Concertino in E-flat major, Op.26 (Weber, Carl Maria von)

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Performances

Recordings

Publisher Info. Urbana: Prairie Performances, WILL-FM
Performers Solomon Baer (clarinet)
Millikin Decatur Symphony, Michael Luxnor (conductor)
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Naxos

Sheet Music

Scores

Copyist Julius Rietz (1812–1877)
Publisher. Info. 12 Instrumental pieces (pp.126-48)
Manuscript, n.d.(ca.1850-75).
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Misc. Notes Sächsische Landesbibliothek, Dresden (D-Dl): Mus.4689-M-1.06
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Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1920). Plate Part.B.
Reprinted Kalmus Orchestra Library A 2264.
New York: E.F. Kalmus, n.d.(1933–70).
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Misc. Notes Cleaned and retouched.
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Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1920). Plate Part.B.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2264.
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Misc. Notes Full Score is 10 x 13 scan.
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Parts

Clarinet Solo
Publisher. Info. Berlin: Robert Lienau, n.d. Plate RL 35870.
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Misc. Notes The seemingly impossibly high plate number might provide a hint that it is a reprint of an earlier Schlesinger edition with additional numbers added to the plate number.
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Publisher. Info. Berlin: Robert Lienau, n.d. Plate RL 35870.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2264.
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Misc. Notes Parts are 10 x 13 scans.
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PDF scanned by Unknown
Feduol (2024/10/29)

Arranger Arthur H. Christmann
Publisher. Info. New York: G. Schirmer, 1958.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Feduol (2024/10/29)

Editor Günter Haußwald (1908–1974)
Publisher. Info. Leipzig: Breitkopf und Härtel, No.1585, n.d.(ca.1960). Plate 21550.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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PDF typeset by editor
DSM (2008/8/5)

Editor DSM
Publisher. Info. DSM
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Orchestra
Publisher. Info. Leipzig: A. Kühnel, n.d.
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10 more: Oboe 1, 2 • Bassoon 1, 2 • Horn 1, 2 (E♭/C)** • Trumpet 1, 2 (E♭/C)** • Timpani • Violins I • Violins II • Violas • Cellos • Basses

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1920). Plate Part.B.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2264.
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Misc. Notes Parts are 10 x 13 scans.
**Following have transposed parts, Horn 1, 2 in F, Trumpet 1, 2 also in F.
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14 more: Oboe 1 • Oboe 2 • Bassoon 1 • Bassoon 2 • Horn 1 (C, E♭) • Horn 2 (C, E♭) • Trumpet 1 (E♭) • Trumpet 2 (E♭) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

Editor Günter Haußwald (1908–1974)
Publisher. Info. Breitkopf & Härtels Orchester-Bibliothek, No.4923
Leipzig: Breitkopf und Härtel, n.d.(ca.1960).
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor Lance Humphrey Cowled (b. 1950)
Publisher. Info. Lance Humphrey Cowled, 2019.
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Misc. Notes Created in Sibelius 2019.
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Arrangements and Transcriptions

For Clarinet, 2 Violins, Viola, Cello and Piano (Oakes)
Arranger Cam Oakes (b. 1998)
Publisher. Info. Cam Oakes, 2020.
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For Clarinet and Piano
Editor Cyrille Rose (1830-ca.1903)
Publisher. Info. Paris: Evette & Schaeffer, n.d.(ca.1879?). Plate E.S. 106.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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PDF scanned by Dennis Bouriakov
Gabe GV (2006/12/15)

Editor Günter Haußwald (1908–1974)
Publisher. Info. Leipzig: Breitkopf und Härtel, No.1585, (ca.1897). Plate 21550.
Reissue (edited) - Leipzig, 1963
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Editor William Strasser (1875–1944)
Publisher. Info. Solos for B Clarinet with Piano Accompaniment, W 1893
New York: Carl Fischer, 1915. Plate 3984-13.
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For Clarinet and Piano (Christmann)

PDF scanned by Unknown
Feduol (2024/10/29)

PDF scanned by Unknown
Feduol (2024/10/29)

Arranger Arthur H. Christmann
Publisher. Info. New York: G. Schirmer, 1958.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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For Violin and Piano (Hermann)
Arranger Friedrich Hermann (1828-1907)
Publisher. Info. Berlin: Robert Lienau (Schlesinger), n.d.[1870]. Plate S. 5587.
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Misc. Notes Hermann arranged all the Weber clarinet works for violin and piano; see cover.
For an accompanist needing to play the clarinet line in C, this might be useful.
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For Piano 4 Hands
Publisher. Info. Leipzig: C.F. Peters, n.d. Plate 3029.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Cadenzas

Manookian
Arranger Jeff Manookian
Publisher. Info. Windsor Editions
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Braille Scores

Clarinet Solo

BRF typeset by editor
Feduol (2024/10/29)

Editor Mauro De Giovanni (b. 1982)
Publisher. Info. Mauro De Giovanni, 2024.
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Misc. Notes Braille score in single-line format, 33 cells per line, 25 lines per page.
See here for additional information on Braille scores.
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General Information

Work Title Clarinet Concertino
Alternative. Title
Name Translations Concertino for Clarinet; クラリネット小協奏曲 (ウェーバー); Concertino para clarinete y orquesta; concertino pour clarinette et orchestre
Name Aliases Concertino para clarinete; concertino pour clarinette
Authorities Wikipedia; BNF: 14851446s
Composer Weber, Carl Maria von
Opus/Catalogue NumberOp./Cat. No. Op.26 ; J.109
I-Catalogue NumberI-Cat. No. ICW 15
Key E-flat major
Movements/SectionsMov'ts/Sec's 3 sections:
  1. Adagio ma non troppo
  2. Andante
  3. Allegro
Year/Date of CompositionY/D of Comp. 1811/04/02
First Performance. 1811/04/05
Heinrich Joseph Baermann (clarinet)
First Publication. 1813 - Leipzig: Kühnel
Dedication Heinrich Baermann
Average DurationAvg. Duration 10 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Solo: clarinet
Orchestra: flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, strings
External Links Wikipedia article