A
- Abhandlung von der Fuge (Marpurg, Friedrich Wilhelm)
- Abstract of a New Method of Teaching the Principles of Music (Bemetzrieder, Anton)
- Abstract of the Talents and Knowledge of a Musician (Bemetzrieder, Anton)
- Academia Musico-Poetica Bipartita (Murschhauser, Franz Xaver)
- L'Accompagnement modal du chant grégorien (Parisot, Dom Jean)
- The Accompaniment of Plainchant (Oldroyd, George)
- Additional Exercises to Counterpoint (Prout, Ebenezer)
- Addresses and Lectures (Macfarren, George Alexander)
- Alfabeto Musicale (Sigismondo, Giuseppe)
- Allgemeine Litteratur der Musik (Forkel, Johann Nikolaus)
- Allgemeine Musiklehre für Lehrende und Lernende (Köhler, Louis)
- Allgemeine Musiklehre (Marx, Adolf Bernhard)
- Allgemeine theoretisch-praktische Vorschule der Musik (Weber, Bedřich Diviš)
- Allgemeinfasslicher Unterricht im Generalbass (Vierling, Johann Gottfried)
- Die alte Musiklehre im Streit mit unserer Zeit (Marx, Adolf Bernhard)
- An Elementary Treatise on Musical Intervals and Temperament (Bosanquet, Robert Holford Macdowall)
- An Essay on Musical Expression (Avison, Charles)
- An Essay on Practical Music Composition (Kollmann, Augustus Frederic Christopher)
- An Essay Theoretical and Practical (Gunn, John)
- An Essay Towards a Rational System of Music (Holden, John)
- An Explanation of the Notes, Marks, Words, etc. Used in Music (Callcott, John Wall)
- An Introduction to Harmony (Shield, William)
- An Introduction to the Elementary Principles of Thorough Bass and Classical Music (Danneley, John Feltham)
- An Introduction to the Skill of Musick (Betts, Edward)
- An Introduction to the Skill of Musick (Playford, John)
- Analytical studies for Tchaikovsky's Violin Concerto, Op.19 (Ševčík, Otakar)
- Anfangs-Gründe des General Basses (Mizler, Lorenz Christoph)
- Anfangsgründe der theoretischen Musik (Marpurg, Friedrich Wilhelm)
- Anfangsgründe zum Clavierspielen und Generalbas (Laag, Henrich)
- Anfangsgründe zur musicalischen Setzkunst (Riepel, Joseph)
- Angelicum ac divinum opus musice (Gaffurius, Franchinus)
- Anglo-Italian Elements of Singing (Newton, William)
- Anleitung zu der musikalischen Gelahrtheit (Adlung, Jakob)
- Anleitung zum General-Bass (Förster, Emanuel Aloys)
- Anleitung zum Generalbass und zur Composition (Sorge, Georg Andreas)
- Anleitung zum Generalbass-Spielen (Riemann, Hugo)
- Anleitung zum Transponieren (Haltmeier, Carl Johann Friedrich)
- Anleitung zur Erfindung der Melodie und ihrer Fortsetzung (Daube, Johann Friedrich)
- Anleitung zur Fantasie (Sorge, Georg Andreas)
- Anleitung zur Musik überhaupt, und zur Singkunst besonders (Marpurg, Friedrich Wilhelm)
- Anleitung zur Singcomposition (Marpurg, Friedrich Wilhelm)
- Anleitung zur Singecomposition, mit 53 Oden (Kirnberger, Johann Philipp)
- Anleitung zur Tonometrie (Berlin, Johan Daniel)
- Annotazioni sopral il compendio de’ generi, e de’ modi della musica (Doni, Giovanni Battista)
- L'antica musica ridotta alla moderna prattica (Vicentino, Nicola)
- Anweisung wie man Claviere, Clavecins und Orgeln stimmen könne (Fritz, Barthold)
- Anweisung zu vollkommener Erlernung des General-Basses (Heinichen, Johann David)
- Anweisung zum Generalbaßspielen (Türk, Daniel Gottlob)
- Anweisung zum Generalbass (Anonymous)
- Anweisung zur Stimmung und Temperatur (Sorge, Georg Andreas)
- Application des sons harmoniques (Sauveur, Joseph)
- Applied Counterpoint (Goetschius, Percy)
- Applied Strict Counterpoint (Kitson, Charles Herbert)
- Arcana Musicæ (Jousse, Jean)
- Armoni Notları (Yılmaz, Hasan Hüseyin)
- Armonia di gravitazione (Lupi, Roberto)
- Armonia (Bernardi, Gian Giuseppe)
- Ars musicorum (Podio, Guillermo de)
- L'art de préluder, Op.7 (Hotteterre, Jacques)
- Art du compositeur dramatique (Reicha, Anton)
- L'art harmonique aux XIIe et XIIIe siècles (Coussemaker, Edmond de)
- The Art of Accompaniment, Op.11 (Geminiani, Francesco)
- The Art of Composing Music by a Method Entirely New (Hayes, William)
- The Art of Counterpoint (Kitson, Charles Herbert)
- The Art of Musical Modulation (Frike, Joseph)
- The Art of Musick (Lampe, John Frederick)
- L'arte armonica (Antoniotto, Giorgio)
- Arte breve, y compendiosa de las dificultades que se ofrecen en la musica practica del canto llano (Monserrate, Andrés de)
- Arte de canto chão (Talésio, Pedro)
- Arte de canto llano, órgano, y cifra (Goméz, Tomás)
- Arte de canto llano (Montanos, Francisco de)
- Arte de cantochão (Villa-Lobos, Mathias de Sousa)
- Arte de música (Fernandez, António)
- Arte de Tañer Fantasia (Santamaría, Tomás)
- L'arte del contraponto (Artusi, Giovanni)
- Arte minima (Silva, Manuel Nunes da)
- Arte pratica di contrappunto (Paolucci, Giuseppe)
- Arte pratica latina et volgare di far contrappunto à mente (Chiodino, Giovanni Battista)
- Arte prattica & poëtica (Herbst, Johann Andreas)
- Artis musicae delineatio (Harnisch, Otto Siegfried)
- Artis musicae (Magirus, Johannes)
- Ausweichungs-Tabellen (Sorge, Georg Andreas)
B
- La Banchierina (Banchieri, Adriano)
- Banjo Orchestra Music (Armstrong, Thomas J.)
- Les Bases de l'Harmonie (Bertelin, Albert)
- Basic Harmony and Melody Writing (Cameron, David)
- Baßschlüssel (Riepel, Joseph)
- Beethoven et ses trois styles (Lenz, Wilhelm von)
- Beethoveniana (Nottebohm, Gustav)
- Beispiele zum Generalbass (Vanhal, Johann Baptist)
- Belehrungsbuch über musikalische Fragen (Pracht, Robert)
- Bellum musicale (Sebastiani, Claudius)
- Das beschützte Orchestre (Mattheson, Johann)
- Betrachtungen der Mannheimer Tonschule (Vogler, Georg Joseph)
- Breviarium musicum (Quirsfeld, Johann)
- Brevis musicae isagoge (Fries, Johannes)
- A Brief Account of, and an Introduction to, 8 Lectures in the Science of Music (Overend, Marmaduke)
- A Briefe and Short Instruction on the Art of Musicke (Bevin, Elway)
- A Briefe Discourse (Ravenscroft, Thomas)
- A Briefe Introduction to the Skill of Song (Bathe, William)
| B cont.
C
- C-Dur + großer Nonenakkord im Wechsel (Prochnow, Uwe)
- Cartella musicale (Banchieri, Adriano)
- La cartellina musicale, Op.35 (Banchieri, Adriano)
- Catechism on Double Counterpoint and Fugue (Hamilton, James Alexander)
- Catechism on the Art of Writing for an Orchestra and on Playing from Score (Hamilton, James Alexander)
- Le Chant choral, méthode, morceaux choisis (Combarieu, Jules)
- Chinese Music (Aalst, J. A. van)
- Choral Orchestration (Forsyth, Cecil)
- Choral-System (Vogler, Georg Joseph)
- Class and Chorus (McIntosh, Rigdon McCoy)
- Clavier-Schule (Löhlein, Georg Simon)
- A Companion to the Musical Assistant (Coggins, Joseph)
- A Companion to the Thorough-Bass Primer (Burrowes, John Freckleton)
- Compendio de musica theorica e prática (Varella, Domingos de São José)
- Compendio de principios elementares de musica (Silva, Francisco Manuel da)
- Compendio del trattato de' generi e de' modi della musica (Doni, Giovanni Battista)
- Il compendio della musica (Tigrini, Orazio)
- Compendio musicale (Bismantova, Bartolomeo)
- Compendio musico (Pedroso, Manuel de Moraes)
- Compendiolum musicae (Faber, Heinrich)
- Compendium Harmonicum (Sorge, Georg Andreas)
- Compendium musicae modulativae (Götting, Valentin)
- Compendium musicae signatoriae et modulatoriae vocalis (Printz, Wolfgang Caspar)
- Compendium musicae (Gumpelzhaimer, Adam)
- Compendium musices latino-germanicum (Erhard, Laurentius)
- Compendium musices (Coclico, Adrianus Petit)
- Compendium musices (Lampadius, Auctor)
- Compendium Musicum Instrumentale (Gleich, Andreas)
- A Complete System of Harmony (Heck, Johann Caspar)
- A Complete System of Harmony (Parkhurst, Howard Elmore)
- A Complete Treatise on Music (Bemetzrieder, Anton)
- Compositions Regeln, SwWV 339 (Sweelinck, Jan Pieterszoon)
- Computer Music Courses (Nichifor, Serban)
- A Concentrated Course in Traditional Harmony (Hindemith, Paul)
- A Concise Explanation of the Church Modes (Spencer, Charles Child)
- Conclusioni nel suono dell’organo, Op.20 (Banchieri, Adriano)
- Continuatio ad manuductionem organicam (Samber, Johann Baptist)
- Contrappunto (Bernardi, Gian Giuseppe)
- Der Contrapunkt (Bellermann, Heinrich)
- Contrapuntal Technique in the Sixteenth Century (Morris, Reginald Owen)
- Convertible Counterpoint in the Strict Style (Taneyev, Sergey)
- Corso teorico pratico di armonia (De Nardis, Camillo)
- Counterpoint Exercises, D.16 (Schubert, Franz)
- Counterpoint Exercises, D.25a (Schubert, Franz)
- Counterpoint Exercises, D.25b (Schubert, Franz)
- Counterpoint Exercises, D.25 (Schubert, Franz)
- Counterpoint Exercises, D.deest (Schubert, Franz)
- Counterpoint, A Practical Course of Study (Macfarren, George Alexander)
- Counterpoint (Bridge, Frederick)
- Counterpoint (Prout, Ebenezer)
- Cours analytiques de musique (Geslin, Philippe Marc Antoine)
- Cours complet d'harmonie et de composition (Momigny, Jérôme-Joseph de)
- Cours d'harmonie théorique & pratique (Arnold, Emile)
- Cours d'harmonie théorique et pratique (Bazin, François)
- Cours d'harmonie (Geslin, Philippe Marc Antoine)
- Cours de Composition Musicale (Indy, Vincent d')
- Cours de composition musicale (Reicha, Anton)
- Cours de contrepoint et de fugue (Cherubini, Luigi)
- Cours de Mélodie Théorique et Pratique (Wautier, Edouard)
- A Course in Musical Composition (Demuth, Norman)
- Course of Harmony (Southard, Lucien)
- Cribrum Musicum (Werckmeister, Andreas)
- Der critische Musicus an der Spree (Marpurg, Friedrich Wilhelm)
- Curiosidades del canto llano (Guzman, Jorge de)
D
- De arte canendi (Heyden, Sebald)
- De arte cantandi micrologus (Ornithoparchus, Andreas)
- De institutione musica (Boëthius, Anicius Manlius Severinus)
- De la musique Moderne des Chinois (Amiot, Joseph)
- De musica libri septem (Salinas, Francisco de)
- De praestantia musicae veteris libri tres (Doni, Giovanni Battista)
- De tutte l’opere (Zarlino, Gioseffo)
- Defensa de la musica moderna contra la errada opinion del obispo Cyrilo Franco (João IV)
- Definitio, divisio musices, et eius subdivisio (Vogt, Michael)
- Del sonare sopra'l basso con tutti li stromenti (Agazzari, Agostino)
- Della prattica musica vocale et strumentale (Cerreto, Scipione)
- Della scienza teorica e pratica della moderna musica (Vallotti, Francesco Antonio)
- Delle lettere del Sr. Gio. Camillo Maffei da Solofra (Maffei, Giovanni Camillo)
- Démonstration du principe de l'harmonie (Rameau, Jean-Philippe)
- Deutsche Musica (Schneegass, Cyriakus)
- Dialogo della musica (Galilei, Vincenzo)
- Dialogo quarto de musica (Lieto Panhormitano, Bartolomeo)
- Le Dimostrationi Harmoniche (Zarlino, Gioseffo)
- Direttorio del canto fermo (Penna, Lorenzo)
- Direttorio monastico di canto fermo (Banchieri, Adriano)
- Discorso intorno all'opere di messer Gioseffo Zarlino (Galilei, Vincenzo)
- Discours analytique sur la cohérence imperturbable (Wiese, Christian Ludwig Gustav von)
- Documenti armonici (Berardi, Angelo)
- Dodecachordon (Glareanus, Henricus)
- Double Counterpoint and Canon (Bridge, Frederick)
- Double Counterpoint and Canon (Prout, Ebenezer)
- Le droict chemin de musique (Bourgeois, Loys)
- Dufay and his Contemporaries (Various)
- Duo libri musices (Agricola, Martin)
E
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