Movements/SectionsMov'ts/Sec's | 3 |
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First Publication | 1790 |
Genre Categories | Music theory; Writings; Organology; |
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Title, Contents,
1.-5. Kap.
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⇒ 15 more: 6.-10. Kap. • 11. Kap. • 12.-16. Kap. • 17.-20. Kap. • 21. Kap. • 22. Kap. • 23.-27. Kap. • 28. Kap. • 29. Kap. • 30. Kap. • 31.-32. Kap. • 33. Kap. • 34. Kap. • 35. Kap. • Anhang (Appendix)
6.-10. Kap.
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12.-16. Kap.
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17.-20. Kap.
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23.-27. Kap.
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31.-32. Kap.
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Anhang (Appendix)
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Volume III
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Work Title | Gründliche Anweisung zur Composition |
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Alternative. Title | Collected Writings on Thorough-Bass, Harmony and Composition for self-instruction. Gründliche Anweisung zur Composition mit deutlichen und ausführlichen Exempeln, zum Selbstunterrichte, erläutert; und mit einem Anhange: Von der Beschaffenheit und Anwendung aller jetzt üblichen musikalischen Instrumente. |
Composer | Albrechtsberger, Johann Georg |
I-Catalogue NumberI-Cat. No. | None [force assignment] |
Movements/SectionsMov'ts/Sec's | 3 |
First Publication. | 1790 |
Language | German |
Composer Time PeriodComp. Period | Classical |
Piece Style | Classical |
The German appendix is a description of instruments. In the Novello translation it is considerably expanded (presumably by Ignaz Chevalier von Seyfried) and joined by two other appendices, on Chamber, Dramatic and Church Composition, and on Playing From Full Score. Regardless of who has written these added appendices, it can be concluded that it cannot be Albrechtberger himself; since it refers to things like, for example, on p. 241: piano schools like Hummel's (1828) or "Czerny (J.)", (which must be Joseph Czerný's Der Wiener Clavier-Lehrer (1830)), both of which were published many years after Albrechtberger's death.