Les trois amies, Op.27 (Popp, Wilhelm)

Movements/SectionsMov'ts/Sec's 40 (at least)
First Publication 1861–96
Genre Categories Fantasias; For piano 6 hands; For 3 players; Scores featuring the piano; Scores featuring the piano 6 hands

Sheet Music

Scores

 1. Verdi's La Traviata
#68940 - 2.79MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 3077×⇩ - Pierre.chepelov

PDF scanned by DK-Kk
Pierre.chepelov (2010/6/22)

 4. Verdi's Un Ballo in Maschera
#68941 - 2.25MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1066×⇩ - Pierre.chepelov

PDF scanned by DK-Kk
Pierre.chepelov (2010/6/22)

 5. Verdi's Il Trovatore
#68942 - 2.73MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1051×⇩ - Pierre.chepelov

PDF scanned by DK-Kk
Pierre.chepelov (2010/6/22)

 8. Verdi's Rigoletto
#68943 - 2.66MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1745×⇩ - Pierre.chepelov

PDF scanned by DK-Kk
Pierre.chepelov (2010/6/22)

Publisher. Info. Hamburg: August Cranz, n.d. Plate 2953, 2956, 2957, 2960.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Published under the pseudonym "H. Alberti".
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General Information

Work Title Les trois amies
Alternative. Title Fantaisies élégantes sur des thèmes d'opéras favoris
Composer Popp, Wilhelm
Opus/Catalogue NumberOp./Cat. No. Op.27
I-Catalogue NumberI-Cat. No. IWP 31
Movements/SectionsMov'ts/Sec's 40 pieces at least. First 12:
  1. Based on La traviata by Verdi
  2. Based on Norma by Bellini
  3. Based on Lucia di Lammermoor by Donizetti
  4. Based on Un ballo in maschera by Verdi
  5. Based on Il trovatore by Verdi
  6. Based on Lucrezia Borgia by Donizetti
  7. Based on Il barbiere di Siviglia by Rossini
  8. Based on Rigoletto by Verdi
  9. Based on La dame blanche by Boieldieu
  10. Based on La muette de Portici by Auber
  11. Based on La sonnambula by Bellini
  12. Based on L'elisir d'amore by Donizetti
First Publication. 1861–96
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Piano 6-hands

Navigation etc.

Monatsbericht (1861), p.196 to Monatsbericht (1896), p.330 (no.36). (1892, 288 for no.40.)

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