Language French
Translator G. Antheunis, French text
Publisher. Info. Paris: Henry Lemoine & Cie., n.d.(ca.1897). Plate 18,619.HL.
Copyright
Public Domain
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Editor Edward Elgar (1857–1934)
Ivor Atkins (1869–1953)
Language English
Publisher. Info. London: Novello & Co., 1911. Plate 13443.
Copyright
Public Domain
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 Complete Score
#945139 - 43.03MB, 206 pp. -  0/10 2 4 6 8 10 (0) - V/C/V - 27×⇩ - Dbmiller

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Dbmiller (2024/12/12)

Editor Edward Elgar (1857–1934)
Ivor Atkins (1869–1953)
Language English
Publisher. Info. Borough Green: Novello, 1948 [c1911]. Plate 13443.
Copyright
Public Domain
Misc. Notes Revised impression (1938/1948).
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Selections

 Collection of 12 Chorales
#219595 - 0.24MB, 13 pp. -  5.1428571428571/10 2 4 6 8 10 (7) - !N/!N/!N - 11985×⇩ - Reccmo

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Reccmo (2012/5/15)

 Engraving files (PMX)
#219597 - 0.03MB, ? pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 826×⇩ - Reccmo

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Reccmo (2012/5/15)

Editor André Van Ryckeghem
Publisher. Info. André Van Ryckeghem
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Editor Antonio Armendáriz
Language Spanish / German
Publisher. Info. Lodosa: Antonio Armendáriz Navarro
Copyright
Creative Commons Attribution 3.0
Misc. Notes Alta calidad
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Editor Srđan Depolo
Publisher. Info. Srđan Depolo
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

Complete

For Piano 4 hands (Jadassohn)
Arranger Salomon Jadassohn (1831-1902)
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1870). Plate 5752.
Copyright
Public Domain
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For Piano (Bagge)
Arranger Selmar Bagge (1823-1896)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1876). Plate V.A. 12.
Copyright
Public Domain
Recordings Piano performance by Ruoshi Sun: https://www.youtube.com/playlist?list=PLzn9AgnjjJPnbCczL7eE6evBquXeMwHnG
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For Piano (Jadassohn)
Arranger Salomon Jadassohn (1831–1902)
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 4982.
Copyright
Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Salomon Jadassohn (1831-1902)
Publisher. Info. Leipzig: C.F. Peters, n.d.(1884). Plate 6740.
Copyright
Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
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Selections

For Double Reed Quartet (Notenschreiber)
Arranger Notenschreiber
Publisher. Info. Notenschreiber
Copyright
Creative Commons Attribution Share Alike 3.0
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For Organ (Boniteau)
Arranger Marc Boniteau
Publisher. Info. Marc Boniteau
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Organ (Schaab)
Arranger Robert Schaab (1817-1887)
Publisher. Info. Leipzig: J. Rieter-Biedermann, n.d.(ca.1866). Plate 471a-b.
Copyright
Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
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Arranger Robert Schaab (1817–1887)
Editor Alain Brunet
Publisher. Info. Alex'Not
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes fac-simile "moderne" : gravure identique à l'original
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For Piano (Willner)

⇒ 8 more: Aria: Buß und Reu (Part I, No.10) • Aria: Blute nur (Part I, No.12) • Duet: Er antwortete und sprach (Part I, No.17) • Aria: Ich will dir mein Herze schenken (Part I, No.19) • Aria and Chorus: Ach, nun ist mein Jesus hin (Part II, No.36) • Aria: Erbarme Dich (Part II, No.47) • Aria: Gebt mir meinen Jesum wieder (Part II, No.51) • Final Chorus (Part II, No.78)

Arranger Arthur Willner (1881-1959)
Publisher. Info. Corona-Collection. J. S. Bach. II Piano Solo C. 332
Vienna: Universal Edition, n.d.(ca.1931). Plate C.C. 99.
Copyright
Public Domain - Non-PD EU
Misc. Notes Scanned at 600dpi grayscale, converted to monochrome.
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Coro: Kommt, ihr Töchter (Part I, No.1)

For 3 Violins, 2 Violas and 2 Cellos (Bartoli)
Arranger Russ Bartoli
Publisher. Info. Russ Bartoli
Copyright
Creative Commons Attribution-NonCommercial 4.0
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For 2 Pianos 8 hands (Schellenberg)
Arranger Hermann Schellenberg (1816–1862)
Publisher. Info. Leipzig: Klemm, n.d.(ca.1870). Plate 645.
Copyright
Public Domain
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Aria: Ich will dir mein Herze schenken (Part I, No.19)

For Double Reed Quartet (Notenschreiber)

 Complete Score and Parts
#92514 - 0.13MB, 9 pp. -  3.3333333333333/10 2 4 6 8 10 (3) - !N/!N/!N - 4458×⇩ - Notenschreiber

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Arranger Notenschreiber
Publisher. Info. Notenschreiber
Copyright
Creative Commons Attribution Share Alike 3.0
Misc. Notes Double Reed Quartet means Oboe, English horn, Bass oboe, Bassoon
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For Trumpet and Organ (Rondeau)
Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Chorale: Ich will hier bei dir stehen (Part I, No.23)

For Male Chorus (O'Brien)

 Complete Score
#160429 - 0.01MB, 1 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 1828×⇩ - Glenn O'Brien

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Glenn O'Brien (2011/12/4)

Arranger Glenn O'Brien
Publisher. Info. Glenn O'Brien
Copyright
Creative Commons Attribution 3.0
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So ist mein Jesus nun gefangen (Part I, No.27a/33)

For 2 Pianos 8 hands (Ph. L.)

 Piano 1 (1/2)
#880173 - 65.73MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C/V/C - 14×⇩ - HMABOSTON

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HMABOSTON (2023/10/14)

 Piano 2 (1/2)
#880174 - 32.49MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C/V/C - 11×⇩ - HMABOSTON

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HMABOSTON (2023/10/14)

Arranger Ph. L.
Publisher. Info. Leipzig: C.A. Klemm, n.d. Plate 862.
Copyright
Public Domain
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Chorale: Wer hat dich so geschlagen (Part II, Nos.37/44)

For Mixed Chorus (Sothilander)

 Complete Score
#622089 - 0.04MB, 1 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 355×⇩ - Sothilander

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Sothilander (2020/4/26)

Arranger Georg L. Sothilander
Publisher. Info. Georg L. Sothilander
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes A German evening song "Nun ruhen alle Wälder" by Paul Gerhardt put to the music of the chorale "Wer hat dich so geschlagen".
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Aria: Gebt mir meinem Jesum wieder (Part II, No.42)

For Piano (Zadora)
Arranger Michael Zadora (1882-1946)
Publisher. Info. Berlin: Ed. Bote & G. Bock, 1916. Plate B. et B. 18653.
Copyright
Public Domain
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Aria: 'Erbarme Dich' (Part II, No.47)

For Accordion Orchestra (De Bra)
Arranger Paul De Bra
Publisher. Info. Paul De Bra
Copyright
Creative Commons Attribution 4.0
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For Flute or High Voice and Piano (Verpoorten)
Arranger JanHerman Verpoorten (b. 1945)
Publisher. Info. JanHerman Verpoorten, 2020.
Copyright
Creative Commons Zero 1.0
Misc. Notes Transposed to d-minor
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For Cello and Piano (Roth)
Arranger Philipp Roth (1853–1898)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1895). Plate V.A. 1562.
Copyright
Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
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For Alto and Flute (Alici)

 Flute Part
#401357 - 0.17MB, 6 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 4016×⇩ - Gdac

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Gdac (2015/12/2)

Arranger Guido Alici
Publisher. Info. Guido Alici
Copyright
Creative Commons Attribution-NonCommercial 4.0
Misc. Notes transcription of "Erbarme Dich" for Flute (with voice guideline)
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For Alto and Organ (Brunet)

 Complete Score
#592176 - 0.98MB, 11 pp. -  10/10 2 4 6 8 10 (1) - !N/!N/!N - 3910×⇩ - Alex'Not

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Alex'Not (2019/10/5)

Arranger Alain Brunet (b. 1967)
Publisher. Info. Alex'Not
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Creative Commons Attribution-ShareAlike 4.0
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For Harmonica and Guitar (Marcoux)
Arranger Jean-François Marcoux
Publisher. Info. Jean-François Marcoux
Copyright
Creative Commons Attribution 4.0
Misc. Notes The guitarist is to play from the melody part, with the chord symbols provided.
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For Organ (Righetti)

 Complete Score
#499165 - 0.17MB, 4 pp. -  9.3333333333333/10 2 4 6 8 10 (3) - !N/!N/!N - 5577×⇩ - Righetti

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Righetti (2017/11/3)

Arranger Benjamin Righetti (b. 1982)
Publisher. Info. Benjamin Righetti
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Creative Commons Attribution-ShareAlike 4.0
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For Piano (Jadassohn)
Arranger Salomon Jadassohn (1831-1902)
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1870). Plate 4982.
Copyright
Public Domain
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For Piano (Köhler)
Arranger Louis Köhler (1820–1886)
Publisher. Info. Braunschweig: Henry Litolffs Verlag, n.d. Plate 3885. (pp.29-31)
Copyright
Public Domain
Misc. Notes Excerpt from a piano reduction of the complete work
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Befiehl du deine Wege (Part II, No.53)

For 5 Flutes (Kamioka)

 Complete Score
#386620 - 0.04MB, 2 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 1680×⇩ - Powell7300

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Powell7300 (2015/7/20)

Arranger Hideo Kamioka
Publisher. Info. Hideo Kamioka
Copyright
Creative Commons Attribution-NonCommercial 4.0
Misc. Notes 3 Flutes, Alto Flute and Bass Flute
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Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)

For 4 Flutes (Kamioka)
Arranger Hideo Kamioka
Publisher. Info. Hideo Kamioka
Copyright
Creative Commons Attribution-NonCommercial 4.0
Misc. Notes Recorder (or Flute), Flute, Alto Flute and Bass Flute
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For Harmonica and Guitar (Marcoux)
Arranger Jean-François Marcoux
Publisher. Info. Jean-François Marcoux
Copyright
Creative Commons Attribution 4.0
Misc. Notes The guitarist is to play from the melody part, with the chord symbols provided.
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Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)

For Orchestra (Gordon)
Arranger Philip Gordon (1894–1983)
Publisher. Info. New York: Bourne Co., 1961.
Copyright
Public Domain - Non-PD Canada
Misc. Notes Titled: Chorale Prelude - "From Ill do thou defend us"
In the USA this work is most likely in the public domain because no renewal was found after a thorough search of the Catalog of Copyright Entries and it was ineligible for "restoration" under GATT/TRIPS.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
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For Strings (Schneiderheinze)

 Complete Score
#842358 - 0.09MB, 2 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 515×⇩ - Dirks

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Dirks (2023/2/27)

Arranger Dirk Schneiderheinze
Publisher. Info. Dirk Schneiderheinze, 2023.
Copyright
Creative Commons Attribution 4.0
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For Guitar (Alink)

 Complete Score
#261164 - 0.12MB, 1 pp. -  4.6666666666667/10 2 4 6 8 10 (3) - !N/!N/!N - 3101×⇩ - Bert Alink

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Bert Alink (2012/12/6)

Arranger Bert Alink
Publisher. Info. Bert Alink
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Creative Commons Attribution Non-commercial Share Alike 3.0
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For Guitar (Beuming)

 Complete Score (E minor)
#732786 - 0.05MB, 1 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 323×⇩ - Benbeuming

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Benbeuming (2021/9/18)

Arranger Ben Beuming (b. 1947)
Publisher. Info. beumingguitar, 2015.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
Misc. Notes Transposed to E - minor
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For Piano (Sun)

 Complete Score
#829971 - 0.26MB, 2 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 606×⇩ - Ruoshi

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Ruoshi (2022/12/23)

Arranger Ruoshi Sun
Publisher. Info. Ruoshi Sun, 2022.
Copyright
Creative Commons Attribution-ShareAlike 4.0
Recordings Piano performance by Ruoshi Sun (2022)
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Aria: 'Mache dich, mein Herze, rein' (Part II, No.65/75)

For Bass voice and Organ (Jolliet)

 Complete Score
#678700 - 0.24MB, 6 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 1151×⇩ - Eljo94

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Arranger Elie Jolliet (b. 1994)
Publisher. Info. Elie Jolliet, 2021.
Copyright
Creative Commons Attribution-ShareAlike 4.0
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Wir setzen uns mit Tränen nieder (Part II, No.78)

For Oboe, English horn, Bass Oboe and Bassoon (Notenschreiber)
Arranger Notenschreiber
Publisher. Info. Notenschreiber
Copyright
Creative Commons Attribution Share Alike 3.0
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For Piano (Berstis)

 Complete Score
#596735 - 0.04MB, 3 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 2074×⇩ - Berstis

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Berstis (2019/11/10)

Arranger Viktors Berstis (b. 1949)
Publisher. Info. Viktors Berstis, 2019.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
Misc. Notes Closing chorus of St Mathew Passion as a piano transcription: "In Deepest Grief"
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For Piano (Kleinmichel)
Arranger Richard Kleinmichel (1846–1901)
Publisher. Info. Leipzig: Bartholf Senff, n.d.(ca.1896). Plate 1764.
Copyright
Public Domain
Misc. Notes 50 Stunden der Andacht - Fromme Weisen für die heiligen Tage
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Selections

Editor Frieder Rempp (b. 1942)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 2.1
Choräle und geistliche Lieder, Teil 1 (pp.95)
Kassel: Bärenreiter Verlag, 1991. Plate BA 5075.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes From Dietel Sammlung as "Jesu, meiner Seelen Wonne" (No.139). More details. 600 dpi. Page size is 10.00 x 12.688 inches. Numbering above is NBA (BWV).
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⇒ 11 more: 10/16. Chorus: 'Ich bin's, ich sollte büßen' (Textless) • 15/21. Chorus: 'Erkenne mich, mein Hüter' (Textless, D major) • 17/23. Chorus: 'Ich will hier bei dir stehen' (Textless, D major) • 25/31. Chorus: 'Was mein Gott will, das g'scheh allzeit' (Textless) • 32/38. Chorus: 'Mir hat die Welt trüglich gericht' (Textless) • 37/44. Chorus: 'Wer hat dich so geschlagen' (Textless) • 40/48. Chorus: 'Bin ich gleich von dir gewichen' (Textless) • 44/53. Chorus: 'Befiehl du deine Wege' (Textless) • 46/55. Chorus: 'Wie wunderbarlich ist doch diese Strafe!' (Textless) • 54/63. Chorus: 'O Haupt voll Blut und Wunden' (Textless) • 62/72. Chorus: 'Wenn ich einmal soll scheiden' (Textless, B minor)

Editor Frieder Rempp (b. 1942)
Publisher. Info. Neue Bach-Ausgabe, Serie III, Band 2.2
Choräle und geistliche Lieder, Teil 2 (pp.43, 66, 55, 55, 64, 66-67, 29, 68-69, 49, 59, 41, 50)
Kassel: Bärenreiter Verlag, 1996. Plate BA 5076.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes From Chorale der Sammlung C.P.E. Bach nach dem Druck von 1784-1787.
600 dpi. Page size is 10.00 x 12.688 inches. Numbering above is NBA (BWV).
3/3. As "Herzliebster Jesu, was hast du verbrochen" (More details) (No.78)
10/16. As "Nun ruhen alle Wälder" (More details) (No.117)
15/21. As "O Haupt voll Blut und Wunden" (More details) (No.98)
17/23. As "O Haupt voll Blut und Wunden" (More details) (No.98)
25/31. As "Was mein Gott will, das gescheh allezeit" (More details) (No.115)
32/38. As "In dich hab ich gehoffet, Herr" (More details) (No.118)
37/44. As "In allen meinen Taten" (More details) (No.50)
40/48. As "Werde munter mein Gemüte" (More details) (No.121)
44/53. As "O Haupt voll Blut und Wunden" (More details) (No.87)
46/55. As "Herzliebster Jesu, was hast du verbrochen" (More details) (No.105)
54/63. As "O Haupt voll Blut und Wunden" (More details) (No.74)
62/72. As "O Haupt voll Blut und Wunden" (More details) (No.89)
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General Information

Work Title Matthäuspassion
Alternative. Title Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum ; St. Matthew Passion
Name Translations Passione secondo Matteo; Матеус пасион; Passió segons sant Mateu; Matoušovy pašije; Matthäus-Passion; [28 more...]Κατά Ματθαίον Πάθη; St Matthew Passion; Pasión según San Mateo; Matteus-passio; Passion selon Saint Matthieu; מתאוס פסיון; マタイ受難曲; 마태오 수난곡; Passio secundum Matthaeum; Matteuspasjonen av Bach; Pasja według św. Mateusza; Paixão Segundo São Mateus, BWV 244; Страсти по Матфею; Matteuspassionen; Страсті за Матвієм; 马太受难曲; Matteuspasjonen; Máté-passió; D Mattäus-Bassioon vom Johann Sebastian Bach; Fulangas Naomh Mata; Passion thánh Matthew; Matúšove pašie; Matteuse passioon; Patimile după Matei; انجیل به روایت متی (باخ); 馬太受難曲; Paixón segundo San Mateu; Pasijon po Mateju
Name Aliases Pasion segun San Mateo; BMW 244; Matthaus-Passion (J.S. Bach); Τα κατά Ματθαίον Πάθη; Matejev pasijon
Authorities WorldCat; Wikipedia; VIAF: 1371147270361735700006; LCCN: n82024093; GND: 300009798; [4 more...]SUDOC: 030218012; BNF: 140094767; NLA: 35183965; BNE: XX2221665
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 244 ; BC D3b
Internal Reference NumberInternal Ref. No. IJB 391
Key E minor
Movements/SectionsMov'ts/Sec's 2 parts in 68 numbers (numbering varies according to edition, NBA/BWV below): [more...]
  • Part I
1/1. Kommt, ihr Töchter, helft mir klagen chorale O Lamm Gottes, unschuldig as cantus firmus
2/2. Da Jesus diese Rede vollendet hatte
3/3. Herzliebster Jesu
4a/4. Da versammleten sich die Hohenpriester
4b/5. Ja nicht auf das Fest
4c/6. Da nun Jesus war zu Bethanien
4d/7. Wozu dienet dieser Unrat
4e/8. Da das Jesus merkete
5/9. Du lieber Heiland du
6/10. Buß und Reu
7/11. Da ging hin der Zwölfen einer
8/12. Blute nur, du liebes Herz!
9a/13. Aber am ersten Tage der süßen Brot
9b/14. Wo willst du, daß wir dir bereiten
9c/15. Er sprach: Gehet hin in die Stadt
9d/15. Und sie wurden sehr betrübt
9e/15. Herr, bin ich's?
10/16. Ich bin's, ich sollte büßen
11/17. Er antwortete und sprach
12/18. Wiewohl mein Herz in Tränen schwimmt
13/19. Ich will dir mein Herze schenken
14/20. Und da sie den Lobgesang gesprochen hatten
15/21. Erkenne mich, mein Hüter
16/22. Petrus aber antwortete
17/23. Ich will hier bei dir stehen
18/24. Da kam Jesus mit ihnen zu einem Hofe
19/25. O Schmerz! Hier zittert das gequälte Herz
20/26. Ich will bei meinem Jesu wachen
21/27. Und ging hin ein wenig
22/28. Der Heiland fällt vor seinem Vater nieder
23/29. Gerne will ich mich bequemen
24/30. Und er kam zu seinen Jüngern
25/31. Was mein Gott will, das g'scheh allzeit
26/32. Und er kam und fand sie aber schlafend
27a/33. So ist mein Jesus nun gefangen
27b/33. Sind Blitze, sind Donner in Wolken verschwunden?
28/34. Und siehe, einer aus denen
29/35. O Mensch, bewein dein Sünde groß
  • Part II
30/36. Ach! nun ist mein Jesus hin!
31/37. Die aber Jesum gegriffen hatten
32/38. Mir hat die Welt trüglich gericht'
33/39. Und wiewohl viel falsche Zeugen herzutraten
34/40. Mein Jesus schweigt
35/41. Geduld! Wenn mich falsche Zungen stechen
36a/42. Und der Hohepriester antwortete
36b/42. Er ist des Todes schuldig!
36c/43. Da speieten sie aus
36d/43. Weissage uns, Christe
37/44. Wer hat dich so geschlagen
38a/45. Petrus aber saß draußen
38b/45. Wahrlich, du bist auch einer
38c/46. Da hub er an, sich zu verfluchen
39/47. Erbarme dich
40/48. Bin ich gleich von dir gewichen
41a/49. Des Morgens aber hielten alle Hohepriester
41b/49. Was gehet uns das an?
41c/50. Und er warf die Silberlinge in den Tempel
42/51. Gebt mir meinen Jesum wieder!
43/52. Sie hielten aber einen Rat
44/53. Befiehl du deine Wege
45a/54. Auf das Fest aber hatte der Landpfleger Gewohnheit
45b/54. Laß ihn kreuzigen!
46/55. Wie wunderbarlich ist doch diese Strafe!
47/56. Der Landpfleger sagte
48/57. Er hat uns allen wohlgetan
49/58. Aus Liebe will mein Heiland sterben
50a/59. Sie schrieen aber noch mehr
50b/59. Laß ihn kreuzigen!
50c/59. Da aber Pilatus sahe
50d/59. Sein Blut komme über uns
50e/59. Da gab er ihnen Barrabam los
51/60. Erbarm es Gott!
52/61. Können Tränen meiner Wangen
53a/62. Da nahmen die Kriegsknechte
53b/62. Gegrüßet seist du, Jüdenkönig!
53c/62. Und speieten ihn an
54/63. O Haupt voll Blut und Wunden
55/64. Und da sie ihn verspottet hatten
56/65. Ja freilich will in uns
57/66. Komm, süßes Kreuz
58a/67. Und da sie an die Stätte kamen
58b/67. Der du den Tempel Gottes zerbrichst
58c/67. Desgleichen auch die Hohenpriester
58d/67. Andern hat er geholfen
58e/68. Desgleichen schmäheten ihn
59/69. Ach Golgatha
60/70. Sehet, Jesus hat die Hand
61a/71. Und von der sechsten Stunde an
61b/71. Der rufet dem Elias!
61c/71. Und bald lief einer unter ihnen
61d/71. Halt! laß sehen
61e/71. Aber Jesus schriee abermal laut
62/72. Wenn ich einmal soll scheiden
63a/73. Und siehe da, der Vorhang im Tempel zerriß
63b/73. Wahrlich, dieser ist Gottes Sohn gewesen
63c/73. Und es waren viel Weiber da
64/74. Am Abend, da es kühle war
65/75. Mache dich, mein Herze, rein
66a/76. Und Joseph nahm den Leib
66b/76. Herr, wir haben gedacht
66c/76. Pilatus sprach zu ihnen
67/77. Nun ist der Herr zur Ruh gebracht
68/78. Wir setzen uns mit Tränen nieder
Year/Date of CompositionY/D of Comp. 1736, revised 1742, 1743-46
First Performance. 1736-03-30 in Leipzig, Thomaskirche, rep. 1742-03-23 in Leipzig, Thomaskirche
First Publication. 1830 - Berlin: Schlesinger
Librettist Christian Friedrich Henrici (1700–1764), as Picander
Language German
Dedication Good Friday (Parasceve)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed choruses (SSAATTBBB), 2 orchestras
InstrDetail [more...]
Cast
First Maid (soprano)
Second Maid (soprano)
Pilate's Wife (soprano)
Evangelist (alto)
Witness 1 (alto)
Witness 2 (tenor)
Jesus (bass)
Peter (bass)
Judas (bass)
Pilate (bass)
Pontifices I (bass)
Pontifices II (bass)

Mixed Choruses (SATB/SATB)
Orchestra 1

2 flutes, 2 oboes (also both oboes d'amore and oboes da caccia), strings, continuo

Orchestra 2

2 flutes, 2 oboes (also both oboes d'amore and oboes da caccia), viola da gamba, strings, continuo
Manuscript Sources Bach Digital (source list)
External Links Wikipedia article
Bach-Cantatas.com
German to Portuguese translation
CPDL (No.10/16, English Version)
CPDL (No.10/16, German Version)
CPDL (No.44/53)
Extra Information The numbering system used here is that of the BWV catalog. See the wikipedia article about the structure for alternate systems

Navigation etc.

Passions and Oratorios (BWV 11, 244-249) by Johann Sebastian Bach
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