Elegy and Tarantella (Bottesini, Giovanni)

Genre Categories Elegies; Funeral music; Tarantellas; Dances; For double bass, piano; Scores featuring the double bass; Scores featuring the piano; For 2 players; for double bass and orchestra (arr)

Contents

Performances

Sheet Music

Scores and Parts

Complete

 Incomplete Score (D major) - for bass in solo tuning (F♯-B-e-a)
#606214 - 0.57MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/C/V - 145×⇩ - Thingy Person

PDF scanned by IntCulturale
Thingy Person (2020/1/19)

Publisher. Info. Holograph manuscript, n.d.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Biblioteca Nazionale Palatina, Sezione Musicale, Parma (I-PAc):
  • 606213: Bott.73.a
  • 606214: Bott.75.a
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Elegy

 Piano score (D Major) and Bass part for solo tuning (F♯-B-e-a)
#53837 - 1.20MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13420×⇩ - ctesibius

PDF scanned by ctesibius
ctesibius (2010/1/22)

Editor Italo Caimmi (1871-1964)
Publisher. Info. Milano: Ricordi, n.d.[1948]. Plate E.R. 636.
Copyright
Public Domain [tag/del]
Misc. Notes Publication year from WorldCat. Bass part is written in C Major for performance in solo tuning with D Major accompaniment.
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 Piano Score (D Major)
#65699 - 3.06MB, 4 (#13-16) pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 5173×⇩ - Merlinika

PDF scanned by Unknown
Merlinika (2010/5/31)

Editor V. Khomenko
Publisher. Info. Bottesini: Pyesi - dlia Kontrabass i Fortepiano
Moscow: Muzyka, 1972. Plate 7294.
Copyright
Public Domain [tag/del]
Misc. Notes For bass in solo tuning (F♯-B-e-a)
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 Piano Score (E♭ Major) - for bass in high solo tuning (G-C-f-b♭)
#649172 - 0.24MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 448×⇩ - Rafael Velez

PDF typeset by editor
Rafael Velez (2020/9/29)

 Piano Score (D Major) - for bass in solo tuning (F♯-B-e-a)
#649173 - 0.24MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1056×⇩ - Rafael Velez

PDF typeset by editor
Rafael Velez (2020/9/29)

Editor Rafael Velez
Publisher. Info. Rafael Velez, 2020.
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
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 Bass part
#27488 - 0.12MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 28066×⇩ - Sraff01

PDF typeset by Unknown
Sraff01 (2009/1/29)

Editor Shinsuke Furusawa
Publisher. Info. Shinsuke Furusawa, 1999
Copyright
Creative Commons Attribution Non-commercial 3.0 [tag/del]
Misc. Notes This part is written in C Major and is the conventional key for the bassist to play using solo tuning or high solo tuning with the corresponding piano accompaniment in either D Major or E♭ Major.
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 Bass part (D-major concert pitch)
#405730 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6319×⇩ - Anders Rove

PDF typeset by editor
Anders Rove (2016/1/4)

Editor Anders Rove
Publisher. Info. Anders Rove
Copyright
Creative Commons Attribution 4.0 [tag/del]
Misc. Notes This version has been transcribed a whole step higher to sounding pitch and is not the version a performer would normally use. Normally a bassist will read a part in C Major and tune the bass to solo tuning or high solo tuning for accompaniment in D Major or E♭ Major.
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 Bass Part
#444717 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 5391×⇩ - ThomasTS

PDF typeset by editor
ThomasTS (2016/10/24)

Editor ThomasTS
Publisher. Info. ThomasTS
Copyright
Creative Commons Attribution 4.0 [tag/del]
Misc. Notes This part is written in C Major and is the conventional key for the bassist to play using solo tuning or high solo tuning with the corresponding piano accompaniment in either D Major or E♭ Major.
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Tarantella

 Piano Score
#65715 - 8.51MB, 13 (#17-28) pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 8495×⇩ - Merlinika

PDF scanned by Unknown
Merlinika (2010/5/31)

Editor V. Atremyov
Publisher. Info. Bottesini: Pyesi - dlia Kontrabass i Fortepiano
Moscow: Muzyka, 1972. Plate 7294.
Copyright
Public Domain [tag/del]
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 Complete Score (Solo Tuning)
#664358 - 0.51MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1590×⇩ - Rafael Velez

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Rafael Velez (2020/12/17)

 Complete Score (Orchestra Tuning)
#664359 - 0.51MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1793×⇩ - Rafael Velez

PDF typeset by editor
Rafael Velez (2020/12/17)

Editor Rafael Velez
Publisher. Info. Rafael Velez
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
Misc. Notes Orchestra Tuning, Bass Part written at pitch in score.
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Arrangements and Transcriptions

For Double Bass and Orchestra

 Elegy: Complete Score (D major)
#606216 - 0.95MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 84×⇩ - Thingy Person

PDF scanned by IntCulturale
Thingy Person (2020/1/19)

 Complete Orchestra Parts (E♭ major)
#606217 - 11.05MB, 103 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 44×⇩ - Thingy Person

PDF scanned by IntCulturale
Thingy Person (2020/1/19)

 Complete Orchestra Parts (D major)
#606218 - 25.54MB, 233 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 50×⇩ - Thingy Person

PDF scanned by IntCulturale
Thingy Person (2020/1/19)

Arranger Composer
Publisher. Info. Partially autograph manuscript, n.d.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Biblioteca Nazionale Palatina, Sezione Musicale, Parma (I-PAc):
  • 606216: Bott.74.b
  • 606217: Bott.47/I-XXIV
  • 606218: Bott.46/I-XLVIII

The Elegy is with strings only, the Tarantella with full orchestra.

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General Information

Work Title Elegy
Alternative. Title Elegia e Tarantella ; Elegia No.1 ; Tarantella No.4
Composer Bottesini, Giovanni
Opus/Catalogue NumberOp./Cat. No. BOT. 36: Elegy in D major (with strings)
BOT. 37: Elegy in E-flat major (with strings)
BOT. 70: Tarantella in A minor (with orchestra)
BOT. 71: Tarantella in B-flat minor (with orchestra)
BOT. 96: Elegy in D major (with piano)
BOT. 97: Elegy in D major (with strings)
BOT. 155: Tarantella in B-flat minor (with piano)
BOT. 156: Tarantella in A minor (with piano)
I-Catalogue NumberI-Cat. No. IGB 5
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation double bass, piano

Navigation etc.

The version with orchestra is referred to as an "arrangement" on CD booklets, but since these are undated manuscripts, it is impossible to tell which came first. Tagging is subject to correction if dates are ever found and prove otherwise.

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