Benvenuto Cellini, H 76 (Berlioz, Hector)

Movements/SectionsMov'ts/Sec's 2 or 3 acts
Composition Year 1836–38
Genre Categories Opera semiseria; Theatrical Works; Operas; [12 more...]For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; French language; For piano (arr); For 1 player (arr); Scores featuring the piano (arr); For piano 4 hands (arr); Scores featuring the piano 4 hands (arr); For 2 players (arr)
Related Works Pieces based on Benvenuto Cellini
Themes later used in Le carnaval romain, H 95

Contents

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Performances

Naxos

Sheet Music

Full Scores

Complete

⇒ 4 more: Overture • Act I • Act II • Act III

Language French
Publisher. Info. Paris: Choudens, n.d.(ca.1886). Plate A.C. 6870.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog 513.
Copyright
Public Domain
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Publisher. Info. Paris: Choudens, n.d.(ca.1886). Plate A.C. 6870.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A4011, A4012, A4013.
Copyright
Public Domain
Misc. Notes Same score as Daphnis', but they XY ratios are true to the scan.
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Paris/Weimar Version

 Act Ia (EU)
#730829 - 20.84MB, 334 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 540×⇩ - Madcapellan

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Madcapellan (2021/9/11)

 Act Ib (EU)
#730830 - 25.13MB, 389 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 327×⇩ - Madcapellan

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Madcapellan (2021/9/11)

Editor Hugh Macdonald (b. 1940)
Publisher. Info. New Edition of the Complete Works, Vol.1a, 1b (pp.5-727)
Kassel: Bärenreiter-Verlag, 1994. Plate BA 5441.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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 Act II (EU)
#755414 - 30.04MB, 473 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 282×⇩ - Madcapellan

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Madcapellan (2022/1/1)

Editor Hugh Macdonald (b. 1940)
Publisher. Info. New Edition of the Complete Works, Vol.1c (pp.728-1201)
Kassel: Bärenreiter-Verlag, 1996. Plate BA 5441.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Public Domain - See notes on copyright status for urtext editions
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Concert overture, H 76B (Op.23)

Editor Arthur Smolian (1856–1911)
Engraver Leipzig: C.G. Röder.
Publisher. Info. Leipzig: Ernst Eulenburg, 1899. Plate E.E. 3722.
Copyright
Public Domain
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Editor Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Publisher. Info. Hector Berlioz Werke, Serie II, Band 5
Leipzig: Breitkopf und Härtel, 1900. Plate H.B. 10.
Reprinted Roman Carnival and Other Overtures in Full Score
Mineola: Dover Publications, 1995.
Copyright
Public Domain
Misc. Notes #402073: This score includes measure numbers, and is part of the research project Romantic Overtures, 1820-1850
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Editor Philip Legge (b. 1972)
Publisher. Info. Philip Legge
Copyright
Creative Commons Attribution Share Alike 3.0
Misc. Notes See Creative Commons Attribution Share Alike 2.5 Australia
for precise copyright terms.
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Le carnaval (Act II, No.8)

 Complete Score (EU)
#891610 - 3.60MB, 39 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 74×⇩ - Feduol

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.2
London: Oxford University Press, 1995.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes This file does not include the editor's translation of the lyrics.
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Parts

⇒ 34 more: Flute 2/Piccolo • Oboe 1 • Oboe 2/English Horn • Clarinet 1/Bass Clarinet (B♭) • Clarinet 2 (B♭) • Bassoon 1/3 • Bassoon 2/4 • Horn 1 (G) • Horn 2 (E) • Horn 3 (D) • Horn 4 (D) • Trumpet 1 (G) • Trumpet 2 (E) • Trumpet 3 (G) • Trumpet 4 (D) • Cornet 1 (A) • Cornet 2 (A) • Trombone 1 • Trombone 2 • Trombone 3 • Tuba • Timpani 1 • Timpani 2 • Timpani 3 • Bass Drum, Cymbals • Tambourine, Triangle/Anvil • Harp 1 • Harp 2 • Guitar 1 , 2 • Violins I • Violins II • Violas • Cellos • Basses

 Tuba
#691183 - 1.40MB, 25 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 32×⇩ - M.kowalski49

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Publisher. Info. Manuscript, n.d.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A4011, A4012, A4013.
Copyright
Public Domain
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Concert overture, H 76B (Op.23)

⇒ 11 more: Oboe 1, 2 • Clarinet 1 (C, B♭), 2 (C, B♭, also doubling B♭ bass clarinet) • Bassoon 1/3, 2/4 • Horn 1 (G), 2 (E, C), 3, 4 (D) • Trumpet 1 (G), 2 (E), 3 (G), 4 (D) / Cornet 1, 2 (A) • Trombone 1, 2, 3, Tuba • Timpani 1 (D), 2 (G), 3 (B), Bass Drum, Triangle, Cymbals • Violins I, II • Violas • Cellos • Basses

 Oboe 1, 2
#50200 - 0.73MB, 8 (4, 4) pp. -  10/10 2 4 6 8 10 (1) - V/V/V* - 1426×⇩ - KGill

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KGill (2009/12/24)

 Bassoon 1/3, 2/4
#50202 - 0.67MB, 8 (4, 4) pp. -  0/10 2 4 6 8 10 (0) - V/V/V* - 694×⇩ - KGill

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KGill (2009/12/24)

 Trombone 1, 2, 3, Tuba
#50205 - 0.62MB, 8 (2, 2, 2, 2) pp. -  6/10 2 4 6 8 10 (1) - V/V/V* - 1638×⇩ - KGill

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KGill (2009/12/24)

 Violins I, II
#50207 - 0.91MB, 11 (6, 5) pp. -  9/10 2 4 6 8 10 (4) - V/V/V* - 1209×⇩ - KGill

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KGill (2009/12/24)

 Violas
#50208 - 0.43MB, 5 pp. -  0/10 2 4 6 8 10 (0) - V/V/V* - 669×⇩ - KGill

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KGill (2009/12/24)

 Basses
#50209 - 0.30MB, 4 pp. -  0/10 2 4 6 8 10 (0) - V/V/V* - 552×⇩ - KGill

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KGill (2009/12/24)

Editor Charles Malherbe (1853–1911)
Felix Weingartner (1863–1942)
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1910). Plate Orch.-B. 1139.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).
Copyright
Public Domain
Misc. Notes These files are part of the Orchestra Parts Project.
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Editor Aaron J. Kirschner (b. 1988)
Publisher. Info. Kirschner Music Publishing, 2024.
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes Same cues and rehearsal markings as Breitkopft & Härtel Concert Overture
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Le carnaval (Act II, No.8)

 Flute 1, 2/Piccolo (EU)
#891611 - 0.51MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 38×⇩ - Feduol

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Feduol (2024/1/1)

⇒ 16 more: Oboe 1, 2 • Clarinet 1, 2 (B♭) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Cornet 1, 2 (B♭) • Trumpet 1, 2 (B♭) • Trombone 1, 2, 3 • Tuba • Timpani • Percussion • Harp • Violins I • Violins II • Violas • Cellos • Basses

 Oboe 1, 2 (EU)
#891612 - 0.46MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 32×⇩ - Feduol

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Feduol (2024/1/1)

 Clarinet 1, 2 (B♭) (EU)
#891613 - 0.49MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 36×⇩ - Feduol

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Feduol (2024/1/1)

 Bassoon 1, 2 (EU)
#891614 - 0.45MB, 8 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 32×⇩ - Feduol

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Feduol (2024/1/1)

 Horn 1, 2, 3, 4 (F) (EU)
#891615 - 0.70MB, 14 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 34×⇩ - Feduol

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Feduol (2024/1/1)

 Cornet 1, 2 (B♭) (EU)
#891616 - 0.29MB, 6 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 32×⇩ - Feduol

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Feduol (2024/1/1)

 Trumpet 1, 2 (B♭) (EU)
#891617 - 0.28MB, 6 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 32×⇩ - Feduol

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Feduol (2024/1/1)

 Trombone 1, 2, 3 (EU)
#891618 - 0.34MB, 6 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 34×⇩ - Feduol

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Feduol (2024/1/1)

 Tuba (EU)
#891619 - 0.11MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 30×⇩ - Feduol

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Feduol (2024/1/1)

 Timpani (EU)
#891620 - 0.10MB, 2 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 33×⇩ - Feduol

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Feduol (2024/1/1)

 Percussion (EU)
#891621 - 0.16MB, 3 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 33×⇩ - Feduol

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Feduol (2024/1/1)

 Harp (EU)
#891622 - 0.20MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 32×⇩ - Feduol

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Feduol (2024/1/1)

 Violins I (EU)
#891623 - 0.29MB, 5 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 36×⇩ - Feduol

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Feduol (2024/1/1)

 Violins II (EU)
#891624 - 0.28MB, 5 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 34×⇩ - Feduol

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Feduol (2024/1/1)

 Violas (EU)
#891625 - 0.27MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 31×⇩ - Feduol

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Feduol (2024/1/1)

 Cellos (EU)
#891626 - 0.26MB, 4 pp. -  0/10 2 4 6 8 10 (0) - C*/N/V* - 31×⇩ - Feduol

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Feduol (2024/1/1)

 Basses (EU)
#891627 - 0.24MB, 5 pp. -  0/10 2 4 6 8 10 (0) - C*/N*/V* - 34×⇩ - Feduol

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Feduol (2024/1/1)

Editor John Rutter (b. 1945)
Publisher. Info. Oxford Choral Classics: Opera Choruses, No.2
London: Oxford University Press, 1995.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - Non-PD US
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Vocal Scores

Complete, H 76 (Weimar version)

Arranger Hans von Bülow (1830–1894), piano reduction
Language German / French
Translator Peter Cornelius (1824–1874), German text
Publisher. Info. Braunschweig: Henry Litolff, n.d.[1856]. Plate 1232.
Copyright
Public Domain
Misc. Notes The overture is scored for piano 4 hands.
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 Act II
#58990 - 23.26MB, 169 pp. -  7.3333333333333/10 2 4 6 8 10 (3) - V/V/V - 808×⇩ - Daphnis

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Daphnis (2010/3/13)

Arranger Hans von Bülow (1830–1894)
Language German / French
Translator Peter Cornelius (1824–1874), German text
Publisher. Info. Braunschweig: Henry Litolff, n.d.(ca.1882). Plate 12173.
Copyright
Public Domain
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Arranger Hans von Bülow (1830–1894)
Language French
Publisher. Info. Paris: Choudens Fils, n.d.(1863). Plate A.C. 989.
Reprinted New York: E.F. Kalmus, n.d.(1933–70).Catalog 6052.
Copyright
Public Domain
Misc. Notes *4 additional pages in Overture, numbered 9bis, 10bis, 11bis, 12bis.
View Univ. Toronto copy at archive.org
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Arranger Hans von Bülow (1830–1894)
Publisher. Info. Paris: A. C. Choudens, 1950. Plate A.C. 16,807.
Copyright
Public Domain
Misc. Notes Most likely a re-engraving of the 1863 vocal score (327 pages), plate 989. No renewal found in Copyright Office's online database.
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Arrangements and Transcriptions

Selections

For Piano (Liszt)
See: Bénédiction et serment, S.396, by Franz Liszt

Overture

For Piano 4 hands (Bülow)
Arranger Hans von Bülow (1830–1894)
Engraver Leipzig: C.G. Röder.
Publisher. Info. Berlin: Schlesinger, n.d.(1865). Plate 3090 A.
Copyright
Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
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For Piano (Fumagalli)
Arranger Adolfo Fumagalli (1828–1856)
Publisher. Info. Milan: G. Ricordi, n.d.(1852). Plate 23778.
Copyright
Public Domain
Misc. Notes This arrangement is Fumagalli’s Op.81.
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For Piano (Wrede)
Arranger Ferdinand Wrede (1827–1899)
Publisher. Info. Berlin: Schlesinger, n.d. Plate S. 3090 B.
Copyright
Public Domain
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Braille Scores

Concert overture, H 76B (Op.23)

 Complete Score
#893000 - 0.08MB, ? pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 28×⇩ - Feduol

BRF typeset by editor
Feduol (2024/1/5)

Editor Hu Haipeng (b. 1984)
Publisher. Info. Hu Haipeng, 2019.
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes Braille score in customized (between bar-over-bar and line-over-line) format, 40 cells per line.
See here for additional information on Braille scores.
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General Information

Work Title Benvenuto Cellini, opéra semi-seria
Alternative. Title
Name Translations Benvenuto Cellini; ベンヴェヌート・チェッリーニ; Бенвенуто Челлини; Բենվենուտո Չելլինի; Benvenuto Cellini (opera); 本韋努托·切利尼
Name Aliases Benvenuto Cellini (Berlioz)
Authorities WorldCat; Wikipedia; VIAF: 179830238; LCCN: n81093106; GND: 300204744; BNF: 13908474q
Composer Berlioz, Hector
Opus/Catalogue NumberOp./Cat. No. H 76
Internal Reference NumberInternal Ref. No. IHB 7
Movements/SectionsMov'ts/Sec's 2 acts in 4 tableaux (Paris 1 and 2), 3 acts (Weimar)
Setting: Rome, during Carnival of 1532, over Shrove Monday, Mardi Gras, and Ash Wednesday.
Weimar version
Grande Ouverture (Œuvre 23), 420 bars
  • Acte Ier. Lundi gras
1. Introduction. Balducci: "Teresa!" (195 bars)
2. (Recit. & Air)
Recit. Teresa: "Les belles fleurs!" (23 bars)
Air. Teresa: "Entre l’amour et le devoir" (241 bars)
3. Duo et Trio (Teresa, Cellini, Fieramosca)
Recit. (26 bars)
Cellini: "O Teresa, vous que j’aime plus que ma vie" (426 bars)
4. Final. Balducci: "C’est fini! A nous voisines et servantes!" (147 bars)
  • Acte IIème. Mardi gras
5. Romance
Recit. Cellini: "Une heure encore" (26 bars)
Romance. Cellini: "La gloire était ma seule idole" (80 bars)
6. Scène et Chœur. Bernardino, Chœur: "A boire, à boire!" (514 bars, 608 in vs)
7. Air. Fieramosca: "Ah! qui pourrait me résister?" (161 bars)
8. Final (Le carnaval). Balducci: "Vous voyez j’espère
  • Acte IIIème. Mercrèdi des cendres
9. Entr’acte et Chœur
Chœur d’ouvriers fondeurs: "A l’atelier rentrons sans plus attendre"
10. Scène. Teresa: "Il n’a pas reparu"
11. Air. Ascanio: "Tra la la la la la la la"
12. Scène et Chœur
Recit. Teresa: "Ah qu’est-il devenu"
Chœur: "Rosa purpurea Maria sancta mater ora pro nobis"
13. Duetto. Cellini, Teresa: "Quand des sommets de la montagne"
14. Scène et Sextuor. Balducci: "Ah! je te trouve enfin"
15. Air
Recit. Cellini: "Seul pour lutter"
Air. Cellini: "Sur le monts le plus sauvages"
16. Final. Un Officier: "Son eminence attend"
Year/Date of CompositionY/D of Comp. 1836–38
First Performance. 1838/09/10 in Paris, Opéra
Gilbert Duprez (Cellini), François Antoine Habeneck (conductor)
First Publication. 1838 (overture and selections)
1856 (vocal score)
1886 (full score, incomplete)
1994/96 (full score, complete)
Librettist Auguste Barbier (1805–1882) and Léon de Wailly (1804–1863),
after an idea by Alfred de Vigny (1797–1863)
Language French
Dedication Mr. Ernest Legouvé (Grande ouverture Op.23)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices (13 roles, 9 singing), chorus, orchestra
InstrDetail [more...]
Cast
Benvenuto Cellini, goldsmith (tenor)
Giacomo Balducci, papal treasurer (bass)
Fieramosca, sculptor in service to the Pope (Paris: tenor; Weimar: baritone)
Pope Clement VII, Paris 2, Weimar: Cardinal Salviati (bass)
Francesco, craftsman in the studio of Cellini (tenor)
Bernardino, craftsman in the studio of Cellini (bass)
Pompeo, murderer (Paris: tenor; Weimar: baritone)
Innkeeper (tenor)
A waiter at the inn (spoken)
Three mime actors (spoken)
Teresa, daughter of Balducci (soprano)
Ascanio, apprentice to Cellini (soprano)

Mixed Chorus (SSATTBB)

Women and Children, Craftsmen, Citizens, Penitents, Monks and Noblemen

Orchestra

2 flutes (2nd also piccolo), 2 oboes (both also English horn),
2 clarinets (2nd also bass clarinet), 4 bassoons
4 horns, 4 trumpets, 2 cornets, 3 trombones, ophecleide
timpani, percussion (3), 4 harps, strings

Onstage Instruments

2 guitars, 2 trumpets, tambourine, cymbals
Related Works Pieces based on Benvenuto Cellini
Themes later used in Le carnaval romain, H 95
External Links Wikipedia article
On-line score (Scorch format) of the Overture
Libretti
Paris version 1
Weimar version

Benvenuto Cellini -  Scores at Sheet Music Plus

Extra Information Publication History

Navigation etc.

[hide]Compositions and Literary Works by Hector Berlioz
Operas

Les francs-juges, H 23 · Benvenuto Cellini, H 76 · Les Troyens, H 133 · Béatrice et Bénédict, H 138

Symphonies

Symphonie fantastique, H 48 · Harold en Italie, H 68 · Roméo et Juliette, H 79 · Grande symphonie funèbre et triomphale, H 80

Concert Overtures

Grande ouverture de Waverley, H 26 · Grande ouverture du Roi Lear, H 53 · Intrata di Rob-Roy MacGregor, H 54 · Le carnaval romain, H 95 · Le Corsaire, H 101

Liturgical works

Messe solennelle, H 20 · Grande messe des morts, H 75 · Te Deum, H 118

Other choral works

Lélio, ou le retour à la vie, H 55 · La damnation de Faust, H 111 · Tristia, H 119 · Vox populi, H 120 · L’enfance du Christ, H 130

Songs and cantatas

Herminie, H 29 · Cléopâtre, H 36 · Irlande, H 38 · Les nuits d’été, H 81 · Feuillets d’album, H 121 · Fleurs des landes, H 124

Writings

Grand traité d’instrumentation et d’orchestration modernes · Les Soirées de l’Orchestre · Les Grotesques de la Musique · À Travers Chants · Mémoires

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