Performances
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String Quintet in B♭ major, G.392 (Op.60 No.2)
| Publisher Info.
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Christian Orth, 2020.
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| Performers
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Christian Orth
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| Copyright
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| Misc. Notes
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Unrecorded. Synthesized audio created with Capella 8 and Arachno Soundfont 1.0.
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String Quintet in F major, G.396 (Op.60 No.6)
| Publisher Info.
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Christian Orth, 2020.
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| Performers
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Christian Orth
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| Copyright
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| Misc. Notes
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Unrecorded. Synthesized audio created with Capella 8 and Arachno Soundfont 1.0.
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Sheet Music
Parts
Quintet in B♭ major, G.392
| Editor
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Renzo Sabatini (1905-1973)
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| Publisher. Info.
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Diletto musicale, No.101
Vienna: Ludwig Doblinger, 1962. Plate D. 10.268.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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From the uploader's library.
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Quintet in A major, G.393
| Editor
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Renzo Sabatini (1905-1973)
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| Publisher. Info.
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Diletto musicale, No.102
Vienna: Ludwig Doblinger, 1962. Plate D. 10.298.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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From the uploader's library.
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Quintet in F major, G.396
| Editor
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Renzo Sabatini (1905-1973)
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| Publisher. Info.
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Diletto musicale, No.104
Vienna: Ludwig Doblinger, 1964. Plate D. 10.810.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Copyright
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| Misc. Notes
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From the uploader's library.
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General Information
| Work Title
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6 String Quintets
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| Alternative. Title
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| Composer
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Boccherini, Luigi
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| Opus/Catalogue NumberOp./Cat. No.
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G.391-396 ; Op.60
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| I-Catalogue NumberI-Cat. No.
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ILB 74
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| Movements/SectionsMov'ts/Sec's
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6
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| Dedication
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Lucien Bonaparte
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| Composer Time PeriodComp. Period
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Classical
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| Piece Style
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Classical
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| Instrumentation
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2 Violins, 2 Violas, Cello
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| External Links
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collection containing early 19th-century copies, possibly made for Picquot- see below, from manuscripts, as these works seem not to have been published? - "inédits" - and now held at Harvard College Library, Harvard University, including parts for all the Op.60 quintets, and other works
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Navigation etc.
The editor of these three works specifies in his (removed) Preface that Boccherini's op.60 no.1 was copied by L.Picquot who succeeded after 18 years of vain research in gathering the whole series of 12 quintets op.60 & 62 except for no.4 op.60. Picquot insists that contrary to most of Boccherini's other quintets with two violas, these are original works and his op.60 nos.2, 3, 5 & 6 were manuscripted by the composer himself (see Notice sur la vie et les ouvrages de Luigi Boccherini by Louis Picquot).
