List of works by Luigi Boccherini

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Category:Boccherini, Luigi.
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(work in progress)
The "G" number, by the way, is derived from the catalogue of Boccherini's works prepared by Yves Gérard in 1969. If opus numbers are given, they follow Boccherini's autograph catalogue. They are very often different from the opus numbers under which these works were published.

Sources: Y. Gérard, Catalogue of the works of Boccherini, Oxford 1969.

Contents 1 Cello and Basso (probably a 2nd Cello) or 2 Cellos 2 Viola (or Cello) and Basso 3 Violin and Basso (probably Cello) 4 Harpsichord or Piano 5 Keyboard and Violin 6 2 Violins 7 2 Bassoons (or 2 Cellos) 8 2 Harpsichords 9 Trios for 2 Violins and Cello or Violin, Viola and Cello 10 Other works for 3 Instruments 11 Quartets for 2 Violins, Viola, Cello 12 Other Works for 4 Instruments 13 Quintets for 2 Violins, Viola, 2 Cellos 14 Quintets for 2 Violins, Viola, Cello and Double bass 15 Quintets for 2 Violins, 2 Violas, and Cello 16 Quintets for Piano, 2 Violins, Viola and Cello 17 Quintets for Flute or Oboe, 2 Violins, Viola, and Cello 18 Quintets for Guitar, 2 Violins, Viola, and Cello 19 Sextets for 2 Violins, 2 Violas, 2 Cellos 20 Sextets or Divertimenti for Flute and Strings 21 Sextets and Octets for wind and string instruments 22 Cello Concertos 23 Violin Concertos 24 Harpsichord Concertos 25 Flute Concertos 26 Small Orchestra 27 Orchestra 28 Ballets, Théâtre, Dances 29 Masses 30 Motets and Psalms 31 Cantatas 32 Oratorios 33 Villancicos 34 Operas 35 Cantata 36 Concert Arias

Cello and Basso (probably a 2nd Cello) or 2 Cellos

The Sonatas are not mentioned in Boccherini's autograph catalogue and can not be dated precisely, but most of them are probably authentic early works (until c.1770). The basso part is not ciphered and probably intended for a second string instrument (e.g. a second cello).

• G.1, Sonata No.1, in F major for cello solo (and basso); published c.1770-1775 by Bremner (London).
• G.2, Sonata No.2, in C minor for cello solo (and basso) (first version).
• G.2b, Sonata No.2, in C minor for cello solo (and basso).
• G.3, Sonata No.3, in C major for cello solo (and basso).
• G.4, Sonata No.4, in A minor for cello solo (and basso) (1st version); published c.1770-1775 by Bremner (London).
• G.4b, Sonata No.4, in A major for cello solo (and basso) (not published) (Same 3rd movement as G.4).
• G.5, Sonata No.5, in G major for cello solo (and basso); published c.1770-1775 by Bremner (London).
• G.6, Sonata No.6, in C major for cello solo (and basso); published c.1770-1775 by Bremner (London).
• G.7, Sonata No.7, in C major for cello solo (and basso).
• G.8, Sonata No.8, in B-flat major for cello solo (and basso).
• G.9, Sonata No.9, in F major for cello solo (and basso).
• G.10, Sonata No.10, in E-flat major for cello solo (and basso); published c.1770-1775 by Bremner (London); same sonata as G.75 (version for 2 Cellos)
• G.11, Sonata No.11, in E-flat major for cello solo (and basso).
• G.12, Sonata No.12, in B-flat major for cello solo (and basso).
• G.13, Sonata No.13, in A major for cello solo (and basso); published c.1770-1775 by Bremner (London) (uses the same theme in the Concerto G.475).
• G.14, Sonata No.14, in E-flat major for cello solo (and basso) (9 variations).
• G.15, Sonata No.15, in G major for cello solo (and basso).
• G.16, Sonata No.16, in E-flat major for cello solo (and basso).
• G.17, Sonata No.17, in C major for cello solo (and basso).
• G.19, Sonata No.19, in F major for cello solo (and basso).
• G.74, Sonata, in C major, for 2 Cellos
• G.562, Sonata No.20, in G minor for cello solo (and basso).
• G.563, Sonata No.21, in G major for cello solo (and basso).
• G.564, Sonata No.22, in D major for cello solo (and basso).
• G.565, Sonata No.23, in B-flat major for cello solo (and basso).
• G.565b, Sonata No.23, in B-flat major for cello solo (and basso) (second version)
• G.566, Sonata No.24, in E flat major, for cello solo (and basso)
• G.567, Sonata No.25, in E flat major, for cello solo (and basso)
• G.568, Sonate No.26, in E flat major, for cello solo (and basso)
• G.569, Sonate No.27, in C major, for cello solo (and basso) (probably later than the other sonatas of Boccherini)
• G.571, Sonata, in D major, for 2 cellos (authorship doubtful)
• G.572, Sonata, in D major, for 2 cellos (authorship doubtful)
• G.579, Sonata No.28, in F major, for cello solo (and basso)
• G.580, Sonata No.29, in D major, for cello solo (and basso) (authorship doubtful)
• G deest, Cello Sonata in A major
• G deest, Cello Sonata in A minor
• G deest, Cello Sonata in C minor
• G deest, Cello Sonata in C minor
• G deest, Cello Sonata in D major
• G deest, Cello Sonata in E flat major
• G deest, Cello Sonata in F minor

Viola (or Cello) and Basso

• G.18, Sonata No.18, in C minor for viola (or cello) solo (and basso).

Violin and Basso (probably Cello)

• G.20, arrangement of the 6 Cello Sonatas G.13, 6, 5, 10, 1 and 4 for violin solo (and basso); published by La Chevardière (Paris) c.1775
• G.570, Sonata, in E♭ major, for violin solo (and basso) (perhaps an arrangement of a lost Cello Sonata)

Harpsichord or Piano

All works for Harpsichord or Pianoforte solo are arrangements or doubtful works.

• G.21, Sinfonia, in E♭ major, for pianoforte (probably not by Boccherini)
• G.22, Sonata, in E♭ major, for harpsichord (= harpsichord part of G.30)
• G.23, 6 Sonatas for harpsichord or pianoforte (= harpsichord or pianoforte part of G.143-148)
• G.24, 6 Sonatas for harpsichord solo (and violin ad lib.) (arrangement of G.95-100)

Keyboard and Violin

Only G.25-30 are authentic works by Boccherini; G.34-55 are arrangements

• G.25, Op.5/1 1768 Sonata No.1, in B♭ major, for pianoforte and violin
• G.26, Op.5/2 1768 Sonata No.1, in D major, for pianoforte and violin
• G.27, Op.5/3 1768 Sonata No.3, in B♭ major, for pianoforte and violin
• G.28, Op.5/4 1768 Sonata No.4, in D major, for pianoforte and violin
• G.29, Op.5/5 1768 Sonata No.5, in G minor, for pianoforte and violin
• G.30, Op.5/6 1768 Sonata No.6, in E♭ major, for pianoforte and violin
• G.34-39, 6 Sonatas for harpsichord (or pianoforte) and violin, C major, E major, B♭ major, E♭ major, A major, D major (arrangement of movements from G.80, 83, 84, 85, 91, 165, 268, 269, by Thomas Billington); published London and Amsterdam c.1780
• G.40-45, 6 Sonatas for harpsichord (or pianoforte or harp) and violin, in C major, B♭ major, D minor, C minor, B♭ major, C minor (arrangement of movements from G. 159, 160, 164, 171, 172, 419, 420, 422, 424, possibly by Naderman); published by Naderman (Paris 1778)
• G.46-51, 6 Sonatas, for harpsichord (or pianoforte) and violin, in C minor, D minor, B♭ major, A major, E♭ major, E major (arrangement of movements of G. 85, 89, 90, 159, 161, 162, 165, 167, 171, 266, 282, by Mlle Le Jeune); published by Venier (Paris 1782, as op. 33, Libro terzo di Sonate)
• G.52-54, 3 Sonatas for harpsichord (or pianoforte) and violin, in B♭ major, E♭ major, E major (arrangement of movements of G.78, 83, 84, 85, by Mr. Robinson); published by Forster (London) c.1775
• G.55, Rondo, in G major, for harpsichord and violin (arrangement of second movement of G.93, by Mr. XXX); published 1782 by Le Duc (Paris)

2 Violins

• G.56, Op.3/1 1761 Duet No.1, in G major, for 2 Violins
• G.57, Op.3/2 1761 Duet No.2, in F major, for 2 Violins
• G.58, Op.3/3 1761 Duet No.3, in A major, for 2 Violins
• G.59, Op.3/4 1761 Duet No.4, in B♭ major, for 2 Violins
• G.60, Op.3/5 1761 Duet No.5, in E♭ major, for 2 Violins
• G.61, Op.3/6 1761 Duet No.6, in D major, for 2 Violins
• G.62, Duet, in E♭ major, for 2 Violins "La bona notte" (attribution to Boccherini uncertain; possibly by Manfredi)
• G.63-68, 6 Duets for 2 Violins, in G major, E major, F minor, C major, E♭ major, D minor (arrangements of G.114, 106, 101, 105, 115, 360 with minuet of G.365, by Pleyel or Boccherini); published by Pleyel (Paris 1798) as Op.46
• G.69, Duet, in C major, for 2 Violins (probably not by Boccherini)
• G.70, Duet, in C major, for 2 Violins (probably not by Boccherini)
• G.71, Duet, in D major, for 2 Violins (arrangement of third movement of G.122); published by Bornet (Paris 1788)
• G.72, 6 Duets for 2 Violins (not by Boccherini, but by Agus)

2 Bassoons (or 2 Cellos)

• G.73, 6 Fugues for 2 bassoons or cellos, in C major, F major, B♭ major, E♭ major, A major, E major (authorship doubtful)

2 Harpsichords

• G.76, Quatuors (6) transcrits pour 2 clavecins (transcription des 6 Quatuors, Opus 26, G 195-200 - anonyme)

Trios for 2 Violins and Cello or Violin, Viola and Cello

• G.77, Op.1/1 1760 Trio No.1, in F major, for 2 Violins and Cello
• G.78, Op.1/2 1760 Trio No.2, in B♭ major, for 2 Violins and Cello
• G.79, Op.1/3 1760 Trio No.3, in A major, for 2 Violins and Cello
• G.80, Op.1/4 1760 Trio No.4, in D major, for 2 Violins and Cello
• G.81, Op.1/5 1760 Trio No.5, in G major, for 2 Violins and Cello
• G.82, Op.1/6 1760 Trio No.6, in C major, for 2 Violins and Cello
• G.83, Op.4/1 1766 Trio No.7, in E♭ major, for 2 Violins and Cello
• G.84, Op.4/2 1766 Trio No.8, in B♭ major, for 2 Violins and Cello
• G.85, Op.4/3 1766 Trio No.9, in E major, for 2 Violins and Cello
• G.86, Op.4/4 1766 Trio No.10, in F minor, for 2 Violins and Cello
• G.87, Op.4/5 1766 Trio No.11, in D major, for 2 Violins and Cello
• G.88, Op.4/6 1766 Trio No.12, in F major, for 2 Violins and Cello
• G.89, Op.6/1 1769 Trio No.13, in B♭ major, for 2 Violins and Cello
• G.90, Op.6/2 1769 Trio No.14, in E♭ major, for 2 Violins and Cello
• G.91, Op.6/3 1769 Trio No.15, in A major, for 2 Violins and Cello
• G.92, Op.6/4 1769 Trio No.16, in F minor, for 2 Violins and Cello
• G.93, Op.6/5 1769 Trio No.17, in G minor, for 2 Violins and Cello
• G.94, Op.6/6 1769 Trio No.18, in C major, for 2 Violins and Cello
• G.95, Op.14/1 1772 Trio No. 19, in F major, for Violin, Viola and Cello
• G.96, Op.14/2 1772 Trio No. 20, in C minor, for Violin, Viola and Cello
• G.97, Op.14/3 1772 Trio No. 21, in A major, for Violin, Viola and Cello
• G.98, Op.14/4 1772 Trio No. 22, in D major, for Violin, Viola and Cello
• G.99, Op.14/5 1772 Trio No. 23, in E♭ major, for Violin, Viola and Cello
• G.100, Op.14/6 1772 Trio No. 24, in F major, for Violin, Viola and Cello
• G.101, Op.34/1 1781 Trio No. 25, in F minor, for 2 Violins and Cello
• G.102, Op.34/2 1781 Trio No. 26, in G major, for 2 Violins and Cello
• G.103, Op.34/3 1781 Trio No. 27, in E♭ major, for 2 Violins and Cello
• G.104, Op.34/4 1781 Trio No. 28, in D major, for 2 Violins and Cello
• G.105, Op.34/5 1781 Trio No. 29, in C major, for 2 Violins and Cello
• G.106, Op.34/6 1781 Trio No. 30, in E major, for 2 Violins and Cello
• G.107, Op.47/1 1793 Trio No. 31, in A major, for Violin, Viola and Cello
• G.108, Op.47/2 1793 Trio No. 32, in G major, for Violin, Viola and Cello
• G.109, Op.47/3 1793 Trio No. 33, in B♭ major, for Violin, Viola and Cello
• G.110, Op.47/4 1793 Trio No. 34, in E♭ major, for Violin, Viola and Cello
• G.111, Op.47/5 1793 Trio No. 35, in D major, for Violin, Viola and Cello
• G.112, Op.47/6 1793 Trio No. 36, in F major, for Violin, Viola and Cello
• G.113, Op.54/1 1796 Trio No. 37, in D major, for 2 Violins and Cello
• G.114, Op.54/2 1796 Trio No. 38, in G major, for 2 Violins and Cello
• G.115, Op.54/3 1796 Trio No. 39, in E♭ major, for 2 Violins and Cello
• G.116, Op.54/4 1796 Trio No. 40, in C major, for 2 Violins and Cello
• G.117, Op.54/5 1796 Trio No. 41, in D minor, for 2 Violins and Cello
• G.118, Op.54/6 1796 Trio No. 42, in A major, for 2 Violins and Cello
• G.119, Trio No.1, in D major, for 2 Violins and Cello (authorship doubtful; published 1768 by La Chevardière as Op.3)
• G.120, Trio No.2, in A major, for 2 Violins and Cello (authorship doubtful; published 1768 by La Chevardière as Op.3)
• G.121, Trio No.3, in A major, for 2 Violins and Cello (authorship doubtful; published 1768 by La Chevardière as Op.3)
• G.122, Trio No.4, in D major, for 2 Violins and Cello (authorship doubtful; published 1768 by La Chevardière as Op.3)
• G.123, Trio No.5, in D major, for 2 Violins and Cello (authorship doubtful; published 1768 by La Chevardière as Op.3)
• G.124, Trio No.6, in E♭ major, for 2 Violins and Cello (authorship doubtful; published 1768 by La Chevardière as Op.3)
• G.125, Trio No.1, in D minor, for 2 Violins and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.126, Trio No.2, In D major, for 2 Violins and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.127, Trio No.3, in E-flat major, for 2 Violins and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.128, Trio No.4, in A major, for 2 Violins and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.129, Trio No.5, in B-flat major, for 2 Violins and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.130, Trio No.6, in F major, for 2 Violins and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.131, Trio No.1, in D major, for 2 Violins and Cello (published by Bailleux c.1780 as Op.28; probably a forgery in imitation of Boccherini's style)
• G.132, Trio No.2, in E♭ major, for 2 Violins and Cello (published by Bailleux c.1780 as Op.28; probably a forgery in imitation of Boccherini's style)
• G.133, Trio No.3, in C minor, for 2 Violins and Cello (published by Bailleux c.1780 as Op.28; probably a forgery in imitation of Boccherini's style)
• G.134, Trio No.4, in A major, for 2 Violins and Cello (published by Bailleux c.1780 as Op.28; probably a forgery in imitation of Boccherini's style)
• G.135, Trio No.5, in B♭ major, for 2 Violins and Cello (published by Bailleux c.1780 as Op.28; probably a forgery in imitation of Boccherini's style)
• G.136, Trio No.6, in G major, for 2 Violins and Cello (published by Bailleux c.1780 as Op.28; probably a forgery in imitation of Boccherini's style)
• G.137, Divertimento No.1, in B♭ major, for 2 Violins and Cello (probably not by Boccherini)
• G.138, Divertimento No.2, in F major, for 2 Violins and Cello (probably not by Boccherini)
• G.139, Divertimento No.3, in G major, for 2 Violins and Cello (probably not by Boccherini)
• G.140, Divertimento No.4, in E♭ major, for 2 Violins and Cello (probably not by Boccherini)
• G.141, Divertimento No.5, in A major, for 2 Violins and Cello (probably not by Boccherini)
• G.142, Divertimento No.6, in C major, for 2 Violins and Cello (probably not by Boccherini)
• G.577, Trio, in G major, for 2 Violins and Cello (authorship doubtful)
• G.578, Trio, in G major, for 2 Violins and Cello (authorship doubtful)

Other works for 3 Instruments

All these works are doubtful or arrangements (G.143-148 might, however, be original works by Boccherini)

• G.143, Trio Sonata No.1, in C major, for Harpsichord (or Pianoforte), Violin and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic); published by La Chevardière (Paris 1781)
• G.144, Trio Sonata No.2, in E minor, for Harpsichord (or Pianoforte), Violin and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic); published by La Chevardière (Paris 1781)
• G.145, Trio Sonata No.3, in E♭ major, for Harpsichord (or Pianoforte), Violin and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic); published by La Chevardière (Paris 1781)
• G.146, Trio Sonata No.4, in D major, for Harpsichord (or Pianoforte), Violin and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic); published by La Chevardière (Paris 1781)
• G.147, Trio Sonata No.5, in B♭ major, for Harpsichord (or Pianoforte), Violin and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic); published by La Chevardière (Paris 1781)
• G.148, Trio Sonata No.6, in G minor, for Harpsichord (or Pianoforte), Violin and Cello (not mentioned in Boccherini's autograph catalogue, but possibly authentic); published by La Chevardière (Paris 1781)
• G.149, 3 Sonatas for Piano, Violin and Cello, B♭ major, D minor, C major (arrangement of G.357, 368, 361, by Pleyel); published by Pleyel (Paris c.1800)
• G.150, Sonata in D minor, for Piano, Violin and Cello (arrangement of G.360, by Pleyel); published by Pleyel (Paris c.1810)
• G.151, Sonata in B♭ major, for Piano, Violin and Cello (arrangement of G.359, by Pleyel)
• G.152, Trio in D minor, for Piano, Violin and Cello (arrangement of G.295, by Marquis de Louvois); published by Schlesinger (Paris) c.1835
• G.153, Trio in G minor, for Piano, Violin and Cello (arrangement of G.351, by Marquis de Louvois); published by Schlesinger (Paris) c.1835

• G.154, 3 Sonatas for Piano, Violin and Viola, in C minor, E♭ major, D major (arrangement of G.377, 369, 365, by Hérold); published by Pleyel (Paris 1799)

• G.155, 3 Trios for Flute, Violin and Cello (arrangements); published by Boyer-Naderman (Paris c.1795; lost)
• G.156, 3 Trios for Flute, Violin and Cello (arrangements); published by Boyer-Naderman (Paris c.1795; lost)

• G.157-158, 2 Trios for 2 Flutes and Basso, in C major, D major (anonymous arrangement of G.84 and 87)

Quartets for 2 Violins, Viola, Cello

• G.159, Op.2/1 1761 Quartet No.1, in C minor, for 2 Violins, Viola and Cello
• G.160, Op.2/2 1761 Quartet No.2, in B♭ major, for 2 Violins, Viola and Cello
• G.161, Op.2/3 1761 Quartet No.3, in D major, for 2 Violins, Viola and Cello
• G.162, Op.2/4 1761 Quartet No.4, in E♭ major, for 2 Violins, Viola and Cello
• G.163, Op.2/5 1761 Quartet No.5, in E major, for 2 Violins, Viola and Cello
• G.164, Op.2/6 1761 Quartet No.6, in C major, for 2 Violins, Viola and Cello
• G.165, Op.8/1 1769 Quartet No.7, in D major, for 2 Violins, Viola and Cello
• G.166, Op.8/2 1769 Quartet No.8, in C minor, for 2 Violins, Viola and Cello
• G.167, Op.8/3 1769 Quartet No.9, in E♭ major, for 2 Violins, Viola and Cello
• G.168, Op.8/4 1769 Quartet No.10, in G minor, for 2 Violins, Viola and Cello
• G.169, Op.8/5 1769 Quartet No.11, in F major, for 2 Violins, Viola and Cello
• G.170, Op.8/6 1769 Quartet No.12, in A major, for 2 Violins, Viola and Cello
• G.171, Op.9/1 1770 Quartet No.13, in C minor, for 2 Violins, Viola and Cello
• G.172, Op.9/2 1770 Quartet No.14, in D minor, for 2 Violins, Viola and Cello
• G.173, Op.9/3 1770 Quartet No.15, in F major, for 2 Violins, Viola and Cello
• G.174, Op.9/4 1770 Quartet No.16, in E♭ major, for 2 Violins, Viola and Cello
• G.175, Op.9/5 1770 Quartet No.17, in D major, for 2 Violins, Viola and Cello
• G.176, Op.9/6 1770 Quartet No.18, in E major, for 2 Violins, Viola and Cello
• G.177, Op.15/1 1772 Quartet No.19, in D major, for 2 Violins, Viola and Cello
• G.178, Op.15/2 1772 Quartet No.20, in F major, for 2 Violins, Viola and Cello
• G.179, Op.15/3 1772 Quartet No.21, in E major, for 2 Violins, Viola and Cello
• G.180, Op.15/4 1772 Quartet No.22, in F major, for 2 Violins, Viola and Cello
• G.181, Op.15/5 1772 Quartet No.23, in E♭ major, for 2 Violins, Viola and Cello
• G.182, Op.15/6 1772 Quartet No.24, in C minor, for 2 Violins, Viola and Cello
• G.183, Op.22/1 1775 Quartet No.25, in C major, for 2 Violins, Viola and Cello
• G.184, Op.22/2 1775 Quartet No.26, in D major, for 2 Violins, Viola and Cello
• G.185, Op.22/3 1775 Quartet No.27, in E♭ major, for 2 Violins, Viola and Cello
• G.186, Op.22/4 1775 Quartet No.28, in B♭ major, for 2 Violins, Viola and Cello
• G.187, Op.22/5 1775 Quartet No.29, in A minor, for 2 Violins, Viola and Cello
• G.188, Op.22/6 1775 Quartet No.30, in C major, for 2 Violins, Viola and Cello
• G.189, Op.24/1 1776-8 Quartet No.31, in D major, for 2 Violins, Viola and Cello
• G.190, Op.24/2 1776-8 Quartet No.32, in A major, for 2 Violins, Viola and Cello
• G.191, Op.24/3 1776-8 Quartet No.33, in E♭ major, for 2 Violins, Viola and Cello
• G.192, Op.24/4 1776-8 Quartet No.34, in C major, for 2 Violins, Viola and Cello
• G.193, Op.24/5 1776-8 Quartet No.35, in C minor, for 2 Violins, Viola and Cello
• G.194, Op.24/6 1776-8 Quartet No.36, in G minor, for 2 Violins, Viola and Cello
• G.195, Op.26/1 1778 Quartet No.37, in B♭ major, for 2 Violins, Viola and Cello
• G.196, Op.26/2 1778 Quartet No.38, in G minor, for 2 Violins, Viola and Cello
• G.197, Op.26/3 1778 Quartet No.39, in E♭ major, for 2 Violins, Viola and Cello
• G.198, Op.26/4 1778 Quartet No.40, in A major, for 2 Violins, Viola and Cello
• G.199, Op.26/5 1778 Quartet No.41, in F major, for 2 Violins, Viola and Cello
• G.200, Op.26/6 1778 Quartet No.42, in F minor, for 2 Violins, Viola and Cello
• G.201, Op.32/1 1780 Quartet No.43, in E♭ major, for 2 Violins, Viola and Cello
• G.202, Op.32/2 1780 Quartet No.44, in E minor, for 2 Violins, Viola and Cello
• G.203, Op.32/3 1780 Quartet No.45, in D major, for 2 Violins, Viola and Cello
• G.204, Op.32/4 1780 Quartet No.46, in C major, for 2 Violins, Viola and Cello
• G.205, Op.32/5 1780 Quartet No.47, in G minor, for 2 Violins, Viola and Cello
• G.206, Op.32/6 1780 Quartet No.48, in A major, for 2 Violins, Viola and Cello
• G.207, Op.33/1 1781 Quartet No.49, in E major, for 2 Violins, Viola and Cello
• G.208, Op.33/2 1781 Quartet No.50, in C major, for 2 Violins, Viola and Cello
• G.209, Op.33/3 1781 Quartet No.51, in G major, for 2 Violins, Viola and Cello
• G.210, Op.33/4 1781 Quartet No.52, in B♭ major, for 2 Violins, Viola and Cello
• G.211, Op.33/5 1781 Quartet No.53, in E minor, for 2 Violins, Viola and Cello
• G.212, Op.33/6 1781 Quartet No.54, in E♭ major, for 2 Violins, Viola and Cello
• G.213, Op.39 1787 Quartet No.55, in A major, for 2 Violins, Viola and Cello
• G.214, Op.41/1 1788 Quartet No.56, in C minor, for 2 Violins, Viola and Cello
• G.215, Op.41/2 1788 Quartet No.57, in C major, for 2 Violins, Viola and Cello
• G.216, Op.42/1 1789 Quartet No.58, in A major, for 2 Violins, Viola and Cello
• G.217, Op.42/2 1789 Quartet No.59, in C major, for 2 Violins, Viola and Cello
• G.218, Op.43/1 1790 Quartet No.60, in A major, for 2 Violins, Viola and Cello
• G.219, Op.43/2 1790 Quartet No.61, in A major, for 2 Violins, Viola and Cello
• G.220, Op.44/1 1792 Quartet No.62, in B♭ major, for 2 Violins, Viola and Cello
• G.221, Op.44/2 1792 Quartet No.63, in E minor, for 2 Violins, Viola and Cello
• G.222, Op.44/3 1792 Quartet No.64, in F major, for 2 Violins, Viola and Cello
• G.223, Op.44/4 1792 Quartet No.65 "La Tiranna", in G major, for 2 Violins, Viola and Cello
• G.224, Op.44/5 1792 Quartet No.66, in D major, for 2 Violins, Viola and Cello
• G.225, Op.44/6 1792 Quartet No.67, in E♭ major, for 2 Violins, Viola and Cello
• G.226, Op.48/1 1794 Quartet No.68, in F major, for 2 Violins, Viola and Cello
• G.227, Op.48/2 1794 Quartet No.69, in A major, for 2 Violins, Viola and Cello
• G.228, Op.48/3 1794 Quartet No.70, in B minor, for 2 Violins, Viola and Cello
• G.229, Op.48/4 1794 Quartet No.71, in B♭ major, for 2 Violins, Viola and Cello
• G.230, Op.48/5 1794 Quartet No.72, in G major, for 2 Violins, Viola and Cello
• G.231, Op.48/6 1794 Quartet No.73, in C major, for 2 Violins, Viola and Cello
• G.232, Op.52/1 1795 Quartet No.74, in C major, for 2 Violins, Viola and Cello
• G.233, Op.52/2 1795 Quartet No.75, in D major, for 2 Violins, Viola and Cello
• G.234, Op.52/3 1795 Quartet No.76, in G major, for 2 Violins, Viola and Cello
• G.235, Op.52/4 1795 Quartet No.77, in F minor, for 2 Violins, Viola and Cello
• G.236, Op.53/1 1796 Quartet No.78, in E♭ major, for 2 Violins, Viola and Cello
• G.237, Op.53/2 1796 Quartet No.79, in D major, for 2 Violins, Viola and Cello
• G.238, Op.53/3 1796 Quartet No.80, in C major, for 2 Violins, Viola and Cello
• G.239, Op.53/4 1796 Quartet No.81, in A major, for 2 Violins, Viola and Cello
• G.240, Op.53/5 1796 Quartet No.82, in C major, for 2 Violins, Viola and Cello
• G.241, Op.53/6 1796 Quartet No.83, in E♭ major, for 2 Violins, Viola and Cello
• G.242, Op.58/1 1799 Quartet No.84, in C major, for 2 Violins, Viola and Cello
• G.243, Op.58/2 1799 Quartet No.85, in E♭ major, for 2 Violins, Viola and Cello
• G.244, Op.58/3 1799 Quartet No.86, in B♭ major, for 2 Violins, Viola and Cello
• G.245, Op.58/4 1799 Quartet No.87, in B minor, for 2 Violins, Viola and Cello
• G.246, Op.58/5 1799 Quartet No.88, in D major, for 2 Violins, Viola and Cello
• G.247, Op.58/6 1799 Quartet No.89, in E♭ major, for 2 Violins, Viola and Cello
• G.248, Op.64/1 1804 Quartet No.90, in F major, for 2 Violins, Viola and Cello
• G.249, Op.64/2 1804 Quartet No.91, in D major, for 2 Violins, Viola and Cello (only first movement finished)
• G.250, Quartet, in D major, for 2 Violins, Viola and Cello (arrangement of G.113, possibly by Boccherini himself)
• G.251, Quartet, in G major, for 2 Violins, Viola and Cello (arrangement of G.114, possibly by Boccherini himself)
• G.252, Quartet, in C major, for 2 Violins, Viola and Cello (arrangement of movements from G.233, 238 and 377, possibly by Boccherini himself)
• G.253, Quartet, in A major, for 2 Violins, Viola and Cello (arrangement of G.118, possibly by Boccherini himself)
• G.254, Quartet, in C major, for 2 Violins, Viola and Cello (arrangement of G.116, possibly by Boccherini himself)
• G.255, Quartet, in D major, for 2 Violins, Viola and Cello (arrangement of G.95, 96 and 98, possibly by Boccherini himself)
• G.256, 6 Quartets, in A major, E♭ major, C minor, C major, E♭ major, D major, for 2 Violins, Viola and Cello (anonymous arrangement of G.265-270)
• G.257, 2 Quartets, in D minor, B♭ major, for 2 Violins, Viola and Cello (anonymous arrangement of G.287 and G.290)
• G.258, Quartet, in F minor, for 2 Violins, Viola and Cello (according to Picquot not by Boccherini; lost)

Other Works for 4 Instruments

All these works are doubtful or arrangements

• G.259, 6 Quartets for harpsichord, Violin, Viola and Cello (arrangement of G.195-200)
• G.260, 3 Quartets, in D major, G major, D minor, for Flute, Violin, Viola and Cello (arrangement of G.369, 363, 368, by Pleyel or Cambini); published by Pleyel (Paris 1798, as "œuvre 5 pour flûte")
• G.261, 6 Quartets for Flute, Violin, Viola and Cello (according to Picquot arrangement of early sting quartets, published by Boyer-Naderman; lost)
• G.262, 3 Quartets, in C major, F major, C major, for Clarinet, Flute, Horn and Bassoon (arrangement of movements from G.203, 204, 206, 213, 214, 223, 232, 235, by Othon Van den Broek); published by Pleyel (Paris 1812)
• G.263, 3 Quartets, in E♭ major, F major, B♭ major, for Clarinet, Flute, Horn and Bassoon Quatuor (arrangement of G.160, 169 and movements from G.163, 167, 170, by Othon van den Broek); published by Hentz Jouve (Paris c.1823)
• G.264, 3 Quartets, F major, C major, D minor, for Clarinet, Flute, Horn and Bassoon (according to title page arrangements by Othon van den Broek of works by Boccherini, but they do not correspond to any of his known works); published by Bouillon (Paris c.1825)

Quintets for 2 Violins, Viola, 2 Cellos

• G.265, Op.10/1 1771 Quintet No.1, in A major, for 2 violins, viola and 2 cellos
• G.266, Op.10/2 1771 Quintet No.2, in E♭ major, for 2 violins, viola and 2 cellos
• G.267, Op.10/3 1771 Quintet No.3, in C minor, for 2 violins, viola and 2 cellos
• G.268, Op.10/4 1771 Quintet No.4, in C major, for 2 violins, viola and 2 cellos
• G.269, Op.10/5 1771 Quintet No.5, in E♭ major, for 2 violins, viola and 2 cellos
• G.270, Op.10/6 1771 Quintet No.6, in D major, for 2 violins, viola and 2 cellos
• G.271, Op.11/1 1771 Quintet No.7, in B♭ major, for 2 violins, viola and 2 cellos
• G.272, Op.11/2 1771 Quintet No.8, in A major, for 2 violins, viola and 2 cellos
• G.273, Op.11/3 1771 Quintet No.9, in C major, for 2 violins, viola and 2 cellos
• G.274, Op.11/4 1771 Quintet No.10, in F major, for 2 violins, viola and 2 cellos
• G.275, Op.11/5 1771 Quintet No.11, in E major, for 2 violins, viola and 2 cellos
• G.276, Op.11/6 1771 Quintet No.12, in D major, for 2 violins, viola and 2 cellos
• G.277, Op.13/1 1772 Quintet No.13, in E♭ major, for 2 Violins Viola and 2 Cellos
• G.278, Op.13/2 1772 Quintet No.14, in C major, for 2 Violins, Viola and 2 Cellos
• G.279, Op.13/3 1772 Quintet No.15, in F major, for 2 Violins, Viola and 2 Cellos
• G.280, Op.13/4 1772 Quintet No.16, in D minor, for 2 Violins, Viola and 2 Cellos
• G.281, Op.13/5 1772 Quintet No.17, in A major, for 2 Violins, Viola and 2 Cellos
• G.282, Op.13/6 1772 Quintet No.18, in E major, for 2 Violins, Viola and 2 Cellos
• G.283, Op.18/1 1774 Quintet No.19, in C minor, for 2 Violins, Viola and 2 Cellos
• G.284, Op.18/2 1774 Quintet No.20, in D major, for 2 Violins, Viola and 2 Cellos
• G.285, Op.18/3 1774 Quintet No.21, in E♭ major, for 2 Violins, Viola and 2 Cellos
• G.286, Op.18/4 1774 Quintet No.22, in C major, for 2 Violins, Viola and 2 Cellos
• G.287, Op.18/5 1774 Quintet No.23, in D minor, for 2 Violins, Viola and 2 Cellos
• G.288, Op.18/6 1774 Quintet No.24, in E major, for 2 Violins, Viola and 2 Cellos
• G.289, Op.20/1 1775 Quintet No.25, in E♭ major, for 2 violins, viola and 2 cellos
• G.290, Op.20/2 1775 Quintet No.26, in B♭ major, for 2 violins, viola and 2 cellos
• G.291, Op.20/3 1775 Quintet No.27, in F major, for 2 violins, viola and 2 cellos
• G.292, Op.20/4 1775 Quintet No.28, in G major, for 2 violins, viola and 2 cellos
• G.293, Op.20/5 1775 Quintet No.29, in D minor, for 2 violins, viola and 2 cellos
• G.294, Op.20/6 1775 Quintet No.30, in A minor, for 2 violins, viola and 2 cellos
• G.295, Op.25/1 1778 Quintet No.31, in D minor, for 2 violins, viola and 2 cellos
• G.296, Op.25/2 1778 Quintet No.32, in E♭ major, for 2 violins, viola and 2 cellos
• G.297, Op.25/3 1778 Quintet No.33, in A major, for 2 violins, viola and 2 cellos
• G.298, Op.25/4 1778 Quintet No.34, in C major, for 2 violins, viola and 2 cellos
• G.299, Op.25/5 1778 Quintet No.35, in D major, for 2 violins, viola and 2 cellos
• G.300, Op.25/6 1778 Quintet No.36, in A minor, for 2 violins, viola and 2 cellos
• G.301, Op.27/1 1779 Quintet No.37, in A major, for 2 violins, viola and 2 cellos
• G.302, Op.27/2 1779 Quintet No.38, in G major, for 2 violins, viola and 2 cellos
• G.303, Op.27/3 1779 Quintet No.39, in E minor, for 2 violins, viola and 2 cellos
• G.304, Op.27/4 1779 Quintet No.40, in E♭ major, for 2 violins, viola and 2 cellos
• G.305, Op.27/5 1779 Quintet No.41, in G minor, for 2 violins, viola and 2 cellos
• G.306, Op.27/6 1779 Quintet No.42, in B minor, for 2 violins, viola and 2 cellos
• G.307, Op.28/1 1779 Quintet No.43, in F major, for 2 violins, viola and 2 cellos
• G.308, Op.28/2 1779 Quintet No.44, in A major, for 2 violins, viola and 2 cellos
• G.309, Op.28/3 1779 Quintet No.45, in E♭ major, for 2 violins, viola and 2 cellos
• G.310, Op.28/4 1779 Quintet No.46, in C major, for 2 violins, viola and 2 cellos (includes the famous Rondo)
• G.311, Op.28/5 1779 Quintet No.47, in D minor, for 2 violins, viola and 2 cellos
• G.312, Op.28/6 1779 Quintet No.48, in B♭ major, for 2 violins, viola and 2 cellos
• G.313, Op.29/1 1779 Quintet No.49, in D major, for 2 violins, viola and 2 cellos
• G.314, Op.29/2 1779 Quintet No.50, in C minor, for 2 violins, viola and 2 cellos
• G.315, Op.29/3 1779 Quintet No.51, in F major, for 2 violins, viola and 2 cellos
• G.316, Op.29/4 1779 Quintet No.52, in A major, for 2 violins, viola and 2 cellos
• G.317, Op.29/5 1779 Quintet No.53, in E♭ major, for 2 violins, viola and 2 cellos
• G.318, Op.29/6 1779 Quintet No.54, in G minor, for 2 violins, viola and 2 cellos
• G.319, Op.30/1 1780 Quintet No.55, in B♭ major, for 2 violins, viola and 2 cellos
• G.320, Op.30/2 1780 Quintet No.56, in A minor, for 2 violins, viola and 2 cellos
• G.321, Op.30/3 1780 Quintet No.57, in C major, for 2 violins, viola and 2 cellos
• G.322, Op.30/4 1780 Quintet No.58, in E♭ major, for 2 violins, viola and 2 cellos
• G.323, Op.30/5 1780 Quintet No.59, in E minor, for 2 violins, viola and 2 cellos
• G.324, Op.30/6 1780 Quintet No.60 in C major, for 2 violins, viola and 2 cellos "La Musica Notturna delle strade di Madrid" (there are 2 authentic versions; the later one includes the Variations on the "Ritirata" found also in G.418 and 453)
• G.325, Op.31/1 1780 Quintet No.61, in E♭ major, for 2 violins, viola and 2 cellos
• G.326, Op.31/2 1780 Quintet No.62, in G major, for 2 violins, viola and 2 cellos
• G.327, Op.31/3 1780 Quintet No.63, in B♭ major, for 2 violins, viola and 2 cellos
• G.328, Op.31/4 1780 Quintet No.64, in C minor, for 2 violins, viola and 2 cellos
• G.329, Op.31/5 1780 Quintet No.65, in A major, for 2 violins, viola and 2 cellos
• G.330, Op.31/6 1780 Quintet No.66, in F major, for 2 violins, viola and 2 cellos
• G.331, Op.36/1 1786 Quintet No.67, in E♭ major, for 2 violins, viola and 2 cellos
• G.332, Op.36/2 1786 Quintet No.68, in D major, for 2 violins, viola and 2 cellos
• G.333, Op.36/3 1786 Quintet No.69, in G major, for 2 violins, viola and 2 cellos
• G.334, Op.36/4 1786 Quintet No.70, in A minor, for 2 violins, viola and 2 cellos
• G.335, Op.36/5 1786 Quintet No.71, in G minor, for 2 violins, viola and 2 cellos
• G.336, Op.36/6 1786 Quintet No.72, in F major, for 2 violins, viola and 2 cellos
• G.340, Op.40/1 1788 Quintet No.76, in A major, for 2 violins, viola and 2 cellos
• G.341, Op.40/2 1788 Quintet No.77, in D major, for 2 violins, viola and 2 cellos
• G.342, Op.40/3 1788 Quintet No.78, in D major, for 2 violins, viola and 2 cellos
• G.343, Op.40/4 1788 Quintet No.79, in C major, for 2 violins, viola and 2 cellos
• G.344, Op.40/5 1788 Quintet No.80, in E minor, for 2 violins, viola and 2 cellos
• G.345, Op.40/6 1788 Quintet No.81, in B♭ major, for 2 violins, viola and 2 cellos
• G.346, Op.41/1 1788 Quintet No.82, in E♭ major, for 2 violins, viola and 2 cellos
• G.347, Op.41/2 1788 Quintet No.83, in F major, for 2 violins, viola and 2 cellos
• G.348, Op.42/1 1789 Quintet No.84, in F minor, for 2 violins, viola and 2 cellos
• G.349, Op.42/2 1789 Quintet No.85, in C major, for 2 violins, viola and 2 cellos
• G.350, Op.42/3 1789 Quintet No.86, in B minor, for 2 violins, viola and 2 cellos
• G.351, Op.42/4 1789 Quintet No.87, in G minor, for 2 violins, viola and 2 cellos
• G.352, Op.43/1 1790 Quintet No.88, in E♭ major, for 2 violins, viola and 2 cellos
• G.353, Op.43/2 1790 Quintet No.89, in D major, for 2 violins, viola and 2 cellos
• G.354, Op.43/3 1790 Quintet No.90, in F major, for 2 violins, viola and 2 cellos
• G.355, Op.45/1 1792 Quintet No.91, in C minor, for 2 violins, viola and 2 cellos
• G.356, Op.45/2 1792 Quintet No.92, in A major, for 2 violins, viola and 2 cellos
• G.357, Op.45/3 1792 Quintet No.93, in D major, for 2 violins, viola and 2 cellos
• G.358, Op.45/4 1792 Quintet No.94, in C major, for 2 violins, viola and 2 cellos
• G.359, Op.46/1 1793 Quintet No.95, in B♭ major, for 2 violins, viola and 2 cellos
• G.360, Op.46/2 1793 Quintet No.96, in D minor, for 2 violins, viola and 2 cellos
• G.361, Op.46/3 1793 Quintet No.97, in C major, for 2 violins, viola and 2 cellos
• G.362, Op.46/4 1793 Quintet No.98, in G minor, for 2 violins, viola and 2 cellos
• G.363, Op.46/5 1793 Quintet No.99, in F major, for 2 violins, viola and 2 cellos
• G.364, Op.46/6 1793 Quintet No.100, in E♭ major, for 2 violins, viola and 2 cellos
• G.365, Op.49/1 1794 Quintet No.101, in D major, for 2 violins, viola and 2 cellos
• G.366, Op.49/2 1794 Quintet No.102, in B♭ major, for 2 violins, viola and 2 cellos
• G.367, Op.49/3 1794 Quintet No.103, in E♭ major, for 2 violins, viola and 2 cellos
• G.368, Op.49/4 1794 Quintet No.104, in D minor, for 2 violins, viola and 2 cellos
• G.369, Op.49/5 1794 Quintet No.105, in E♭ major, for 2 violins, viola and 2 cellos
• G.370, Op.50/1 1795 Quintet No.106, in A major, for 2 violins, viola and 2 cellos
• G.371, Op.50/2 1795 Quintet No.107, in E♭ major, for 2 violins, viola and 2 cellos
• G.372, Op.50/3 1795 Quintet No.108, in B♭ major, for 2 violins, viola and 2 cellos
• G.373, Op.50/4 1795 Quintet No.109, in E major, for 2 violins, viola and 2 cellos
• G.374, Op.50/5 1795 Quintet No.110, in C major, for 2 violins, viola and 2 cellos
• G.375, Op.50/6 1795 Quintet No.111, in B♭ major, for 2 violins, viola and 2 cellos
• G.376, Op.51/1 1795 Quintet No.112, in E♭ major, for 2 violins, viola and 2 cellos
• G.377, Op.51/2 1795 Quintet No.113, in C major, for 2 violins, viola and 2 cellos
• G.378, Quintet in C major, for 2 violins, viola and 2 cellos (modern combination of movements from G.349, 314, 318, 325 and 310)

Quintets for 2 Violins, Viola, Cello and Double bass

• G.337, Op.39/1 1787 Quintet No.73, in B♭ major, for 2 Violins, Viola, Cello and Double bass
• G.338, Op.39/2 1787 Quintet No.74, in F major, for 2 Violins, Viola, Cello and Double bass
• G.339, Op.39/3 1787 Quintet No.75, in D major, for 2 Violins, Viola, Cello and Double bass

Quintets for 2 Violins, 2 Violas, and Cello

G.391-402 are original compsitions by Boccherini; G.379-390 and 406 are arrangements (probably by the composer); G.403-405 are anonymous arrangements of Quintets with 2 Cellos

• G.379, Quintet No.1, in E minor, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.407)
• G.380, Quintet No.2, in F major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.408)
• G.381, Quintet No.3, in E♭ major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.410)
• G.382, Quintet No.4, in A major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.412)
• G.383, Quintet No.5, in D major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.411)
• G.384, Quintet No.6, in C major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.409)
• G.385, Quintet No.7, in D minor, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.416, with additional minuet, which is also found in the version for guitar quintet)
• G.386, Quintet No.8, in E major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.417, with additional Allegretto taken from G.97, which is also found in the version for quitar quintet)
• G.387, Quintet No.9, in B♭ major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.414)
• G.388, Quintet No.10, in A major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.413)
• G.389, Quintet No.11, in E minor, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.415)
• G.390, Quintet No.12, in C major, for 2 Violins, 2 Violas and Cello (arrangement of Piano Quintet G.418)
• G.391, Op.60/1 1801 Quintet No.13, in C major, for 2 Violins, 2 Violas and Cello
• G.392, Op.60/2 1801 Quintet No.14, in B♭ major, for 2 Violins, 2 Violas and Cello
• G.393, Op.60/3 1801 Quintet No.15, in A major, for 2 Violins, 2 Violas and Cello
• G.394, Op.60/4 1801 Quintet No.16, in E♭ major, for 2 Violins, 2 Violas and Cello (lost)
• G.395, Op.60/5 1801 Quintet No.17, in G major, for 2 Violins, 2 Violas and Cello
• G.396, Op.60/6 1801 Quintet No.18, in F major, for 2 Violins, 2 Violas and Cello
• G.397, Op.62/1 1802 Quintet No.19, in C major, for 2 Violins, 2 Violas and Cello
• G.398, Op.62/2 1802 Quintet No.20, in E♭ major, for 2 Violins, 2 Violas and Cello
• G.399, Op.62/3 1802 Quintet No.21, in F major, for 2 Violins, 2 Violas and Cello
• G.400, Op.62/4 1802 Quintet No.22, in B♭ major, for 2 Violins, 2 Violas and Cello
• G.401, Op.62/5 1802 Quintet No.23, in D major, for 2 Violins, 2 Violas and Cello
• G.402, Op.62/6 1802 Quintet No.24, in E♭ major, for 2 Violins, 2 Violas and Cello
• G.403, 6 Quintets, in A major, E♭ major, C minor, C major, E♭ major, D major, for 2 Violins, 2 Violas and Cello (anonymous arrangement of G.265-270)
• G.404, 6 Quintets, in B♭ major, A major, C major, F minor, E major, D major, for 2 Violins, 2 Violas and Cello (anonymous arrangement of G.271-276)
• G.405, 6 Quintets, in C minor, D major, E♭ major, C major, D minor, E major, for 2 Violins, 2 Violas and Cello (anonymous arrangement of G.283-288)
• G.406, Quintet, in E♭ major, for 2 Violins, 2 Violas and Cello (arrangement of G.99)

Quintets for Piano, 2 Violins, Viola and Cello

• G.407, Op.56/1 1797 Quintet No.1, in E minor, for Piano, 2 Violins, Viola and Cello
• G.408, Op.56/2 1797 Quintet No.2, in F major, for Piano, 2 Violins, Viola and Cello
• G.409, Op.56/3 1797 Quintet No.3, in D major, for Piano, 2 Violins, Viola and Cello
• G.410, Op.56/4 1797 Quintet No.4, in E♭ major, for Piano, 2 Violins, Viola and Cello
• G.411, Op.56/5 1797 Quintet No.5, in D major, for Piano, 2 Violins, Viola and Cello (includes as fourth movement Variations on a theme from G.237)
• G.412, Op.56/6 1797 Quintet No.6, in A minor, for Piano, 2 Violins, Viola and Cello
• G.413, Op.57/1 1799 Quintet No.7, in A major, for Piano, 2 Violins, Viola and Cello
• G.414, Op.57/2 1799 Quintet No.8, in B♭ major, for Piano, 2 Violins, Viola and Cello
• G.415, Op.57/3 1799 Quintet No.9, in E minor, for Piano, 2 Violins, Viola and Cello
• G.416, Op.57/4 1799 Quintet No.10, in D minor, for Piano, 2 Violins, Viola and Cello
• G.417, Op.57/5 1799 Quintet No.11, in E major, for Piano, 2 Violins, Viola and Cello
• G.418, Op.57/6 1799 Quintet No.12, in C major, for Piano, 2 Violins, Viola and Cello (includes as third movement Variations on the "Ritirata" from G.324)

Quintets for Flute or Oboe, 2 Violins, Viola, and Cello

• G.419, Op.17/1 1773 Quintet No.1, in D major, for Flute, 2 Violins, Viola and Cello
• G.420, Op.17/2 1773 Quintet No.2, in C major, for Flute, 2 Violins, Viola and Cello
• G.421, Op.17/3 1773 Quintet No.3, in D minor, for Flute, 2 Violins, Viola and Cello
• G.422, Op.17/4 1773 Quintet No.4, in B♭ major, for Flute, 2 Violins, Viola and Cello
• G.423, Op.17/5 1773 Quintet No.5, in G major, for Flute, 2 Violins, Viola and Cello
• G.424, Op.17/6 1773 Quintet No.6, in E♭ major, for Flute, 2 Violins, Viola and Cello
• G.425, Op.19/1 1774 Quintet No.7, in E♭ major, for Flute, 2 Violins, Viola and Cello
• G.426, Op.19/2 1774 Quintet No.8, in G minor, for Flute, 2 Violins, Viola and Cello
• G.427, Op.19/3 1774 Quintet No.9, in C major, for Flute, 2 Violins, Viola and Cello
• G.428, Op.19/4 1774 Quintet No.10, in D major, for Flute, 2 Violins, Viola and Cello
• G.429, Op.19/5 1774 Quintet No.11, in B♭ major, for Flute, 2 Violins, Viola and Cello
• G.430, Op.19/6 1774 Quintet No.12, in D major, for Flute, 2 Violins, Viola and Cello "Las Parejas"
• G.431, Op.55/1 1797 Quintet No.13, in G major, for Oboe or Flute, 2 Violins, Viola and Cello
• G.432, Op.55/2 1797 Quintet No.14, in F major, for Oboe or Flute, 2 Violins, Viola and Cello
• G.433, Op.55/3 1797 Quintet No.15, in D major, for Oboe or Flute, 2 Violins, Viola and Cello
• G.434, Op.55/4 1797 Quintet No.16, in A major, for Oboe or Flute, 2 Violins, Viola and Cello
• G.435, Op.55/5 1797 Quintet No.17, in E♭ major, for Oboe or Flute, 2 Violins, Viola and Cello
• G.436, Op.55/6 1797 Quintet No.18, in D major, for Oboe or Flute, 2 Violins, Viola and Cello
• G.437, Quintet No.1, in F major, for Flute, 2 Violins, Viola and Cello Quintet (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.438, Quintet No.2, in G major, for Flute, 2 Violins, Viola and Cello Quintet (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.439, Quintet No.3, in C major, for Flute, 2 Violins, Viola and Cello Quintet (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.440, Quintet No.4, in F major, for Flute, 2 Violins, Viola and Cello Quintet (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.441, Quintet No.5, in G major, for Flute, 2 Violins, Viola and Cello Quintet (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.442, Quintet No.6, in B♭ major, for Flute, 2 Violins, Viola and Cello Quintet (not mentioned in Boccherini's autograph catalogue, but possibly authentic)
• G.443-444, 2 Quintets, in C major, B♭ major, for Flute, Oboe, Violin, Viola and Cello (probably not by Boccherini)

Quintets for Guitar, 2 Violins, Viola, and Cello

• G.445, 1798 Quintet No.1, in D minor, for Guitar, 2 Violins, Viola and Cello (version of Piano Quintet G.416 with an additional Minuet found also in the arrangement for String Quintet, G.385)
• G.446, 1798 Quintet No.2, in E major, for Guitar, 2 Violins, Viola and Cello (version of Piano Quintet G.417 with an additional Allegretto from G.97 found also in the arrangement for String Quintet, G.386)
• G.447, 1798 Quintet No.3, in B♭ major, for Guitar, 2 Violins, Viola and Cello (version of Piano Quintet G.414)
• G.448, 1798 Quintet No.4, in D major, for Guitar, 2 Violins, Viola and Cello (arrangement of movements from G.270 and 341, including the famous Fandango)
• G.449, 1798 Quintet No.5, in D major, for Guitar, 2 Violins, Viola and Cello (arrangement of movements from G.232, 237 and 411)
• G.450, 1798 Quintet No.6, in G major, for Guitar, 2 Violins, Viola and Cello (arrangement of G.240 and 431)
• G.451, 1799 Quintet No.7, in E minor, for Guitar, 2 Violins, Viola and Cello (arrangement of Piano Quintet G.407)
• G.452, 1799 4 Quintets (No.8, 10, 11, 12), in G major, E♭ major, D major, A minor, for Guitar, 2 Violins, Viola and Cello (arrangement of Piano Quintets G.408, 410, 411, 412; lost)
• G.453, 1799 Quintet No.9, in C major, for Guitar, 2 Violins, Viola and Cello (arrangement of Piano Quintet G.409, with addition of Variations on the "Ritirata" of G.324 found also in the Piano Quintet G.418)

Sextets for 2 Violins, 2 Violas, 2 Cellos

• G.454, Op.23/1 1776 Sextet No.1, in E♭ major, for 2 Violins, 2 Violas and 2 Cellos
• G.455, Op.23/2 1776 Sextet No.2, in B♭ major, for 2 Violins, 2 Violas and 2 Cellos
• G.456, Op.23/3 1776 Sextet No.3, in E major, for 2 Violins, 2 Violas and 2 Cellos
• G.457, Op.23/4 1776 Sextet No.4, in F minor, for 2 Violins, 2 Violas and 2 Cellos
• G.458, Op.23/5 1776 Sextet No.5, in D major, for 2 Violins, 2 Violas and 2 Cellos
• G.459, Op.23/6 1776 Sextet No.6, in F major, for 2 Violins, 2 Violas and 2 Cellos
• G.460, Sextet, in D major, for 3 Violins, Viola and 2 Cellos (probably not by Boccherini)

Sextets or Divertimenti for Flute and Strings

• G.461, Op.16/1 1773 Sextet or Divertimento No.1, in A major, for Flute, 2 Violins, Viola, 2 Cellos (and Double bass ad libitum)
• G.462, Op.16/2 1773 Sextet or Divertimento No.2, in F major, for Flute, 2 Violins, Viola, 2 Cellos (and Double bass ad libitum)
• G.463, Op.16/3 1773 Sextet or Divertimento No.3, in A major, for Flute, 2 Violins, Viola, 2 Cellos (and Double bass ad libitum)
• G.464, Op.16/4 1773 Sextet or Divertimento No.4, in E♭ major, for Flute, 2 Violins, Viola, 2 Cellos (and Double bass ad libitum)
• G.465, Op.16/5 1773 Sextet or Divertimento No.5, in A major, for Flute, 2 Violins, Viola, 2 Cellos (and Double bass ad libitum)
• G.466, Op.16/6 1773 Sextet or Divertimento No.6, in C major, for Flute, 2 Violins, Viola, 2 Cellos (and Double bass ad libitum)

Sextets and Octets for wind and string instruments

• G.467, Op.38/1 1787 Sextet or Divertimento Notturno No.1, in E♭ major, for Violin, Viola, Bassoon, Flute or Oboe, Horn and Double bass
• G.468, Op.38/2 1787 Sextet or Divertimento Notturno No.2, in E♭ major (lost)
• G.469, Op.38/3 1787 Sextet or Divertimento Notturno No.3, in E♭ major (lost)
• G.470, Op.38/4 1787 Octet or Divertimento Notturno No.4, in G major, for 2 Violins, Viola, 2 Cellos, Flute or Oboe, Horn and Bassoon
• G.471, Op.38/5 1787 Sextet or Divertimento Notturno No.5, in E♭ major, for 2 Violins, Viola, 2 Cellos and French Horn
• G.472, Op.38/6 1787 Sextet No.6, in B♭ major, for 2 Violins, Viola, Cello, Oboe and Bassoon
• G.473, Op.42 1789 Octet or Nocturno, in C minor (lost)

Cello Concertos

Although not mentioned in Boccherini's autograph catalogue, most of the Cello concertos are probably authentic early works (until c.1770; G.483 may have been composed c.1780)

• G.474, Concerto No.1, in E♭ major, for Cello and Orchestra (2 Violins, Violas, Basses, 2 Oboes, 2 Horns)
• G.475, Concerto No.2, in A major, for Cello and Orchestra (2 Violins, Violas, Basses, 2 Horns)
• G.476, Concerto No.3, in D major, for Cello and Orchestra (2 Violins, Violas, Basses, 2 Flutes)
• G.477, Concerto No.4, in C major, for Cello and Orchestra (2 Violins, Violas, Basses, 2 Horns); published by Bureau d'Abonnement musical (Paris, May 1770)

• Cello Concerto in C Major arranged for cello and piano by Georges Papin

• G.478, Concerto No.5, in D major, for Cello and Orchestra (2 Violins, Violas, Basses, 2 Oboes, 2 Horns)
• G.479, Concerto No.6, in D major, for Cello and Orchestra (2 Violins, Violas, Basses); published by Bureau d'Abonnement musical (Paris, October 1770)

• Cello Concerto in D Major arranged for cello and piano by Georges Papin

• G.480, Concerto No.7, in G major, for Cello and Orchestra (2 Violins, Violas, Basses); published by Bureau d'Abonnement musical (Paris, November 1770)

• Cello Concerto in G Major arranged for cello and piano by Georges Papin

• G.481, Concerto No.8, in C major, for Cello and Orchestra (2 Violins, Violas, Basses, 2 Horns); published by Bureau d'Abonnement musical (Paris, October 1771)

• Cello Concerto in C Major arranged for cello and piano by Georges Papin

• G.482, Concerto No.9, in B♭ major, for Cello and Orchestra (2 Violins, Violas, Basses, 2 Horns)

• Cello Concerto in B♭ major arranged by Friedrich Grützmacher

• G.483, Concerto No.10, in D major, for Cello and Orchestra (2 Violins "di concerto", 2 Violins "ripieni", Violas, Basses, 2 Oboes, 2 Horns); published by Artaria (Wien 1785; as Op.34)
• G.484, Concertino, in D major, for Cello and Piano (or orchestra) (modern arrangement of movements from Trios G.81 and G.102)
• G.573, Concerto No.11, C major, for Cello and Orchestra
• G deest, Concerto No.12, in E flat major, for Cello and Orchestra

Violin Concertos

• G.485, Concerto, in G major, for Violin and Orchestra (2 Violins, Violas, Basses) (probably not by Boccherini)
• G.486, Concerto, in D major, for Violin and Orchestra (2 Violins, Violas, Basses) (authorship doubtful)
• G.574, Concerto, in F major, for Violin and Orchestra (possibly authentic; Violin part missing)

Harpsichord Concertos

• G.487, Concerto, in E-flat major, for Harpsichord and Orchestra(not mentioned in Boccherini`s autograph catalog but possibly authentic)
• G.488, Concerto, in D major, for Harpsichord and Orchestra (anonymous arrangement of G.477)

Flute Concertos

• G.489, Concerto, in D major, for Flute and Orchestra (composed by Franz Xaver Pokorny, mistakenly attributed to Boccherini)
• G.575, Concerto, in D major, for Flute and Orchestra (authorship doubtful)

Small Orchestra

• G.490, Symphonie, en ré majeur, pour petit orchestre (2 violons, alto, basse, avec 2 hautbois et 2 cors ad lib)
• G.491, Op.7 1769 Concerto, en do majeur, pour 2 violons concertants et petit orchestre (2 violons, alto, violoncelle, basse, 2 hautbois, basson)
• G.492, Op.16 1773 Divertimenti (6) pour flûte, 2 violons, alto, 2 violoncelles, basse ad lib
• G.493, Op.21/1 1775 Symphonie # 1, en si bémol majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
• G.494, Op.21/2 1775 Symphonie # 2, en mi bémol majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
• G.495, Op.21/3 1775 Symphonie # 3, en do majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
• G.496, Op.21/4 1775 Symphoni # 4, en ré majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
• G.497, Op.21/5 1775 Symphonie # 5, en si bémol majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
• G.498, Op.21/6 1775 Symphonie # 6, en la majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
• G.499, Op.38/4 1787 Symphonie concertante, en sol majeur, pour petit orchestre (2 violons, alto, 2 violoncelles, flûte/hautbois, cor, basson)
• G.500, Symphonie, en ré majeur, pour petit orchestre (2 violons, alto, basse avec 2 cors de chasse ad lib)
• G.501, Sérénade, en ré majeur, pour petit orchestre (2 violons, basse, 2 hautbois, 2 cors)
• G.502, Menuets (2) pour petit orchestre (2 violons, alto, basse, 2 hautbois, 2 cors)
• G.502-1, Menuet # 1, en do majeur, pour petit orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)
• G.502-2, Menuet # 2, en mi bémol majeur, pour orchestre (2 violons, alto, basse, 2 flûtes/hautbois, 2 cors)

Orchestra

• G.503, Op.12/1 1771 Symphonie # 1, en ré majeur, pour orchestre (2 violons, alto, 2 violoncelles, basse, 2 hautbois, 2 cors)
• G.504, Op.12/2 1771 Symphonie # 2, en mi bémol majeur, pour orchestre (2 violons principaux, 2 violons, alto, 2 violoncelles, basse, 2 hautbois, 2 cors)
• G.505, Op.12/3 1771 Symphonie # 3, en do majeur, pour orchestre (2 violons, alto, 2 violoncelles, basse, 2 flûtes, 2 cors)
• G.506, Op.12/4 1771 Symphonie # 4, en ré mineur, pour orchestre (2 violons, 2 altos, 2 violoncelles, basse, 2 hautbois, 2 cors) "La casa del diavolo"
• G.507, Op.12/5 1771 Symphonie # 5, en si bémol majeur, pour orchestre (2 violons, 2 altos, 2 violoncelles, basse, 2 flûtes, 2 cors)
• G.508, Op.12/6 1771 Symphonie # 6, en la majeur, pour orchestre (2 violons, alto, 2 violoncelles, basse, 2 flûtes, 2 cors)
• G.509, Op.35/1 1782 Symphonie # 7, en ré majeur, pour orchestre (2 violons principaux, 2 violons, alto, violoncelle/basson, basse, 2 hautbois, 2 cors)
• G.510, Op.35/2 1782 Symphonie # 8, en mi bémol majeur, pour orchestre (2 violons principaux, 2 violons, alto, violoncelle/basson, basse, 2 hautbois, 2 cors)
• G.511, Op.35/3 1782 Symphonie # 9, en la majeur, pour orchestre (2 violons principaux, 2 violons, alto, violoncelle/basson, basse, 2 hautbois, 2 cors)
• G.512, Op.35/4 1782 Symphonie # 10, en fa majeur, pour orchestre (2 violons principaux, 2 violons, alto, violoncelle/basson, basse, 2 hautbois, 2 cors)
• G.513, Op.35/5 1782 Symphonie # 11, en mi bémol majeur, pour orchestre (2 violons principaux, 2 violons, alto, violoncelle/basson, basse, 2 hautbois, 2 cors)
• G.514, Op.35/6 1782 Symphonie # 12, en si bémol majeur, pour orchestre (2 violons principaux, 2 violons, alto, violoncelle/basson, basse, 2 hautbois, 2 cors)
• G.515, Op.37/1 1786 Symphonie # 13, en do majeur, pour orchestre (2 violons principaux, 2 violons, 2 altos, violoncelle, flûte, 2 hautbois, 2 bassons, 2 cors)
• G.516, Op.37/2 1786 Symphonie # 14, en ré majeur, pour orchestre (perdu)
• G.517, Op.37/3 1787 Symphonie # 15, en ré mineur, pour orchestre (2 violons principaux, 2 violons, 2 altos, violoncelle, basse, flûte, 2 hautbois, 2 bassons, 2 cors)
• G.518, Op.37/4 1787 Symphonie # 16, en la majeur, pour orchestre (2 violons principaux, 2 violons, 2 altos, violoncelle, basse, flûte, 2 hautbois, 2 bassons, 2 cors)
• G.519, Op.41 1788 Symphonie # 17, en do mineur, pour orchestre (2 violons principaux, 2 violons, 2 altos, 2 violoncelles, 2 hautbois, 2 cors, 2 bassons)
• G.520, Op.42 1789 Symphonie # 18, en ré majeur, pour orchestre (2 violons principaux, 2 violons, 2 altos, violoncelle, 2 hautbois, flûte, 2 bassons, 2 cors)
• G.521, Op.43 1790 Symphonie # 19, en ré majeur, pour orchestre (2 violons, 2 altos, violoncelle, basse, 2 hautbois, 2 cors, basson)
• G.522, Op.45 1792 Symphonie # 20, en ré mineur, pour orchestre (2 violons, alto, violoncelle, 2 hautbois, 2 cors, 2 bassons)
• G.523, Symphonie # 21, en do majeur, pour orchestre (guitare, 2 violons principaux, 2 violons, alto, violoncelle, basse, 2 hautbois, 2 cors, basson)

Ballets, Théâtre, Dances

• G.524, 1778 Cefalo e Procri (ballet-pantomime eroico-tragico)

(perdu - interlude entre les actes I et II pour l'opéra Scipione de Giuseppe Sarti)

• G.525, Op.41 1788 Suite de 10 menuets pour la danse, pour orchestre (2 violons, alto, violoncelle, 2 hautbois, 2 cors, basson)
• G.526, 1773 Ballet espagnol, en si bémol majeur, pour orchestre (2 violons, alto, basse, 2 flûtes, 2 hautbois, 2 cors, basson, 2 guitares)
• G.527, La Buona Figliola (ouverture, en ré majeur, pour orchestre)

Masses

• G.528, Op.59 1800 Messe pour choeur à quatre voix mixtes et instruments obligés (perdu)
• G.529, 1764/6? Kyrie - pour choeur à 4 voix mixtes avec orchestre
• G.530, 1764/6? Gloria - pour solistes (STB) et choeur à 4 voix mixtes avec orchestre
• G.531, 1764/6? Credo - pour solistes (SATB) et choeur à 4 voix mixtes avec orchestre

Motets and Psalms

• G.532a, Op.61a 1781 Stabat Mater - motet pour soprano avec quintet à cordes
• G.532b, Op.61b 1800 Stabat mater - motet pour 3 voix solistes avec orchestre à cordes
• G.533, 1764/6? Dixit Dominus (Psaume 110] - psaume pour solistes (STB) et choeur à 4 voix avec orchestre
• G.534, 1764/6? Domine ad adjuvandum [Psaume 12] - psaume pour soliste (T) et choeur à 4 voix avec orchestre

Cantatas

• G.535, Op.63 Cantate de Noël - pour quatre solistes, chœur avec instruments

(perdu)

• G.536, Sciogliam le nostre voci in armonioso canto - cantate pour la fête de St. Louis, pour quatre solistes avec orchestre

Oratorios

• G.537, 1765? Gios, Re di Giudea - oratorio, en 2 parties, pour solistes (SSATTB) et choeur à 4 voix avec orchestre (2 violons, 2 altos, basse, 2 flûtes, 2 hautbois, 2 cors)
• G.538, 1765? Il Giuseppe Riconosciuto - oratorio, en 2 parties, pour solistes (SSATTB) et chœur à 4 voix avec orchestre (2 violons, alto, basse, flûte, 2 hautbois, 2 cors)

Villancicos

• G.539, 1783? Villancicos (8) al Nacimiento de Nuestro Senor Jesu Christo

pour solistes et choeur à 4 voix mixtes avec orchestre (violons, alto, violoncelle et contrebasse)

Operas

• G.540, 1786 La Clementina - opéra (zarzuela) en 2 actes pour solistes (SSSSTB) avec orchestre
• G.541, 1798 Ines de Castro - scènes pour soprano avec orchestre (2 violons, alto, violoncelle, contrebasse, 2 hautbois, 2 cors et basson)
• G.542, 1770? Aria - pour soprano avec accompagnement de violoncelle solo (? air composé pour l'opéra L'Almeria de Juan Francisco de Majo)

Cantata

• G.543, 1765 La Confederazione dei Sabini con Roma - cantate, en 2 parties, pour solistes (STTTB) et choeur à 4 voix avec orchestre (2 violons, cello, violoncelle, contrebasse, 2 hautbois, 2 cors, et 2 trompettes)

Concert Arias

• G.544, Si veramente io deggio… Ah non lasciarmi, no, bel idol mio - récitatif pour soprano et ténor et air de concert, en mi bémol majeur, pour soprano avec orchestre (2 violons, alto et basse)
• G.545, Se non ti moro allato idolo del cor mio - air de concert, en si bémol majeur, pour soprano/ténor avec orchestre (2 violons, alto et basse)
• G.546, Deh respirar lasciatemi - air de concert, en sol mineur, pour soprano/ténor avec orchestre (2 violons, alto et basse)
• G.547, Caro, son tua cosi che per virtu d'amor, air de concert, en la majeur, pour soprano avec orchestre (2 violons, alto, basse et hautbois)
• G.548, Misera dove son… Ah no son io che parlo - récitatif et air de concert, en ré mineur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
• G.549, Care luci che regnate sugl'affetti del mio cor - air de concert, en ré majeur, pour soprano/ténor avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
• G.550, Infelice in van mi lagno qual dolente tortorella - air de concert, en mi bémol majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
• G.551, Numi, se giusti siete, rendente - air de concert, en sol majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et basson)
• G.552, Caro Padre, a me non dei - air de concert, en do majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
• G.553, Ah che nel dirti addio mi sento il cor dividere - air de concert, en fa majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
• G.554, Di Giudice severo… Per quel paterno amplesso - récitatif pour trois voix et air de concert, en la majeur, pour soprano/ténor avec orchestre (2 violons, alto, basse, et hautbois solo)
• G.555, Tu di saper procura - air de concert, en si bémol majeur, pour soprano avec orchestre (2 violons, alto, basse, hautbois et 2 cors)
• G.556, Mi dona, mi rende quell'alma pietosa - air de concert, en mi majeur, pour soprano avec orchestre (2 violons, alto, basse, et 2 flûtes)
• G.557, Se d'un amor tiranno, credei di trionfar - air de concert, en si bémol majeur, pour soprano avec orchestre (2 violons, alto, violoncelle obligé, 2 hautbois, et 2 cors)
• G.558, Tornate sereni - air de concert, en mi bémol majeur, pour soprano/ténor avec orchestre (2 violons, alto, basse, et 2 flûtes)
• G.559, La destra ti chiedo mio dolce, duo de concert, en mi bémol majeur, pour soprano et ténor avec orchestre (2 violons, alto, basse, 2 hautbois et 2 cors)
• G.560, In 'sto giorno d'allegro - duo, en fa majeur, pour 2 voix avec instruments de basse ... (fa majeur)
• G.561, Ah, che nel dirti addio - duettino, en mi bémol majeur, pour 2 contraltos avec instruments de basse